,PAUL ,GOODMAN 
,AM]ICAN ,WRIT]1 ,CRITIC1 ,PSY*O!RAPI/1 & ,AN>*I/ ,PHILOSOPH] 

,SEPTEMB] #i1 #aiaa -- ,AUGU/ #b1 #aigb 

,DESCRIPTION 3 ,AS ! MOVEM5T BECAME ! ,MOVEM5T & %IFT$ TO A /RUGGLE BETWE5 ! ,OLD ,LEFT & ! ,NEW ,LEFT1 ,GOODMAN REMA9$ UNAPOLOGETICALLY FREE4 ,MANY ( HIS =M] FOLL[]S AB&ON$ HIM AS HE REFUS$ TO (F] A BLUEPR9T = BUILD+ /RUCTURES = ! FUTURE1 PREF]R+ ! =MULATION ( H]E1 N[1 NEXT4 7,FROM 3 ,FITZG]ALD ,BIO7 

,TAGS 3 AN>*I/1 PHILOSOPH]1 POET1 PLAYWRI<T1 PSY*OLOGI/1 PSY*O!RAPI/1 SOCIAL CRITIC1 AM]ICAN1 NOVELI/1 PACIFI/4 

,QUOTES 3 
0,AN>*ISM IS GR\ND$ 9 A RA!R DEF9ITE PROPOSITION3 ?AT VALUABLE BEHAVIOR OCCURS ONLY BY ! FREE & DIRECT RESPONSE ( 9DIVIDUALS OR VOLUNT>Y GR\PS TO ! CONDITIONS PRES5T$ BY ! HI/ORICAL 5VIRONM5T4 ,IT CLAIMS ?AT 9 MO/ HUMAN AFFAIRS1 :E!R POLITICAL1 ECONOMIC1 MILIT>Y1 RELIGI\S1 MORAL1 P$AGOGIC1 OR CULTURAL1 MORE H>M ?AN GOOD RESULTS FROM CO]CION1 TOP-D[N DIRECTION1 C5TRAL AU?ORITY1 BUREAUCRACY1 JAILS1 CONSCRIPTION1 /ATES1 PRE-ORDA9$ /&>DIZATION1 EXCESSIVE PLANN+1 ETC40 7,FROM 3 0,! BLACK FLAG ( AN>*ISM10 BY ,PAUL ,GOODMAN47 
0,!RE CANNOT BE A HI/ORY ( AN>*ISM 9 ! S5SE ( E/ABLI%+ A P]MAN5T /ATE ( ?+S CALL$ 'AN>*I/4' ,IT IS ALWAYS A CONT9UAL COP+ ) ! NEXT SITUATION1 & A VIGILANCE TO MAKE SURE ?AT PA/ FRE$OMS >E NOT LO/ & DO NOT TURN 9TO ! OPPOSITE1 AS FREE 5T]PRISE TURN$ 9TO WAGE-SLAV]Y & MONOPOLY CAPITALISM1 OR ! 9DEP5D5T JUDICI>Y TURN$ 9TO A MONOPOLY ( C\RTS1 COPS1 & LAWY]S1 OR FREE $UCATION TURN$ 9TO ,S*OOL ,SY/EMS40 7,FROM 3 0,! BLACK FLAG ( AN>*ISM10 BY ,PAUL ,GOODMAN47 
0,AS \R FAMILIES >E1 ! *ILDR5 9 BO? !IR PRES5T SATISFACTION & ! FREE GR[? ( !IR P[]S1 >E C]TA9LY CRU%$1 ?W>T$1 PU%$1 HURT1 & MISL$ BY !IR HO/ILE & DOT+ GR[N-UPS4 ,FRANKLY1 ,I D\BT ?AT Y\ CAN F9D ONE *ILD 9 A DOZ5 :O IS NOT BE+ S]I\SLY 9JUR$1 9 QUITE DEF9ITE & TANGIBLE WAYS1 BY HIS FAMILY40 7,FROM 3 0,! ,*ILDR5 & ,PSY*OLOGY10 BY ,PAUL ,GOODMAN47 

,BIOGRAPHY 3 

  

,PAUL ,GOODMAN #a ,PAUL ,GOODMAN WAS BORN 9 ,NEW ,YORK ,CITY ON ,SEPTEMB] #i1 #a#i#a#a4  ,HE NEV] KNEW HIS FA!R :O AB&ON$ ! FAMILY :5 ,PAUL WAS AN 9FANT4  ,?IS LEFT HIS BOHEMIAN MO!R A WORK+ S+LE P>5T4  ,HIS BRO!R ,P]CIVAL LEFT HOME E>LY4  ,HE WAS RAIS$ )\T MU* SUP]VISION BY HIS MO!R'S SI/]S & HIS OLD] SI/] ,ALICE 9 ! RI* ATMOSPH]E ( ! URBAN ,JEWI% 9TELLECTUAL COMMUNITY ( ! E>LY P>T ( ! C5TURY4  ,HE WAS A BOOKI% & CURI\S *ILD :O ROAM$ FREELY 9 ! /REETS1 P>KS1 MUSEUMS & LIBR>IES ( ,NEW ,YORK ,CITY ABSORB+ A TRULY FREE $UCATION4  ,HE GRADUAT$ FROM ,CITY ,COLLEGE 9 ! DEPRESSION YE> ( #aica & SNEAK$ 9TO CLASSES AT ,COLUMBIA & ,H>V>D4  ,?R\< A ,COLUMBIA PR(ESSOR HE WAS 9VIT$ TO TEA* AT ! ,UNIV]SITY ( ,*ICAGO :ILE HE E>N$ HIS ,PH4,D 9 ,LIT]ATURE1 BUT HE WAS FIR$ FROM HIS JOB 7AS HE WAS FIR$ FROM EV]Y TEA*+ JOB 9 HIS LIFE7 BECAUSE HE 9SI/$ ON HIS RI<T TO FALL 9 LOVE ) HIS /UD5TS4 ,HE WAS NEV] 9 ! CLOSET AB\T HIS BISEXUALITY & SAW NO REASON TO HIDE IT EV5 9 ! FACE ( ! TR\BLE IT CAUS$ HIM 9 ?AT LESS P]MISSIVE TIME4  

,?R\< ! NEXT TW5TY-FIVE YE>S HE LIV$ ) HIS COMMON-LAW WIFE ,SALLY4  ,GOODMAN HAD TWO DAU<T]S1 ,SUSAN 7:OSE MO!R WAS ,VIRG9IA ,MILL]1 ,GOODMAN'S FIR/ WIFE7 & ,DAISY1 & A SON1 ,MAT!W ,READY4  ,DUR+ ?IS TIME !Y LIV$ 9 DEC5T POV]TY & AN IDEAL 5VIRONM5T = S]I\S PEOPLE4  ,!Y GOT BY ON LITTLE JOBS 9CLUD+ A @s#e P] /ORY CONTRACT ) ! ,M,G,M /ORY DEP>TM5T 9 ,NEW ,YORK = PLOT SYNOPSES ( ,FR5* NOVELS4  ,DUR+ ?IS TIME HE WROTE FURI\SLY4  ,HE CONSID]$ HIMSELF AN >TI/ & PRODUC$ MO/LY POEMS1 PLAYS & %ORT /ORIES4  ,HE PROMOT$ HIMSELF VIGOR\SLY BUT MET ) LITTLE ACCEPTANCE ( HIS MO/LY AVANT-G>DE /YLE4  ,HE WAS 9VOLV$ ) LITTLE LIT]>Y MAGAZ9ES1 !AT] GR\PS & POLITICAL ACTIVITIES C5T]$ >\ND ! ,SPANI% ,AN>*I/ ,HALL 7,SOLID>IDAD ,9T]NATIONAL ,ANTI-,FASCI/A74  

,MIDLIFE F\ND ,PAUL ,GOODMAN DRA9$ & FE>FUL 9 ! FACE ( HIS /ATUS AS A M>G9AL >TI/ ) *ILDR5 TO RAISE4  ,HE WROTE 9 A J\RNAL3  ,I AM AT A LOSS1 9 \R GREAT CITY1 H[ TO DO ANY?+ AT ALL ?AT C\LD MAKE AN IMM$IATE DIFF]5CE 9 \R FEEL+ & PRACTICE 7& SO 9 MY [N FEEL+ & PRACTICE74  ,!RE=E ,I HAVE CEAS$ TO WANT ANY?+1 ,I DO NOT KN[ :AT WE WANT4  ,IT WAS AT ?IS TIME ?AT HE MET ,FRITZ ,P]LS1 A ,G]MAN ,JEW :O SP5T ! ,HITL] YE>S 9 ,S\? ,AFRICA & FL$ TO ! ,UNIT$ ,/ATES AS ! AP>!ID REGIME >OSE !RE4  ,P]LS HAD /UDI$ ) ! F\ND+ G5]ATION ( ,FREUDIANS BUT SOON DEVELOP$ A V]Y UNCONV5TIONAL !RAPEUTIC PRACTICE4  ,P]LS' IDEAS BL5D$ WELL ) ,GOODMAN'S & !Y W]E SOON 9VOLV$ 9 A RI* COLLABORATION1 F\ND+ ! ,GE/ALT ,!RAPY ,9/ITUTE & WRIT+ ,GE/ALT ,!RAPY4 

,?IS EXPOSURE %IFT$ ,GOODMANAS C>E] FROM >TI/_/WRIT] TO SOCIAL CRITIC4  ,HE WROTE NO MORE /ORIES OR PLAYS & FEW] POEMS4  ,HIS BREAK?R\< BOOK1 ,GR[+ ,UP ,ABSURD1 WAS REJECT$ BY A DOZ5 PUBLI%]S BE=E F9ALLY SEE+ PR9T 9 #aif & BECOM+ A HUGE SUCCESS4 ,SOON ! RE/ ( SOCIETY BEGAN TO CAT* UP TO HIM AS Y\NG PEOPLE BEGAN TO REBEL AGA9/ ! EXCESSIVE CONV5TIONALITY ( ! FIFTIES4  ,HE WAS WELL PLAC$ TO ADDRESS ! ANTI-9/ITUTIONAL CRITIQUE :I* EM]G$ AT ?IS TIME & L$ TO MASSIVE *ANGE 9 ! YE>S TO COME4  ,BY ! MID-SIXTIES HE WAS ADOPT$ AS SORT ( AN UNCLE ( ! Y\?_//UD5T MOVEM5T1 WROTE A BOOK A YE>1 & MADE ALMO/ CON/ANT CAMPUS APPE>ANCES4  ,HIS CONTRIBUTION WAS S*OL>LY YET P]SONAL1 CLASSICAL YET REVOLUTION>Y1 & ?OR\<LY NATURAL & ANTI-9/ITUTIONAL4  

,AS ! MOVEM5T BECAME ! ,MOVEM5T & %IFT$ TO A /RUGGLE BETWE5 ! ,OLD ,LEFT & ! ,NEW ,LEFT1 ,GOODMAN REMA9$ UNAPOLOGETICALLY FREE4 ,MANY ( HIS =M] FOLL[]S AB&ON$ HIM AS HE REFUS$ TO (F] A BLUEPR9T = BUILD+ /RUCTURES = ! FUTURE1 PREF]R+ ! =MULATION ( H]E1 N[1 NEXT4  ,HE SEEM$ BO? SADD5$ & RELIEV$ BY ?IS & SOON SETTL$ 9TO HIS FAMILI> /ATUS AS \TSID] CRITIC1 BUT N[ ) A COM=TABLE FAME & SOME F9ANCIAL SECURITY4  

,9 #aifg HIS SON ,MA!W DI$ TRAGICALLY 9 A M\NTA9 CLIMB+ ACCID5T4  ,FRI5DS SAY HE NEV] RECOV]$ FROM ! GRIEF ?IS CAUS$ HIM4  ,SOON HIS HEAL? BEGAN TO DET]IORATE & HIS WRIT+ MELL[$ 9TO ! REFLECTIONS ( AN OLD W>RIOR4  ,HE DI$ ( A HE>T ATTACK ON ,AUGU/ #b1 #a#i#g#b1 JU/ %ORT ( HIS SIXTY-FIR/ BIR?DAY4  

,BY3 ,JOHN ,FITZG]ALD 

,FROM 3 ,PAUL ,GOODMAN ,BIOGRAPHY1 BY ,JOHN ,FITZG]ALD1 FROM ,AN>*Y ,>*IVES4 

,WORKS 3 

,AU?OR ( ,BANN+ ,C>S FROM ,MANHATTAN 7,NOVEMB] #c1 #a#i#f7 

,AU?OR ( ,! ,*ILDR5 & ,PSY*OLOGY 7,JANU>Y #a1 #a#i#g7 

,AU?OR ( ,DESIGN+ ,PACIFI/ ,FILMS 7,NOVEMB] #c1 #a#i#f7 

,AU?OR ( ,! ,BLACK ,FLAG ,( ,AN>*ISM 7,JULY #a#d1 #a#i#f#h7 

,AU?OR ( ,REFLECTIONS ON ! ,AN>*I/ ,PR9CIPLE 7,M>* #c#a1 #a#i#f#f7 

,AU?OR ( ,SOME ,REM>KS ON ,W> ,SPIRIT 7,NOVEMB] #c1 #a#i#f#a7 

,AU?OR ( ,! ,EM]G5CE ( ! ,NEW ,AN>*ISM 7,NOVEMB] #c1 #a#i#f#i7 

,AU?OR ( ,GR[+ ,UP ,ABSURD 7,NOVEMB] #c1 #a#i#e#i7 

,*RONOLOGY 3 
,SEPTEMB] #i1 #aiaa 3 ,PAUL ,GOODMAN'S ,BIR? ,DAY4 
,AUGU/ #b1 #aigb 3 ,PAUL ,GOODMAN'S ,DEA? ,DAY4 
,NOVEMB] #a#e1 #baf 3 ,PAUL ,GOODMAN'S ,ADD$4 
,JANU>Y #i1 #bbb 3 ,PAUL ,GOODMAN'S ,UPDAT$4 

,L9KS 3 
 O ,AN>*Y ,>*IVES3 ,PAUL ,GOODMAN ,>*IVE 
HTTP3_/_/DW>DMAC4PITZ]4$U_/,AN>*I/.-,>*IVES_/BRI<T_/GOODMAN_/9DEX4HTML 
 O ,AN>*I/ ,LIBR>Y3 ,PAUL ,GOODMAN 
HTTPS3_/_/!AN>*I/LIBR>Y4ORG_/CATEGORY_/AU?OR_/PAUL-GOODMAN 
 O ,WIKIP$IA3 ,PAUL ,GOODMAN 
HTTPS3_/_/54WIKIP$IA4ORG_/WIKI_/,PAUL.-,GOODMAN 

 FILE G5]AT$ FROM 3  
HTTP3_/_/REVOLTLIB4COM_/