A Doll's House

By Henrik Ibsen

Entry 15725

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(1828 - 1906)

Socially-Progressive Playwright, Author, Activist, and Revolutionary from Norway

Henrik Johan Ibsen was a Norwegian playwright and theater director. As one of the founders of modernism in theater, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Rosmersholm, and The Master Builder. Ibsen is the most frequently performed dramatist in the world after Shakespeare, and A Doll's House was the world's most performed play in 2006. Ibsen's early poetic and cinematic play Peer Gynt has strong surreal elements. After Peer Gynt Ibsen abandoned verse and wrote in realistic prose. Several of his later dramas were considered scandalous to many of his era, when European theater was expected to model strict morals of family life and propriety. Ibsen's later work examined the realities that lay behind the facades, revealing much that was di... (From: Wikipedia.org.)

Chapters

3 Chapters | 28,052 Words | 164,776 Characters

[SCENE.—A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer’s study. Between the doors stands a piano. In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, arm-chairs and a small sofa. In the right-hand wall, at the farther end, another door; and on the same side, nearer the footlights, a stove, two easy chairs and a rocking-chair; between the stove and the door, a small table. Engravings on the walls; a cabinet with china and other small objects; a small book-case with well-bound books. The floors are carpeted, and a fire burns in the stove. It is winter. A bell r... (From: Gutenberg.org.)
[THE SAME SCENE.—THE Christmas Tree is in the corner by the piano, stripped of its ornaments and with burnt-down candle-ends on its disheveled branches. NORA’S cloak and hat are lying on the sofa. She is alone in the room, walking about uneasily. She stops by the sofa and takes up her cloak.] NORA. [drops her cloak]. Someone is coming now! [Ges to the door and listens.] No—it is no one. Of course, no one will come today, Christmas Day—nor tomorrow either. But, perhaps—[opens the door and looks out]. No, nothing in the letterbox; it is quite empty. [Comes forward.] What rubbish! of course he can’t be in earnest about it. Such a thing couldn’t happen; it is impossible—I have three little child... (From: Gutenberg.org.)
[THE SAME SCENE.—The table has been placed in the middle of the stage, with chairs around it. A lamp is burning on the table. The door into the hall stands open. Dance music is heard in the room above. Mrs Linde is sitting at the table idly turning over the leaves of a book; she tries to read, but does not seem able to collect her thoughts. Every now and then she listens intently for a sound at the outer door.] MRS LINDE. [looking at her watch]. Not yet—and the time is nearly up. If only he does not—. [Listens again.] Ah, there he is. [Ges into the hall and opens the outer door carefully. Light footsteps are heard on the stairs. She whispers.] Come in. There is no one here. KROGSTAD. [in the doorway]. I found a note fr... (From: Gutenberg.org.)

Chronology

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March 19, 2022; 5:35:43 PM (America/Los_Angeles)
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