Jerusalem — Book 2, Chapter 8 : Malignant, Refractory Spirits

By Alan Moore

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Untitled Anarchism Jerusalem Book 2, Chapter 8

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(1953 - )

Alan Moore (born 18 November 1953) is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. (From: Wikipedia.org.)


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Book 2, Chapter 8

MALIGNANT, REFRACTORY SPIRITS

You see more naked people when you’re dead, or at least this was the conclusion Michael was fast coming to. There had been nudes and semi-nudes among the crowd on Mansoul’s balconies, sleepwalking dreamers in their underpants, and there had been the Cromwell boy only a little while ago in Marefair. In the afterlife, nobody seemed to mind if you’d not got your clothes on. This approach appealed to Michael, who had never understood what all the fuss was over in the first place.

Then there were the two young women Michael was now looking at, capering bare along the drab September length of Mary’s Street in the mid-1670s. So beautiful even a three-year-old could see it; they were hardly real women at all and more like something made-up from a film or magazine as they skipped gaily through the cooking steam and refuse in the narrow lane at that time of the bygone morning. These, he dimly comprehended, might just be what the commotion over nudity was all about.

The prancing females were, he thought, a lovely shape, even though one was skinny and the other plump. He liked the extra bits they had upon their chests, and how they didn’t have the corners grown-up men had, being rounded like the country was rather than square-cut like a town. As usual, he wondered vaguely what had happened to their willies but was confident that this would all make sense eventually, like jokes or frost-patterns.

Of course, the really striking thing about the two nymphs was the color of their hair: it had a color, even in the ghost-seam’s unrelenting black-and-white. Tossed up above their heads as if by the strong breezes from the west, billowing out and tangling in the wind, their manes were vivid orange on the half-world’s photo-album gray.

The dead girl that he was starting to think of as his secret sweetheart, Phyllis Painter in her rotten rabbit ruff, had dug a tunnel up from midnight Marefair on the eve of battle in the 1640s into daylight Pike Lane only thirty years thereafter. Michael and the gang had clambered through the opening into a side street where two men were arguing about the tallied chalk-marks on a blackboard hanging by the doorway of their ironmonger’s shop, and where old women wearing threadbare pinafores emptied the contents of cracked chamber pots into already-brimming gutters. Since there were no other ghosts around, no one could see the children as they conscientiously repaired the hole they’d made arriving here, out of a night three decades gone.

The phantom ruffians had streamed up to St. Mary’s Street, where there were jumbled yards and cottages piled up higgledy-piggledy, alive with chickens, dogs and children; not at all like the neat modern flats of Michael’s day. From where the six of them were at the upper entrance to Pike Lane they could see only nondescript wood buildings on the mound towards the west where Doddridge Church would later stand. Looking towards the east and Horsemarket, however, they had spied the beautiful bare ladies with their hair in color, twirling blissfully along the busy morning street, apparently unnoticed by the downcast wagon-drivers and preoccupied pedestrians going about their business. Phyllis had seemed pleased to see the pair.

“That’s good. We’re ’ere before they’ve properly got started. We can watch the ’ole thing now, from start ter finish.”

Michael had been puzzled.

“Who are those two ladies? I thought we wiz coming here to see the Great Fire of Northampton.”

Phyllis looked at Michael patiently, patting his tartan sleeve as she explained.

“They are the Gret Fire o’ Northampton.”

Tall John butted in.

“Phyllis wiz right. That’s why nobody else can see ’em, and that’s why their hair wiz colored when the rest of us are all in black and white. If you look closer, it’s not hair at all. It’s flames. They’re Salamanders.”

The fire-headed women tripped and laughed among the dross of Mary’s Street. They looked enough alike for Michael to be sure that they were sisters, with the plumper of the pair being perhaps nineteen or twenty and the leaner one some five years younger, barely in her teens. He noticed that right at the bottoms of their tummies, where their willies should have been, the little patch of hair they had was made of orange fire as well, with stray sparks drifting up around their belly-buttons. They swung lazily around the wooden posts supporting musty barns and tightrope-walked along the duckboards. Neither of them spoke a word – Michael was somehow sure they couldn’t – but communicated only in shrill laughs and giggles that were reminiscent of the way that early-morning songbirds talked together. The two didn’t seem to have a single thought between them that was not about their laughter or their random, skittering dance. They were so happy and carefree that they looked almost idiotic.

Seeming to guess what the little boy was thinking, Phyllis gently put him straight.

“I know they look ’alf sharp, but that’s just ’ow they are. They don’t ’ave proper thoughts or feelings like we ’ave ’em. They’re all spirit. They’re all urge, all fire. Me and Bill saw ’em first, before we started up the Dead Dead Gang. We’d both been dayn to Beckett’s Park, Cow Medder, in the fourteen-’undreds at the old War o’ the Roses, and we wiz just diggin’ ayr way back up through the sixteenth century. Abayt 1516 we broke through into this one day where everything wiz like a bloody gret inferno with the Boroughs burning dayn araynd us, and this wiz when there weren’t much more to Northampton than the Boroughs, mind you.

“The two Salamanders, the two sisters, they wiz pirouettin’ through the blaze and settin’ fire to everythin’ they touched. O’ course, they wiz both younger by a century or two in them days. The plump girl, the eldest one, she looked abayt eleven and the youngest one wiz only five or somethin’. They wiz trottin’ back and forth between the burnin’ ’ouses, carrying the fire with ’em in their cupped ’ands and then splashin’ it all over everywhere like two kids playin’ with a tub o’ water. Only it weren’t water.

“I’ve met ghosts who’ve told me abayt when the two of ’em were first seen araynd ’ere. That wiz twelve-sixty-somethin’, when ’Enry the Third ordered the town burned dayn and ransacked as a punishment for sidin’ with de Montfort and the rebel students. From what these old-timers told me, when King ’Enry’s men were let into the Boroughs through a big ’ole in the priory wall dayn Andrew’s Road, the sisters came in through it with them, walkin’ naked and invisible beside the ’orses. The big girl looked to be six then, and was carryin’ ’er baby sister in ’er arms. Nobody’s ever ’eard ’em say a word. They only giggle and set light to things.”

The ghost gang watched the trilling, tittering duo as they flounced from house to house along seventeenth century St. Mary’s Street, slipping between the traders and the scowling, put-on housewives without anybody knowing they were there. Their hair billowed behind them on the westerly in trailing orange pennants, flickering and hazardous. Seeing them, Michael noticed for the first time just how well gray and bright orange went together, like a bloated morning sun seen through the fog above Victoria Park. In their meandering the women seemed to gravitate towards a single dwelling, a thatched house on the Pike Lane side of the street, a little closer to Horsemarket than the children were.

“Come on. It looks like that’s the ’ouse. Let’s goo and ’ave a butchers at ’em when they set it orf.”

Following Phyllis’s suggestion the dead urchins doppelganged towards the ordinary-looking dwelling, just in time to pursue the two sisters in through its front door, a poorly-fitting thing propped open by a brick. Inside, the downstairs of the cottage was a single room, gloomy and cluttered, evidently serving as a front room, living room, kitchen and bathroom all rolled into one. An infant with a dirty nose crawled on the coarse rugs that were spread about a cold brick floor, while by the open hearth a woman who appeared too old to be the baby’s mom stood frying scraps of meat in melted dripping, shaking the round-bottomed iron pan she held above the fireplace in one hand. At the same time, using her other hand, she stirred a clay jug of what turned out to be batter with a wooden spoon. The way that the old lady could do both things at the same time impressed Michael. When he’d watched his mom and gran cook in their kitchen down St. Andrew’s Road, they’d always split the chores so that each of them only had to do one thing at once. The other members of the Dead Dead Gang were nodding knowingly, all except Bill who was too busy ogling the naked fire-nymphs as they poked inquisitively round the crowded, cozy living space.

“She’s makin’ a Bake Pudden. When she’s stirred the batter up, she’ll tip it in atop the meat, then put the ’ole lot in the oven – that’s the little black iron door beside the fireplace – until it’s done. A lot o’ people say as Yorkshire Puddin’ is a recipe them northern buggers pinched from us, but were too tight to put the bits o’ meat in. It was just a way of makin’ up a proper meal from leftovers and odds and ends.”

As Phyllis wandered into the specifics of Bake Pudden-making and its history, Michael was watching the two sisters in their progress round the murky, fire-lit room. Surprisingly, they seemed uninterested in the fireplace itself and were converging on a patch of carpet to the far side of the central wooden table, where the crawling infant was investigating a fat garden spider that had probably retreated indoors at the first hint of a chill to the September air. The Salamanders made a great fuss of the baby, stooping down and chuckling in their musical brass wind-chime voices to it while they pulled a lot of silly, grinning faces.

Michael realized with a start that the small child, barely a year old from the look of him, could see the snickering, flickering young women. The tot’s gaze was shifting back and forth, tracking the movement of their bonfire beehive hairdos as they wavered in the drafts blown from the open door. The Salamanders winked and smirked and played games, walking their slim fingers back and forth along the table’s edge like tiny pairs of legs to catch the babe’s attention as it crawled there on the floor below. They marched their digits over the piled apples in a wooden fruit bowl resting on the tabletop, cooing and beaming at their fascinated audience of one. The baby gurgled happily as it watched the two flame-haired women from its spot down near the dangling hem of a slipped tablecloth that looked like it had previously seen service as a lady’s shawl. Only when the child’s chubby, grubby hand reached for the cloth’s fringed edge did Michael realize what the fire-sprites were up to. He called out a garbled warning to the others – “Look! The fieries want to bake the maybe start an appleanch!” – but by the time they’d worked out what he meant, it was too late.

Things came together like the comically elaborate machinery in a cartoon: the baby grabbed the hanging makeshift tablecloth, thus dragging the heaped fruit-bowl to the table’s edge, then over it. Missing the child the wooden bowl fell clattering to the rug, although one of its bouncing apples struck the startled mite above his eye and made him wail. Alarmed, the stooped old woman who was possibly the baby’s grandmother turned from her cooking to see what was up, at which point the round-bottomed iron pan that she was using tipped up slightly, spilling melted fat into the blazing hearth and setting fire to the pan’s contents simultaneously. The hissing gout of flame resulting from this momentary carelessness surged upward to ignite the dusters hanging with the pots and saucepans from the mantelpiece, causing the by-now frightened and confused old dear to reach out with her ladle, batting the offending blazing rags down from the hearthside to the brick floor and, disastrously, one of the dusty rugs. Within about five seconds nearly everything that could be on fire was. The woman stood there staring in stunned disbelief at what she’d done for a few instants, then ran round the table to scoop up the howling tot before she hauled it through the front door, shrieking “Fire!” as they fell stumbling out into St. Mary’s Street.

The sisters clapped their hands together in excitement, jumping up and down and squealing as the conflagration spread around the room. Only the tangerine tongues licking from the Salamanders’ heads had any color, Michael noted. All the other flames now roaring in the cluttered cottage were bright white around the outside with profound gray hearts as they ascended like a line of ants towards the ceiling’s timber beams. Phyllis grabbed Michael by the scorched, discolored collar of his dressing gown.

“Come on, we’re gettin’ ayt of ’ere. We don’t wanna be all stuck jostlin’ in a burnin’ doorway with the two o’ them.”

The elder of the crackling, spitting females had now hopped onto the table and was executing a variety of cancan, while her younger sister laughed and posed coquettishly among the smoldering curtains. The wraith children burst out through the doorway like a spray of playing cards, all Jacks and Queens, all spades and clubs without a splash of red between the six of them.

St. Mary’s Street was in the grip of an incredible commotion. Dogs and people ran this way and that, their barks and shouts and panicked screams uproarious despite the ghost-seam’s dampening effect. Two or three men were racing frantically to the afflicted home with slopping pails of water in their hands, but only got to within ten feet of its door before what Phyllis had predicted came spectacularly true: the Salamanders leaped together from the house into the street, accompanied by loud peals of hilarity and a great furnace blast of white flame that drove back the would-be firemen and their useless little buckets. It was almost ten o’clock upon the morning of September 20th, 1675.

Michael was asking John why the two easily-amused fire-fairies were called Salamanders when the younger, thinner one began to clamber effortlessly up the front wall of the burning cottage, reaching its thatched roof in seconds with her fleshier and more formidable big sister scuttling immediately behind her. Neither of the young girls moved like people, Michael thought. They moved like insects, or perhaps like …

“Lizards.” This was John.

“A salamander, with a little ‘s’, that’s like a lizard or a newt. But people once believed that salamanders lived in flames, so when we talk about a Salamander with a big ‘S’ then we’re talking about what’s called elementals, spirits of the fire.”

Marjorie interjected here, reflected firelight flaring from her spectacles.

“The ones that govern water are called Undines. The Nene Hag, who almost got me when I had me accident down Paddy’s Meadow, she wiz one of them. Snail-shells for eyes, she’d got. Then there’s the ones what rule the wind, they call them Sylphs although the only ones I’ve ever heard of have been horrible old men who stand a mile high. Spirits of the earth, they’re what’s called Gnomes officially, although round here we call ’em Urks or Urchins. You don’t see ’em much above ground, but they ride round the tunnels underneath upon these big black dog-things what are known as … oh, hang on. Looks like they’re off and running.”

The drowned girl was pointing up towards the rooftops, where the brace of Salamanders were commencing an outlandish waltz along the ridge of the thatched buildings. The incendiary beauties clung together tight, helpless with mirth, whirling each other round with an accompanying flame-tornado rising from the parched straw at their heels as they progressed from roof to roof. The dozens milling in the lane below watched helplessly as cottage after cottage was consumed by the fire-spirits’ unseen choreography. Unwittingly, the mob were following the sisters’ dazzling performance as they moved with the west wind along St. Mary’s Street towards Horsemarket, kicking up a loud din as they did so. There were curses, groans, despairing cries and several different sorts of weeping. An old man with cataracts was calling up above the clamor in a high and reedy voice, declaring that the fire was punishment from God as a result of papists in the Parliament withdrawing Charles the Second’s Declaration of Indulgence for dissenting congregations. A cross-looking youth who stood beside the raving ancient pushed him over in the mud and was immediately set on by two burlier and crosser-looking fellows who’d seen what the boy had done. A fight broke out in the already-distraught byway while, above, the Salamanders danced among the chimneypots with sheets of flame rolling and billowing about their bare legs like flamboyant ball-gowns. As the pair approached Horsemarket, people at that eastern end of Mary’s Street were already evacuating their doomed dwellings, moving what they could of their meager possessions out into the frantic and stampeding avenue.

Michael ran hand in hand with Phyllis through the crowd, literally in some instances, as the Dead Dead Gang kept up with the devastating Salamander ballet. By the time the incandescent nudes had reached the wide dirt track of Horsemarket that sloped north-south across the thoroughfare’s far end, both sides of Mary’s Street were angry walls of fire with burning straws from the disintegrated thatching carried on the wind across the road. Chains of combustion snaked off down the incline towards Gold Street while at the same time the brilliant rivulets trickled uphill into the Mayorhold. Pausing only to squat down in turn over the chimney of the last house in the row and piddle streams of golden sparks into its darkness, the two sisters swarmed face first down the end wall, both snickering like cracking hearth-logs.

Hopping from one burning, bolting wagon to another they crossed Horsemarket and scampered gaily eastwards up St. Katherine’s Street, with townsfolk scattering before them, the ghost-ruffians and their after-pictures hurrying behind, not wanting to miss anything. When they were nearing College Street the redheads stopped before the gated entrance of what seemed to be a family-business tannery. The gorgeous monsters gazed towards the premises, then at each other, struggling to keep a straight face as they did so. Each one with an arm draped chummily around the other’s naked shoulder, the two giggling sisters stepped through the now-blazing gateway, vanishing from sight into the walled yard. Before Michael, Phyllis and the gang could follow them, the whole establishment blew up. It didn’t just ignite in a great rush like all the other buildings had done; it exploded, with a tower of fire erupting up towards the overcast September sky and needle-shards of debris trailing threads of smoke behind them raining for a hundred yards in each direction, falling through the spectral children while they stood there gaping in astonishment.

Michael spoke first.

“Whop wiz all that big clangerbang?”

John shook his head, staring in disbelief as the two Salamanders stepped from the inferno of the flattened workplace with volcanic lava-colored tears of mirth now streaming down their silvery cheeks, holding each other up to stop themselves collapsing in a quaking, sniggering heap.

“I’ve no idea. That wiz like an artillery shell. I’d always wondered how the Great Fire spread from Mary’s Street to Derngate in just under twenty minutes, but if there were blasts like that to help it on, I’m not surprised.”

Drowned Marjorie’s moon face was crumpled by a frown, as if she was considering some problem, turning the alternatives this way and that inside her mind. Whatever she was thinking, the bespectacled child didn’t seem to come to a conclusion that she thought worth mentioning. Marjorie kept her ruminations to herself as Phyllis led the gang along the roaring corridor after the fire-girls, who were by that time advancing merrily into the tinderbox of College Street, or College Lane as the incline was currently referred to, Michael noticed from a signboard that he read without the least surprise that he could do so. Pyrotechnic trails unraveled from the sisters, bowling through the slanting lane in both directions, turning everything with which they came in contact to another glaring torch. Appearing to pick up their pace, the clearly-tickled creatures sauntered through a charring gate on College Street’s far side and disappeared into the long dark passageway that Michael knew would later on be called Jeyes’s Jitty and which cut through to the Drapery. Chirping and twittering their happy nonsense, the two pretty engines of destruction wandered off into the alley’s blackness with their fiery tresses sputtering behind them and the gray ghost-children in pursuit.

It wasn’t until they stepped out into the Drapery that Michael realized the full scale of the disaster. People in their hundreds wept and bellowed as they fled in mortal dread or else charged impotently up and down the busy high street dragging pointless, slopping buckets as they tried to save their businesses. Vast flocks of startled birds flowed from one abstract shape into another under palls of smoke that turned bright morning into twilight. Just south of the alley entrance, the top end of Gold Street was ablaze and a slow river of incinerating light was starting to roll inexorably away down Bridge Street, driving soldiers, sheep and shopkeepers before it. Half the town was burning down, and it had only been ten minutes since the baby pulled the fruit bowl from the tabletop.

Across the way, the timber pillars holding up a wooden version of All Saints Church were on fire. The sisters watched for a few moments until they were certain that the building had caught properly and then proceeded up the Drapery, tripping among the milliners’ and cobblers’ stalls and pausing to inspect some item every now and then, like fussy ladies on a shopping jaunt, looking for something in particular. On the rough cobbles just outside a pitch displaying boots and shoes, they evidently found what they were after. Stopping dead they gazed towards some barrels standing in a row against the avenue’s east wall, then both threw up their hands and shrilled with glee. Holding their sides they staggered round in fiery rings, bent double with amusement and convulsing at some private joke apparent only to the two of them.

Drowned Marjorie gave a tight little smile of satisfaction. Clearly, she’d worked something out.

“So that’s it. That’s why the whole town burned down in under half an hour.”

The younger of the Salamanders, the slim thirteen-year-old with the flat chest and lone curl of pubic flame where her plump older sister had a brush-fire, suddenly sprang into action. From a standing jump she made a ballet dancer’s leap through the cascading smoke, her hair in a long orange smear behind her shedding sparks like dandruff, to alight on top of the end barrel, standing on her pointed toes with skinny arms curled up to either side for balance.

She’d just hopped to the next barrel when the first one in the line blew up, smashed from within by a huge fist of liquid fire that sent its wooden staves sailing into the sky and sprayed a burning dew over the as yet untouched properties to either side. The slender little girl danced nimbly onto the lid of the third container as that of the second took off like a rocket: a black, flaming disc that disappeared over the roof into the Market Square beyond. A lake of blazing fluid began crawling down the Drapery. The sprite skipped from one barrel to the next and they exploded like a deafening string of jumping jacks while the performer’s older sister looked on and applauded, jigging on the spot in her enthusiasm. Everything in sight was now on fire. Drowned Marjorie gave the assembled phantom kids the benefit of her considered verdict.

“Tannin. It wizn’t a strong west wind all on its own what made the town burn down so quick. It was the tannin. As long as there’s been a town here, it’s been known for gloves and boots, and that’s because we had all the right things here to make leather. We had lots of cows, and lots of oak trees. You need oak trees for the tannin, from the bark. The thing is, tannin wiz like airplane fuel. It speeds up a fire and makes it worse. That’s why the tannery in Katherine Street blew up, and that’s what’s in them barrels that she’s dancing on. I mean, you think of all the tannin that wiz in the Drapery, and then over the back there on the Market Square, that was the Glovery – ”

The little girl broke off as the whole top end of the street went up with an enormous boom. From the direction of the market came what sounded like the racket of a big jet aircraft taking off until Michael remembered that this was the sixteen-hundreds, realizing that the noise was actually that of a lot of people screaming all at once. Squinting between fountains of flame and through a lowering curtain of black, fuming fragments he could see the elementals as they climbed once more towards the rooftops, sticking to the blazing walls, a giggling pair of orange-crested reptiles.

Just uphill the lower end of Sheep Street was now also catching fire. A riderless and burning horse was spat out of the ancient byway’s mouth to gallop terrified in the direction of All Saints, rolling its eyes. Nothing was safe and almost everything was flammable. By mutual assent the children raced around the top east corner of the Drapery into the caterwauling nightmare of the marketplace, into the bright core of the cataclysm, which made all they’d seen so far a preamble.

The Salamander sisters, having skittered up to the thatched ridges, had abandoned their pretense at dancing and commenced to race around the upper reaches of the square like two competing sprinters. That, however, was where all human comparisons were swept away: the pace at which the women ran along the roofs was so unnatural as to be genuinely horrid, like the unexpected speed of spiders. The sight would have been upsetting even if it hadn’t been attended by the realization that the people in the square, and there were scores of them, were now contained in a sealed box of fire.

The tradesmen in the premises that ringed the marketplace ran back and forth, arms laden with whatever items they could carry from their threatened shops as they deposited the rescued wares in at least temporary safety on the cobbles of the square. As the extent of their predicament began to dawn on them, however, the trapped townsfolk for the most part became less concerned with saving their possessions than with getting out alive. Not all of them, though. Some were plundering the burning stores, and there were dreadful scenes towards the bottom of the market where an over-greedy looter who’d caught fire was being driven back inside the blazing building he’d been trying to rob by angry market traders armed with poles and meat-hooks. Individual squeals and bellows were inaudible, subsumed within one deafening common shriek as people stormed through the familiar enclosure that had turned into a crematorium, desperately looking for an exit.

Not only were living townspeople attempting to escape. Among the various establishments that ringed the marketplace were several taverns, notably the coaching inn there on the square’s far side, and these vomited specters. Gushing from the doors and windows, leaking through the wooden walls in forms inseparable from the surrounding smoke, four or five hundred years’ worth of accumulated gentleman spooks, medieval ghouls and shapeless ancient apparitions joined the panic-stricken living hordes who were unfortunate enough to be at market on that fateful day. Dead dogs streaked past with photo-finish images strung out behind them like a greyhound race, and up above it all the lovely human fireworks crowed and leaped and somersaulted as they overlooked their handiwork.

Out from the flaming, overflowing cauldron of the town square, tributaries roared up Newland and through Abington Street, Sheep Street, Bridge Street, Derngate, the whole town turned to a burning cobweb with the market crowd stuck struggling at its center. Michael started crying at the awfulness of all the people who were going to die, but Phyllis gave his hand a squeeze and told him not to worry.

“Nearly everyone wizzle get out of ’ere all right, you’ll see. In the ’ole town only eleven people died, and that most likely wizn’t many more than yer’d get on an ordinary day. Ah! There, yer see? Over the market’s other side, there at the bottom end of Newland, where the crowd are makin’ for …”

She pointed to the northeast corner of the square, towards which the majority of the great panicked herd seemed to be heading. Men were waving, shouting something as they urged their fellow escapees to follow them. The phantom children drifted in the same direction as the fleeing mob, and as they neared the far side of the market’s upper reaches Michael saw that everybody was converging on a single building at the foot of Newland, a place which by his day would have been transformed into a funny little sweetshop that had coats-of-arms and things like that carved in the plasterwork above its door. These decorations, he saw now, had been a feature of the house as far back as the sixteen-hundreds. The trapped people in the square were filing underneath the plaster heraldry as they all tried to cram themselves into the house, like circus clowns attempting to get back inside their too-small car. As the gang stood and watched this almost-comic exodus, Phyllis explained to Michael.

“That’s the Welsh House. I dare say it wiz a sweetshop when you wiz alive, same as it wiz fer me. Before that, though, it wiz like the paymaster’s office fer the drovers what ’ad brought the sheep from Wales. The ’erds would all arrive in Sheep Street, and the chaps who’d ’erded ’em across the country would all come dayn ’ere to pick their money up. As yer can see, it’s mostly stone and it’s got slates up on its roof instead o’ thatchin’, so it doesn’t burn as quickly as the ’ouses all araynd it. Everybody’s gooin’ in its front and comin’ ayt the back into the alleys, where they can all get to safety.”

It took very little time for the humanity-filled bladder of the burning marketplace to empty itself through the pinched urethra of the Welsh House, flooding with a great sense of relief into the backstreets further east. Most of the square’s ghosts also chose this method of escape from their predicament, traipsing invisible along the house’s passageways among the living. They appeared reluctant to just walk out through the market’s flaming walls, perhaps because the way they’d learned to treat fire when they were alive still had a hold on them now they were dead. Michael saw one such phantom looking more confused and frightened than the rest, constantly glancing back over his shoulder in alarm at his own tail of fading images as he fell in with the long, shuffling queue of spooks and citizens who were evacuating the condemned ground. After a brief stint of puzzled peering, Michael recognized him as the looter who’d been driven back into the blazing building by the vengeful tradesmen only minutes earlier. The toddler watched the hunted-looking spirit, stumbling through the crowd-crammed doorway with the other fugitives, until he was distracted by a yell from Reggie Bowler.

“Well, blow me! Where ’ave the Sally-Mandies gone? I took me eye off ’em for just a minute and they’ve bloody disappeared!”

They had as well. The posse of ghost-children all looked up and scanned the market’s fire-fringed skyline, searching for some smudge of orange, some sign of the sisters, but the two torch-headed girls were nowhere to be seen. Although the kids were all privately disappointed to have lost sight of the thrilling elemental arsonists, Phyllis made an attempt to treat the matter philosophically.

“I ’spect they’ve both got bored and gone orf to wherever they call ’ome, now that they’ve seen the best of it. I mean, this’ll be burnin’ for another five, six ’ours or more, but all the biggest spectacles are over, pretty much. We might as well walk back the way we come, dayn to St. Mary’s Street. We can make our way up from there to Doddridge Church in 1959, where Mrs. Gibbs is waitin’ for us. Then we’ll find ayt what she’s learned abayt ayr mascot ’ere.”

Seventeenth-century Northampton spewed fire from its windows, its scorched timbers cracking and collapsing into cinders everywhere about them. The Dead Dead Gang flickered back like newsreel refugees across the now-deserted square, towards its northwest corner and the passage through into the Drapery. Just like the marketplace this was abandoned to the radiant catastrophe, even the neighborhood ghosts having given up the ghost. As they meandered on the sputtering, flaring incline of the devastated high street, the six wraith-waifs found themselves looking into the smoldering mouth of Bridge Street further down. The town appeared to be alight as far as South Bridge and the river, and the chilly glass bowl of the early autumn sky arced overhead was soot-black, like an oil-lamp’s mantle. Other than those distant uproars carried on the wind, the only sounds were those of the inferno: its deep sighs and coughs that sprayed a sputum of bright sparks across the street; its irritated mutter in the splitting doorframes.

Walking back along the spindly fissure into College Street was a peculiar experience, since this forerunner of Jeyes’ Jitty was by now wholly consumed and filled with a blast-furnace blaze from one end to the other. Being made for the most part from ectoplasm, which is naturally a damp and largely fireproof substance, the ghost-children weren’t in any danger as they trooped along the narrow pass but, as Michael discovered, they could feel the fire inside of them as they passed through it, just as they had felt the bird-poo and the rain. Deep in his phantom memory of a tummy he could feel the tickle of the flames, developing to an unbearably delightful and insistent itch that felt, if anything, much, much too good. It sort of made him want to do things just on impulse without any thought for whether they were right or not, and he was glad when they were out of the infernal alleyway and crossing over what was left of College Street. The old sign that identified the place as College Lane had been reduced to ashes and the ashes blown away. There were some looters at the top end of the side-street loading goods from an abandoned shop onto a two-wheeled cart, but otherwise the lane was bare.

St. Katherine Street, like all the surrounding byways, looked like Hell, or at least looked the way that Michael had imagined Hell to be before he’d had his run-in with sardonic Sam O’Day and found out that it was a flat place made entirely of squashed builders, or something like that at any rate. In the exploded ruins of the tannery up near the top, a twenty-foot wide scorch-mark bristling with spars of blackened rubble like a giant bird’s nest struck by lightning, they found what had happened to the Salamanders.

It was Bill and Reggie, running into empty dwellings on their route simply to nose about, who made the big discovery and called excitedly for Michael, Phyllis, John and Marjorie to come and have a look. Phyllis’s little brother and the freckle-faced Victorian were standing in the middle of the flattened yard, next to a pockmark in the dark soil and the smoking wreckage, a small crater that was no more than a foot or so across. They both seemed very pleased with what they’d found.

“I’ll eat my hat! This wiz a blessed queer thing. Come and have a look at this, you lot.”

At Reggie’s invitation, the best dead gang in the fourth dimension gathered round the shallow indentation in a whispering and excited huddle, even though it took them a few moments before they worked out what they were looking at.

The circular depression was a hollow of gray, cooling ashes and curled up within it, silvery skin almost indistinguishable from the powdery bed that they were resting on, were the two sisters. Both of them were sleeping, having been no doubt worn out by their caprice, appearing very different in repose to how they’d looked when they were jigging on the rooftops of the Market Square only a little while ago. For one thing, all the tangled flames sprung from their scalps had been extinguished so that both of them were hairless. For another, neither of them was now taller than eleven inches.

They had shrunken into bald gray dolls, half-buried and asleep there in the fire’s warm talcum residue, reclining head-to-toe so that they looked like the two fishes on the horoscope page of the daily paper. You could tell they were alive because their sides were going up and down, and with the better vision that the dead have you could see their tiny eyelids twitching as they dreamed of Lord knows what. Exhausted by their great annihilating spree, the nymphs were evidently dormant. They had eaten a whole town and would now drowse away the decades until next time, shriveling to cinders of their former selves as all the heat went out them, and slumbering beneath the Boroughs in their bed of dust and embers.

After a brief conference on the merits of attempting to wake up the pair by prodding them, which Bill suggested, the children instead elected to continue with their saunter through the burning lanes towards St. Mary’s Street and, ultimately, Doddridge Church. They left the Salamanders snoozing in the ruined tanner’s yard with poison fumes for bed-sheets, carrying on down St. Katherine’s Street as they headed for the blackened remnants of Horsemarket at the bottom. Michael scuffed along in his loose slippers between John and Phyllis while the other three ran on ahead, their gray repeated shapes soon disappearing in the drifts of smoke that crawled an inch above the cobbles.

“Wiz the Boroughs all barned down, then?”

Phyllis shook her head in a briefly-enduring smear of features, much like when you drew a face in ballpoint pen on a balloon then stretched the rubber out.

“Nah. There wiz a west wind, so all the fire got blew towards the east and burned the Drapery and the Market and all that. Other than Mary’s Street, Horsemarket and a bit of Marefair at the Gold Street end, the Boroughs came ayt of the episode unmarked.”

Michael was cheered to hear this reassuring news.

“Well, that wiz lucky, wizn’t it?”

John, wading knee-deep in a blazing fallen tree on Michael’s right, didn’t agree.

“Not really, nipper, no. You see, the east part of the town wiz leveled by the flames, so that all got rebuilt with new stone buildings, some of which are still standing around the Market Square in your time. Everywhere else in Northampton got improved, except the Boroughs. That wiz pretty much left as it had been when the fire broke out there in the first place. Should you date exactly when the Boroughs first began to be seen as a slum, you’d have to say that it wiz after the Great Fire, here in the sixteen seventies. If there’d been an east wind today, then all of us might well have grown up somewhere posh, and all had different lives.”

Phyllis was skeptical. Michael could tell this by the wrinkles suddenly appearing on the top bit of her nose.

“But that’s not ’ow it ’appened, wiz it? Things only work out one way, and that’s the way they ’ave to work out. If we’d grown up in posh ’ouses then we wouldn’t be us, would we? I’m quite ’appy bein’ ’oo I am. I think this wiz ’oo I wiz meant to be, and I think that the Boroughs wiz meant to be ’ow it wiz, as well.”

They’d reached the bottom of the street and were confronted by Horsemarket, a charred ribbon that unreeled downhill and where people were diligently working, with some small success, to bring the blaze under control. The spectral children fogged across the road, swirling between the chains of bucket-passing men on whom the sweat and soot had mixed to a black paste, an angry tribal war-paint.

They unwound into the little that was left of Mary’s Street like spools of film, only to find the fire was almost out, here in the lane where it had started. People picked disconsolately through a clinging scum of sodden ash or stroked their weeping spouses’ hair like doleful monkeys that had been dressed in old-fashioned clothes for an advertisement. Unnoticed, the dead ne’er-do-wells floated amid the desolation, past the black and cauterized gash that was Pike Street as they made their way to Doddridge Church, which wouldn’t be there for another twenty years. Moping along a little way behind the others, Reggie Bowler was beginning to look a bit sad and lonely for some reason, pulling his hat further down onto his head and shooting melancholy glances from beneath its brim towards the wastelands spilling downhill from the as-yet non-existent church. Perhaps something about the place awoke unhappy memories for the ungainly phantom guttersnipe.

Michael, who’d been expecting somebody to dig another mole-hole up into the future, was surprised when Phyllis told him this wouldn’t be necessary.

“We don’t need to do that, not dayn ’ere. There’s summat near the church what we can use instead. Think of it like a moving staircase or a lift or summat. They call it the Ultraduct.”

They were now on the low slopes of the mound called Castle Hill, where Michael had thought there were only barns and sheds when he’d looked earlier. However, as they neared Chalk Lane – or Quart-Pot Lane as signs proclaimed it to be called at present – he could see around the west side of the flimsy, makeshift buildings, to what he assumed must be the structure Phyllis had just mentioned.

Whatever it was, it still appeared to be under construction. Half a dozen of the lower-ranking builders that he’d seen going about their business at the Works were laboring upon the pillars of some sort of partly-finished bridge, their gray robes shimmering at the hem with what were almost colors, but not quite. As Michael looked on three old women, who were obviously alive, beetled around the mound’s flank from the north, wearing expressions of concern to mask their natural morbid curiosity as they came to observe the fire’s aftermath. They walked straight through the builders and the posts they were erecting, utterly oblivious to their presence, while for their part the celestial work-gang didn’t let the three distract them for a moment from their various tasks. To judge by the intent look on their faces, they were trying to meet a demanding schedule.

The material that they were working with was bright white and translucent, precut planks and columns of the stuff swung into place with ropes and pulleys. The immense span of a bridge that looked like it was more or less completed stretched across the Boroughs from the west, only to finish in mid-air some few feet from the end barn that stood there on Chalk or Quart-Pot Lane. The elevated walkway, which appeared to curve off to the south, away into the gray and misted distance, was supported all along its dream-like length by the same alabaster pillars that the builders were attempting to maneuver into place there on the gentle, grassy slopes of Castle Hill. Something about the way the columns were positioned struck Michael as being very wrong.

The bridge was held up by two rows of the semi-transparent posts, one on each side. The problem was that if you trained your eyes on what you thought to be the bottom of a nearside strut and traced it upwards, it turned out to be supporting the far side of the construction. Similarly, if you focused on the upper reaches of a pillar that was holding up the walkway’s closest edge and followed it straight down towards its base, it would invariably end up being in the further row of columns. When you took in the whole thing at once, it looked right. It was only when you tried to make some sense of how it all fitted together that you realized the impossibility of the arrangement you were staring at. As he approached it with the Dead Dead Gang, Michael discovered that just seeing it gave him the ghost of a tremendous headache. Screwing shut his eyes he rubbed his forehead. Phyllis gave his hand a sympathetic squeeze.

“I know. It makes yer brains ’urt, dunnit? It guz all the way to Lambeth, then to Dover, then across the channel and through France and Italy and that, to end up in Jerusalem. From what I ’ear, it’s much the same as when the council put a proper street where previously there’d only been a footpath worn into the grass. The Ultraduct began like that, as just a crease that had been trodden into bein’ by the men and women gooin’ to an’ fro, except the Ultraduct wiz a path worn through time and not just grass. It ’ad been there since long before the Romans, but they were the ones ’oo properly established it, as you might say. Then people like that monk who come ’ere frum Jerusalem and brought the cross to set into the center, they trod it in deeper. Then, o’ course, there wiz all the Crusaders, back and forth between ’ere and the ’Oly Land. Around ’Enry the Eighth’s time in the fifteen-’undreds, when ’e broke up all the monasteries and forced the split with Rome so ’e could get divorced, that wizzle be about the time the builders started puttin’ up the Ultraduct. What we’re lookin’ at ’ere wiz when it’s nearly finished, which’ll be in abayt twenty years frum now.”

In a concerted effort to stop staring at the eye-deceiving pillars, Michael gazed instead towards the Ultraduct itself, the alabaster walkway sweeping off across Northampton to the far horizon. All along the railed bridge there appeared to be some sort of blurred activity, a sense of constant motion even though you couldn’t really see anything moving. Waves of what seemed to be heat-haze pulsed both ways along the overpass and rippled into intricate and liquid patterns where they crossed each other. Even though the structure was unfinished, it was clearly already in use by some person or persons who were traveling too fast to see. Or, Michael thought, they might be traveling too slow to see, although he had no idea what he meant by that.

The gang had by now reached the spot on Chalk Lane where the gray-robed builders were at work. Being the outfit’s self-appointed spokesman, Phyllis elbowed her way past her colleagues, dragging Michael in her wake as she approached the nearest of the laborers, one skinnier and taller than the others with a shaved head and a long and mournful face. Phyllis addressed him, speaking slowly and deliberately in the way you would if you were talking to somebody who was deaf or a bit dim.

“This Michael Warren. We the Dead Dead Gang. Can we go on the Ultraduct and talk to Fiery Phil?”

The builder peered down at the ghost girl in her grisly scarf, and at the dressing gown-clad little boy beside her. His gray eyes were twinkling and he pursed his lips as though to keep himself from laughing.

“Dje banglow fimth scurpvyk?!”

Michael was beginning to get used to how the builders talked. First they would speak the gibberish that was their version of a word or sentence, then that nonsense would unroll itself inside the listener’s head into a long speech full of thunderous and ringing phrases. In the current instance, this expanded monologue began with In the Big Bang’s glow we stand, I and thee, child of whim … and then seemed to continue in that vein for ages. Finally, as Michael understood it, once you’d listened to them talking and absorbed it all as best you could, you sort of came up with your own translation. If he’d heard the builder right, the tickled-looking chap had just said, “The Dead Dead Gang? Why, I’ve read your book! So I’m the angle that you met when you were at the Ultraduct in chapter twelve, “The Riddle of the Choking Child”, and then again at the end of the chapter. What an honor. Now, let’s see, you must be Phyllis, with your rabbit scarf, and this is Alma’s brother Michael. I suppose that must be Miss Driscoll herself behind you. Yes, of course you can see Mr. Doddridge. I’ll take you myself. Goodness, just wait until I tell the others!”

Looking puffed up fit to burst the builder gently herded them towards a ladder that was propped against the elevated walkway, though as they got closer Michael saw that it had carpeting and was in fact a narrow section of what he’d heard called a ‘Jacob Flight’. The cluster of ghost-children all shuffled obediently forward as they’d been directed, with nobody kicking up the usual ruckus. Everyone, in fact, looked too astonished by what the gray-robed beanpole had just said to make a sound. Although the Dead Dead Gang liked to pretend to being famous, you could tell that they were flummoxed by the thought that even builders had apparently read their adventures. Where, though, had they read them? There were no real books about the gang except the one in Reggie Bowler’s dream, which clearly didn’t count. And who was this Miss Driscoll? As he reached the bottom of the staircase-ladder, Michael could hear Bill and Phyllis whispering excitedly, somewhere behind him.

“ ’E said about Forbidden Worlds when me an’ Reggie found ’im up in Bath Street flats, but still I didn’t catch on.”

“Well, I knew as I’d seen ’im before when I first faynd ’im in the Attics o’ the Breath. I just couldn’t think where, but now I know. It wiz the show, just up the street there. Well. This changes everything.”

It sounded as if they were talking about him, but Michael couldn’t really make much sense of it. Besides, he’d reached the bottom of the Jacob Flight with everybody else queued up behind him, so he had to concentrate upon the climb. As usual, this was awkward, with the tiny treads too small for even Michael’s feet, but his ascent was much assisted by the ghost-seam’s general weightlessness. In moments he was clambering up onto the shining, milky boardwalk of the Ultraduct.

He stood there rooted to the spot and lit from underneath by the white crystal planks of the unfinished bridge, his small form almost bleached out of existence like a figure in a photo that the light had spoiled. As his five comrades and the helpful builder climbed onto the boards behind him, Michael stared transfixed at the changed landscape that was visible from this new vantage point, this overpass that Phyllis said was built upon a path worn into time itself.

Around them, from horizon to horizon, several different eras were all happening at once. Transparent trees and buildings overlapped in a delirious rush of images that changed and grew and bled into each other, see-through structures crumbling away and vanishing only to reappear and run through their accelerated lives over again, a boiling blur of black and white as if a mad projectionist were running many different loops of old film through his whirring, flickering contraption at the same time, at the wrong speed. Looking west down the raised highway, Michael saw Northampton Castle being built by Normans and their laborers, while being pulled down in accordance with the will of Charles the Second fifteen hundred years thereafter. A few centuries of grass and ruins coexisted with the bubbling growth and fluctuations of the railway station. 1920s porters, speeded up into a silent comedy, pushed luggage-laden trolleys through a Saxon hunting party. Women in ridiculously tiny skirts superimposed themselves unwittingly on Roundhead puritans, briefly becoming composites with fishnet tights and pikestaffs. Horses’ heads grew from the roofs of cars and all the while the castle was constructed and demolished, rising, falling, rising, falling, like a great gray lung of history that breathed crusades, saints, revolutions and electric trains.

The castle, obviously, was not alone in the transforming flood of simultaneous time. Above, the sky was marbled with the light and weather of a thousand years, while there beside the shimmering edifice the town’s west bridge shifted from beaver dams to wooden posts, from Cromwell’s drawbridge to the brick and concrete hump that Michael knew. Now standing next to him, Phyllis gave him a slightly funny look, as if regarding him in a new light. At last she smiled.

“What d’yer think, then? How’s that for a view? I tell yer what, if yer’ve got any business you want answered, you just ask away. I know I might ’ave told yer to shut up and not ask questions all the time, but let’s just say I’ve ’ad a change of ’eart. You ask me anything yer want, me duck.”

Michael just blinked at her. This was a turn-up for the books, and he’d no idea what had brought it on so suddenly. That said, he thought he’d take advantage of this new spirit of openness in Phyllis while it lasted.

“All right, then. Wizzle you be my girlfriend?”

It was Phyllis’s turn now to stare at Michael blankly. Finally she draped a sort of consolation-arm around his shoulder as she answered.

“No. I’m sorry. I’m a bit too old for you. And anyway, when I said about questions, it weren’t questions like that what I meant. I meant about the Ultraduct and things like that.”

Michael looked up at her and thought about it for a moment.

“Oh. Well, then, why can we see all different times from here?”

The whole gang and the builder who had volunteered to be their guide were by now heading slowly for the walkway’s ragged, uncompleted end. Phyllis, who looked immensely grateful for the change of topic, answered Michael’s query with enthusiasm as they walked along together.

“This wiz what time looks like when yer up above it, looking dayn. It’s a bit like if you were in a gret big city, walking in its streets so yer could only see the little bit what you were in at present, and then yer got taken up inter the sky, so you could look dayn and see the ’ole place with all its buildings, all at once. The Ultraduct is mostly used by builders, devils, saints and that lot, when they’re moving through the linger what’s between ’ere and Jerusalem. They’re used to seein’ time like this, so they think nothin’ of it, but to ordinary ghosts it still looks funny. ’Ave a decko at the church along the end ’ere if yer don’t believe me.”

Michael glanced away from Phyllis and towards the jutting and unfinished pier-end that they were approaching. Just beyond the point where the bridge terminated in mid-air was a tremendous visual commotion, churning imagery somewhere between a speeded-up film advertising the construction industry and a spectacular Guy Fawkes Night firework show. He saw the naked prehistoric slope that would be Castle Hill and over this, superimposed, he saw outbuildings of the Norman castle as they rose and fell, a single stone retreat encircled by a little moat, the lonely turret crumbling down to rubble, the surrounding ditch drained and filled in to form a ring of hard dirt lanes around the mound. A wooden chapel bloomed and crumpled into empty grass, with burdened plague-carts blurring back and forth as they delivered human backfill to a briefly-manifested burial pit. The barns and sheds that he’d seen on the site when he’d been back down in the 1670s a little while ago were flickering in and out of being and among it all an oblong structure made from warm gray stone was starting to take shape.

At first the building was just walls that knitted themselves into being from the bottom upward, leaving gaps for three high windows on the southern face and two long doorways where the bricks swirled out in an extension to the west, which looked as if they might be loading bays of some sort. Michael noticed that the luminous white walkway he was standing on seemed to be leading straight into the top half of the leftmost door, but was distracted by a slate roof rattling into existence as it unrolled from the eaves, just as a similarly slate-topped porch that had its own brick chimney started to squeeze itself forward from the block’s south side, right under the three windows. Boundaries sprang up a few yards from the property, enclosing it in limestone walls that rose to curious rounded humps where the four corners should have been, only for these to melt into the lower and more sharp-edged forms that Michael was familiar with. At the same time – and all of this was at the same time, from the ancient grassy hillock to the Norman turret and the teetering, ramshackle barns that followed it – he saw the porch with its lone chimney and its steep slate roof collapse into a broader, grander church-front: a Victorian vestibule that had a flagged and iron-gated courtyard spread before it. Looking back towards the nearest, western side he saw that the two lengthy doorframes had been mostly filled in, leaving one small entrance halfway up the wall of the extension, corresponding neatly with the end-point of the Ultraduct. This previously uncompleted juncture of the walkway had apparently been finished in the last few seconds and now fitted perfectly against the chapel, leading smoothly into the suspended doorway. Doddridge Church, now wholly recognizable, exploded into space and time as modern flats and houses licked the skyline to its rear with tongues of brick.

Meanwhile, above the forming contours of the building, something else was going on. Strokes of pale light were sketching in a towering diagram of scaffolding and girders, an enormous, complicated latticework of luminescent tracings that soared in a square-edged column to the curdling heavens, with its upper limits out of sight beyond even the range of Michael’s ghost-eyes. Matchstick lines of fleeting brilliance scintillated in and out of view, elaborate grids of white against the swirling centuries of sky that fogged and clarified above, suggesting something vast of which the earthly church was merely a foundation stone. He looked up quizzically at Phyllis, who smiled proudly in return.

“And you thought that them tower blocks up in nothing-five or six wiz big, aye? Well, they’re not a patch on Fiery Phil’s place. It goes straight up to Mansoul and even ’igher, up to the Third Borough’s office if the rumors are to be believed.”

Michael was puzzled by the name which, even though he thought he might have heard it earlier, had yet to be explained.

“Who’s the Third Borough?”

“Well, it’s like the normal livin’ neighbor’ood, that’s the First Borough, like I told yer. Then above that there’s the Second Borough, what we call Upstairs. And up above that … well, there’s the Third Borough. He’s a sort of rent-collector and he’s sort of a policeman at the same time. He runs all the Boroughs. He makes sure that there’s justice above the street and everythin’ like that. You never see ’im, not ’less yer a builder. ’Ere, come on, let’s goo in through the crook door and meet Mrs. Gibbs, see if she’s faynd ayt anythin’ abayt this big adventure what yer on.”

The group had reached the point at which the shining walkway ended with the wooden doorframe halfway up the church’s western wall. Taking his hand in hers, Phyllis pulled Michael through the door’s black-painted boards into rich, sudden color and ear-popping sound. As bad as or else worse than he remembered it, the reek of Phyllis’s pelt-necklace curled into his nostrils before he could clench them shut and made him want to retch. The after-images that had been trailing them on their excursion through the Great Fire of Northampton all abruptly vanished, indicating that they were now up above the ghost-seam. They were Upstairs. They were in Mansoul.

That said, the room in which they found themselves appeared to be of normal size and hadn’t been expanded into one of Mansoul’s endless, gaudy airdromes. Its furnishings – its tables, chairs and carpets – were all of an eighteenth century design, and though they glowed with dearness and with presence they did not seem to be those of a rich man, nor one who was extravagant or showy.

As the children and their gray-robed escort percolated into the gold-lit room through its half-sized wooden door they found that Mrs. Gibbs was there already, waiting for them. The rotund and pink-cheeked deathmonger stood at the far end of the chamber, wearing a white apron that had brightly colored bees and butterflies embroidered round its edges. There beside her was a man of moderate height who looked to be in early middle age. His chiseled features, with the smooth brow and the curved blade of the nose, were nonetheless inclined to plumpness, a slight bulge of fat between the rectangle of his antique starched parson’s collar and the firm, cleft chin. His eyes, however, had a somewhat sunken quality, the kindly slate-blue gaze retreated into wide, round sockets that appeared to catch reflected light around their rims, a fever-bright shine smeared on the high cheekbones. The cascading golden curls of what Michael realized belatedly must be a wig fell to the shoulders of the pastor’s long black smock, enclosing the kind, noble features in a fancy gilded frame, like an old painting. A fond smile haunted the corners of the thin lips’ longbow line. This, Michael thought, must be the man that Phyllis had called Fiery Phil, although he didn’t seem to have the slightest thing about his manner that was fiery. Fire, as Michael had experienced it recently in the cavorting of the Salamander girls, was nowhere near as reasonable or considerate in its appearance.

Both Mrs. Gibbs and the somehow imposing clergyman seemed pleased to see the scruffy phantom children and the builder that accompanied them. The deathmonger bustled forward, beaming.

“There you are, my dears. And Mr. Aziel, how nice to meet you. Now then, this wiz Mr. Doddridge who I said I’d have a word with. Mr. Doddridge, this wiz the Dead Dead Gang, who I dare say you’ll have heard of.”

Doddridge smiled, although the radiant eyes looked a bit sad to Michael.

“So these are the very terrors of Mansoul! My word, but we are honored. My wife Mercy often reads your exploits to our eldest daughter, Tetsy. I must introduce you to them presently, but for the moment there wiz one among you that I am most eager to encounter.”

Michael thought that this would more than likely turn out to be him, since everybody in the afterlife seemed to be taken with him. At the same time, unbeknownst to Michael, Phyllis Painter was assuming that the clergyman meant her, as the Dead Dead Gang’s leader. Even Marjorie, for her own reasons, puffed up just a little in anticipation before all three were let down when Doddridge strode across the diamond-patterned carpet, walking in between them to clasp Reggie Bowler by the shoulders. None of them had been expecting that, least of all Reggie.

“By your raiment I can surely tell that you are Master Fowler. When I read that you had met your frozen end in plain sight of our little church it made me weep, and Mercy wept as well. You must take time away from your adventures to attend the ghost academy I am attempting to establish, where those spirits that are less advantaged may partake of learning even when their mortal term has been concluded. Tell me that you’ll visit us, for that should make my heart most glad.”

Dumbfounded, Reggie nodded and shook the man’s proffered hand. The clergyman beamed with delight and then turned his attention to the other children.

“So, then, let us see. This must be Phyllis Painter in her famously offensive scarf, which means that over here we have our little author. The tall fellow at the back must be our dashing solider-boy, and from your family resemblance to young Miss Painter I assume you must be Bill. Be sure that I shall keep my eye on you.”

Finally Doddridge turned to smile at Michael, crouching down upon his haunches so that his gaze would be level with that of the dressing gown-clad child.

“By process of elimination, then, this bonny little fellow must be Michael Warren. Poor lad. I imagine that all this bewilders you, the ins and outs of our existence in Mansoul while all the time your earthly body speeds towards the hospital I founded with my good friends Mr. Stonhouse and the Reverend Hervey. And if that wiz not enough, dear Mrs. Gibbs informs me that one of the higher devils has deceitfully ensnared you in some wicked bargain.”

Michael’s lips began to tremble at the memory.

“He said I’d got to help him do a murder. I won’t have to, wizzle I?”

Doddridge glanced down towards the cream-and-chocolate decorations of the carpet for a moment and then once more raised his gaze to look at Michael, his eyes now grave and concerned within the bright-rimmed sockets.

“Not unless it be the will of He who buildeth all things, though it may be so. Be brave, my boy, and know that nothing can occur save by necessity. Each of us has his part to play in the immaculate construction, in the raising of the Porthimoth di Norhan, and none more so than yourself. Your part entails no more than that you carry on with your adventure. See all that you can of this eternal township where we are continued, even if those sights are on occasion dreadful. See the angles and the devils both, fair lad, and try hard to remember all that you experience. Your time here shall provide the inspiration for events that, be they modest, are essential to the Porthimoth’s completion.”

Phyllis here jabbed Bill hard in the ribs with one sharp elbow, hissing “See? I told yer!”

Michael still had no idea what they were going on about, and anyway was more concerned about something that Mr. Doddridge had just said.

“That Sam O’Day said that I wizzn’t going to remember anything when I went back to life again. He said that wiz the rules of Upstairs.”

The preacher nodded, trembling the golden ringlets of his wig. He smiled at Michael reassuringly then looked up at the other children, fixing them with his calm gaze.

“It never ceases to surprise me, but the plain facts are that devils cannot lie. We all know what our young friend has just said to be the truth, that all events in Mansoul are forgotten in the mortal realm. I fancy, also, that a couple of you know already why this must not be the case with Michael. You must do all that you can to see that he recalls his time with us. Though this would seem impossible, a way exists by which such things may be accomplished. From what I have read of your most entertaining novel, you should simply put your trust in your own reasoning and be assured that, in the last analysis, all shall be well.”

Drowned Marjorie piped up here, sounding peeved as she addressed the minister.

“If you already know the way we’re going to sort things out, then why don’t you just tell us and save us the bother?”

Rising to his feet, the cleric laughed and ran one hand through the stout little girl’s brown hair, ruffling it up affectionately, although Marjorie glowered through her National Health spectacles and looked affronted.

“Because that’s not how the tale goes. At no point within the narrative that Mercy read me did it say that poor old Mr. Doddridge intervened and told you how the story ended, so that you could skip ahead and spare yourselves the bother. No, you’ll have to work it all out on your own. For all you know, the bother that you’re so keen to avoid might be your yarn’s most vital element.”

Mrs. Gibbs gently butted in.

“Now then, my dears, I’m sure that Mr. Aziel and Mr. Doddridge have got matters what they’d like to talk about. Why don’t I take you through to meet with Mrs. Doddridge and Miss Tetsy? I think Mrs. Doddridge said as she’d be making tea and cakes for everybody.”

The whole ghost-gang seemed to be inordinately cheered by this announcement, flocking round the deathmonger as she began to shepherd them out through the bright room’s further door into the passageway beyond. The mention of refreshments came as something of a shock to Michael, who until that moment had assumed that ghosts could neither eat nor drink. He realized that the last thing past his lips had been the cherry-menthol Tune his mom had given him there in their sunlit back yard down St. Andrew’s Road, at least a week ago by Michael’s reckoning. Since then he hadn’t felt the need for food, but now the memory of how good it had been to chew and swallow something nice was making him feel hungry and nostalgic at the same time, so that both sensations were mixed up together and could not be told apart. He was becoming ravenously reminiscent.

Michael and the other children followed Mrs. Gibbs into the cozy, creaking passageway, leaving the reverend and the tall, bony builder to their conversation. Mr. Doddridge and the man that Mrs. Gibbs called Mr. Aziel were settling themselves into two facing armchairs as the parlor door swung shut behind the children and the deathmonger. The corridor in which the phantom kids now found themselves was short but pleasantly arranged, with pink and yellow flowers in a vase upon the single windowsill, caught in a slanting column of fresh morning light that fell as a white puddle on the varnished floorboards. A framed panel of embroidery hung from the mint-green pinstripe of the wallpaper on Michael’s left, with the roughshod design that he had seen already in Mansoul, the ribbon of a street or road unwound beneath a crudely rendered set of scales, picked out in golden thread on plump rose silk. There was the most delicious smell of baking leaking out into the passage from the far end, sweet and fragrant even in its competition with the niff of Phyllis Painter’s decomposing rabbits.

Bustling like a black hen, Mrs. Gibbs led the delinquent specters through the plain oak doorway at the landing’s end into the Harvest Festival glow of a cheery and old-fashioned kitchen. This, Michael determined instantly, was where the fruit-pie perfume he’d detected in the passage had originated from. Two very pretty and nice-looking ladies with their raven hair pinned up in buns were standing talking by the black iron stove, but turned delightedly to the deathmonger and her flock of phantom roughnecks as they entered.

“Mrs. Gibbs – and these must be our little heroes! Do come in and find yourselves a chair. Tetsy and I count ourselves among your most ardent admirers, and now here we are, right in the middle of your ‘Choking Child’ chapter, saying all the parts of dialogue that we’ve already pored over a dozen times. It really wiz the strangest feeling, and tremendously exciting. You must all sit down while I make us some tea.”

It was what Michael took to be the older of the women who had spoken. She was slightly built, having a heart-shaped face and kindly eyes, clad in a dress of white damask embroidered with silk blooms and speckled orange butterflies like those around the edge of Mrs. Gibbs’s apron. On her rather small feet she wore shoes of soft, pale ocher leather, which had stitches of black thread to look like leopard spots and heels that were perhaps two inches high. Motherliness hung everywhere around her in a warm, toast-scented blanket so that Michael wanted to attach himself to her and not let go. As the nice lady led him to one of the wooden chairs around the kitchen table, over by the beautifully-tiled fireplace, he missed his mom Doreen more than ever. Mrs. Gibbs was making introductions.

“Now then, my dears, pay attention. This wiz Mrs. Mercy Doddridge, Mr. Doddridge’s good lady wife, while this young lady standing by me wiz their eldest daughter, Miss Elizabeth. You wouldn’t think to look at her, but Miss Elizabeth wiz younger than a lot of you are. You wiz six, dear, wizn’t you, back when you turned the corner into Mansoul?”

Miss Elizabeth, a younger and more animated version of her mother, wore a frock that was the delicately-tinted primrose of the east horizon in the minutes before dawn, embellished here and there with tiny rosebuds. She had a mischievous laugh as she responded to the deathmonger’s inquiry, shaking her black curls. To judge from their expressions Reggie, John and Bill were already infatuated with the reverend’s daughter, hanging on her every word.

“Oh no. I wizn’t even five before I came to grief with lots of bother and consumption. I remember that I died the week before the party celebrating my fifth birthday, so I never got to go to it, which made me awfully cross. I think that I’m still buried under the communion table downstairs, aren’t I, Mama?”

Mrs. Doddridge gave her daughter an indulgent, fond look.

“Yes, you’re still there, Tetsy, although the communion table’s gone. Now, be a pet and take our fairy-cakes from out the oven while I make the tea. The over-water surely must be boiled by now.”

Sitting beside the fancy fireplace with his slippers kicking idly back and forth, Michael looked up towards the stove. A big iron saucepan steamed upon the hob, seemingly filled with the same balls of liquid filigree that he’d seen raining on Mansoul during the fight between the giant builders. This, to judge from the small intricate beads spat above the pan’s rim, must be over-water. Mrs. Doddridge crossed the spacious kitchen to a wooden counter-top on which a lustrous emerald teapot of glazed earthenware was resting. With his ghost-sight he could see a bulbous miniature of the whole room reflected in the ocean-green bulge of its sides before the reverend’s wife stepped up to the counter and obscured his view. Taking the lid from off the teapot, she reached up towards the higher reaches of the window overlooking her wood worktop, pulling down one of the oddly shaped things that were hanging from the window-frame on strings as if to dry out. Michael hadn’t noticed these before, but once he had they gave him quite a start.

They ranged in size from that of jam-jar lids to that of a man’s hand, resembling desiccated starfish or the dried-up husks of massive spiders, albeit spiders with a pleasant ice-cream coloration. This idea was in itself unsettling enough, but peering closer Michael found that the true nature of the dangling shapes was even more disturbing: each one was a cluster of dead fairies, with their little heads and bodies joined together in a ring so that they formed a radiating web that looked like an elaborate lace doily, only plumper. They reminded Michael of the strange gray growth that Bill had found when they’d been digging their way up out of the howling ghost-storm, from the back yard near the bottom end of Scarletwell Street. Those, though, had been horrid things with shrunken bodies, swollen heads and huge black eyes that seemed to stare at you, whereas these specimens were gracefully proportioned and did not seem to have any eyes at all, with only small white sockets like the chambers in an apple core when someone had dug out the pips. They hung down on four knotted lengths of cord, with two or three of the dried fairy-clusters to a string, making a hollow clatter as they knocked together like a set of wooden wind chimes.

Mrs. Doddridge yanked one of the larger blossoms free, breaking a couple of the brittle fairies’ lower legs off accidentally as she did so. Briskly and unsentimentally the reverend’s wife began to crumble the conjoined nymphs into pieces that were small enough to fit in the receptacle, whereon she hurried to the stove and lifted up the pan of bubbling super-water by its handle so that she could pour the contents out into her teapot, over the crushed fairies. A mouth-watering aroma rose from the infusion, very much like tangerines, if tangerines were somehow peaches and perhaps a bag of aniseed balls at the same time.

Meanwhile, the enchanting Miss Elizabeth was taking a black baking tray out of the oven. Laden with a dozen or more small pink cakes it smelled, if anything, more tempting than the perfumed tea. Setting it on the side to cool, the younger of the Doddridge women fetched a small plain basin from the mantelpiece of the tiled fireplace close to where Michael was seated. As she passed him, he could not contain his curiosity.

“Why are you called Tetsy if your name’s Elizabeth and why are you so grown up if you’re only four? What’s in that basin? My name’s Michael.”

Miss Elizabeth stooped down to beam at him.

“Oh, I know who you are, young Master Warren. You’re the Choking Child from chapter twelve, and I’m called Tetsy because that’s how I said Betsy when I wiz a little girl. The reason I’ve decided to grow up since I’ve been dead wiz that I never really got a chance to see what growing up wiz like while I wiz still alive. As for the basin, well, see for yourself.”

She held the bowl down, tilting it so he could see inside. Heaped at the bottom of it was a midget dune of powdered crystal, quite like granulated sugar except that this substance was the blue and white hue of a perfect summer sky. Elizabeth invited him to take a dab of the cerulean dust upon one fingertip and taste it, which he did. It was a bit like normal sugar though it also had a sharp and fizzy taste, like sherbet. Being taken with the novel flavor, Michael asked her what it was.

“It’s all the little blue pips that we pick out of the Bedlam Jennies. Once we’ve got enough of them we grind them down into Puck-sugar with a pestle so that we can sprinkle it upon our fairy-cakes.”

Belatedly, he realized what had happened to the missing eyes from the suspended clusters of dead fairies. Sticking out his tongue as if he didn’t want it in his mouth after its dalliance with the eyeball frosting, Michael pulled a face that made the reverend’s daughter laugh.

“Oh, don’t be silly. They’re not really fairies. They’re just parts or petals of a larger and more complicated fruity-mushroom sort of thing that’s called a Puck’s Hat or a Bedlam Jenny. We once had the spirit of a Roman soldier visiting us from Jerusalem, and he called them Minerva’s Truffles. They grow in the ghost-seam or the Second Borough, rooting anywhere there’s sustenance. When they’re still small they look like rings of elves or goblins and you mustn’t eat them. You must wait until they’ve ripened into fairies. People in the living world can’t see the blossoms. They can only sometimes see the shoots that the Puck’s Hat sends down into the lower realm, where what wiz actually a single growth looks like a ring of separate, dancing fairies – or a pack of horrible gray goblins with black eyes if they’re not ripe. They’re really all we have to eat up here, although there wiz a sort of ectoplasm-butter you can get from ghost-cows. On its own it doesn’t taste of anything, but if you grind the blooms down into flour you can rub in the phantom fat to form a sweet, pink dough. That’s what we use to make our fairy cakes, and now if you’ll excuse me I believe they must be cool enough for me to spoon the Puck-dust on and serve them up.”

The younger Doddridge moved on round the kitchen table, letting all the other children have a lick of the sweet powder, even-handedly distributing the treat. Meanwhile her mother had produced an absolute flotilla of small cups and saucers from a previously unnoticed cupboard and was pouring everyone a measure of the rosy, steaming brew out of the deep green teapot that gleamed like a fat ceramic apple. Mrs. Doddridge fussed between the wooden worktop and her seated guests, dispensing tea to everyone and telling all the younger children to be careful that they didn’t spill it.

“And be careful not to scald your tongues. Blow on your tea to make it cool before you drink it down. We have a jug of ghostly milk if anyone requires it, although we find that it rather spoils the taste and gives the tea a chalky flavor.”

Meanwhile, Tetsy finished sprinkling powdered fairy-eyes onto the warm cakes, dusting each pink fancy with a twinkling frost of cobalt. Mrs. Gibbs and the six children were allowed to take one each from the large plate on which the freshly-baked confections stood, a flock of sunset clouds against a wintry china sky. Pouring refreshments for themselves, the Doddridge women pulled up wooden stools beside the table, both selecting one of the remaining treats to nibble at and joining in with the soft susurrus of teatime conversation.

Mrs. Doddridge, who had seated herself next to Mrs. Gibbs, was questioning the deathmonger regarding an old bylaw that concerned the gates of Mansoul, of which there were five, apparently. From where he sat beside the fireplace Michael couldn’t really follow the discussion, which appeared to draw comparisons between the various entrances and the five human senses. Derngate, from the sound of it, was touch, whatever that meant. Mystified, the little boy switched his attention to vivacious Tetsy, who had sat down next to Marjorie and was now eagerly interrogating the drowned schoolgirl on some subject even more unfathomable than the talk of taste buds and town gates.

“My favorite chapter wiz the one with that hateful black-shirted fellow blundering around Upstairs whilst suffering from delirium in his mortal body. It made Mama and I laugh so much that I could hardly read it to her. And the passage where the phantom bear from Bearward Street turns out to be pro-Jewish and pursues him through the ghost-seam into the V.E. Day celebrations wiz a marvel.”

Marjorie seemed very pleased to hear all this, though none of it made sense to Michael. Further round the table, John and Phyllis sat and talked together as they slurped their tea. They looked as if they liked each other, and although he was still faintly disappointed about Phyllis saying that she didn’t want to be his girlfriend, Michael thought they made a lovely couple. Seated opposite him, Bill and Reggie were still making plans to capture a ghost-mammoth, spraying violet crumbs upon each other’s faces as they both talked through unsightly mouthfuls of partly-chewed fairy-cake.

Having no one to chat with at that moment, Michael thought that he might take the opportunity to try the dainty pink-and-blue creations for himself. He lifted up the tempting morsel he’d been given, holding it beneath his nose and sniffing its warm perfume. Like the tea, the cake had a delightful yet ambiguous aroma. Michael could tell that it wasn’t aniseed, exactly, that was mixed in with the hints of peach and tangerine, but it was something as distinctive and unusual. He bit into the sapphire-sugared topside and almost immediately his mouth exploded with sensations so immense and intricate he felt his tongue had finally arrived in Heaven with the rest of him. The cake tasted as rich and complicated as, say, a cathedral looked or sounded. The elusive tang of unknown fruits from half-imaginary islands rang around his cheeks like organ music and the airy, crumbling texture was like Sunday light through stained glass. As he swallowed he could feel a tingle starting in the center of him where his tummy used to be and spreading to his toes, his fingers and the tips of his blond curls. Feeling as if his spirit had been dipped in the rose scent that people sometimes put on birthday cards, Michael luxuriated in an aftertaste that echoed through the toddler like a hymn. It filled him with a fresh vitality and at the same time was so satisfying that it brought a dreamy and delicious drowsiness. It was a very contradictory experience.

He blew upon his tea as Mrs. Doddridge had suggested, and then took a cautious sip. The taste was like the cakes but clearer and more pleasingly astringent, like a hot breeze blowing through his phantom mind and body rather than like anything substantial. Michael thought that he was as contented and relaxed as he had ever been, sitting with friends in this somehow familiar kitchen that he’d never seen before. The chatter of the other people at the table was receding to a distant murmur – Reggie asking Bill what the best bait would be to lure a ghostly mammoth, Tetsy Doddridge wondering aloud to Marjorie if having two gang-members with the surname Warren might not be confusing for the readership – but Michael was no longer bothering to keep up with the various conversations. He munched on his fairy cake and drank his fairy tea, discovering that these were reawakening in him the thrilling sense of marvel that he’d felt when Phyllis had first pulled him up into Mansoul.

Back then, when it had all been new to him, he’d been completely mesmerized by every surface and each texture, getting lost in woodgrain or the worn pink threads of Phyllis Painter’s jumper. Though he hadn’t noticed it occurring, since then his appreciation of the wonderful displays surrounding him had grown more dull and blunted, as if he were coming to take this extraordinary afterlife and all its finery for granted. Not until his faculties had been enlivened by this vicarage tea-party had Michael realized how complacent he’d become, or how much he was missing. Now he looked around him at the kitchen with its milky morning light and the dear scuffs or marks of wear on its utensils, glorying in all the humble wonders and the profound sense of home that they entailed.

His gaze alighted on the decorative tiling of the fireplace beside him and he saw for the first time its stupefying detail. Each tile had a different scene delineated on it in the graded blue tones of a willow pattern saucer, fine lines of rich navy on a background of an icier and paler shade. After a moment or two, Michael understood that the square panels were arranged in order so that all the separate pictures told a story, like they did in Alma’s comics. If that was the case, it seemed to him that the most sensible place to commence the tale would be the bottom left side of the fire’s surround, next to where he was sitting.

Looking down, he was immediately absorbed in the depicted episode, his enhanced vision swimming in its deep blue intricacies until with a start he comprehended that it was almost an image of himself, a small boy staring at a story told in painted tiles around a fireplace, pictures in a picture in a picture. Michael was more fascinated by this endless regress than he’d been by all the spectacle and sparkle when he’d glimpsed the Attics of the Breath for the first time. Although the infant in the miniature didn’t resemble him, having dark hair styled in a pudding-basin cut and wearing buckled shoes with knee-length britches, Michael felt himself being sucked into the exquisite illustration. He was not sure anymore if he was Michael Warren, sitting in a kitchen eating cake and staring at a tile, or if he was the painted youngster leaning on his mother’s lap as she perched by the fire and pointed to the bible stories on the painted tiles around it. The warm room about him and its crowded table melted to a wet ceramic gloss, became a parlor in another century and doing so acquired a lustrous Prussian tint. His own hands were now cyan outlines on a wash of faint ultramarine and he was …

He was Philip Doddridge, six years old and learning scripture from his mother Monica, her blue-limned right arm round his shoulders as she read from the worn Bible resting on her slippery skirted thighs. She gestured with her other hand towards the Delft tiles round the fire by which she sat, each one emblazoned with a scene from the New Testament, a crucifixion or annunciation to illuminate the passage she was reading to her son. It was a rainy afternoon during the autumn months of 1708 and by the fireside of the drawing-room in Kingston-upon-Thames all things seemed holy. On the mantelpiece a pair of paper fans flanked an ornate brass clock enclosed within a giant bullet of clear glass, and royal blue firelight glistered on a lacquer screen to one side of the hearth. Monica Doddridge’s soft voice continued its instruction while her son’s glance darted back and forth over the beautiful Dutch tiling. Here an enormous Jonah was regurgitated by a whale no bigger than a chubby pike, while not far off a prodigal son in a periwig was welcomed back into the fold. So entranced was the boy in the beguiling tableaux that he almost felt a part of them, a nearly-turquoise figure underneath the glaze, perhaps an infant Jesus lecturing his dumbstruck elders on the temple steps. Becoming lost among the indigo embellishments, Philip composed himself and pulled back from the biblical scenarios before he was immersed completely. He was …

He was Michael Warren. He was sitting in a sunlit kitchen in Mansoul, gathered around a table with five other children and three grownups, all of whom were chattering convivially and paying Michael no attention whatsoever. Wondering what had just happened to him, he let his attention creep back to the tile-work, this time peering cautiously towards the second tile up from the bottom on the left. It didn’t look …

It didn’t look like much of an occasion, on that August morning in the Congregational Church there at Fetter Lane in 1714. Philly was twelve, a sickly sketch in blue fountain-pen ink, sitting between his father and beloved Uncle Philip in the front pew, listening to Mr. Bradbury the minister delivering his morning sermon. Philly’s mother had died suddenly three years before, and the frail, uncomplaining child did not believe his father or his uncle would be with him for much longer. It was not a family that knew rude health, with Philly and his elder sis Elizabeth the only two survivors out of twenty children and the other eighteen all dead before he was even born. A movement in the upper gallery roused Philly from his reverie and looking up he saw a falling handkerchief, a lacy thing with cornflower stippling, caught in its leisurely descent towards the flagged church floor. Everyone gasped except for the boy’s father, Daniel Doddridge, who began to cough. The kerchief was a signal, dropped deliberately by a messenger from Bishop Burnet to announce the passing of Queen Anne, the Stuart monarch who had done so much to harm their Nonconformist cause. Indeed, her latest effort to discomfit them, her Schism Act, was due to be made law that very day. It was a clear attempt to undermine the grand tradition of religious discontent that reached back to John Wycliffe’s Lollards in the fourteenth century or the great radical dissenter Robert Browne two hundred years thereafter. It attacked the faith of Bunyan and his revolutionary affiliates the Muggletonians, Moravians and Ranters, but the Schism Act would almost certainly now be abandoned with the passing of Queen Anne, its instigator. Shuffling on the hard pew Philly felt extremely nervous but was not sure why. Alerted by the signal from the gallery, the minister curtailed his sermon hurriedly and offered up a prayer for their new King, the Hanoverian George the First who had already sworn support for Nonconformity. By now the church was rustling with excited whispers and the thrilling realization that the hated Anne was dead at last. Smiling with private satisfaction, Mr. Bradbury led the singing of the 89th Psalm before once more reading sternly from the text. “Go, see now this cursed woman, and bury her; for she is a king’s daughter.” Philly’s ears were ringing as he realized he was present at the dawn of a new age, an era of religious freedom that the boy could scarcely visualize. He felt …

He felt the hard edge of the kitchen chair pressing against his thighs, the sweet and slimy gobbet of unswallowed fairy cake at rest upon his tongue. He gulped it down and took a hasty swig of tea before inspecting the next tile. He found that he …

He found that he was dressed up in a nightgown and a borrowed petticoat, wearing a pudding-tin atop his dark hair as a helmet. He was twenty-one years old, performing Rowe’s play Tamerlane with friends and fellow students from the Dissenting academy in Kibworth, Leicestershire, acting the part of the illustrious Sultan Bazajet. All the impromptu cast were laughing until tears rolled down their cheeks, including good old Obadiah Hughes, whom they called Atticus, and little Jenny Jennings whom they nicknamed Theodosia, the daughter of the reverend conducting the academy. His own cognomen was Hortensius and as he flounced his lavender-blue skirts he wished that this hilarity could last forever, that he could somehow stop time and thus preserve the moment for eternity, a giggling and joyous fly in amber. The Lord knew that there’d been precious little laughter in Hortensius’s life thus far. An orphan at the tender age of thirteen, he’d been made ward to a gentleman named Downes who would lose all the lad’s inheritance to ruinous financial speculations in the City. Following a shiftless and unsettled period living with his big sister Elizabeth and her husband the Reverend John Nettleton, Hortensius had found a place in the Kibworth establishment, where by God’s grace had been instilled in him the discipline and the humility that would, he hoped, sustain him all his days. The Reverend John Jennings and his wife had been almost a second set of parents to the boy, so dear were they and so concerned with his development. It had astonished him to learn that Mrs. Jennings’ father had been one Sir Francis Wingate from Harlington Grange in Bedford, who’d committed poor John Bunyan unto Bedford jail. Now, doubled over in his mirth with his makeshift tin helmet clattering down upon the floor and all his friends about him, he was stricken by the contrast between this frivolity and the abiding loneliness he felt throughout most other areas of his life. There was the passion that he felt for Kitty Freeman, his Clarinda as he called her, though he feared that his affections by and large went unrequited. Tripping on the lapis line that was his nightgown’s edge, thereby provoking renewed squeals of merriment, he wondered if some perfect partner waited in the future for him. Was that in God’s plan, if God’s plan should indeed include Hortensius? Did a wife and suitable vocation figure in that great, ineffable design? What was his destiny? What was …?

What was all this? Michael had the sensation he’d been cut adrift somewhere between this homely kitchen and the fine engraved world of the tiles, a gleaming china landscape rendered in the hues of billiard chalk with all of time reduced to thin blue strokes on white enamel. Though he knew that he was being helplessly pulled into each new image that he gazed upon, he found he couldn’t stop himself from looking. The euphoria that had accompanied the tea and cake surrounded Michael like a deep and fluffy blanket, dulling the anxiety that he would end up trapped among the painted curlicues. He let his scrutiny slide upwards to the next representation in the sequence. It looked …

It looked eerie, the diffusing morning mist, white on the sapphire brambles of the country lane; the traveling minister who’d paused to talk with a young woman clad in cross-hatched tatters, her eyes wide and bright against an almost imperceptible slate wash in the bucolic byway. Reverend Doddridge, passing through the villages about Northamptonshire and speaking to those congregations where he was invited, sat astride his patient mare and marveled at the sallow and unearthly-looking girl who blocked his path. Her name was Mary Wills, and she was a respected prophetess from nearby Pitsford, a hedge-seer and a mystic who had called out to the pale, much-in-demand young preacher as he went upon his way. She seemed a thing assembled from the fog that trickled in the ditches, built with weeds or sodden deadfall, and she claimed that in her sight the future was a book already writ, a sculpted form encased within the iron mold of time. “ ‘And when he would not be persuaded, they ceased, saying, The will of the Lord be done.’ Those are the words of the first sermon you shall preach in the poor boroughs of Northampton, where it is that you shall be a pastor.” He would meet the ragged oracle again across the years and would come not to doubt her visions, yet upon this first occasion he was twenty-six years old and thought her prophecies a sham, though he was not unkindly or offhand to her in his behavior. It was the business of a ministry here in Northampton, Doddridge thought, that gave the lie to her predictions. He had only just agreed to the entreaties of his colleagues within the Dissenting congregation, Dr. Watts and David Some and all the rest, who’d begged him to take up the running of the Dissenting academy at Market Harborough, a post made vacant by the passing of its former minister, the much-missed Reverend John Jennings. Wagons had already taken Doddridge’s belongings to the Harborough residence where Mrs. Jennings would continue managing household affairs, and Doddridge further entertained the hope of an affectionate relationship with Jennings’s delightful daughter, Jenny. The idea that he might be prevailed upon to sacrifice such an illustrious position for some drafty shack in the benighted districts of Northampton was therefore a senseless fancy that, he was assured, should never come to be. He thanked the weird child for her warnings and continued with his journey. There was

There was no escaping the implacable progression of the tiles once Michael had surrendered to the tale’s compelling undertow. Drowning among the glassy blue-white breakers he gave up his feeble thrashing and went under, tumbling in the current of the narrative from one scene to the next. He didn’t really know …

He didn’t really know why he was doing this, leading his horse through delicate lace curtains of descending snow on Christmas Eve, towards the warm lights of the meeting-house on Castle Hill. He crunched through the crisp drifts over the burial ground, a stew of paupers’ ribs and plague-skulls somewhere underneath the ice crust and the frigid, powdery depths that it concealed. He had been settled into his academy at Market Harborough but a month or two when he’d received the earnest imprecations offered by the people of Northampton, that he should take up instead the ministry at Castle Hill here in the lowliest, western quarter of the town. The district was a crumbling eyesore that had been denied the pretty renovations undergone by the remainder of the township after the great fire, and he was anyway committed to his work at Harborough. He’d gracefully declined the offer, but the humble congregation were persistent. Finally the popular young reverend had chosen to deliver his refusal personally, gently conveying to his would-be flock that they should cease from their entreaties, by means of a sermon. This began “And when he would not be persuaded, they ceased, saying, The will of the Lord be done”, and yet he had not thought of Mary Wills or her prediction until halfway through his sermon, where he found himself fulfilling it. The folk of Castle Hill, moreover, had seemed filled with such good will towards him that his thoughts were all in turmoil as he’d walked back to his lodgings at the foot of nearby Gold Street. Passing by an open door he’d heard a boy reading aloud from scripture to his mother, as the troubled reverend himself had done so many times, declaring, “As thy days, so shall thy strength be”, in a clear, true voice. The sentiment had been impressed upon him in that instant with great force, so that it seemed a revelation: all his days were part of Doddridge, part of his eternal substance, and he was comprised of nothing save those days, their thoughts and words and deeds. They were his strength. They were his all. He had decided there and then to give up his academy in Harborough and to accept instead the less promising post here in Northampton. His fellows, Mr. Some and Samuel Clark, had been outraged at first and begged that he should reconsider but had both reluctantly decided that, so strange were the events, a higher cause than theirs may have decreed the outcome in accordance with its own inscrutable agendas. And so here he was on Christmas Eve, trudging towards his destiny through blue-black shadows flecked with falling white. Only with difficulty could …

Only with difficulty could Michael remember anything about the kitchen or the cake. The blue-etched episodes were coming thick and fast now. He knew he was …

He knew he was meant for Mistress Mercy Maris from the moment he set eyes on her, there in the Worcester parlor of her great-aunt, Mrs. Owen. Six years younger than himself at twenty-two, with a good humor and a fresh complexion, she had been the bright jewel that he’d feared he was without the means to purchase. He’d but recently proposed to sixteen-year-old Jenny Jennings, yet upon being rebuffed had raised his siege and had considered himself pleased in her continuing friendship. The impulse that had possessed him, though, on that recent occasion, was as nothing to the passion that he felt towards Miss Maris, which had struck him like a very thunderbolt. He had persisted in his suit, unable to do otherwise, and found to his delight that his affections were reciprocated. They’d been wed upon the 29th day of November in 1730 at Upton-on-Severn, and his new wife had arrived to live with him here at Northampton, joining in enthusiastically with all his works despite the meanness of the neighborhood. The local people had been models of good cheer and helpfulness, for all the squabbling that would break out between what may have been a dozen different Nonconformist creeds. Indeed, both he and Mrs. Doddridge found their congregation most agreeable despite the reputation it had earned for insurrection and unrest, this quiet nook where the most seditious of the ‘Martin Marprelate’ broadsides had been pseudonymously writ and published in the previous century. Had not Sir Humphrey Ramsden stated that Northampton was “a nest of puritans” in correspondence with John Lambe, describing the townspeople as “malignant, refractory spirits who disturb the peace of the church.”? And yet it was in this shire that churchgoers first insisted, in the reign of Queen Elizabeth, upon hymn-singing at their ceremonies, where before were only chanted psalms. It was a good place, in its way a place holy as any other, and his wife and he were well to be here, although Mary Wills the prophetess had told him that their first attempt to bear a child would end in sadness. Still, perhaps on this occasion she should be proved wrong. After all, regarding his position on determinism, he stood …

He stood in the darkening church at Castle Hill and wept; gazed through a quivering salt lens at the small gravestone set among the floor tiles under the communion table. He’d believed the crying to be done with, and this sudden bout surprised him. It had no doubt been occasioned by the pamphlets, recently delivered from their printing company, one of which he held now in between his trembling hands. “Submission to Divine Providence in the Death of Children recommended and inforced, in a SERMON preached at NORTHAMPTON on the DEATH Of a very amiable and hopeful CHILD about Five Years old. Published out of compassion to mourning PARENTS By P. DODDRIDGE, D.D. Neve Liturarum pudeat : qui viderit illas. De Lachrymis factas sentiat esse meis. OVID. LONDON: Printed for R. HETT, at the Bible and Crown, in the Poultry. MDCC XXXVII. [Price Six-Pence.]” It had been writ more in tears than ink and now the former splashed down, further to dilute and blotch the latter. It was …

It was not, perhaps, so splendidly appointed as was the academy at Harborough, standing here in Sheep Street with the mouth of Silver Street just opposite, but Doddridge thought that in its practice it was quite the best in England. He and Mercy and their four surviving children had resided comfortably enough down at his previous establishment upon the corner of Pike Lane and Marefair, but with fresh students arriving every week to study scripture, mathematics, Latin, Greek or Hebrew it was evident that the Dissenting institution’s newer and considerably larger premises would be required to hold them all. He hoped …

He hoped it was his tolerance that had acquired for him so many worthy friends. His church enjoyed an amiable acquaintance with the Baptist ministry in College Lane, and in his private life he counted Calvinists, Moravians and Swedenborgians alike among his fellows. He stood now in George Row on a March morn in 1744, with his most valued and unlikeliest companion by his side. Mr. John Stonhouse had led an eventful, reckless life and had at one point even penned a tract attacking Christianity. One evening, on his way to rendezvous with a loose woman, he had stopped to hear the famous Philip Doddridge speaking and upon the spot renounced his former ways, becoming a most steadfast ally of the doctor’s cause and helping him inaugurate a town infirmary, the first outside of London, which was the occasion that had called them to George Row upon this blustery morning. From the …

From the dark November sky above him firework flowers shed burning cream-and-cobalt petals in a rain on the Sheep Street academy, brightly illuminated by a horde of candles that had been arranged to spell out “KING GEORGE, NO PRETENDER”. Doddridge had been long aware how lucky the Dissenters were under this Hanoverian monarch, and had warned his congregation to be wary of a Stuart resurgence that might reestablish Catholic oppression. Now, though, in 1745, the threat was more than hypothetical, with Prince Charles Edward Stuart, the pretender to the British Throne, raising his standard at Glenfinnan and then marching south and into England. Doddridge, warned six years before of this eventuality by Mary Wills of Pitsford, was prepared. Enlisting his good friend the Earl of Halifax, he’d galvanized a parliament apparently indifferent to the Young Pretender’s threat and raised a force more than a thousand strong that had two hundred cavalry, most of them garrisoned here at Northampton. The Pretender, who had counted on strong Jacobite support that had not been forthcoming, was reputedly further discouraged by the news of armed men waiting just a little further south. He had already started his retreat back towards Scotland and, presumably, eventual ruin, hence these splendid bonfire celebrations. He rejoiced in …

He rejoiced in God’s great providence as he lay dying in the little country house a few miles outside Lisbon. He and Mercy, aided by donations from the kindly folk of Castle Hill, had been sent forth on a recuperative voyage to Portugal when his health, never sturdy, had at last begun to comprehensively decline. That sunlit country, in 1751, was famed for its good weather and for the restorative effects of its environment, though their advisers in Northampton clearly had not known that late October marked, traditionally, the commencement of the annual rainy season. Now it was approaching three o’clock on the black morning of the twenty-sixth. He listened to the downpour drumming on the roof and fancied that the end would not be long. Mercy herself was ill, a victim of the climate, and he knew that she could not assist him though she wanted to with all her heart. He thanked God for that loyal and beloved woman who had so enriched a goodly number of the forty-nine years he had spent on Earth. He thanked God for his life, its every triumph and reversal, for allowing him to further the Dissenting cause to the remarkable extent he had, forcing the church to recognize its Nonconformist brethren, and all this accomplished from the lowly mound where stood his humble meeting-house. Mercy was sleeping next to him. He heard the rain, and felt her breath upon his cheek. He closed

He closed his eyes. Michael was under the impression that ghosts didn’t sleep, but then he’d thought that about eating until he’d been served the tea and fairy-cake. Sinking into a pinkish drowse he idly supposed that while dead people didn’t really need a meal or nap, they probably indulged in both things now and then, just for the simple pleasure of it. He could still hear all the other voices in the sunny kitchen, but they sounded far away and nothing much to do with him. He felt somebody – probably one of the Doddridge ladies – take the cup and saucer from his slackening grip before he spilled it on the floor. He’d either eaten his cake or already dropped it, but he didn’t know which and it didn’t matter.

Bill and Phyllis murmured to each other somewhere nearby. Bill was saying “Well, we must be gunna work out some way ’e can keep ’is memories, ’cause we’ve seen the pictures.” What did that mean? Were they talking about all the pictures on the tiles that Michael still felt half-submerged in? Elsewhere, Tetsy Doddridge was insisting that Drowned Marjorie should sign her name on something. “Won’t you be a sport? It shall take but a moment.” He could hear a faint and rhythmic beat that he at first took for his pulse before remembering he didn’t have one anymore and realizing it must be the ticking of a kitchen clock, counting the moments of that timeless world.

At some point later on he was picked up by someone, one of the two older boys to judge from how it felt, and, judging from the clean and dry smell, probably not Reggie Bowler. That meant it was John who carried him, like a limp sack of flour against the taller youngster’s chest and shoulder, from the kitchen into the short passageway and on towards the parlor. Michael heard the other members of the gang clumping and clattering around them and presumed they were all leaving now that teatime was concluded. He was sure that if his mom Doreen were here she’d tell him to wake up, to thank the Doddridge family for having them and say goodbye to everybody properly. He did his best to rouse himself and tried to force his eyelids to creak open, but they wouldn’t budge and anyway he was too snug and comfortable in John’s arms for the moment. He remained content to let it all slip by him in a luminous and rosy fog.

They were now in the parlor and ahead of them he could hear Mr. Doddridge bringing to an end his conversation with the gray-robed builder chap, who Mrs. Gibbs had said was Mr. Aziel. Michael discovered that it was much easier to understand the strange, spiraling rubbish that the angles spoke if you were half asleep. From what he could make out, the gold-wigged doctor of divinity was still interrogating Mr. Aziel upon the subject of suspicious Sam O’Day, asking the worker how the different entities related to each other, all the devils and the ordinary people and the builders, and how all of these connected up to the mysterious “Third Borough”. Doddridge’s guest chuckled and said “Te wysh folm updint”, which instantly unraveled within Michael’s slumbering awareness into something that was only marginally more comprehensible:

“They fold up into you. You fold up into us. We fold up into Him.”

This seemed to both intrigue and satisfy the parson, who hummed thoughtfully before he ventured one last question to the amiable artisan.

“I see. And might I ask if, anywhere in this ingenious arrangement, any of us ever truly had Free Will?”

The lanky angle sounded somehow mournful and apologetic as he answered with a syllable that was apparently the same in English as in his own tongue.

“No.”

After a well-timed pause as if before the punch line of a joke, he went on to pronounce another angle-word that Michael understood almost immediately.

“Dyimoust?”

What this meant was “Did you miss it?”

There was a shocked silence, and then both the reverend doctor and his guest began to laugh uproariously although Michael didn’t see what was so funny. As with the majority of grown-up jokes, he evidently didn’t get it. Like the one that ended ‘If I put a penny in the slot and press the button, will the bells ring?’ He’d had no idea what that one was to do with either, eider, duck-down drifting off into the candyfloss of his snug thoughts.

When the amusement shared by Mr. Doddridge and his visitor had died away, the doctor said his farewells to the children, as did Mrs. Gibbs, Miss Tetsy and her mother. Of these goodbyes, Mr. Doddridge’s was the most lengthy and effusive.

“Thank you, children, for your visit. I hope I shall see you all again, and not just Master Reggie when he comes to study at my afterlife academy. And as for you, young Phyllis Painter, you should know that you and your associates are being trusted with this child because such wiz the will of the Most High. All the experiences you share with him, even your truant capers and transgressions, are the lessons he must learn. That he recall those lessons shall be your conundrum to unpick, though be assured that we who serve Mansoul have every faith in you. As for the fiend we spoke of earlier, it seems apparent he shall have his way at some point, and when that time comes then my best counsel would be to remind you that even the lowest creatures are but the unfolded leaves of the Third Borough and are in the end subservient to His design. Now, be upon your way with our friend Mr. Aziel. Have faith, and do not fear.”

As if from far away, Michael heard Phyllis ask the reverend if what he’d said regarding truant capers and transgressions meant that the Dead Dead Gang could take Michael scrumping for mad apples out at the asylums, without getting into any trouble? Doddridge laughed again, and said that he supposed it did. There followed more goodbyes and Michael felt at least two small, damp kisses on his almost-sleeping cheek, most likely from the doctor’s wife and daughter.

Then there was the brief sensation of elaborate wood-grain as they passed through the door halfway up the church’s western wall. It wasn’t as if Michael suddenly felt cold, simply that he no longer felt the slightest trace of any temperature at all. The smell of Phyllis Painter’s vermin stole was shut off like a tap and he could almost hear the crinkling of the ghost-seam’s cotton wool, stuffing itself into his ears. He opened eyes gluey with ectoplasm to a world of black and white, just as John gently lowered him onto the phosphorescent planking of the Ultraduct, where time boiled up like scalding milk all round them.

Phyllis asked if anybody was still hungry.

From : TheAnarchistLibrary.org

(1953 - )

Alan Moore (born 18 November 1953) is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. (From: Wikipedia.org.)

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January 24, 2021; 5:03:29 PM (UTC)
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