Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER VIII I Hastened, as I have already said, from paris, and plunged amid the wild and desolate scenery of mount Jura. The next intended stage of my travels was Switzerland, and I pursued the road which led to that country. The first anxiety I felt was to escape from my sufferings and my disgrace. There first I had felt my mind agitated with hose emotions which are destined to have so mighty an influence on the fate of man. But how agitated I had loved. I had not loved innocence; I had not loved the chaste simplicity of the female character: my affections had not gone forth toward any object, which might refine and elevate my soul, which might free me from the impurities I had contracted among the debauchees of the university, restore me to peace with myself, and prepare m...
In these days, under the influence of democracy, the virtue of cooperation has taken the place formerly held by obedience. The old-fashioned schoolmaster would say of a boy that he was disobedient; the modern schoolmistress says of an infant that he is non-cooperative. It means the same thing: the child, in either case, fails to do what the teacher wishes, but in the first case the teacher acts as the government and in the second as the representative of the People, i.e. of the other children. The result of the new language, as of the old, is to encourage docility, suggestibility, herd-instinct and conventionality, thereby necessarily discouraging originality, initiative and unusual intelligence. Adults who achieve anything of value have se... (From : SantaFe.edu.)
The doors of Frick's private office, to the left of the reception-room, swings open as the colored attendant emerges, and I catch a flitting glimpse of a black-bearded, well-knit figure at a table in the back of the room. "Mistah Frick is engaged. He can't see you now, sah," the negro says, handing back my card. I take the pasteboard, return it to my case, and walk slowly out of the reception-room. But quickly retracing my steps, I pass through the gate separating the clerks from the visitors, and brushing the astounded attendant aside, I step into the office on the left, and find myself facing Frick. For an instant the sunlight, streaming through the windows, dazzles me. I discern two men at the further end of the long table. "Fr-," I begin. The look of terror on his face strikes me speechless. It is the dread of the conscious presence of death. "He understands," it flashes through my mind. With a quick motion I draw the revolver. As I raise the we...