Browsing Untitled By Tag : despair

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The ball was only just beginning as Kitty and her mother walked up the great staircase, flooded with light, and lined with flowers and footmen in powder and red coats. From the rooms came a constant, steady hum, as from a hive, and the rustle of movement; and while on the landing between trees they gave last touches to their hair and dresses before the mirror, they heard from the ballroom the careful, distinct notes of the fiddles of the orchestra beginning the first waltz. A little old man in civilian dress, arranging his gray curls before another mirror, and diffusing an odor of scent, stumbled against them on the stairs, and stood aside, evidently admiring Kitty, whom he did not know. A beardless youth, one of those society youths whom the old Prince Shtcherbatsky called "young bucks," in an exceedingly open waistcoat, straightening his white tie as he went, bowed to them, and after running by, came back to ask Kitty for a quadrille. As the first quadrille had al...


Ideas are true liberators. Ideas as distinguished from so-called reason. For in our work-a-day world there is much reason and too little thought. It is given only to the seer and poet to conceive liberating ideas - impractical, wild thoughts that ultimately light the way of practical, blind man to better and higher endeavor. To "practical" minds the regeneration of the world is an empty dream. To transform the cold winter of our age into the warmth of a beautiful summer day, to change our valley of tears and misery into a luxurious garden of joy is a vain fantasy lacking reason and sanity. But a William Morris sees in his mind's eye a world of comradeship and brotherhood rejoicing in the plenitude of earth's bounty, and he challenges "pract... (From : Anarchy Archives.)


Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)


What is most significant, it seems to me, is the earnest attention paid to the Children and Family as a subject, the desire of parents to be Informed and thereby do their best, rather than following their wit and impulse; or to say this another way, what is significant is the importance assigned in our society to Psychology itself? for Psychology is still by and large the family-psychology that Freud made it discussing the problems of jealousy, infantile dependency authority, submissiveness and rebelliousness, and sibling competition: and problems of spite, moral prejudice and other reaction-formations springing from instinctual deprivation. This interest in the Children is of course hopeful, for the increase of wisdom cannot fail to remedy... (From : http://www.tao.ca/~freedom/goodman.html.)

My life came to a standstill. I could breathe, eat, drink, and sleep, and I could not help doing these things; but there was no life, for there were no wishes the fulfillment of which I could consider reasonable. If I desired anything, I knew in advance that whether I satisfied my desire or not, nothing would come of it. Had a fairy come and offered to fulfill my desires I should not have know what to ask. If in moments of intoxication I felt something which, though not a wish, was a habit left by former wishes, in sober moments I knew this to be a delusion and that there was really nothing to wish for. I could not even wish to know the truth, for I guessed of what it consisted. The truth was that life is meaningless. I had as it were lived, lived, and walked, walked, till I had come to a precipice and saw clearly that there was nothing ahead of me but destruction. It was impossible to stop, impossible to go back, and impossible to close my eyes or avoid seeing tha...

A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)

FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. CHAPTER I. I WAS the only son of my father. I was very young at the period of the death of my mother, and have retained scarcely any recollection of her. My father was so much affected by the loss of the amiable and affectionate partner of his days, that he resolved to withdraw forever from those scenes, where every object he saw was ssociated with the ideas of her kindness, her accomplishments, and her virtues: and, being habitually a lover of the sublime and romantic features of nature, he fixed upon a spot in Merionethshire, near the foot of Cader Idr...


A Free Man's Worship by Bertrand Russell A brief introduction: "A Free Man's Worship" (first published as "The Free Man's Worship" in Dec. 1903) is perhaps Bertrand Russell's best known and most reprinted essay. Its mood and language have often been explained, even by Russell himself, as reflecting a particular time in his life; "it depend(s)," he wrote in 1929, "upon a metaphysic which is more platonic than that which I now believe in." Yet the essay sounds many characteristic Russellian themes and preoccupations and deserves consideration--and further serious study--as an historical landmark of early-twentieth-century European thought. For a scholarly edition with some documentation, see Volume 12 of The Collected Papers of Bertrand Russe... (From : Drew.edu.)


Mr. Mencken gives the impression of an able mind so harried and irritated by the philistinism of American life that it has not been able to attain its full power. These more carefully worked-over critical essays are, on the whole, less interesting and provocative than the irresponsible comment he gives us in his magazine. How is it that so robust a hater of uplift and puritanism becomes so fanatical a crusader himself? One is forced to call Mr. Mencken a moralist, for with him appraisement has constantly to stop while he tilts against philistine critics and outrageous puritans. In order to show how good a writer is, he must first show how deplorably fatuous, malicious or ignorant are all those who dislike him. Such a proof is undoubtedly th... (From : fair-use.org.)


Speaking of Puritanism in relation to American art, Mr. Gutzon Borglum said: "Puritanism has made us self-centered and hypocritical for so long, that sincerity and reverence for what is natural in our impulses have been fairly bred out of us, with the result that there can be neither truth nor individualility in our art." Mr. Borglum might have added that Puritanism has made life itself impossible. More than art, more than estheticism, life represents beauty in a thousand variations; it is indeed, a gigantic panorama of eternal change. Puritanism, on the other hand, rests on a fixed and immovable conception of life; it is based on the Calvinistic idea that life is a curse, imposed upon man by the wrath of God. In order to redeem himself man... (From : Anarchy Archives.)

From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...


No one at all capable of an intense conscious inner life need ever hope to escape mental anguish and suffering. Sorrow and often despair over the so-called eternal fitness of things are the most persistent companions of our life. But they do not come upon us from the outside, through the evil deeds of particularly evil people. They are conditioned in our very being; indeed, they are interwoven through a thousand tender and coarse threads with our existence. It is absolutely necessary that we realize this fact, because people who never get away from the notion that their misfortune is due to the wickedness of their fellows never can outgrow the petty hatred and malice which constantly blames, condemns, and hounds others for something that is... (From : Anarchy Archives.)


Few writers have established their reputation so rapidly as Maxím Górky. His first sketches (1892-95), were published in an obscure provincial paper of the Caucasus, and were totally unknown to the literary world, but when a short tale of his appeared in a widely-read review, edited by Korolénko, it at once attracted general attention. The beauty of its form, its artistic finish, and the new note of strength and courage which rang through it, brought the young writer immediately into prominence. It became known that Maxím Górky was the pen-name of quite a young man, A. Pyeshkoff, who was born in 1868 in Nizhni Novgorod, a large town on the Volga; that his father was a merchant, or an artisan, his mother a ... (From : University of Virginia Library.)


On Vegetarianism First printed in the HUMANE REVIEW, January, 1901 MEN of such high standing in hygiene and biology having made a profound study of questions relating to normal food, I shall take good care not to display my incompetence by expressing an opinion as to animal and vegetable nourishment. Let the cobbler stick to his last. As I am neither chemist nor doctor, I shall not mention either azote or albumen, nor reproduce the formulas of analysts, but shall content myself simply with giving my own personal impressions, which, at all events, coincide with those of many vegetarians. I shall move within the circle of my own experiences, stopping here and there to set down some observation suggested by the petty incidents of life. First o... (From : Anarchy Archives.)


IN 1849 Feodor Dostoyevsky wrote on the wall of his prison cell the following story of The Priest and the Devil: "'Hello, you little fat father!' the devil said to the priest. 'What made you lie so to those poor, misled people? What tortures of hell did you depict? Don't you know they are already suffering the tortures of hell in their earthly lives? Don't you know that you and the authorities of the State are my representatives on earth? It is you that make them suffer the pains of hell with which you threaten them. Don't you know this? Well, then, come with me!' "The devil grabbed the priest by the collar, lifted him high in the air, and carried him to a factory, to an iron foundry. He saw the workmen there running and hurrying to and fro... (From : Anarchy Archives.)


TO ANALYZE the psychology of political violence is not only extremely difficult, but also very dangerous. If such acts are treated with understanding, one is immediately accused of eulogizing them. If, on the other hand, human sympathy is expressed with the Attentäter, 1 one risks being considered a possible accomplice. Yet it is only intelligence and sympathy that can bring us closer to the source of human suffering, and teach us the ultimate way out of it. The primitive man, ignorant of natural forces, dreaded their approach, hiding from the perils they threatened. As man learned to understand Nature's phenomena, he realized that though these may destroy life and cause great loss, they also bring relief. To the earnest student it mus... (From : Anarchy Archives.)


INTRODUCTION.--WHY THEY SHOULD REVOLT. UNIVERSAL dissatisfaction is abroad. No man worth his salt who works and thinks in England to-day can be other than dissatisfied. The difficulty of making a living, to say nothing of leading full and complete human life, even if we have been so exceptionally fortunate as not to feel it for ourselves, is continually burnt into our consciousness by the efforts and struggles of our friends and neighbors--efforts crowned as often with failure as success in spite of honest endeavor--struggles frequently ending in the indifference of despair. A few succeed. A few even force their way out of the class of workers, to live idly on the labor of others, but the vast majority exist always upon the edge of an abyss... (From : AnarchyArchives.)


Published Essays and Pamphlets Sacco and Vanzetti by Alexander Berkman and Emma Goldman [Published in The Road to Freedom (New York), Vol. 5, Aug. 1929.] THE names of the "good shoe-maker and poor fish-peddler" have ceased to represent merely two Italian workingmen. Throughout the civilized world Sacco and Vanzetti have become a symbol, the shibboleth of Justice crushed by Might. That is the great historic significance of this twentieth century crucifixion, and truly prophetic, were the words of Vanzetti when he declared, "The last moment belongs to us--that agony is our triumph." We hear a great deal of progress and by that people usually mean improvements of various kinds, mostly life-saving discoveries and labor-saving inventions, or ref... (From : Anarchy Archives.)

THE GERMAN DRAMA: GERHART HAUPTMANN LONELY LIVES Gerhart Hauptmann is the dramatist of whom it may be justly said that he revolutionized the spirit of dramatic art in Germany: the last Mohican of a group of four-Ibsen, Strindberg, Tolstoy, and Hauptmann-who illumined the horizon of the nineteenth century. Of these Hauptmann, undoubtedly the most human, is also the most universal. It is unnecessary to make comparisons between great artists: life is sufficiently complex to give each his place in the great scheme of things. If, then, I consider Hauptmann more human, it is because of his deep kinship with every stratum of life. While Ibsen deals exclusively with one attitude, Hauptmann embraces all, understands all, and portrays all, because nothing human is alien to him. Whether it be the struggle of the transition stage in " Lonely Lives," or the conflict between the Ideal and the Real in " The Sunken Bell," or the brutal background of poverty in...


Translated from the French by Robert Helms "Le Mur" first appeared in L'Echo de Paris on February 20, 1894 Old man Rivoli had a wall. This wall ran along a road, and it was crumbling badly. The rains and the road mender's pickax had undermined the base. The stones, having come loose, hardly held together any longer, and cracks were opening up. It was beautiful, however, having the look of an ancient ruin. Some irises crowned the top, while figworts, maidenhair, and houseleeks pushed their way through the fissures. Some poppies, too, paraded their frail bodies between cracks in the rubble-stones. But Pop Rivoli was not sensitive to the poetry of his wall, and, after examining it at length, and jiggling some of its loose stones like teeth in ... (From : Mid-Atlantic Infoshop.)


PREFACE EVERY great movement since the beginning of history has been a movement to lift the bottom dog and put him on his feet. And every such movement has been led by extremists. All the great names of history have been the names of extremists. The brave pioneers who blazed the trail through the unknown forest had to fight their way against the many dangers of wild nature, wild beasts, and wilder men. The heroic men who first raised their voices in the cause of religious liberty had to pass through years of cruel persecution. They were hounded to the scaffold or the state with execration and abuse. The wheel slowly turns full circle, and the malefactor of yesterday become the hero-martyr of to-day, and the faithful tread weary miles to his... (From : Anarchy Archives.)


We boast of the age of advancement, of science, and progress. Is it not strange, then, that we still believe in fetish worship? True, our fetishes have different form and substance, yet in their power over the human mind they are still as disastrous as were those of old. Our modern fetish is universal suffrage. Those who have not yet achieved that goal fight bloody revolutions to obtain it, and those who have enjoyed its reign bring heavy sacrifice to the altar of this omnipotent deity. Woe to the heretic who dare question that divinity! Woman, even more than man, is a fetish worshiper, and though her idols may change, she is ever on her knees, ever holding up her hands, ever blind to the fact that her god has feet of clay. Thus woman has b... (From : Anarchy Archives.)

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