,F>EWELL TO ,H]MANN ,GORT] ,PEOPLE 3 ,AU?OR 3 ,ANTON ,PANNEKOEK ,TEXT 3 ,S\RCE3 8 ,PUBLI%$3 #aibg ,TRANSCRIB]3 ,COLLECTIVE ,ACTION ,NOTES 7,C,A,N7 ,H,T,M,L3 ,JONAS ,HOLMGR5 ,9 ! P]SON ( ,H]MANN ,GORT]1 ! REVOLUTION>Y PROLET>IAT HAS JU/ LO/ ONE ( ITS MO/ FAI?FUL FRI5DS & ONE ( ITS MO/ NOTABLE COMRADES 9 >MS4 ,HE FIGUR$ AMONG ! GREATE/ EXP]TS 9 ,M>XI/ !ORY & WAS ONE ( ! V]Y FEW :O1 ?R\< CONFLICTS & SPLITS1 REMA9$ 9V>IABLY DEVOT$ TO REVOLUTION>Y COMMUNISM4 ,GORT] WAS BORN ON ,NOVEMB] #b#f1 #a#h#f#d1 ! SON ( A WELL-KN[N WRIT]2 UPON COMPLET+ HIS /UDIES 9 ! HUMANITIES1 HE WAS APPO9T$ 9/ITUTE PR(ESSOR ( SECOND>Y $UCATION4 ,:ILE /ILL Y\NG HE COMPOS$ ,MEI 70,MAY071 A WORK ( POETRY :I* HAD AN EXPLOSIVE IMPACT ON ! WORLD ( LETT]S 9 ,HOLL& & WAS IMM$IATELY CONSID]$ A MA/]PIECE4 ,! DECADE ( ! #a#h#hS WAS A V]ITABLE LIT]>Y GOLD5 AGE2 A :OLE CON/ELLATION ( WRIT]S & POETS >OSE DUR+ ?AT P]IOD4 ,REBELL+ AGA9/ ! =MAL TRADITION :I* HAD BE5 ]ECT$ 9TO A CANON ( BEAUTY1 TRU? & ! EXPRESSION ( FEEL+1 ?IS S*OOL MADE ! E>? %AKE B5EA? ! FEET ( ,DUT* LANGUAGE & LETT]S4 ,9 ! #a#h#iS1 H[EV]1 ! WELL PROGRESSIVELY RAN DRY3 EV]YONE W5T !IR [N WAYS4 ,GORT]1 TOO1 HAD TO WAT* 9 AMAZEM5T AS ! MOVEM5T ( ! 0EILY MOD]N ]A1 9 AN EF=T TO DISCOV] ! S\RCE ( !IR P[]4 ,HE APPLI$ HIMSELF TO PHILOSOPHY1 HE TRANSLAT$ ,SP9OZA1 HE /UDI$ ,KANT1 BUT ?IS DID NOT GIVE HIM ANY ANSW]S OR NEW IMPULSES4 ,HE !N TURN$ TO ! WRIT+S ( ,M>X1 & F\ND :AT HE WAS LOOK+ =3 A CLE> UND]/&+ ( SOCIAL DEVELOPM5T AS ! BASIS = M5'S SPIRITUAL PRODUCTION4 ,:5EV] A NEW CLASS HAS ]UPT$ 9 HI/ORY1 :5EV] ITS EF=TS HAVE BORNE FRUIT1 ONE WITNESSES A NEW 5]GY1 A NEW FEEL+ ( P[]1 & A NEW 5?USIASM LEAD TO A FL[]+ 9 LETT]S2 & ?IS WAS C]TA9LY ! CASE ) ! MOVEM5T ( :I* ,GORT] HIMSELF WAS P>T2 AN 9TELLECTUAL BUOYANCY ACCOMPANI$ ! TAKE-(F ( CAPITALI/ DEVELOPM5T 9 ,HOLL&4 ,BUT ,M>X ALSO %[$ HIM ! LIMITATIONS ( ! B\RGEOIS DEVELOPM5T :I* HAD TAK5 PLACE1 HE TAUIAT4 ,9 A S]IES ( >TICLES 5TITL$ ,CRITIQUE ( ! ,LIT]>Y ,MOVEM5T ( ! #a#h#hS 9 ,HOLL& 7#a#h#i#i-#a#i7 HE DREW UP A BALANCE %EET ( HIS PA/ 9 ORD] TO SET =? ! SELF-UND]/&+ :I* HE HAD ACQUIR$ DUR+ ?AT P]IOD4 ,T[>DS ! 5D ( HIS LIFE HE TURN$ ONCE AGA9 TO !SE QUE/IONS1 EXAM9+ ! MA/]PIECES ( WORLD LIT]ATURE 9 ! LITY ( ,HOLL& DUR+ ! LATE #a#h#iS4 ,! CLE> SIMPLICITY ) :I* HE EXP\ND$ ITS PR9CIPLES SOON MADE HIM ONE ( ! MO/ POPUL> ORATORS ( ?IS RAPIDLY GR[+ MOVEM5T4 ,HE ALSO PUBLI%$ SOME EXCELL5T PROPAG&A PAMPHLETS4 ,LAT]1 H[EV]1 HE 5T]$ 9TO OP5 CONFLICT ) ! P>TY LEAD]S :O1 ) ! GR[? ( ! MOVEM5T1 HAD 9CREAS+LY GRAVITAT$ T[>DS RE=MISM4 ,TOGE!R ) ,VAN D] ,GES & ,H5RIETTE ,ROL&-,HOL/1 HE F\ND$ ! J\RNAL ,DE ,NIEUWE ,TIJD 70,! ,NEW ,]A071 AN ORGAN ( ,M>XI/ !ORY & PR9CIPL$ CRITIQUE4 ,9 REG>D TO EV]Y ONE ( ! CRUCIAL QUE/IONS :I* W]E ! MO/ IMPORTANT ISSUES ( ! DAY--! AGR>IAN QUE/ION1 $UCATION1 ! RAIL WORK]S /RIKE1 ELECTIONS--HE WAS 9 ! FRONT RANKS ( ?OSE COMBAT+ OPPORTUNISM4 ,HE WAS NONE!LESS A MEMB] ( ! P>TY'S LEAD]%IP = A :ILE1 BUT F9ALLY HIS 5TIRE GR\P WAS R$UC$ TO A M9ORITY FACTION BY ! RE=MI/ POLITICIANS & WAS D5\NC$ AS A ?REAT TO ! P>TY 7#a#i#f74 ,!SE CONFRONTATIONS 7SIMIL> TO ?OSE ?AT W]E COM+ TO A HEAD 9 EV]Y C\NTRY7 L$ HIM TO FOCUS HIS ATT5TION ON =G+ CLOSE CONTACTS ) ,G]MAN SOCIAL DEMOCRACY4 ,AL?\< HE ONLY R>ELY CONTRIBUT$ >TICLES TO ,NEUE ,ZEIT 70,NEW ,]A071 ! !ORETICAL ORGAN ( ,G]MAN SOCIAL DEMOCRACY1 ,GORT] E/ABLI%$ FRI5DLY RELATIONS ) ,KAUTSKY1 RELATIONS :I* LAT] COOL$ :5 ! TWO M5 W5T !IR SEP>ATE WAYS BUT W]E NEV] COMPLETELY QU5*$4 ,NOR WAS ?IS ! ONLY TIME ?AT1 AS A RESULT ( !IR OP5 M9DS & BROAD \TLOOKS1 AS WELL AS BECAUSE ( ! RIGOR\S OBJECTIVITY ( !IR MILITANT ACTIVITIES1 FRI5DS GA9$ 9 ! COMMON /RUGGLE REMA9$ FRI5DS LAT]1 AL?\< ! C\RSE ( ! WORK]S MOVEM5T HAD TURN$ !M 9TO POLITICAL ADV]S>IES4 ,! CONFLICT )9 ! P>TY REA*$ A PO9T ( NO RETURN DUR+ ! FOLL[+ YE> :5 SOME Y\NG] MILITANTS1 ,WIJNKOOP & ,VAN ,RAV5/EYN1 LAUN*$ !IR [N ATTACK ON ! P>LIAM5T>Y PRACTICE ( ! P>TY LEAD]S & BEGAN PUBLI%+ AN OPPOSITION WEEKLY1 ,DE ,TRIBUNE4 ,AFT] AN EXT5D$ P]IOD ( FUR!R DEBATE1 !Y W]E EXPELL$ 9 #aii & F\ND$ A NEW P>TY1 ! ,SOCIAL ,DEMOCRATIC ,P>TY1 :I* LAT] BECAME ! ,COMMUNI/ ,P>TY4 ,GORT] JO9$ !M & BECAME ! P>TY'S MO/ \T/&+ LEAD]1 AL?\< HE WAS CON/RA9$ TO LEAVE TO O!RS ! JOB ( DET]M9+ PRACTICAL POLICY4 ,HE WAS ALSO PHYSICALLY 9 A QUITE WEAK5$ /ATE4 ,GIFT$ ) AN IRON CON/ITUTION1 HE WAS CAPABLE ( CONSID]ABLE EF=TS &1 AT ! SAME TIME ?AT HE WAS TEA*+ SEV]AL DIFF]5T CLASSES1 HE 9DEFATIGABLY D$ICAT$ HIMSELF TO POLITICAL ACTIVITY4 ,BUT :5 /RIFE BROKE \T 9 ! RANKS ( ! NEW P>TY1 HE BURN$ ! C&LE AT BO? 5DS1 SOMETIMES WORK+ TW5TY-F\R H\RS A DAY2 AS A RESULT HE SUFF]$ FROM EXHAU/ION1 :I* S]V$ TO REM9D HIM ( ! LIMITS ( HUMAN P[]S4 ,GORT] WAS A POET AT HE>T1 ?AT IS1 A BE+ :O P]CEIVES DIRECTLY & ) CL>ITY :AT !RE IS ( IMM5SITY1 ( ! TRULY UNIV]SAL 9 ! WORLD1 & KN[S H[ TO EXPRESS ?IS 9 A LANGUAGE ( TOTAL BEAUTY OR1 TO PUT IT ANO!R WAY1 9 A LANGUAGE ( TOTAL TRU?4 ,!SE YE>S ( TIRELESS ACTIVITY & !ORETICAL /UDIES HAD ! EFFECT ( LEAD+ HIM TO 9CREAS+LY TRANSCRIBE ! NEW SOCIALI/ CONCEPT ( ! WORLD 9 T]MS ( IMM$IATE FEEL+S4 ,FIR/1 HE BR\IAT1 BUT 9 A MORE RE/RICT$ FRAMEWORK & 9 A MORE PEACEFUL 5VIRONM5T4 ,LAT]1 9 #a#i#a#b1 ,PAN APPE>$ 9 ITS FIR/ V]SION 7IT WAS TO BE SIGNIFICANTLY EXP&$ LAT]71 :I* DESCRIBES 9 A SYMBOLIC =M ! EMANCIPATION ( ! HUMAN SPECIES ?R\< ! CLASS /RUGGLE4 ,COMP>$ TO ,MEI1 :I* IS A LIMPID1 LUM9\S VISION ( ! WORLD :I* EM]G$ FROM ! ILLUSIONS *>ACT]I/IC ( C>EFREE Y\?1 ,PAN APPE>S AS ! EPIC POEM1 RI* 9 CONT5T1 ) P[]FULLY CONTRA/$ NUANCES1 ( ! F9ALLY MATURE ,WELTANS*AUNG 7,WORLD ,CONCEPT7 ( CONSCI\S MAN4 ,!N1 AFT] #a#i#a#d1 ! BLACK P]IOD ( HIS LIFE BEGAN2 ! DECL9E ( ! REVOLUTION>Y WORK]S MOVEM5T AFFECT$ HIS PR(\NDLY S5SITIVE SPIRIT4 ,NOT ALL[+ HIMSELF TO BECOME DEJECT$1 ,GORT] C>RI$ ON ! FIE ( ! FACT ?AT ! SITUATION C\LD NOT BE O!RWISE BUT1 LIKE SO MANY ( US1 HE WAS NONE!LESS CONSUM$ BY SADNESS4 ,:5 ! W> BROKE \T1 BR++ 9 ITS WAKE ! COLLAPSE ( SOCIAL DEMOCRACY1 HE PUBLI%$ ,D] ,IMP]IALISMUS1 D] ,WELTKRIEG UND DIE ,SOZIALDEMOKRATIE 70,IMP]IALISM1 ! ,WORLD ,W> & ,SOCIAL ,DEMOCRACY07 :]E HE PROV$ ?AT ?IS COLLAPSE HAD ITS ORIG9 9 ! RE=MISM ( ! WORK+ CLASS ITSELF4 ,! TEXT WAS PR9T$ 9 ,G]MAN 9 ,AM/]DAM2 ! /ATE ( EM]G5CY1 H[EV]1 ALMO/ TOTALLY PREV5T$ ITS CIRCULATION 9 ,G]MANY4 ,BUT EV5 DUR+ !SE MOM5TS ( MAXIMALLY ACC5TUAT$ REGRESSION HE DID NOT LOSE HIS FAI? 9 ! PROLET>IAT & ITS CAPACITY = 5G5D]+ A NEW REVOLUTION>Y MOVEM5T4 ,& :5 ! ,RUSSIAN ,REVOLUTION BROKE \T &1 ONE YE> LAT]1 A REVOLUTION>Y WAVE SWEPT OV] ,EUROPE1 HE DEVOT$ HIMSELF :OLEHE>T$LY TO ! MOVEM5T4 ,9 ,SWITZ]L&1 :]E HE WAS LIV+ = REASONS ( HEAL?1 HE WAS 9 P]MAN5T CONTACT ) ! ,RUSSIAN EMBASSY2 IT WAS !RE ?AT HE WROTE HIS WORK ,DIE ,WELTREVOLUTION 70,! ,WORLD ,REVOLUTION07 9 #a#i#a#h4 ,:5 ! /AFF ( ! ,RUSSIAN EMBASSY WAS EXPELL$ FROM ,SWITZ]L& 9 ,NOVEMB] #a#i#a#h1 HE LEFT ) !M = ,B]L91 :]E HE MADE CONTACT ) ! EM]G+ REVOLUTION>Y MOVEM5T4 ,FROM !N ON HE NEV] CEAS$ TO COOP]ATE ) ! ,G]MAN COMMUNI/ MOVEM5T2 ON REPEAT$ OCCASIONS HE CL&E/9ELY CROSS$ ! BORD] TO GO TO ,B]L9 TO P>TICIPATE 9 CONF]5CES & DEBATES4 ,HIS PRES5CE 9 ,G]MANY WAS R5D]$ ALL ! MORE NECESS>Y BY ! FACT ?AT ! ,G]MAN COMMUNI/ MOVEM5T1 :I* HE SUPPORT$ ) HE>T & S\L1 WAS ! ORIG9 ( YET ANO!R DISAPPO9TM5T EV5 MORE S]I\S ?AN ! ONE HE SUFF]$ 9 ! ,DUT* P>TY1 BECAUSE IT WAS NOT EXPECT$ ?IS TIME1 & ALSO BECAUSE ( ! FACT ?AT ! REVOLUTION :I* HAD BEGUN WAS DE/ROY$ NOT SO MU* BY ! BL[S ( AN EXT]NAL P[] AS BY AN 9T]NAL WEAKNESS1 A DEVIATION FROM ITS [N PR9CIPLES4 ,GORT] WAS ONE ( ! FIR/ PEOPLE TO DISC]N ! DANG] ( OPPORTUNISM 9H]5T 9 ! ,BOL%EVIKS' TACTICS = WE/]N ,EUROPE1 :OSE ]RONE\S NATURE HE PROV$ 9 AN ,OP5 ,LETT] TO ,COMRADE ,L594 ,AFT] A HAZ>D\S J\RNEY MADE ALL ! MORE RISKY DUE TO HIS POOR HEAL?1 HE >RIV$ 9 ,RUSSIA :]E1 DUR+ ! C\RSE ( P]SONAL 9T]VIEWS ) ,L59 & MEET+S ) ! ,EXECUTIVE ,COMMITTEE ( ! ,?IRD ,9T]NATIONAL1 HE TRI$ TO CONV9CE !M ( ! ]RORS ( !IR WAYS4 ,BUT IT DID NOT TAKE LONG = HIM TO SEE & TO UND]/& :Y HIS EF=TS W]E 9 VA93 ,RUSSIA C\LD NOT BECOME ANY?+ BUT A B\RGEOIS ,/ATE4 ,FROM ?AT MOM5T1 ,GORT] (F]$ HIS S]VICES TO ! ,K,A,P4 ,ON ! OCCASION ( ! 9T]NAL CONFLICTS ?AT TORE ! ,K,A,P AP>T1 HE OPT$ = ! ,ESS5 T5D5CY1 TO :I* HE CONTRIBUT$ A GREAT DEAL AS ITS SPOKESMAN2 H[EV]1 HE (T5 HAD TO ADMIT ?AT ! ,B]L9 T5D5CY ACT$ 9 AN ALMO/ EXEMPL>Y WAY 9 PRACTICE & HE ASSI/$ BO? FRACTIONS4 ,CONSID]+ !IR DIFF]5CES AS ( SECOND>Y IMPORTANCE & !IR QU>RELS AS OBSOLETE1 HE MADE ACTIVE CONTRIBUTIONS TO EF=TS TO A*IEVE !IR REUNIFICATION4 ,HIS HEAL? S]I\SLY DET]IORAT$ DUR+ !SE LAT] YE>S4 ,AS A CONSEQU5CE ( REPEAT$ ORDEALS ( OV]EX]TION1 TO :I* WAS ADD$ ! T]RIBLE BL[ ( HIS WIFE'S DEA? 9 #a#i#a#f1 & DUE ALSO TO ! DEPRESSION HE SUFF]$ AS A RESULT ( ! DISAPPO9T+ EVOLUTION ( ! WORK]S MOVEM5T1 HE WAS AFFLICT$ ) *RONIC BRON*IAL A/HMA1 ( A N]V\S ORIG91 :I* PHYSICALLY EXHAU/$ HIM4 ,BUT ! P[] ( HIS SPIRIT RAIS$ HIM TO AN EV] HI<] /ATE ( LUCIDITY & AN 9CREAS+LY BROAD & P5ETRAT+ VISION ( ! WORLD4 ,GORT] WORK$ TIRELESSLY TO GIVE EXPRESSION TO ! NEW BEAUTY :I* HE FELT2 HE PLUNG$ 9TO AN 9-DEP? /UDY ( ,M>XISM1 ! GREAT POETS ( ! PA/1 COMMUNISM &1 9 HIS F9AL DAYS1 HE SAID ?AT HE FELT CAPABLE ( CREAT+ AN EV5 MORE P]FECT WORK ?AN ANY?+ HE HAD WRITT5 BE=E4 ,BUT HIS ILLNESS SUDD5LY TOOK A TURN = ! WORSE DUR+ A VISIT TO ,SWITZ]L&1 & HE DI$ DUR+ HIS RETURN TO ,BRUSSELS ON ,SEPTEMB] #a#e1 #a#i#b#g4 ,GORT] WAS A =CE ( NATURE1 FULL ( Y\?FUL FRE%NESS1 A BE+ 9 TOTAL H>MONY BO? PHYSICALLY AS WELL AS MORALLY4 ,DUR+ HIS Y\? HE >D5TLY P>TICIPAT$ 9 ALMO/ EV]Y SPORT2 CRICKET1 T5NIS & SAIL+ HELD NO SECRETS FROM HIM &1 EV5 DUR+ HIS LA/ YE>S1 HE PROV$ TO BE AN 9DEFATIGABLE WALK]4 ,EV]Y PAGE ( HIS POETIC WORK IS TE/IMONY TO ! DEP? ( HIS LOVE = ,NATURE4 ,HE C\LD PLOD = H\RS1 9 FALL & W9T]1 ACROSS DES]T$ BEA*ES1 ABSORB$ 9 ! 9F9ITE BEAUTY ( ! WAVES & ! /R&2 9 ,SWITZ]L& HE SP5T 5TIRE DAYS EXPLOR+ M\NTA9S1 EAG] = ! SOLITUDE ( SN[-COV]$ SUMMITS4 ,A CLASSICI/ & MAN ( LETT]S BY HIS NATURAL GIFTS1 A NOTABLE EXP]T 9 PHILOSOPHICAL MATT]S1 HE WAS LAT] CAPABLE ( KEEP+ ABREA/ ( ! DIFFICULT QUE/IONS ( ! NATURAL SCI5CES 9 ORD] TO DEVELOP HIS CONCEPT ( ! WORLD FROM EV]Y ANGLE4 ,SU* A MAN NECESS>ILY WAS COMPELL$ TO SUBSCRIBE TO SOCIALISM 9 ORD] TO BE 9 P]FECT H>MONY ) ! WORLD4 ,H5CE=? HE DEVOT$ HIMSELF TO ! WORK+ CLASS & TO COMMUNISM4 ,HIS POETIC WORK1 ! MO/ COMPLETE EXPRESSION ( HIS BE+1 UN=TUNATELY CAN ONLY BE READ BY WORK]S :O UND]/& ,DUT*4 ,BUT AMONG ! ,DUT* WORK]S1 !RE >E MANY :O PR(ESS A F]V5T ADMIRATION = ,GORT]'S POETRY4 ,9 ?IS REC5T P]IOD ( ! WORK]S MOVEM5T1 ,GORT] /&S \T AS A LUM9\S FIGURE1 AN EXAMPLE ( ! NEW HUMANITY 9 ! C\RSE ( ITS TRANS=MATION4 ,NOTES3 .<#a.> ,A4 ,PANNEKOEK3 0,E9 ,K_?#b#b#h2MPF]LEB54 ,ABS*I$ VON ,H]MANN ,GORT]10 ,KOMMUNI/IS*E ,>BEIT] ,ZEITUNG 7,B]L971 ,V,I,I,I1 ,SEPTEMB] #a#i#b#g1 ,NO4 #gd & ,KOMMUNI/IS*E ,>BEIT] ,ZEITUNG 7,ESS571 ,V,I1 #a#i#b#g1 ,NO4 #i4 ,FROM 3 ,M>XI/S4ORG4 ,*RONOLOGY 3 ,M>* #a1 #bba 3 ,F>EWELL TO ,H]MANN ,GORT] -- ,ADD$4 ,JANU>Y #h1 #bbb 3 ,F>EWELL TO ,H]MANN ,GORT] -- ,UPDAT$4 FILE G5]AT$ FROM 3 HTTP3_/_/REVOLTLIB4COM_/