Jerusalem — Book 1, Chapter 10 : Hark! The Glad Sound!

By Alan Moore

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Untitled Anarchism Jerusalem Book 1, Chapter 10

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(1953 - )

Alan Moore (born 18 November 1953) is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. (From: Wikipedia.org.)


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Book 1, Chapter 10

HARK! THE GLAD SOUND!

Aspidery piano music picked its way in cold mist from the Abington Street library to the workhouse in the Wellingborough Road. His feet like ice inside his work boots, Tommy Warren took a last pull on his Kensitas then flicked the glowing dog-end to the ground, a tiny fireball tumbling away in marbled dark, smashed into sparks on frosted paving stones.

The distant, tinkling notes were creeping from Carnegie Hall above the library and out through this November night, their sound a string of icicles. Its source was Mad Marie, marathon concert pianist, booked at the hall that evening, giving one of her recitals which might last for hours. Days. Tom was surprised that he could hear her right up here outside St. Edmund’s Hospital, the former workhouse, where he stood while waiting for his wife Doreen, somewhere inside the institution, to give birth to their first child. Though faint and unidentifiable, the veering tune was audible despite the distance and the muffling fog.

There wasn’t much traffic to speak of in the Wellingborough Road that time of night … it was about one in the morning as he reckoned it … so it was very quiet, but Tommy still couldn’t make out which number Mad Marie was at that moment grinding through. It might have been “Roll Out The Barrel” or conceivably “Men Of The North, Rejoice”. Considering how late it was, Tommy supposed that Mad Marie could well be suffering from lack of sleep, swinging from one piece to the other without any real idea what she was playing, or of which town she was in.

It all reminded him of something, standing here in swirling blackness listening to an old song come from far away, but he was too preoccupied just now to think what it might be. All that was on his mind was Doreen, back there in the hospital behind him, halfway through a labor that looked set to carry on for ages yet, like Mad Marie and whatever the racket was that she was bashing out. Tom doubted that it had been music swelling his wife’s belly for these last few months, though from the bagpipe skirl that Doreen had been making when he heard her some ten minutes back, it might as well have been. The row Doreen had made was probably more tuneful than the swerving jangle Mad Marie was currently accomplishing, but it made Tommy wonder what kind of a melody had been composed inside his wife during her pregnancy, a soppy ballad or a stirring march: “We’ll Gather Lilacs” or “The British Grenadiers”? A girl or boy? He didn’t mind as long as it weren’t one of Mad Marie’s bizarre improvizations, where nobody had the first idea what it was meant to be. As long as it weren’t the men of the north rolling out barrels, or the British Grenadiers gathering lilacs. Just as long as it weren’t a conundrum. There’d been far too many of them in the Warrens and the Vernalls as it was, across the years, a great deal more than their fair share. Just this once, couldn’t him and Doreen have a normal kid who wasn’t mad or talented or both? And if there were a certain number of such problem children to be divvied out by fate, couldn’t some other family somewhere take their turn at shouldering the burden? People who had ordinary relatives just weren’t pulling their weight, as far as Tommy was concerned.

A solitary big gray car shoving piss-puddle headlight beams before it surfaced briefly from the big gray cloud beneath which all Northampton seemed to be submerged, and then was gone again. Tom thought it might have been a Humber Hawk, but wasn’t sure. He didn’t really know much about motors, except to his way of mind there were too many of the things about these days, and he could only see it getting worse. The horse and cart was on its way out, and it wasn’t coming back. Where Tommy worked in Phipps’s brewery at Earl’s Barton they still kept the old drays, all the great big shire mares steaming, snorting – more like sweaty railway engines than they were like animals. But then you’d got the bigger companies like Watney’s, they’d got lorries now and were delivering right across the country, whereas Phipps’s was still local. Tom could see them getting squeezed out given ten more years of it, if they weren’t careful. There might not be much of work or horseflesh by then to be found around Earl’s Barton. Tom supposed it wasn’t what you’d call the best or most secure of times for him and Doreen to have brought a kid into the world.

He screwed his Brylcreemed head round to regard the workhouse forecourt he was standing in and thought that, to be fair, it was a long shot from the worst of times as well. The war was finished, even if there was still rationing, and in the eight years since VE Day there’d been hopeful signs that England was back on the up again. They’d voted Winnie Churchill out, almost before the bombs had finished dropping, so Clem Atlee could get on with putting everything to rights. Granted, at present they’d got Churchill back again, saying as how he wanted to de-nationalize the steelworks and the railways and all that, but in them years after the war there’d been a lot of good work done for once, so things could never be rolled back the way they’d been. They’d got the National Health now, National Insurance, all of that, and kids could go to school for nothing until they were, what, seventeen or eighteen? Or longer, if they passed exams.

It wasn’t like when Tommy had won his mathematics scholarship and could have theoretically gone to the Grammar School, except that Tommy’s mam and dad, old Tom and May, could never have afforded it. Not with the books, the uniform, the kit, and most especially the big gap in the family income that Tom’s staying on at school would have entailed. He’d had to leave at thirteen, get a job, start bringing a pay packet home with him on Friday night. Not that he’d ever for a minute been resentful, or had even idly wondered what life might have been like if he’d taken up the scholarship. Tommy’s first duty had been to his family, so he’d done what he had to and got on with it. No, he weren’t brooding over his lost chances. He was just glad that things would be better for his little lad. Or lass. You never knew, although if he were honest Tom was hoping it would be a boy.

He paced a little, up and down outside the hospital, and stamped his feet to make sure that the blood was circulating. Every breath became an Indian smoke-signal on meeting the chill air, and just across the street the black bulk of St. Edmund’s Church thrust up like a ghost story from the fog. The tilting headstones in its walled yard poked above the mist, stone bed-boards in an outdoor dormitory, with damp and silvery eiderdowns of vapor spread between them. The tall midnight yews were line-posts where the wringing gray sheets of cold haze had been hung out to dry. No moon, no stars. From the direction of town center came a faltering refrain that sounded like a Varsity Rag waved at an Old Bull and Bush.

The reason he’d prefer a boy was that his brothers and his sister all had boys already that would carry on the name. His older little sister Lou, six years his senior and nearly a foot his junior, had got two girls as well, but her and her chap Albert had produced a youngest boy, it must be getting on twelve year ago. Their Walt, Tom’s younger brother and the pride of the black market, he’d got married not long after the war’s end and had two lads already. Even young Frank, he’d beat Tommy to the altar and had had a son only the year before. If Tommy, who was after all the eldest brother, hadn’t had a kid of some kind by the age of forty, then he’d never hear the last of it from May, his mam. May Minnie Warren, leathery old so-and-so who’d got a voice like a dockworker’s fist, with which she’d no doubt pummel Tom to death if him and Doreen didn’t get a shift on and extend the Warren line. Tommy was frightened of his mam, but so was everyone.

He could remember, on Walt’s wedding night in 1947 or round then, the way their mam had cornered him and Frank out in the corridor at the reception, which was at the dance hall up in Gold Street. She’d stood there by the swing door, with people going in and out so that she’d had to shout over the music that kept blasting forth – it was the band May’s youngest brother managed, Tommy’s uncle Johnny – and his mam had read the riot act to him and Frank. She’d got half a pork pie held in one hand what she’d had off the buffet table and the other half of it was in her mouth part-chewed while she was talking, flakes of lardy pastry, ground pink pig-bits and yellowy jelly mashed together by her few remaining teeth or in a meat spume, spraying over Tom and his young brother as they stood there quaking in their boots before this strychnine Christmas pudding of a woman.

“Right, that’s Walter and our Lou both married off and out from underneath me feet, so you two better buck your ideas up and find yourselves a gal who’ll have yer, toot sweet. I’ll not have everybody thinking I’ve brought up a pair of idiots who need their mother to take care of ’em. You’re thirty, Tommy, and you, Frank, you’re nearly twenty-five. People are going to ask what’s up with you.”

That had been getting on six years ago. Tommy was thirty-six now, and until he’d met Doreen two or three years back, he’d been starting to ask what was up with him himself. It wasn’t like he’d never had a girlfriend, there’d been one or two, but there’d been nothing that had come to much. Part of it was that Tom was shy. He wasn’t impish or adventurous like Lou, his sis. He couldn’t charm the birds down out the trees then sell them shares in cloud-apartments like their Walter did, nor could he manage all the easy, near-the-knuckle sauciness that Frank would dish out to the girls. Tom was, in his own private estimation, the most knowledgeable of his siblings. He weren’t wise like Lou, ingenious like Walt or even crafty like their Frank, but Tommy knew a lot. About the only thing he didn’t know was how to set that learning to his own advantage, and when it had come to women he’d been lost and couldn’t put a foot right for the life of him.

Another car swam from the fogbank, possibly a snub-nosed Morris Minor, this one headed west and traveling in the opposite direction from the previous vehicle. Its watery headlights splashed across the rough, dark limestone of St. Edmund’s bounding wall when it went spluttering past him, and then there were only the bright rat-eyes of its rear reflectors as it seemed to back away from Tom into the shrouded corner represented by Northampton’s center. Mad Marie struck up a bold rendition of “O Little Town of Burlington”, or possibly “Bethlehem Bertie”, as if welcoming the new arrival.

Tommy was still thinking of his previous luck with girls, or lack of it. When Tom had been a lad back in the ’Thirties, not that long before his dad died, he’d been briefly smitten by the daughter of Ron Bayliss, who was at the time Tom’s captain in the Boy’s Brigade. It was the 18th Company, who’d met up for drill practice once a week in the big upstairs hall of the old church in College Street. Since Tom had always been not just the shyest but the most quietly religious member of his family, the regular attendance at the church and the band marches once a month suited him fine, and when he’d first clapped eyes upon Liz Bayliss it was just one more incentive. She’d been very pretty and a cut above Tom socially, but he knew he was a good-looking chap himself, and round where he came from in Green Street he’d been thought of as a snappy dresser, too. So he’d worked up the nerve and, after church one Sunday morning, asked her if she’d come to the theater with him.

Lord knows why he’d said “theater”. Tom had never been to a theater in his life, had simply thought it sounded cultured and impressive. Anyway, he’d not expected her to say she’d be delighted, and had only stuttered, “Oh, good. Then I’ll see you there on Thursday”, without any idea what was on the bill that night. As it turned out, it had been Maxie Miller, and it hadn’t been his white book the comedian had been performing from on that particular occasion.

Bloody hell. It had been both the funniest and most embarrassing half-hour of Tommy’s life. As soon as he’d seen Miller’s name up on the posters, Tommy had been horrified, had known that this was the last place on earth that he should take a fervent Baptist like Liz Bayliss, but by then he’d bought the tickets and there wasn’t any way he could back out. Besides, he’d heard Max Miller did a clean night now and then, so thought there was a chance he’d get away with it. At least, he’d thought that until Max had come out on the stage in his white suit with big red roses in brocade all over it, his wicked cherub face grinning up at the audience from underneath the brim of his white bowler hat.

“D’you like the seaside, ladies? Yes, I’ll bet you do. I love it, me. I was down Kent the other week, ladies and gents, lovely down there it was. I took a stroll, I took a stroll along the cliff-tops it were such a smashing day. Walking along this narrow little path, I was, with a sheer drop down to one side of me and ooh, it was a height, ladies and gents, the waves all crashing round the rocks hundreds of feet below. This path, well, it weren’t very broad, just wide enough to have one person on it but without the room for two people to pass, so just imagine, gents and ladies, just imagine my alarm when who should I see coming down the path the other way but a young lady in her summer frock and what a lovely thing she was, ladies and gents, I don’t mind telling you. Well, now, you can see my dilemma. I stopped in me tracks, I looked at her, I looked down at the rocks below and didn’t know what I should do. I’ll tell you, I weren’t sure if I should block her passage or just toss meself off and be done with it.”

In her seat next to Tom, Liz Bayliss had turned white as Miller’s hat. As the theater all around them had erupted into laughter, Tom had struggled to compose his face into a look as mortified as that of his companion while preventing himself rattling like a boiler with suppressed hilarity. After a further twenty minutes, when the tears were running down Tom’s cheeks into the corners of his desperate rictus grimace, Liz had asked him in a voice like graveyard marble if he would escort her out and take her home. That had been more or less the last he’d seen of her, since he’d felt far too awkward to keep up his Boy’s Brigade or church appearances much after that.

The Wellingborough Road stretched out to either side of him, its weak electric lamps suspended in the churning dark at lengthy intervals, like lanterns hung from masts on quayside fishing boats. They weren’t much use for lighting up a stretch of road like this, not on a foggy night, but they were better than the gas lamps that were still in use in some parts of the Boroughs, such as Green Street where his mam lived on her own with no electric. Tommy pictured her, a scowling boulder in her groaning armchair by the fireside shelling peas, with her cat Jim down at her still-small but carbuncled feet, the hissing gaslight dyeing the room’s shadows to a deep dead-nettle-green. Next time he saw his mother, Tom was hoping he’d be able to hold up a grandson like a shield in front of him to stave off her attack. Or a granddaughter, obviously, although a son would probably be bigger and thus slow Tom’s mother down for longer.

From across an empty main road the St. Edmund’s bell chimed once, although if it were for one or half past he wasn’t sure. He squinted at the church tower through the intervening billows and reflected how he wasn’t sorry that he hadn’t been to church so much since the Liz Bayliss incident. Tom still believed in God and in the afterlife and all of that, but in the war he’d come to the conclusion that it wasn’t the same God and afterlife they talked about in church. That sounded too stuck up and fancy in the way that everybody dressed, behaved and talked. What Tom had first liked, as a kid, about the Bible was how Jesus was a carpenter, who would have had big callused hands and smelled of sawdust and said “bugger” just like anybody if the hammer caught his thumb. If Jesus was God’s son, it made you think his dad had very likely acted much the same when he was knocking up the planets and the stars. A working bloke; the hardest working bloke of all, who favored working men and paupers throughout all the best loved stories in the Bible. The same rough and ready God that Philip Doddridge used to preach about on Castle Hill all of them years back. Tommy didn’t hear that cheery gruffness in the pious tones of vicars, didn’t feel that coarse warmth striking from the polished pews. These days, though Tom’s faith hadn’t budged an inch in its conviction, he preferred to worship privately and at a ruder altarpiece, alone inside his thoughts. He didn’t go to church except for funerals, weddings, and, if this went well tonight, for christenings. He didn’t let his lips move when he prayed.

That was the war, of course, a lot of that. Four brothers setting out, three coming home. It still upset him when he thought of Jack, and at the time he hadn’t seen quite how the Warren family would get over it, although you did, of course. You had to. It was like the war itself. It had been inconceivable to everybody while they were still getting through it that there’d ever be another way of living, that they could recover from it, all the bombs, all the dead relatives. Nobody could imagine much beyond more of what they were suffering already, only worse. The future, back then, it had been something that Tommy couldn’t think about, a place he’d never honestly expected he should see.

Yet eight years later here he was, a married man stood waiting for the birth of his first child. As for the future, Tommy thought of nothing but. Things weren’t the way they’d been before the war. Nothing meant quite the same as what you’d thought it did, and England was a different country now. They’d got a pretty young queen that the papers likened to the previous Good Queen Bess, and even ordinary working people had got televisions so as they could watch the coronation. It was all like something out of Journey into Space, how quick the onslaught of this modern world had been, as though the war’s end had removed a great impediment and finally let the twentieth century catch up with itself. Tom and Doreen’s first child – and they’d talked already of another one – would be one of these New Elizabethans everyone was going on about. They might grow up to live a life that Tom could never dream of, all the things that scientists would have discovered and found out about by then. They might have all the chances that Tom hadn’t had, or else had been compelled by circumstances to forgo.

Off in the curdling grayness, Mad Marie still serenaded him with “My Old Man Said Onward Christian Soldiers”, her piano sounding small and far away, a broken music-box that had been set off accidentally in another room. Tom thought of his math scholarship again, the one that he’d passed up to take the brewery job instead. While it was true he’d not resented missing out on education if it meant that he could help his family, he still missed all the fun he used to have with sums and numbers, when it was all new to him.

It was his granddad, Snowy, who he’d got the skill with figures from. Although the old boy had passed on in 1926 when Tom was nine (gone mad and eating flowers out of a vase according to Tom’s mam), the pair had got on well and in those last two years of his grandfather’s life Tom had spent most Saturday afternoons at his grandparents’ house in the grim, narrow crack of Fort Street. While Tom’s granny Lou had fussed around in the dark kitchen, Snowy and young Tom had chanted their way through all the multiplication tables, sitting in the living room. Geometry, that was another thing that Tommy’s granddad had instructed him upon: rough circles drawn around milk-bottle bases with a titchy stub of pencil, sheets of butcher’s paper covering the tea-table until you couldn’t see the wine-red tablecloth. Snowy had told his grandson that most of the know-how came from his own father, Tom’s great-granddad Ernest Vernall, who had once worked touching up the frescoes of St. Paul’s Cathedral in Victorian times. Snowy said him and his sister, Tommy’s great-aunt Thursa, had been given lessons by their dad while he was at a rest home. Only some years later, after badgering his mam, had Tommy found out that the rest home had been Bedlam, the original asylum what they’d had in Lambeth.

He recalled the afternoon, fumbling now in his mac pocket for the pack of Kensitas, when they’d been working on the eight- and nine-times-tables. His granddad had pointed out how all the multiples of nine, if you just totaled up their digits, always added up to nine: one plus eight, two plus seven, three plus six and so on, for as high as you could go. The memory smelled of fruitcake, from which Tom assumed his gran had been out in the kitchen baking, that particular occasion. It had tickled him, the thing about the number nine, and for a lark he’d added up the digits in the answers to his eight-times-table, too. The first was just eight, obviously, while the next, sixteen, was one plus six and therefore added up to seven. The next, twenty-four, was two plus four and added up to six, while thirty-two reduced in the same way to five. Tommy had realized with a growing sense of intrigue that his column of additions counted down from eight to one (eight eights were sixty-four, in which the six and four thus added up to ten, the one and naught of which totaled just one), and then began the countdown all again commencing with the number nine this time (nine eights, seventy-two, the seven and the two of which made nine). This run of numbers, nine to one, was then repeated, on and on, presumably unto infinity. That had been when Tom’s grandfather had pointed out that this was the same sequence as the one-times-table, only in reverse, and that had set both of them thinking.

Taking one short untipped cigarette out of the pack, with its sleek, smarmy butler mascot in red, black and white, Tom lit it with a Captain Webb’s and threw the spent match in the vague direction of an unseen gutter, lost somewhere in the cold smolder down around his feet. The fag-pack with its butler and the matchbox with its bold, mustachioed channel swimmer both went back into his raincoat pocket. He’d a Fry’s Five Boys bar in there, too, with a quintet of lads at various emotional extremes upon its wrapper. All this advertising and this packaging that you got nowadays, it meant that he was carrying seven tiny people in his pocket, just so he could have a smoke and possibly a square of chocolate if he should feel peckish later on.

Upon that memorable afternoon getting on thirty years before, Tom and his grandfather had swiftly reckoned up the digits in the answers to the rest of the multiplication tables. He remembered the excitement that he’d felt, the giddy, sheer thrill of discovery now come back to him in a fruitcake rush of allspice, candied peel and Snowy Vernall’s rubbing liniment. The two-times-table, if you added up the figures of the products, it transpired, resulted in a number-pattern that first ran through all the even numbers, two, four, six, eight, then all of the odd ones, one (one plus naught), three (one plus two), five, and so on up to nine (eighteen, or one plus eight). Remembering the way the one- and eight-times-tables had both yielded up numerical progressions that were backwards mirror-versions of each other, Snowy and young Tom had looked at the seven-times-table, where they’d learned that first the added answers counted down through the odd numbers, seven, five (one plus four), three (two plus one), one (two plus eight, which made the ten, the digits of which added up to one), and then went on to run down through the even numbers. Eight (three plus five), six (four plus two) and so on until the countdown of odd numbers started up again. The number seven seemed to work exactly like the number two, but with the sequence running back to front.

The number three, which just went three, six, nine, three, six, nine, unendingly if you made sums out of its multiples, appeared to be twinned with the number six, which went six, three, nine, six, three, nine, if you did the same thing. The number four produced a pattern that seemed complicated at first sight, in that it counted down from two numbers in parallel, and alternated in between the two. Thus, what you got was four, then eight, then three (or one plus two), then seven (one plus six), then two (two plus naught), six (two plus four), one (two plus eight, adding up to ten, or one plus naught), five (thirty-two, or three plus two), et cetera, et cetera. The five-times-table, unsurprisingly by now, did just the same thing in reverse. It alternated in the same way between two progressions, this time counting up instead of down, so that the sequence in this case was five, one, six, two, seven (two plus five), three (three plus naught), eight (three plus five) and so forth. Tommy and his grandfather had looked at one another and just burst out laughing so that Tom’s grandma Louisa had come out the kitchen to see what was up.

What had been up was that there seemed to be a hidden pattern in the sums that could be generated by the answers of the one- to eight-times-tables. They were all symmetrical, one mirrored eight, two mirrored seven, three worked just the same as six, four was like five. Only the number that had sparked off their investigations, nine, remained alone out of the single figures in that it did not possess a twin, a number that no matter how much it was multiplied would yield the same unvarying result.

Tom, eight years old, had been attempting to explain all this to his uncomprehending gran, when out of nowhere his granddad had yelped with glee, snatched up the midget pencil and, in faint lines on the thin and shiny butcher’s paper littering the table, had inscribed two circles, one inside the other. With one Capstan-yellowed index finger, Snowy had jabbed meaningfully at the drawing, looking up at Tommy from beneath the winter hedgerow of his brow to ascertain whether his grandson understood or not. The old man’s eyes were shining in a way that had reminded Tommy, there amid the fruited oven-fug and camaraderie of the math game which they’d been working out together, that his grandfather was said by many to be mad, including Tommy’s mam. And everybody else, now that he’d thought of it. His granddad had just grinned and once again poked at his mystifying scribble with an urgent finger. All that there had been to Snowy’s drawing was just two concentric circles, like a car tire, or an angel’s halo standing on its side. Tommy had squinted at the simple shape for what seemed minutes before he’d become aware that he was looking at the figure naught.

It had been just as if the lights had been switched on. Naught was the only number, other than the number nine, that didn’t change if it were multiplied. All of the single digit figures between naught and nine made sequences by adding up their multiples that had a perfect symmetry. As if to underline this, Tom’s granddad had once more taken up his pencil, and had written those ten numbers in, all in a ring between the zero’s innermost and outer circles, like the numbers round the edges of a clock. The number naught was roughly where the one would be upon a normal timepiece, with the numerals proceeding clockwise round the dial and leaving spaces where the six and twelve were usually positioned. The effect of this was that each number was now set at the same horizontal level as its mirror-twin, the nine up at the top left face now lined up with the naught at the top right. The eight and one were opposite each other at both ten-to and ten-past, the seven and the two were diametrically opposed, each at the quarter-hour mark, with the six and three below that, and the five and four facing each other down the bottom, one at five-and-twenty-to, the other one at five-and-twenty after. It was lovely. In one simple flash a hidden pattern that had been there all the time, concealed beneath the surface, was revealed.

Neither Tom nor his grandfather had had the first idea what their discovery might mean, or could conceive of any useful application for it. Indeed, it was so blindingly obvious once you’d first seen it that they’d both assumed that someone, or more likely a great many people, had stumbled across the notion previously. It didn’t matter. In that moment Tom had felt a sense of triumph and sultana-scented revelation that he’d never known before or since. His grandfather had smiled a cracked smile that looked rueful rather than elated, and had stabbed once more with one black fingernail at the blank space enclosed by the big number naught’s interior ring.

“The naught’s a torus. That means, like, a lifebelt shape what’s got a hole in. Or it’s like a chimneypot, looked down on from above. And at the middle of the naught here, down the barrel of the chimney, that’s where all the nothing’s kept. You’ve got to keep your eye on nothing, lad, or else it gets all over everything. Then there’s no chimneypot, there’s just the hole. Then there’s no lifebelt, there’s no torus. There’s no nothing.”

With this, Snowy Vernall had seemed to get angry or unhappy, just like that. He’d screwed the piece of paper with the altered clock face drawn upon it up into a ball and thrown it on the fire. Tom hadn’t comprehended any of what his granddad had just been going on about, and must have looked scared by the old boy’s sudden change of disposition. Tommy’s gran Louisa, who looked like she’d seen these swings of mood before, had said “Right, that’s enough sums for today. Young Tommy, you run off back home before your mam gets worried. You can see your granddad Snowy on another Sat’day afternoon.” She hadn’t even shown Tom out, perhaps because she’d known that there was an explosion imminent. Tommy had barely shut the worn front door behind him and stepped outside into Fort Street when he heard the furious bellowing and, shortly after, breaking glass. Most probably it would have been a window or a mirror, mirrors being something that Tom’s grandfather was known to have become suspicious of. Tommy had scarpered off down Fort Street which, although it had been barely the mid-afternoon, Tom pictured now as having then been ominously dark. However, he recalled that this had happened in the ’Twenties, long before the Borough Waste Destructor had been pulled down to make way for flats in Bath Street, so that was one mystery solved.

Tom pulled upon his Kensitas and blew an unintended smoke-ring, almost instantly made indistinguishable from the chilly, writhing fumes surrounding him there in the Wellingborough Road. He wished he could blow one like that when somebody was watching. When Doreen was watching.

Drifting up from the town center, to the west and on Tom’s right, the jingling and meandering performance of the marathon concert recitalist was still continuing, notes hung on the infrequent threads of breeze like the glass lozenges that dripped from chandeliers. It still reminded him of something, of some other night like this, perhaps, some other music drifting from some other fog? The memory, much like fog, was elusive, and he let it go and instead wondered how Doreen was getting on. She probably would have been in no mood to have appreciated Tommy’s smoke-ring, even if she’d seen it. She’d most likely other things upon her mind right now.

He’d go back in. Another fag or two, he’d go back in and sit there in the small beige waiting room close to the front doors of the decommissioned workhouse, where at least it would be warm. He’d sit and drum one foot upon the varnished floorboards, in his mac and his demob suit, just like both the other blokes whose wives were having babies this same night, the seventeenth, who were already sat expectantly inside. Tommy had waited in there with them for a while, just after he’d brought Doreen to the hospital and she’d been took to the delivery room, but he’d not been there very long before the silence had begun to get upon his nerves and he’d made some excuse to quietly slip outside. Nothing against the other chaps, it was just that they hadn’t much in common past the fact that nine months earlier they’d had a lucky night. It weren’t like they were going to sit and talk about their hopes and fears and dreams, like actors might do in a film. In real life, you just didn’t. In real life, you didn’t really have much in the way of hopes and fears and dreams, not like a character who’s in a film or book had got. Things like that, in real life, they weren’t important to the general story in the way they had to be in literature. Dreams, hopes, they weren’t important, and if someone were to bring them up then everyone would say he thought that he was Ronald Colman, looking sensitive with his long eyelashes in black and silver through the cigarette smoke at a matinee.

The Wellingborough Road felt like a riverbed, with grubby lamb’s-wool vapor rushing down it in a flood of murk, eastwards to Abington, the park, and Weston Favell. The benighted shops and pubs were vole-holes dug into its banks below the waterline, hiding dark merchandise. As Tommy watched, a lone Ford Anglia came darting like a pike out from the grounded cloud then swam away in the direction of town center, battling upstream against the current of the mist and in the face of Mad Marie’s continuing recital. The Ford Anglia was one car Tommy recognized by what he thought of as its sharp italic tilt, a term he’d picked up from his penmanship at school and which had stuck with him. Its cream and cornflower paintwork vanished in the oyster drifts beneath which Abington Square and Charles Bradlaugh’s statue were submerged, and Tommy was alone again, scuffing his boots against the rolling torrent’s stone and tarmac bed-sands, sucking in the fog through the last half-inch of his Kensitas and blowing it out suavely down his nose.

He knew that thirty-six was late, comparatively, to be starting off a family, but it weren’t too late. Tom had known blokes a good sight older than what he was, siring a first child. But then, with both his younger brothers having kids already, he’d not felt that he could leave it any later. If he wasn’t a grown man and fit to raise a son by now, after the things he’d been through, then he’d never be one. While the war had took their Jack away from him, the whole affair had given Tom a sort of confidence he hadn’t felt before, a sense that if he’d managed to survive all that then Tommy Warren was as good as anybody else. He’d come back home from France with a new twinkle in his eye, a different swagger there in every well-dressed step. Not flashy or expensive, mind you. Just well-dressed.

He could remember his homecoming, pulling into Castle Station on a train packed full of children, matrons, business people, and scores of returning men in uniform like him and Walt and Frank. Standing room only, it had been, all of the way from Euston Station, Tom and his two brothers stuck out in the corridor with getting on two dozen other people, swaying and complaining straight through Leighton Buzzard, Bletchley, Wolverton. As far as Tommy could recall, he’d been stood trading stories with their Walter, which as always was a contest that you couldn’t hope to win. He’d been halfway through telling Walt about the night when all the idiot British officers got pissed and drove a tank over the front gate of the ammo dump that Tom was guarding, so he couldn’t even shoot the overpaid guffawing twits for fear of setting off the shells. It was at that point in his story, just past Wolverton, that a big Yank, a GI who’d got on the train at Watford and was going on to Coventry, had joined them in the crowded, lurching corridor.

Sometimes, the Yanks, they were all right, and you could have a laugh with them, but by and large they got right up Tom’s nose, the way they did with most people he knew. On the front line they’d always used to say that when the Luftwaffe went over, all the English ran, and when the RAF went over, all the Germans ran. When the Americans went over, everybody ran. The cocky buggers had backed Hitler until 1942, then come into the war late and took all the credit, even after they’d walked slap into a Jerry trap and probably delayed the war’s end with their ‘Battle of the Bulge’, or Operation Autumn Mist as Fritz proudly referred to it. The soldiers over here, though, were the worst, or anyway the white ones were. The darkies were as good as gold, you couldn’t meet a nicer bunch of chaps, and Tommy could remember being home on leave and seeing the Black Lion’s landlord slinging out some white GIs when they’d complained about the black ones they were forced to share a ‘barroom’ with. “Them niggers in the back there,” as they’d called them. Some Americans could be right Herberts, and this fellow who’d come up to Tommy and his brothers on the train was one of them.

Right from the get go, he’d been mouthing off about how much more pay the Yanks got than the English, how they’d give them bigger rations, all of that. Walter had nodded sagely and said “Well, that’s only fair, you’ve bigger mouths to feed”, but the GI went on as though he hadn’t noticed that their Walt had made a dig. He’d started telling them, in a low whisper on account of all the ladies that were in the corridor, about how many rubber johnnies his lot had been issued by the US army. Seeing as this chap was stationed over here in England this was just as good as saying they’d been given them to use with English girls, which wasn’t something British chaps were likely to take kindly to. Tommy had seen the look come in his brothers’ eyes, the same as he supposed had been there in his own. Walter had smiled a great big smile, eyes sparkling, which wasn’t usually a reassuring sign, and Frank had just gone quiet with a tight little grin on his lean face, which meant the Yank, big as he was, was looking for a swift punch up the bracket if he didn’t watch himself. It was the Warren boys that he was talking to, who’d made a decent name for themselves liberating their small piece of France, who’d lost their brother, the best-looking out the lot of them, and who’d been given in return a lot of medals that they didn’t want. Taking their dangerous silence for respect or awe, the GI had elected to back up his brag by fishing out the US army-issue tin he kept his condoms in, prizing its lid up to reveal perhaps two dozen prophylactics. Tom had wondered idly if Americans wrote chirpy slogans on the sides of rubbers, like they did with bombs. “Here’s looking at ya, Princess Liz!” or something of that nature. Walter had peered down into the open tin and said “I see you’ve a lot left, then.” Frank had ground his teeth and bunched one fist up, ready to kick off, and it was just then that the train had gone over a bump, so that their carriage clanked and rocked.

The johnnies had all shot into the air like sparks out of a Roman candle, falling in a rubber rain on bankers’ shoulders, into schoolboys’ satchels and on ladies’ hats. The Yank had gone as red as Russia, crawling round on all fours gathering them up, apologizing to the women while he fished the little packets from between their heels and stuffed them back into his tin. Walter had started singing “When johnnies come marching home again, hurrah” and everybody in the carriage but the Yank had had the best laugh that they’d had since 1939.

Tom risked a burned lip with a last drag on his fag then flipped the ember end of it away into the invisible gutter with its predecessor. That had been a rare old time, back then when they were fresh home from the war. Out every Friday night they’d been, the famous Warren lads all in their suits, but only eldest brother Tommy with the matching handkerchief in his breast pocket. Sauntering from pub to pub, the shunt and jingle of the one-armed bandits strewing fruit and bells before them as they went, the busty landladies’ admiring smirks, war heroes, such a shame about your handsome brother. Free shots from the optics, Walter telling jokes and selling knocked-off nylons, only used once previously, miss, and that were by a nun. Frank leering, Tommy going red and trying not to laugh when they were stepping over brawling lezzies on the Mayorhold, and a head-of-Guinness moon cut free to sail above the Boroughs like a pantomime effect.

That snowy Christmas Eve when Walt had found an apple crate up on the market, harnessed Frank and Tommy to it with some string then jammed his tubby ass inside so they could pull him round town center like two reindeer towing Father Christmas. “Ho ho ho, you buggers! Mush!” They’d gone into the Grand Hotel and bought a round of drinks, just for the three of them, and they’d been charged more than a pound. With Walt directing, Frank and Tom had gone to either side of the big hotel lounge and started rolling up the huge expensive carpet, asking people to lift up their chairs and tables so that they could roll it under them. The manager or someone had come storming out and asked Walt what the devil they thought they were playing at, to which Walt had replied that they were going to take the carpet, since they’d paid for it. They’d had to make a quick escape, without the rug, but luckily their apple crate was still roped to a lamppost outside the hotel. They’d jingled all the way down Gold Street, faces flushing blue and yellow in the fairy lights, along Marefair, back home to Green Street and their waiting mam. Hitler was dead and everything was ruddy marvelous.

Except for Jack, of course. Tommy recalled, with a queer shudder of appalled nostalgia, how the Warren family’s Christmas ritual had been that first year after Jack was gone. The family had gathered in the front room, just as they’d done for as long as anybody could remember. Tommy’s mam had leadenly retrieved the fancy China piss-pot – easily a foot across, having been manufactured in a time of bigger asses – from its perch atop that old glass-fronted cabinet they used to have. While Frank and Walt and Lou and Tommy had looked on, their mam had filled the guzunder up to its rim with a grotesque and undiscriminating mix of spirits; drainings from the staggeringly varied complement of bottles to be found around their heavy-drinking household. Brimming with a shimmering pale-gold aggregate of whiskey, gin, rum, vodka, brandy and possibly turpentine for all that anybody knew, the glazed white chalice, hopefully unused, had been solemnly passed around the family circle, this accomplished only with both hands and some degree of difficulty. It was obviously impossible to drink from a receptacle that had quite clearly never been designed with that function in mind, at least without a certain drenching of the shirtfront, and this spillage had been worse with every circuit of the front room and of the increasingly incapable and uncoordinated individuals gathered there. On all the previous occasions when this ritual had been enacted there had been a kind of glory in its wretchedness: it had been somehow comical, and brave, and as if they were proud of being the uproarious and filthy monsters that their betters saw them as. There’d been a kind of horrid grandeur to it, but not after Jack was gone. That had been proof that they weren’t mighty and immortal ogres after all, invincible in their inebriation. They’d just been a crew of vomiting and tearful drunks who’d lost their brother; lost their son. Tom couldn’t now remember if they’d bothered with the Christmas ritual after that unhappy year of victory.

Across the Wellingborough Road, St. Edmund’s clock struck twice for two and must have scared a roosting bird awake and into some state of activity, at least to judge from the plump tear of pigeon muck that silently dropped from the mists above him, splattering his mac’s lapel with liquid chalk and caviar in its descent. Tom growled and swore and fished out his clean hankie from the pocket with no matches, fags or chocolate bars, wiping the white smear hurriedly away until only a faint damp stain remained. Making a mental note that he must have it washed before he blew his nose on it again, he shoved the used rag back into his coat.

Of course, all that postwar exhilaration hadn’t lasted. Not that things had gone bad, not at all. Times had just changed, the way they always did. First Walt had met a little beauty and got married, which had prompted their mam’s laying down the law to Tom and Frank at the reception, shouting at them over all the noise that Uncle Johnny’s band were making at the dancehall there in Gold Street, telling them they’d better find themselves a pair of girls or else. Frank, wry and wiry with his line of saucy banter, had been quicker off the mark than Tommy in responding to their mother’s ultimatum. He’d gone out and found a ginger lass as near the knuckle as what he was and they’d wed in 1950, which had just left Tom to bear the brunt of their mam’s grunted disapproval.

Tommy could remember seeking refuge and advice during that period with his big little sister, popping up to see Lou and her husband Albert and their children out in Duston at the least excuse. As always Lou had been a darling, bringing him a cup of tea in her nice, airy little front room, listening to his troubles with her head on one side like a soft toy of an owl. “Your trouble is, bruv, that you’re backward coming forward. I’m not saying as you should be a smooth talker like our Walt, or else a dirty little bugger like our Frank, but you should put yourself about, or else the girls won’t know you’re there. It’s no good waiting for them to find you, that’s not what girls are like. I mean, you’re a good-looking chap, you’re always dressed a treat. You’re even a good dancer. I can’t see as anything’s the matter with you.” Lou’s voice, low and chuckling, had a lovely croak to it, almost a buzz or hum that, with his sister’s compact shape, made Tommy think of beehives, honey, and, continuing with the association, Sunday teatime. She could always be relied upon to set you straight and have a laugh while she were doing it. Tom sometimes saw in Lou a glimpse of what their mam must have been like when she were young, before she lost her first child to diphtheria and started getting bitter, back before she were a deathmonger.

The only incident Tom could recall relating to his mother’s trade in birth and death concerned an isolated morning in his childhood which had nonetheless left an impression. Mr. Partridge, a big, portly chap who’d lived only a few doors from their house in Green Street, had passed on but was too fat to get out through the door of the front bedroom where he’d died. Tommy had watched from down the Elephant Lane end of Green Street while his mam had stood there in the road directing the removal of the house’s upstairs window and the lowering of an immense and almost purple Mr. Partridge, with a winch and trestle, down into the horse-drawn hearse that waited patiently below. Of course, with all the Co-op funeral schemes they had these days there weren’t much work for deathmongers about. Tom’s mam had packed it in, the end of 1945. With Jack gone, he supposed she’d had enough of death by then, and with the National Health on the horizon, then perhaps she’d reckoned that the birth end of the racket would be gone too, before long.

These days, most women having a first child would come and have it here, in hospital. There were still midwives, naturally, for later children or for people stuck out in the country, but these were all midwives working for the National Health. They weren’t freelancers like his mam, and no one called them deathmongers these days. Tom thought it was a good thing, by and large. He was a modern bloke, and he for one was glad that his wife was just now having her child delivered in a modern ward, with proper doctors gathered round, not in a dark back bedroom with some cackling old horror like his mam bent over her. Doreen had enough reservations about Tommy’s mam as things stood, and if May had stuck her nose into the birth of their first child then that would have put the tin hat on the occasion good and proper. Tommy shivered, even thinking of it, though that might have just been the November night.

It was Doreen who’d rescued Tommy from his bachelor state and his mam’s approbation. That had been a bit of luck, his finding her. It was just like his Lou had said, he was too reticent with girls and couldn’t turn the charm on like their Walt or Frank. Tom’s only hope had been to find somebody even shyer than what he was, and in Doreen that’s just what he’d found, his perfect complement. His other half. Like Tom, she wasn’t shy as in the sense of cowardly or weak. There was a backbone under her reserve; she just preferred a quiet life without a lot of fuss, the same as he did. She, like him and every other bloke who’d seen the inside of a trench, preferred to keep her head down and get on with things, to not attract attention. It was something of a marvel that he’d spotted her at all, stood shrinking back behind her louder, gigglier mates from work, as if for fear that anyone should see how beautiful she was, with her big watery blue eyes, her slightly long face and her bark-brown hair curled up into a wave. With her theater glow, that mistiness she had about her like a lobby card. He’d told her, soon after they’d met, that she looked like a film star. She’d just pursed her lips into a little smile and tutted, telling him he shouldn’t be so soft.

They’d wed in 1952 and though it would have made more sense, in terms of room, for them to go and live in Green Street with his mam, no one had wanted that. Not Tommy’s mam, not Tommy, and particularly not Doreen. She was the only person Tom had ever met who, even though she had a timid and retiring nature, wouldn’t put up with May Warren’s bullying or her intimidating manner. Tom and Doreen had instead decided to reside down in St. Andrew’s Road with Doreen’s mother Clara and the other members of her family that lived there, or at least had lived there until recently. Though the idea of him and Doreen living with Tom’s mam had been like something from a nightmare, these last two years living down the bottom of Spring Lane and Scarletwell Street hadn’t been much better.

Now, this hadn’t been because of Doreen’s mam, the way it would have been with Tommy’s, round in Green Street. Clara Swan had worked in service and remained a very proper and religious woman in her own quiet fashion, and though she could be both strict and stern if things should warrant it, she was in almost every way completely different to May Warren, thin and upright where his mam was short and stout. No, Tommy got on fine with Doreen’s mam, just like he did with both her brothers and her sister, their respective spouses and their children. It was just that there had been so many of them, until recently, and it was such a little house.

Admittedly, the eldest brother, James, he’d married and moved out before Tom got there, but it had still been a tight fit, packing everybody in. First there was Doreen’s mam herself, whose house it was, or at least it were her name on the rent book. Next was Doreen’s sister, Emma, and her husband Ted, with their two children, John and little Eileen. Emma, older than Doreen, was the first woman railway guard in England, and it had been on the railway that she’d met her dashing engine driver husband, Ted, who cleaned his teeth with chimney soot. Then there was Doreen’s younger brother Alf, the bus-driver, his wife Queen and their toddler, baby Jim. With Tommy and Doreen as well that had made getting on ten people crammed in a three-bedroom terraced house.

Doreen and Tom had started out with a few months of sleeping best they could upon the couch in the front room. Emma and Ted and their two kids had the front bedroom, Clara had the smaller bedroom next to that, which was above the living room, then Alf and Queen were in the smallest room, right at the back above the kitchen. Baby Jim slept in the wardrobe drawer. The nights, then, had been cramped-up and embarrassing, but early evenings had been worse, just after tea with everybody home from work and gathered in the living room to listen to the wireless. Ted and Emma would have hostile silences between them that could last for days, just glaring at each other over the tinned salmon sandwiches and ITMA catchphrases: “Dis iss Funf speaking”. “Mind my bike”, and, “Don’t forget the diver”. Alf would come home every night exhausted after being up so early with the busses, and would flake out snoring on the mat before the fire, just like a cat big as a man and dressed in a bus driver’s uniform. His wife Queen, who was also by coincidence the sister of Ted, Emma’s husband, would, on most nights, just sit by the fire and weep. You couldn’t blame her. Upstairs, baby Jim would have climbed from his wardrobe drawer and started banging on the bedroom door, sometimes for hours on end. You couldn’t blame him, either, the poor little sod, not living in a wardrobe. If that wouldn’t send you cornery, Tom didn’t know what would. Baby Jim’s difficulty was, he was too clever. No one in the Swan or Warren families was what you’d call a dim bulb, but baby Jim was the next generation and you could see from the outset that they’d be as sharp as knives, particularly baby Jim. By three years old he’d managed to escape twice from the house and get four blocks away before the police apprehended him and brought him back. Mind you, given how hazardous a child’s life could be down St. Andrew’s Road, he’d probably have been a good sight safer if they’d left him where he was.

Again, it wasn’t that the adults in the house were negligent, it was just there were seven of them and three children, getting on each other’s wicks and underneath each other’s feet, so accidents were bound to happen. Ted and Emma’s eldest, John, had liked to sit up on the back of the armchair before the day he lost his balance and tipped over, falling backwards out the window of the living room into the back yard in a shower of broken glass. Then Ted and Emma’s youngest, pretty Eileen, had fell face down in the fire with all the red hot coals, necessitating an immediate race up to the family doctor, Dr. Gray in Broad Street, his Doreen and her big sister Emma running frantically across a darkened Mayorhold holding the miraculously unscarred child wrapped in a blanket.

Mercifully, this last year things had fallen right. First Ted and Em had moved out, to a house further along St. Andrew’s Road, in Semilong. Then Alf and Queen had gone as well, up to the Birchfield Road in Abington. They’d taken baby Jim with them, of course, but for some reason, at the age of five, he’d broken out of his new home as well and managed to negotiate about two miles of busy roads, finding his way back to the Boroughs and his gran’s house unescorted. Tom supposed it might have been that Jim, in the same way that new-hatched ducklings sometimes got confused, had mixed up his attachment to his mom with an attachment to the wardrobe. Anyway, the upshot of it was that there were only Clara, Tom and Doreen living down St. Andrew’s Road at present. Tom and Doreen had the big front bedroom Ted and Emma had vacated, and with fewer people milling round, this baby that the two of them were having would be born into a safer house. Into a safer world, or at least that’s what everybody hoped.

Tom tucked his bristly chin in, squinting down at his lapel. He could still see the stain left by the bird-muck and glumly resigned himself to scrubbing it with Borax after he got home.

He thought that by and large it was a safer world, although not when it came to bird-muck, obviously. The war was finished, this time, and he didn’t think even the Jerries would be keen to kick it off again, especially not after losing half their country to the communists. There’d been Korea, obviously, but his lad, if it was a lad, wouldn’t be growing up to be conscripted off like Tommy, or to spend nights shivering beneath the table in the living room when there were air raids, which was how Doreen had spent the war, her being ten years Tommy’s junior. And anyway, after the A-bomb what the Yanks had dropped onto Hiroshima, didn’t they say that if there was a third world war, then it would all be over in about five minutes? Not that this was a cheering thought, admittedly. Tom felt the craving for another Kensitas, but since he’d only got five left and didn’t know how long he’d have to stretch them out, he thought he’d better wait.

Churchill had seen to it that Britain let off its first bomb last year, and France was keen to have one too. The Russians and the Yanks had both got hundreds, but Tom couldn’t say it worried him that much. To his mind, it would turn out to be like the gas that everybody was so scared of in the war, poor little Doreen having to run back home to St. Andrew’s Road from Spencer School when she’d forgot her gas mask. In the end, nobody had been mad enough to use it, even Hitler, and these atom bombs would turn out just the same. Nobody would be mad enough. Although, of course, the Yanks already had, but Tom was standing waiting on the birth of his first child with quite enough to fret about already, and so he decided that he’d let that idea go.

The faint wind from the west at this point made an unexpected push and briefly rattled Tommy’s mac. It shoved the fog to one side for a second from the shuttered pub, the Spread Eagle, just past the workhouse front on Tommy’s left. The toucan’s orange bill on the tin Guinness advert what were bolted up outside poked from the mist and then was gone again. The breeze brought also a renewed burst of cascading notes from Mad Marie down at Carnegie Hall, her mongrel melodies sliding about like nutcase furniture on casters, juddering off along the Wellingborough Road. The music was the usual mishmash; don’t sit under the old rugged cross with anybody else but me, no no no, and then suddenly she was just playing one tune, clearly and distinctly, even if she only held it for a few bars before it collapsed into the general piano soup.

The tune was “Whispering Grass”.

That did it. Tommy knew at once what the peculiar music in the swirling dark had been reminding him of all along: five, nearly six years back now, in the early months of 1948 not long after their Walter had got married, that time Tommy had gone drinking in the old Blue Anchor up Chalk Lane. It all came back to him in a great sepia wash of beer-blurred snapshot pictures, captured moments from his drunken stumble to the wild accompaniment of a fogbound piano and accordion, and Tommy marveled that he hadn’t thought of it before. How had he forgotten that strange, startling occasion, all the fears and questions it had thrown up in the face of Tommy and his family? He supposed in his defense he’d been preoccupied, what with the thought of Doreen and the bab, but even so he’d not have thought a night like that would slip so easy from his mind.

Tom lit another fag before remembering he’d planned to stretch them out, then turned his collar up as if he was a crook or haunted lover in a film, which was the ambiguous mood the mist and memories had put him in. The collar’s stiff edge rubbed on the ear-level stubble of Tom’s once-a-week short, back & sides, the haircut that he’d stuck with since his army days. Tommy could take the silver paper from a fag pack, wrap it round a plain brown penny and then burnish it against the bristles there behind his skull until it looked just like florin, which was something Walt had showed him how to do. Unlike their Walt, though, Tom had never had the nerve to pass off his nape-minted two bob bits as the real thing. He’d never had the nerve or was too honest, one or other.

On that evening several years before Tom and his youngest brother Frank had been to the Blue Anchor, which had stood just up past Doddridge Church there on Chalk Lane, almost in Bristol Street. The pub was something of a family favorite as its previous landlord and landlady had been Tommy and Frank’s great-grandparents on their mother’s side. Their gran Louisa who’d died back in the late thirties, as a girl she’d been the busty landlord’s daughter serving drinks at the Blue Anchor in the 1880s when young Snowy Vernall had called in on one of his long walks from Lambeth. If Tom’s grandfather had been less thirsty or had strolled the extra twenty yards up to the Golden Lion then there’d have been no May, no Tommy and no baby struggling towards existence right now in the hospital behind him. This explained his family’s fondness for the place before it had been torn down a few years ago. Anyway, him and Frank had been in there putting the pints away, and while it had been all right it had all felt a bit lifeless and subdued, to Tom at any rate. Part of it, obviously, was they were missing Walt who’d gone and married six months earlier, which meant that their three musketeers act had been whittled down to two. And without Walter’s inexhaustible supply of gags, there was more time to sit and mourn for their fourth musketeer, their Jack, their dead D’Artagnan with his grave in France and with his name down on the monument at Peter’s Church.

Whatever the real reason, Tommy had been out of sorts with things that night in the Blue Anchor. Him and Frank had run into some chaps Frank knew from work but who Tom weren’t so chummy with, so he’d begun to feel a bit left out and thought perhaps he’d try another pub. Tom had made his apologies to Frank then left him chatting with his mates while he’d put on his coat and stepped out through the pub’s front door into Chalk Lane. It had been very like tonight, with all the fog and everything, but being down there in the Boroughs as opposed to up here on the prosperous Wellingborough Road, it had been a lot eerier. Even St. Edmund’s Church with all its looming tombstones just across the street didn’t give you the shivers, at the stroke of midnight, how some places in the Boroughs could do even by the light of day.

Cut loose and on his own, Tom had decided to head for the nearest hostelry where he’d be sure to know someone, which was the Black Lion down on Castle Hill. Although the place had no direct familial associations such as was the case with the Blue Anchor, in a way it had been a more constant focus of the Warren clan’s attentions down the years. Or anyway, it had since Tommy’s mam and dad had moved to Green Street, with their house just downhill and across the green from the back gates of the Black Lion’s cobbled yard. Being stood since time immemorial there beside St. Peter’s Church, it had provided a convenient venue to retire to after family funerals and christenings, and, being just two minutes’ walk away, was ideal for a swift half almost any time of day or night. In summer the old gates were opened to the buttercups-and-grass slope at the ale-yard’s rear behind St. Peter’s, where Tom’s mam would often sit out on a creaking bench dusted with emerald mold to have a drink with her surviving friends: old women with black bonnets, coats and dispositions like herself. His mother’s best pal, Elsie Sharp, had died before May’s eyes on one such sweet, long-shadowed evening after she’d knocked back a swig of stout straight from the bottle and had in the process swallowed a live bumblebee, which was just then crawling about within the brown glass neck. Stung from the inside Elsie’s throat had swollen up and closed, and after an unpleasant minute she’d been dead there in the birdsong and the lemon cordial light diffusing up above the railway station.

Once outside of the Blue Anchor, Tommy had turned left and headed down Chalk Lane to Castle Hill. There’d been a window lit in Doddridge Church, perhaps some group that met up in its rooms, and glancing up across the high stone wall Tom had been able to make out the set of loading doors, positioned halfway up the church’s side. As well as an abiding love of mathematics, one of the things Tom had picked up from his barmy grandfather was a deep fascination for the facts of history, especially that subject’s local aspect. Even so, he’d never had a proper answer for what those impractically high doors were doing there. The nearest he could get was that before the Reverend Philip Doddridge had arrived at Castle Hill and made the building there into a Nonconformist meeting-house, it had perhaps been used for something else, some business that required off-loading and delivery of goods by winch and pulley up to the first floor. Something about that explanation, though, had never rung quite true to Tom, which left the doors as an enduring question mark on his internal map of the location and its cloudy past.

Doddridge himself, Tommy had thought as he’d gone down beside the chapel and its burying ground, had been as big a puzzle as his church. Not in the sense that anything about him was unknown, but more that he’d been able to achieve such a long-lasting change in how the country thought about itself religiously, and that he’d done it from this tiny plot of land deep in the rat-runs of the Boroughs.

It had been Queen Anne’s death during 1714 that had prepared the ground for Philip Doddridge, then a lad of twenty-seven, to come here to Castle Hill one Christmas Eve fifteen years later to take up his ministry. Anne Stuart had, during her reign, attempted to stamp out the Nonconformists. When she’d died the minister who had announced it had said, quoting from the Psalms, “Go, see now this cursed woman, and bury her; for she is a king’s daughter.” That was a signal for all the Dissenters and the Nonconformists to start celebrating as it meant that George the First, who was a Hanoverian and had vowed to support their cause, would soon be on the throne. All of them little groups – hangovers from the Independents, the Moravian Brethren, that tradition come down from John Wycliffe’s Lollards in the thirteen-hundreds – they must have been popping wine corks at the thought of all that they’d be able to do now to shake things up, and Doddridge coming to Northampton had been part of that. Looked back on from the present day, you could say it had been the biggest part.

Sauntering past the unkempt burial ground that evening, Tommy had supposed the town would have been an attractive proposition to a young dissenting minister back then, what with its long tradition as a haven for religious firebrands, insurrectionists and the plain mad. Old Robert Browne who formed the Separatists in the late sixteenth century was buried in St. Giles churchyard, and the town was filled by Nation of Saints puritans and Ranters with their fiery flying rolls during the century that followed. There’d been fierce radical Christians shouting heresies from every rooftop, saying there was no life other than this present one, that Hell and Heaven were nowhere save here on earth and, worst of all, suggesting that the Bible showed God as a shepherd of the poor and not the wealthy. By the time that Philip Doddridge stepped out of the snow that Christmas Eve, 1729, rubbing his hands with frostbite and with glee, Northampton’s reputation as a hotbed simmering with spiritual unrest would have been well established.

Doddridge’s Evangelism, nine years earlier than that of the more widely-sung John Wesley, was the force that by Victoria’s reign had transformed almost all of the Dissenting sects and the whole ruddy Church of England in the bargain. He’d accomplished this from what was even then one of the humblest places in the land, and done it in a little over twenty years before the TB took him when he hadn’t yet turned fifty; done it all with words, his teachings and his writings and his hymns. To Tom’s mind, “Hark! The Glad Sound!” was about the best of them. “The Savior comes, the Savior promised long.” Tommy had always thought of Doddridge writing that sat looking out from Castle Hill, perhaps imagining the last trump sounding in the heavens up above St. Peter’s Church just down the way, or picturing a ragged, resurrected Jesus walking up Chalk Lane towards the little meeting house, his bloodied palms spread wide in universal absolution. During the more-than-a-thousand years this district had existed it had seen its fair share of extraordinary men, what with Richard the Lionheart, Cromwell, Thomas Becket, all of them, but in Tom Warren’s estimation Philip Doddridge could be counted with the worthiest. He was the Boroughs’ most heroic son. He was its soul.

St. Edmund’s clock struck once for half-past two and snatched Tom back to where he was, stood outside the converted workhouse with his Kensitas burning away forgotten there between his nicotine-stained fingers. That had been a waste. He flung the smoldering end into the broader smolder that surrounded him and let his mind return to February 1948 and to a night just as opaque and gray.

He’d come out of Chalk Lane past the newsagent’s where he sometimes bought his paper of a Sunday morning; that had once been part of Propert’s Commercial Hotel, and crossed the tarmac-smothered cobbles and disused iron tramlines of Black Lion Hill towards the pub the hill was named after. Pushing inside through its front door Tommy had been hit by a near solid wall of chatter, scent and warmth, the captured body heat of everyone who was crammed into the Black Lion on that chilly night. Before he’d took his coat off and stepped through the press of people to the bar, Tom had been feeling glad already that he’d chosen to come here tonight, rather than to have stayed with Frank at the Blue Anchor. There were always more familiar faces at the Lion.

Jem Perrit had been there, whose dad The Sheriff had run a horse-butcher’s business in Horsemarket, and who lived himself with his wife Eileen and their baby daughter by the wood-yard that Jem kept in Freeschool Street, just round the corner from the Black Lion and off Marefair. As Tom now recalled the scene, Jem had been playing ninepins at the skittle table up one corner with Three-Fingered Tunk – who had a stall in the Fish Market up on Bradshaw Street – and Freddy Allen. Ferd had been a moocher who you sometimes saw around the Boroughs still, who slept beneath the railway arches in Foot Meadow and who got along by pinching pints of milk and loaves of bread off people’s doorsteps. The tramp had been narrowing his bleary eyes as he took aim and threw the wooden cheese, but it had looked to Tom as though Jem Perrit or Three-Fingered Tunk would probably be trouncing him. Propped up against the heaving bar there had been Podger Someo, locally famous former organ grinder, now retired, and everywhere that Tommy looked there had been grimy area legends nursing mythic grudges, a run-down Olympus full of sozzled titans spluttering filthy jokes through mouthfuls of foam-topped ambrosia, fishing clumsily as minotaurs inside their crisp bags for the blue wax paper twist of salt.

Tommy’s own family, at least the Vernall side of it, had been well represented in the pub that night. Tom’s uncle Johnny – his mam’s younger brother – had been there with Tom’s aunt Celia, and sat up one corner by herself with a half pint of Double Diamond and her battered old accordion across her lap there had been Tommy’s great-aunt Thursa, in her eighties by that point and even harder to get any sense from than she’d previously been. Tommy had said hello to her and asked if he could get her a fresh drink, at which she’d looked alarmed as if she weren’t sure who he was, but then had nodded in acceptance anyway. Thursa had always liked to play on her accordion al fresco, trudging round the Boroughs, although some years earlier during the war she’d taken to performances that were exclusively nocturnal. More specifically, she’d only gone out in the street to play her instrument during the blackouts, with the German bombers droning overhead and the ARP wardens threatening to arrest her if she didn’t stay indoors and stop that bloody racket. Tom had never heard, at first hand, his great-aunt’s Luftwaffe sing-alongs, having been stationed overseas. His older sister Lou, however, had described them to him with the tears of laughter running down her cheeks. “They sent me out to fetch her in, and honestly, I swear that she was standing there in Bath Row, looking up at all the big dark planes against the sky and playing little tootles and long drones on her accordion, as if the bombing raid was like a silent film and she was its accompanist. It was that awful engine noise, the way it echoed right across the sky, and there was Thursa doing little bits that fitted in with it, these little bits that sounded like somebody whistling or skipping. I can’t properly describe it, but her little tra-la-las sounding above the frightening thunder of the airplanes, it made you want to laugh and cry at the same time. Laugh, mostly.” Tom had pictured it, the skinny old madwoman with her mushroom cloud of white hair standing caterwauling in the blacked out street, the vast might of the German air force overhead. It had made Tommy laugh too.

With the drinks arrived and Tommy’s dotty great-aunt taken care of, he’d sat down with his quiet auntie Celia and his lively uncle Johnny, who he got on well with and could be relied upon to keep Tom company till closing time. Tom could remember, back before the war, being with Walt and Jack and Frank one night in the Criterion up King Street when their uncle Johnny Vernall had come in and had a drink with them. He’d kept them all enthralled with tales of what the almost empty pub had been like in its heyday, with a loaf of bread, a ham, a jar of pickles and a wedge of cheese provided free on every table. The increase in custom, Uncle Johnny said, had more than paid for the comestibles, and you’d had no one getting drunk or rowdy since they’d all got something in their stomachs to soak up the booze. To the four brothers it had sounded like an Eden, a lost golden age.

Sitting down with his aunt and uncle in the Black Lion’s snug, Tommy had asked them how they were and also asked after his cousin Audrey, who just about everybody in the family had a soft spot for, and who played piano accordion in the dance band that her father, Uncle Johnny, managed. This was the same band that had performed so well at Walt’s wedding reception up in Gold Street just a few months previously, when Tom and Frank had both been lectured by their mam and where, in Tom’s opinion, his young cousin Audrey hadn’t ever played so well or looked so lovely as she did upon that night, belting out swing and standards to the lurching celebrants who packed the dance-floor. Audrey was a little smasher, all the family thought so, but on that particular night in the Black Lion, Tom’s uncle had just shook his head when Tom inquired about her, and said Audrey was at home and going through a lot of young girl’s sulks and moods at present. Tom had been surprised, since Audrey had always seemed such a sunny little thing, but he’d supposed that this reported tantrum was to do with women and the changes that they went through, which at that point, mercifully, Tommy had known almost nothing of. He’d nodded and commiserated with his aunt and uncle, and had told them he was sure their daughter would get over it and be back to her old self in a day or two. On that count he’d been wrong, as it turned out.

Hobnobbing with his relatives, Tom had reflected on how much he liked his uncle Johnny, who he thought added a touch of color to the family with his loud ties and his jacket’s mustard check, his showbiz flair. There was just something up-to-date about the bloke, the way he ran a band and talked of dates and bookings, as if he were rising to the challenge of the world and future we’d got now, after the war, bursting with energy and eager to get on with a new life. According to Tom’s mam, her younger brother Johnny had since childhood talked of nothing except going on the stage, of being part of all that sequined razzmatazz, although he’d got no talent of his own to speak of. That was no doubt why he’d hit on managing a dance band if he couldn’t play or sing in one. When his young Audrey had turned out so talented with the accordion, a taste for which she’d evidently picked up from her great-aunt Thursa, Johnny must have been as pleased as Punch. Tommy had often thought that when his uncle Johnny hovered in the wings and watched adoringly while Audrey played, it must have been like he was seeing his young self out there, all of his hopes and dreams at last parading in the footlights. Well, good luck to him. Perhaps the baby boy that Tom was waiting on now in the Wellingborough Road would end up good at something Tom himself had always had a hankering for, like, let’s say, football. Tommy couldn’t swear that if that happened he’d not be stood on the touchlines cheering, just like Uncle Johnny beaming proudly in the dark and tangled wires offstage.

Tom’s auntie Celia was a different matter in that she was quiet where Johnny made a noise, and didn’t fuss over their Audrey quite so much as Johnny did. Aunt Celia was always friendly, even cheerful in her way, but never seemed to have a lot to say for herself about anything. She weren’t stuck up or toffee-nosed, but if Tom’s uncle Johnny should crack one of his blue jokes she’d only smile and look away into her bitter lemon. Tommy’s mother didn’t care much for her sister-in-law, and said that she thought Aunt Celia had got no gumption, but then Tommy’s mam didn’t care much for anyone.

He’d kept his aunt and uncle company, that February night five or six years ago, until the landlord called out for last orders and they’d said that they’d not have another one. They’d finished up their drinks while Tommy was just starting his last pint, then got their coats on ready to go home. They hadn’t far to go. Johnny and Celia lived with Audrey down in Freeschool Street, just uphill of Jem Perrit and his family, so it was only round the corner past the church. Tommy remembered Uncle Johnny standing up from his chair in the snug and settling his titfer on his head, what made him look as if he were a bookie. Helping Auntie Celia to her feet, Johnny had sighed and said, “Ah, well. I ’spect we’d better goo back ’ome and face the music”, meaning Audrey and her bad mood, which was no more at the time than just an innocent remark.

They’d said ta-ta, and Tom had watched their exit from the smoky pub, with its interior as clouded as the foggy street revealed outside when Celia and Johnny had shoved open the Black Lion’s door and stepped into the night. Tommy had taken his time finishing the half of bitter what were left out of his pint, eyes roaming idly round the bar on the off chance there might be a half-decent-looking woman in there. He was out of luck. The only female still remaining in the Black Lion other than the landlord’s dog was Mary Jane, the brawler who was found more often up the Mayorhold at the Jolly Smokers or Green Dragon, one of them. One of her eyes was closed and violet, puffed up to a slit, and her whole face looked like it had once been a very different shape. She sat there staring into space, shaking her head occasionally as if to clear it, though you couldn’t tell if that was because she were punchy, or if it were from the drink she’d put away. Even Tom’s great-aunt Thursa had slipped out the pub while he weren’t looking. Tommy was alone in an entirely masculine, predominantly broken-nosed domain, even including Mary Jane in that appraisal. While he was used to having mostly men around him from his work, and while he found that much less nerve-wracking than an extended company of women, it was much duller in the bargain. Tommy had knocked back the thin dregs of his pint, said goodnight to the people that he knew, and headed for the door himself while fastening his coat.

Outside the Black Lion, with the cold burning his throat, he’d been in two minds as to which way was the quickest home, back to his mam’s in Green Street. Finally he’d opted to walk up by Peter’s Church and cut along the alley there to Peter’s Street, that marked the top edge of the green. It was just slightly longer than if he’d gone down around Elephant Lane, but being drunk and sentimental Tom had thought he’d like to head up by the churchyard so that he could say goodnight to Jack, or to the monument at any rate. What had been left of Jack was still out there somewhere in France.

Leaving the pub behind, Tommy had gone up Black Lion Hill and onto Marefair, with the mist now snagging on the iron churchyard railings to his right. He’d nodded, half-embarrassed, to the war memorial that poked up from the bed of drifting cotton wool around its base, and wondered who’d struck up the tune that he could hear, come from the inn that he’d just left. It had took Tommy several moments, beer-befuddled as he was, to work out that there wasn’t a piano to be found at the Black Lion, and anyway, the noise hadn’t been coming from behind him but instead was faint and shimmering, emerging from the Marefair shadows that were curdling up ahead.

Intrigued, Tom had walked past the narrow alley that ran down between the church and Orme’s, the gent’s outfitters, where he’d been intending to cut through to Peter’s Street. He’d wanted to know who it was, making a row at this hour of night, and to make sure that there was nothing untoward transpiring in the neighborhood. Besides, as he went on past Cromwell House, Tommy could hear the slightly frantic-sounding tune more clearly, and could almost make out through his middling stupor what it was. It had appeared to be emerging from the neck of Freeschool Street just up ahead of him, the tumbling refrain flowing across the pavement with the fog and tangling round Tom’s half-cut feet to trip him up.

He’d paused, outside the brown stone building where the Lord Protector had been billeted the night before he’d gone to fight at Naseby field, and steadied himself with one hand on the rough wall to check his wavering balance. That was when he’d seen his uncle Johnny and his auntie Celia come reeling out of Freeschool Street into Marefair, clutching their mouths, holding their hands across their faces as though they were weeping, hanging on each other’s sleeves like two survivors of a train wreck clambering up the embankment. What on earth had happened?

What he should have done, he thought now, blowing in his hands to warm them up outside the hospital, was simply to have called out to his aunt and uncle, asking what was wrong. He hadn’t done that, though. He’d stood there hidden in the mist and watched the couple, looking like they’d aged ten years within the last ten minutes, as they’d stumbled off into the damp miasma clinging to each other, lowing like maimed animals. They’d headed off in the direction of Horsemarket, the wet noises of their misery becoming fainter. Tom had watched them go from his place of concealment and had burned with shame to think that he’d seen family in distress and simply stood there doing bugger all, not even offering to help.

It had just seemed so private, Uncle Johnny and Aunt Celia’s grief. That was all Tom could say now in his own defense. He’d been brought up to help people when things were going rough for them, but then he’d also been taught not to poke his nose in others’ private business, and it sometimes felt like a fine line between the two. That was the way that it had been with Uncle Johnny and Aunt Celia that night. It looked as though their lives had just that moment fell to bits, as though they’d fallen in upon themselves, as though whatever had upset them was so personal and so humiliating that to have someone intrude upon it would have only made it worse. Thinking about it now, perhaps what he’d picked up on was that Celia and Johnny weren’t seeking assistance with whatever had occurred. They weren’t out banging on the neighbors’ doors and asking somebody to fetch a fire engine or ambulance. They hadn’t gone just down and round the corner to Tom’s mam’s in Green Street, Johnny’s own big sister. They’d not sought help in the Boroughs, but had made for Gold Street and town center. Tom had later learned that Uncle Johnny and Aunt Celia had sat till dawn both huddling devastated on the steps of All Saints, underneath its portico.

Upon the night itself, he’d watched his aunt and uncle until they were gone, then wandered into Freeschool Street to find out what was going on. He’d stumbled haltingly down the black crevice, where the Free School had been situated in the fifteen-hundreds, walking in the face of all the mournful, stirring music that rang from the haze more loudly with Tom’s every cautious step. All the low notes had resonated in the lightless window-glass of the soot-dusted manufacturing concerns to Tommy’s right and left, making the panes buzz like trapped flies. It had been round about then that he’d first caught on what tune was being played over and over, being banged out on an old joanna somewhere in the gloom towards what used to be Green Lane. He’d started singing it, inside his head, familiar words all coming back to him before he’d even hit upon its title, though he’d recognized it as a song that he knew well. How did it go? “Why tell them all your secrets …”

Tommy had progressed hesitantly down the unlit street, as much for fear of tripping over something in the fog and knackering himself as of what he might find when he got further down towards the bottom end. He’d known already that it would be Uncle Johnny’s house the tune was coming from, that it would be their Audrey playing it. Who else down Freeschool Street could trot out such a lovely piece as that? “They’re buried under the snow …” Ever so well he knew it, he just hadn’t at that time been able to remember what the thing was called. The missing title nagging at his mind, Tommy had staggered further down into the invisible harmony.

In twenty paces, by the time he’d reached the junction with St. Peter’s Street, it had become clear that the old song was indeed emerging from his cousin’s house across the road, down near the Gregory Street corner. He had also realized that Freeschool Street was utterly deserted save for he himself and for one other: standing rooted in the crawling vapor that was boiling over Uncle Johnny’s doorstep, rigid and stick-thin with her wild head tipped back to gaze up at the lit-but-curtained parlor window that the music came from, had been Tommy’s great-aunt Thursa. In her arms she’d cradled the accordion like a mute and monstrous child, the waxy and translucent fingers of one hand stroking distractedly across the keyboard, back and forth as if to calm the silent instrument and to allay its fears at this alarming situation. Thursa hadn’t make a sound herself, but she’d been listening so intently to the music leaking from inside the house that you could almost hear her doing it. It carried on, the tune, stitching its thread of half-remembered lyrics on the blanket of the mist. “Whispering grass, don’t tell the trees …”

Of course, by that point Tommy had recalled the title he’d been grasping for. “Whispering Grass”. That had been an old favorite for years by then, had even worked its way into the language as the slang for an informer, or at least that’s where Tom thought that the expression “grass” had come from. Prior to that point it had been Tom’s opinion that the song, though haunting, was too soppy and too whimsical, with its idea of grass and bushes talking to each other, just like something that Walt Disney might have done. Hearing it from the creeping fog in Freeschool Street though, on that February night, it hadn’t sounded whimsical at all. To Tom’s ear, it had sounded terrible. Not terrible as in the sense of bad or badly played, but more as if it spoke of something terrible, of some great hurt too terrible to mend, or of some terrible betrayal. It had sounded angry in the way its chords crashed out, notes almost splintering beneath the impact of the unseen fingers. It had sounded like an accusation and, as well, like an unburdening, an agonized confession that could never be retracted, after which things couldn’t be the same again. It had been music for the end of something.

“… ’cause the trees don’t need to know.” Ashamed. That had been, Tom thought now, another quality apart from hurt and anger that the tune had brought to the dank evening air: an overpowering sense of shame. Even the awful jollity into which the refrain would sometimes break sounded sardonic, sounded vengeful, sounded wrong. Tommy had been disturbed, mostly because he hadn’t for the life of him been able to imagine such an unexpected torrent of confused emotions pouring from so self-effacing and demure a vessel as his cousin Audrey. What can have been going through her mind for it to have emerged in the spine-tingling, feverish way it had? What had she been feeling that produced a reeling, stomach-dropping noise like that?

God knows how many times she’d played the tune already before Tom or anybody else had ventured into Freeschool Street to hear it, but as he and his great-aunt had stood there separately listening in the fog he’d heard the song repeated at least four more times, all the way through, before it had eventually ended in a sudden yawning silence that had been in some way even more upsetting than the row preceding it.

A tense few moments had elapsed, perhaps to make sure the recital was completely over, and then great-aunt Thursa had, from nowhere, pressed just four notes from the squeeze-box slung on its worn leather strap around her stringy neck, four grave and trudging tones that Tom had recognized with a mild tingle of alarm as the beginning of “The Funeral March”, or at the time he’d thought that’s what it was, at any rate. But with only that mournful opening completed his great-aunt had fallen silent and allowed her parchment fingers to drop from the keys. Abruptly, Thursa had turned round and marched away down Freeschool Street as if, aside from her own brief musical contribution, there was no more to be done. Within a moment her gaunt figure had dissolved into the cold seethe of the night.

Tom realized now, stood shuffling in the forecourt of St. Edmund’s Hospital, that it had been the last time he’d encountered great-aunt Thursa, who’d took ill with bronchial troubles and had died some two months afterwards. The mental picture of her walking off into the fog, into the roiling mystery, was the last image of her he could call to mind. Perhaps her short rendition of “The Funeral March” had been a prophecy, though as he thought about it now he saw that those four notes could just as well have been “Oh Mine Papa”, or probably a dozen other tunes.

After his great-aunt had departed, Tom had stood there for perhaps five minutes more, just staring at the now-hushed house across the way with the soft gaslight filtered through drawn curtains from its parlor window. Then he’d stumbled off down Freeschool Street, along Green Lane to his mam’s house in Green Street. May had been abed already by the time that he got in, and Frank hadn’t come home yet from the Anchor. Tom had lit the mantle, lit a fag from the same match, then had a sit in the armchair for a few minutes, just before he went to bed.

Across a small room shrunken further by the gaslight, up against one wall had stood the family piano, black and polished like a coffin. Perched on top of it had been an empty vase and a big, glossy eight-by-ten inside a prop-up frame. The photo had been taken for the purpose of publicity, clearly by a professional, and was a group shot of the outfit Uncle Johnny managed. Standing front and center of the picture, no doubt with an eye to showing off the dance band’s most attractive asset, there had been Tom’s cousin Audrey with her piano accordion almost bigger than what she was. Resting on its keys her slender hands were placed so elegantly you could tell that it was artificial; she’d been told to hold the pose and the accordion in just that way by the photographer. Tom could imagine it, the chat and patter while he’d took the shot, with the flirtatious manner blokes like that seemed generally to have about them. “Right, that’s lovely, let’s have a big smile now from the ravishing young lady.” And then Audrey would have cast her eyes up, just as she was doing in the picture, looking comically exasperated as she laughed away the compliment – “Oh, honestly!” – but flattered, pleased he’d said it even if he’d done so just to make her smile. Her head was tipped back slightly as if she were making an appeal to heaven, asking for deliverance from men and their smooth, silly talk, and you could see the strong line of her chin, the straight slope of her nose, the finely sculpted head with her dark hair cascading down onto the shoulders of her ironed white blouse. His cousin at that time had been around eighteen years old, and Tommy had thought that the photo looked as if it had been taken two or three years earlier, when Audrey had been fifteen or sixteen. She’d looked so lively and so wry that Tom had sat there in the gas-lit living room a good half hour just trying to fit together the young woman in the picture and the frightening performance he’d just heard in Freeschool Street.

Of course, over the next two or three days, Tom had learned more of what had happened on that night. According to his mam, who by that time had heard her younger brother’s full account of things, Tom’s uncle Johnny and his auntie Celia had got back home to Freeschool Street from the Black Lion to find their only child had locked them out the house while she sat there inside and played the same lament repeatedly on the piano, pointedly ignoring all their poundings on the door and their demands to be let in. As the demands had swiftly turned to worried pleas, his cousin Audrey had apparently made vocal interjections of her own, shouting above the avalanche of her own playing: “When the grass is whispering over me, then you’ll remember.” Finally her parents had just given up and slunk away into the mist, away up Gold Street where they’d sheltered under All Saints’ portico all night, crushed by the realization of the dreadful thing that had just happened. Their one daughter, their bright, pretty, talented young daughter who they’d hoped would carry all their dreams into the future had gone off her head, gone round the corner. That next morning doctors had been called and Audrey Vernall had been taken up the Berry Wood turn to St. Crispin’s mental home, struggling and kicking, screaming out all manner of fantastical delusions as Tom’s uncle Johnny had recounted it. She’d been in the asylum ever since, would very likely be there all her life, a shame and a disgrace upon the family. Her name was only mentioned rarely now.

The general consensus, naturally, had been that Audrey’s problems were inherited, part of the curse passed down among the Vernalls, as displayed in both Tom’s granddad Snowy and his great-aunt Thursa.

There it was. The madness in the family. That was a cheery thing to think about while you were waiting for your first child to arrive, but Tom supposed there was no hiding from it. It was just a fact, part of the complicated lottery of birth that would decide whether the baby had brown hair like Doreen or black hair like Tom, whether its eyes were blue or green, if it was to be tall or short, well-built or skinny, sane or insane. Nobody had a say in how their children would be born, but then nobody had a say with most of the important things in life. All you could do was make the best of what you had. All you could do was play your cards as they’d been dealt.

He glanced around at his surroundings, at the gauze fog bandaging the blackness, at the crumbling church across the street, its weight and presence felt rather than seen. On Tommy’s left a necklace of dim streetlamps wound away through the dark miles to Wellingborough. To his right the mongrel rhapsodies of Mad Marie were tangled round town center in haphazard strands of flimsy tinsel and behind him loomed the rehabilitated workhouse, like a thuggish bailiff who’d been given a new job and uniform and swore he was a reformed character. Tom realized with a start that they were more than halfway through the twentieth century already.

Tom also began to see that it weren’t just the blood and the heredity that would determine how a child developed. It was everything. It was the aggregate of all the planet’s parts and all its history, of every fact and incident that made the world, that fashioned the child’s parents, all of these components leading up to that specific baby floating there in that specific womb. With his own offspring brewing now inside Doreen’s distended belly waiting to be poured out, Tommy understood that there would be no element of his or his wife’s lives that would not influence their baby, just as every circumstance of their own parents’ lives in turn had made its mark on them.

The job as a director Snowy Vernall had turned down, for an example, played its part as to what kind of family and upbringing their newborn could expect. Tom’s mother’s first child dying of diphtheria had meant that she’d not stopped with just two girls but had gone on to have four boys as well. Had it been otherwise, then neither Tommy nor his own forthcoming child would have existed in the first place.

Then there was the war, of course, and all the politics that had come both before and after it. All those things that decided how this coming generation should be educated, what the streets and houses would be like where they grew up and whether there’d be any jobs about once they were grown. And these were just the obvious things that anyone could see would have effects upon a kiddy’s chance in life. What about all the other things, events so small they were invisible and yet which added up to someone choosing one path rather than the other, added up to something that might have an impact on the world, upon his child, for better or for worse?

Tom wondered at the whirlpool of occurrences, of lives and deaths and memories that were at present being funneled into Doreen’s each contraction, pressing out an imprint on their baby as it writhed towards the light: the air raid nights, the dole queue days, the wireless programs and the demolition sites. Glimpse of a woman’s legs with fake seams drawn in eyebrow pencil down the calf, of rubber johnnies raining on commuter’s hats. Grave of a fifteen-year-old German sniper by the road in France. Tom’s granddad crumpling up his careful ring of numbers in a rage to throw it on the fire, the black hole spreading from the center of the paper as it burned. The photograph of Audrey standing framed on the piano, with her posed hands and her blithe smile and the grinning band members behind her in their bow ties, holding their guitars and clarinets. The fog, the pigeon-shit and Mad Marie all somehow filtering into the new arrival who’d be drawing its first breath and making its first wail within an hour or two, all being well.

St. Edmund’s clock struck three times from the higher stories of the mist. His toes were so cold in his boots he couldn’t feel them anymore. Bugger this for a game of soldiers. With his hands thrust deep in his mac’s pockets, Tommy Warren turned round on his heel and started walking back along the hospital’s long drive towards the blurred and distant lights of its maternity wards, twinkling faintly in the gloom. Doreen couldn’t have had it yet, or someone would have been sent out to fetch him. Walking up the path he noticed that the wavering piano was no longer audible, though Tommy didn’t know if that meant Mad Marie had stopped at last, or if it merely meant the wind had changed directions. Humming absently to fill the sudden silence, breaking off when he became aware that he was humming “Whispering Grass”, Tom changed his tune to “Hark! The Glad Sound!” and then carried on. The bulb-lit porch outside the waiting room was drawing gradually nearer. Picking up his pace and perking up his ideas, Tommy went to welcome in his first-born baby boy.

Or girl.

From : TheAnarchistLibrary.org

(1953 - )

Alan Moore (born 18 November 1953) is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. (From: Wikipedia.org.)

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January 24, 2021; 4:56:39 PM (UTC)
Added to http://revoltlib.com.

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