,! ,REALIZATION & ,SUPPRESSION ( ,SITUATIONISM 

,PEOPLE 3 

,AU?OR 3 ,BOB ,BLACK 

,TEXT 3 

0,= \R TIME -- ,I ?9K EV]Y /ATEM5T %\LD BE DAT$0 -- ,ALEX&] ,TROC*I.<#a.> 

0,! ,SITUATIONI/S1 :OSE JUDGES Y\ P]HAPS IMAG9E Y\RSELVES TO BE1 WILL ONE DAY JUDGE Y\4 ,WE >E WAIT+ = Y\ AT ! TURN+40 ,ON ?IS VAGUELY ?REAT5+ NOTE ,MAURICE ,WYCKA]T1 SPEAK+ = ! ,SITUATIONI/ ,9T]NATIONAL1 WRAPP$ UP A RANT AT ,LONDON'S ,9/ITUTE = ,CONTEMPOR>Y ,>TS 9 #a#i#f#a4 ,ONE BAFFL$ MEMB] ( ! AUDI5CE 7OR WAS HE A %ILL87 ASK$ JU/ :AT WAS 0,SITUATIONISM0 ALL AB\T8 ,GUY ,DEBORD >OSE TO ANN\NCE1 9 ,FR5*1 0,WE'RE NOT H]E TO ANSW] CUNTI% QUE/IONS10 :]EUPON ! ,SITUATIONI/S WALK$ \T4 

,9 A PUBLICITY BRO*URE ISSU$ SEV]AL YE>S AGO1 ! ,I,C,A RECALL$ ! EV5T AS 0A CONF]5CE :OSE *AIRMAN WAS /ONE DEAF1 :OSE MA9 SPEAK] SPOKE NO ,5GLI%1 & :OSE P>TICIPANTS D5I$ ?AT ! MEET+ EXI/$40 7,ACTUALLY !Y ONLY D5I$ ?AT ITS TOPIC EXI/$1 S9CE ! ,SITUATIONI/S DEF9$ 0,SITUATIONISM0 AS A NONS5SE WORD CO9$ BY ANTI-,SITUATIONI/S47 ,! ,I,C,A1 AS WE %ALL SEE1 HAS TAK5 ITS REV5GE4 

,! ,SITUATIONI/ ,9T]NATIONAL 7#a#i#e#g-#a#i#g#b7 WAS AN 9T]NATIONAL BUT ,P>IS-BAS$ =MATION :I* RECREAT$ ! AVANT-G>DE TRADITION ON A HI< PLANE ( 9TELLIG5CE & 9TRANSIG5CE4 ,BE/ KN[N TODAY = ITS ULTRA-LEFT POLITICS1 ! ,S,I WAS F\ND$ BY >TI/S :O M]G$ TWO T9Y ORGANIZATIONS1 ! ,LETTRI/ ,9T]NATIONAL 7/>R+ FILMMAK] ,GUY ,DEBORD & HIS WIFE ,MI*ELE ,B]N/E91 A COLLAGE >TI/7 & ! ,9T]NATIONAL ,MOVEM5T = AN ,IMAG9I/ ,BAUHAUS 79CLUD+ PA9T]S ,ASG] ,JORN & ,GIUSEPPE ,P9OT-,GALLIZIO74 ,I,M,I,B1 :OSE ANTI-FUNCTIONALI/ CR$O MI<T HAVE BE5 =M FOLL[S FUN1 REGR\P$ >TI/S FROM ! DEFUNCT ,C,O,B,R,A GR\P4 ,ONE ( !M1 ! PA9T] & URBANI/ ,CON/ANT1 SOON BR\<T ) HIM 9TO ! ,S,I ! NOTION ( UNIT>Y URBANISM1 0! !ORY ( ! COMB9$ USE ( >TS & TE*NIQUES = ! 9TEGRAL CON/RUCTION ( A MILIEU 9 DYNAMIC RELATION ) EXP]IM5TS 9 BEHAVIOR40 

,AL?\< ITS PUBLIC FACE WAS ALWAYS ?AT ( A MONOLI?1 ! ,S,I EXP]I5C$ SEV]AL S*ISMS & 0EXCLUD$0 #de ( ! #g 9DIVIDUALS :O W]E MEMB]S AT ONE TIME OR ANO!R4 ,! FUNDAM5TAL ANTAGONISM1 R\<LY CORRESPOND+ TO A ,LETTRI/ ,9T]NATIONAL_/,I,M,I,G-,C,O,B,R,A DIVIDE1 WAS BETWE5 ES!TES & POLITICAL !ORI/S4 ,! =M] W]E USUALLY ,G]MANIC1 SU* AS ,JORN1 ,CON/ANT & ! ,G]MAN ,SPUR GR\P1 ) ! PROM95T EXCEPTION ( ,P9OT-,GALLIZIO4 ,! LATT] W]E USUALLY ,LAT9 & UND] ! LEAD]%IP ( ,GUY ,DEBORD4.<#b.> 

,! ES!TES1 FAI?FUL TO ! PROGRAM ( UNIT>Y URBANISM1 CALL$ = A DEMOCRATIZ$ >T1 = ! REUNIFICATION & UNIV]SALIZATION ( HI< CULTURE & POPUL> CULTURE1 & = AN ES!TIC ]UPTION TO TRANS=M ! CITY 9TO AN EMSEMBLE ( GRATIFY+ AMBIANCES4 ,?US !Y TOOK AN 9T]E/ 9 URBAN PLANN+ & >*ITECTURE1 AL?\< !Y SEEM TO HAVE ACCOMPLI%$ NO?+ 9 EI!R FIELD4 ,! POLITICOS -- 9 ! =MULATION ( ,RA\L ,VANEIGEM1 ! FIR/ NON->TI/ TO BECOME IMPORTANT 9 ! ,S,I -- DEM&$ ! 0REALIZATION & SUPPRESSION ( >T10 A REVOLUTION ( EV]YDAY LIFE4 

,BO? SIDES REJECT$ >T AS A SPECIALIZ$ DEP>TM5T ( PRIVILEG$ CREATIVITY & AS ! PRODUCTION ( COMMODITIES = CONSUMPTION4 ,EV]Y ,SITUATIONI/ WAS ANTI-CAPITALI/4 ,BUT :]E ! ES!TES ASPIR$ TO 9FUSE >T 9TO EV]Y ASPECT ( LIFE1 ! POLITICOS S\<T TO TRANS=M SOCIAL RELATIONS DIRECTLY1 NOT JU/ VIVIFY !M BY COMPREH5SIVE1 QUALITATIVELY SUP]IOR SOCIAL CONDITION+4 ,AS ,MU/APHA ,KHAYATI -- AN ,ALG]IAN ,SITUATIONI/ & POSSIBLY ! ,S,I'S MO/ ACCESSIBLE POLEMICI/ -- PUT IT3 0,! REALIZATION ( >T -- POETRY 9 ! SITUATIONI/ S5SE -- MEANS ?AT ONE CANNOT REALIZE ONESELF 9 A 'WORK1' BUT RA!R REALIZES ONESELF P]IOD40 ,AFT] >T COMES ! >T ( LIV+4 

,NOT TO ASK A CUNTI% QUE/ION OR ANY?+1 BUT :AT'S ! DIFF]5CE8 ,NEI!R T5D5CY EV] BUILT :AT ,CON/ANT CALL$ 0ANO!R CITY = A DIFF]5T LIFE40 ,IF !Y DID1 EXI/+ CONDITIONS & OPPORTUNITIES W\LD C\NT = MORE ?AN PRECONCEPTIONS4 ,IT WAS 9 ! PRE-REVOLUTION>Y H]E-&-N[ ?AT ! COMPET+ ORI5TATIONS IMPLI$ DIV]G5T PRACTICES4 

,AT ! ,FIF? ,CONF]5CE ( ! ,S,I 9 ,SW$5 9 #a#i#f#a1 ! T5D5CIES CLA%$ OP5LY4 ,! POLITICOS HAD REC5TLY IMM]S$ !MSELVES 9 ! HI/ORY ( ! REVOLUTION>Y WORK]S' MOVEM5T & ADOPT$ ! C\NCIL COMMUNISM ( ! J\RNAL ,SOCIALISME \ ,B>B>IE4 ,! ES!TES W]E NOT SO MU* OPPOS$ TO ! R5EWAL ( PROLET>IAN REVOLT AS SKEPTICAL ( ITS PROSPECTS 9 ! PROSP]\S QUIESC5CE ( ! E>LY #a#i#fS4 ,!Y PROPOS$ 9/EAD TO DEPLOY !IR P[] :]E IT WAS ALREADY MAK+ ITSELF FELT1 9 ! >T WORLD1 = ! TIME BE+4 ,! POLITICOS RETORT$ ?AT ! ES!TES -- ! ,SPUR ,G]MANS1 = EXAMPLE -- OV]LOOK$ SIGNS ( REFUSAL 9 !IR [N BACK Y>DS1 NOT TO M5TION MISSCELANE\S EPISODES RANG+ FROM ,Z5GAKUR5 /UD5T DEMON/RATIONS 9 ,JAPAN TO ! ,KATANGAN UPRIS+ 9 ! ,CONGO4 ,ALL !SE1 !Y OPTIMI/ICALLY 7& ]RONE\SLY7 SUPPOS$1 HAD SOME IMPLICIT REVOLUTION>Y CONT5T4 ,! POLITICOS D5\NC$ ! ES!TES AS 0CULTURAL PIMPS40 ,! ES!TES TOLD ! POLITICOS ?AT 0Y\R !ORY IS GO+ TO FLY RI<T BACK 9 Y\R FACES60 ,C\LD BE !Y W]E BO? RI<T4 

,9 #aifb ! ,G]MANS & ! 0,NA%I/S0 7,JORG5 ,NA% & ! ,SC&9AVIANS7 W]E EXCLUD$2 ,JORN HAD ALREADY RESIGN$4 ,! ,SITUATIONI/S ASSUM$ ! POLITICAL PO/URE !Y W\LD MA9TA9 = !IR F9AL DECADE4 ,DEBORD MADE NO MORE FILMS UNTIL AFT] ! ,S,I DISSOLV$4 ,SITUATIONI/ >T -- COLLAGES1 C>TOONS & ALT]$ ORIG9ALS -- BECAME PURE PROPAG&A4 ,B]N/E9 PRODUC$ A S]IES ( COLLAGES -- AMONG !M 0,VICTORY ( ! ,P>IS ,COMMUNE0 & 0,VICTORY ( ! ,WORK]S' ,C\NCILS ( ,BUDAPE/0 -- :I* W]E UN=TUNATELY DE/ROY$ :5 ! ,SITUATIONI/ HEADQU>T]S 9 ,D5M>K WAS TOR*$ 9 #a#i#f#e4 ,! ,TEUTONS =M$ !IR [N ,SECOND ,SITUATIONI/ ,9T]NATIONAL1 PUBLI%+ ,SITUATIONI/ ,TIMES 9 ,AM/]DAM & EX]T+ A LA/+ 9FLU5CE ON ,SC&9AVIAN CULTURE4 

,AL?\< ! ,SITUATIONI/S BOA/$ ?AT !IRS 0WAS ! BE/ EF=T SO F> T[>D GETT+ \T ( ! TW5TIE? C5TURY10 !Y NEV] MADE IT OV] ! WALL4 ,!IR OLD FOIL ! ,LONDON ,I,C,A1 AMONG O!RS1 SEV]AL YE>S AGO RETURN$ !M TO !IR CELLS 9 ! WORLD !Y'D MADE !IR BREAK FROM4 ,!IR >T MADE ! R\NDS AT ?REE PRE/IGI\S AVANT HIP V5UES4 ,9 #a#i#h#i-#a#i#i1 0,ON ! ,PASSAGE ( A ,FEW ,PEOPLE ,?R\< A ,RA!R ,BRIEF ,MOM5T 9 ,TIME0 -- NAM$ AFT] A ,GUY ,DEBORD FILM HE WILL NO LONG] P]MIT TO BE %[N -- W5T FROM ! ,MUSEE NATIONAL D'>T MOD]NE 7,C5T] ,GEORGES ,POMPID\7 9 ,P>IS TO ! ,LONDON ,I,C,A & ON TO ! ,BO/ON ,I,C,A :]E ,I TOOK IT 94 ,AS DELICATELY PHRAS$ BY ! CATALOG1 ! EXHIBIT POS$ 0A UNIQUE MUSEOLOGICAL *ALL5GE10 MU* AS ! REMA9S ( A D[N$ ,U,F,O PILOT W\LD PRES5T A FUN]AL HOME ) A UNIQUE MORTU>Y *ALL5GE4.<#c.> 

,AS ,RA\L ,VANEIGEM DECLAIM$1 ! ,S,I WAS 0NOT WORK+ = ! SPECTACLE ( ! 5D ( ! WORLD1 BUT = ! 5D ( ! WORLD ( ! SPECTACLE40 ,REG>D+ !MSELVES AS REVOLUTION>IES1 9 BUT NOT ( ?IS WORLD1 ! ,SITUATIONI/S P]=CE HAD TO DEF9E ! T]MS ( !IR 9T]ACTIONS ) IT4 ,TO BE DETA*$ FROM ! EXI/+ ORD] WAS TO OPT TO 9T]PRET IT RA!R ?AN *ANGE IT4 ,BUT TO P>TICIPATE 9 IT WAS TO P]PETUATE IT4 ,! ,SITUATIONI/S HAD TO F9D A WAY TO TAKE FROM ! SY/EM 7:AT ELSE IS !RE TO TAKE FROM87 )\T BE+ TAK5 9 BY IT4 ,!Y *>ACT]IZ$ !SE POSSIBILITIES AS POL>ITIES3 DET\RNEM5T 7R\<LY3 0DIV]SION07 & RECUP]ATION 7R\<LY3 0RECOV]Y074 ,TO TURN ! SY/EM'S IMAGES AGA9/ IT WAS TO DET\RN1 TO DIV]T !M4 ,BUT TO BE 0TURN$0 9 TURN -- 9 ! >GOT ( ! 9TELLIG5CE COMMUNITY -- WAS TO BE RECUP]AT$1 RECOV]$ BY ! SY/EM AS >T1 AS IDEOLOGY1 AS ANY ( MANY FRAGM5T>Y =MS ( SPECIALIZATION OR P>TIAL OPPOSITION4 

,NO REVOLUTION>Y1 NO AVANT-G>DE T5D5CY EV] APPRECIAT$ ! RISK ( RECUP]ATION AS ! ,SITUATIONI/S DID4 ,?IS IF ANY?+ JU/IFIES !IR CLAIM TO HAVE MOD]NIZ$ REVOLUTION AS ! SPECTACLE HAD MOD]NIZ$ CAPITALISM4 ,BUT !Y W]E BETT] AT DIAGNOSIS ?AN CURE1 & ! SOCIETY ( ! SPECTACLE IS A CURE-OR-BE-CUR7AT7$ WORLD4 

,SOME ( !IR PRECAUTION>Y MEASURES W]E =SEEABLY FUTILE4 ,! IMPOSITION ( ,L59I/-/YLE P>TY DISCIPL9E 7#d#i ( #g ,S,I MEMB]S W]E SOON] OR LAT] 0EXCLUD$07 LOOKS A LOT LIKE RECUP]ATION2 C]TA9LY IT DIDN'T AV]T ! ,S,I'S DECL9E QUALITATIVELY OR QUANTITATIVELY4 

,MORE IMPORTANT -- & ) MU* MORE ORIG9ALITY -- ! SITS 9CORPORAT$ FAILSAFE ME*ANISMS 9TO !IR PRODUCTIONS4 ,WYCKA]T'S & ,DEBORD'S WORD-FETI%ISM AT ! ,I,C,A AS TO 0SITUATIONISM0 WAS PROBABLY JU/ P>T ( ! AMBU% LAID = ! AUDI5CE1 BUT SIT TEXTS DID REGUL>LY H>P ON P>TS ( SPEE* AS PROTECTIVE AMULETS AGA9/ RECUP]ATION -- A =MALISM AT ONCE NAIVE & NITPICK+4 ,MEMOIRES1 A GRAPHIC_/TEXTUAL COLLABORATION BETWE5 ,JORN & ,DEBORD :5 !Y W]E PROBABLY BO?1 AS USUAL1 9 !IR CUPS1 IS B\ND 9 S&PAP] COV]S TO ?W>T ! LIBR>IAN OR BIBLIOPHILE :O D>ES TO TREAT IT LIKE JU/ ANO!R BOOK BY %ELV+ IT BETWE5 O!RS4 ,) M9DLESS MIMICRY1 ! ,I,C,A B\ND ONE ( ITS TWO C(FEE-TABLE BOOKS 9 S&PAP] COV]S.<#d.> TOO1 ! S&PAP] DONAT$ BY ,5GLI% ,ABRASIVES & ,*EMICAL ,LIMIT$4 ,BUT ANY?+ ABRASIVE AB\T ! ,MEMOIRES1 9SIDE OR \T1 WAS SMOO!D OV] BY ! ,I,C,A BY KEEP+ ! BOOK1 & ALL O!R SPECIM5S ( ,SITUATIONI/ PUBLI%+1 LIT]ALLY UND] GLASS4 

,SIMIL>LY1 ,GIUSEPPE ,P9OT-,GALLIZIO'S 09DU/RIAL PA9T+0 P>ODI$ MASS PRODUCTION ) PA9T+ ?AT CAME (F A ROLL & SOLD BY ! MET]4 ,:AT REMA9S ( ONE ROLL1 P>T ( ! ,I,C,A EXHIBIT1 IS #ade MET]S LONG4 ,! IDEA WAS TO DEVALORIZE >T BY CRANK+ IT \T 9 VA/ QUANTITIES1 BUT EV5 9 ! #a#i#eS ! CUNN+ ( ! M>KET PREVAIL$4 ,:5 ! >TI/ >BITR>ILY JACK$ UP ! PRICE ( HIS GLORIFI$ WALLPAP]1 DEM& 9CREAS$4 ,AFT] ALL1 ANY?+ EXP5SIVE MU/ BE WOR? IT4 

,NATURALLY NO?+ CAME ( ,P9OT-,GALLIZIO'S AMBITION TO DRAPE 5TIRE CITIES ) 9DU/RIAL PA9T+4 ,! CLOSE/ HE CAME WAS ! 0,CAV]N ( ,ANTI-,MATT]10 A L>GE1 DIMLY LIT ROOM L9$ ) ! /UFF4.<#e.> ,I 5JOY$ ! ,BO/ON ,I,C,A'S 5FEEBL$ REPLICATION BECAUSE IT WAS ! ONLY PLACE ,I WAS NOT UND] ! SURVEILLANCE ( ! /AFF4 ,= ALSO ON DISPLAY W]E SOME ( ,ASG] ,JORN'S 0MODIFICATIONS0 -- KITS* PA9T+S BY NOBODY >TI/S :I* HE 0OV]PA9T$0 ) PHANTASMAGORIA4 ,! LA/ ?+ ! ,I,C,A WANT$ WAS = ANYBODY TO GET IDEAS & BEHAVE LIKE A ,SITUATIONI/ -- BY1 SAY1 OV]PA9T+ OV]PA9T+4 

,! FUTILITY ( ! ,SITUATIONI/S' PRECAUTIONS REM9DS ME ( A /ORY1 RELAT$ BY ,SUETONIUS1 ( AN 5EMY ( ,CES>'S :O CONSUM$ GRADUAT$ DOSES ( POISON 9 ORD] TO IMMUNIZE HIMSELF4 ,HE>+ ( ?IS1 ! ,EMP]OR LAU<$1 SAY+1 0,!RE IS NO ANTIDOTE AGA9/ ,CES>60 

,:ATEV] ELSE MAY BE SAID AB\T ! EXHIBITION & ITS COMPANION VOLUMES1 !Y CORRECT ! SELF-S]V+ 9T]PRETATION ( ! ,S,I CIRCULAT$ BY ITS REGNANT POLITICAL FACTION S9CE #aifd & RECAPITULAT$ BY ALMO/ EV]Y?+ :I* HAS APPE>$ 9 ,5GLI% AB\T ! ,S,I4 ,P>T ( ! 9DIGNATION OV] !SE PRODUCTIONS IS REFLEXIVE ANXIETY ?AT ! ,S,I -- :I* BOA/$ ( ITS BLACK\T BY ! MA9/REAM & BY ! LEFT -- IS N[ BE+ TRANSLAT$1 9T]PRET$ & EXHIBIT$ BY SPECIALI/S :O DON'T EV5 PURPORT TO BE PRO-,SITUATIONI/4.<#f.> ,RALPH ,RUMNEY1 AN E>LY-EXCLUD$ ,S,I F\ND]1 HAS COMPLA9$ ( ! WAY IT 0COMM&E]$ HI/ORY10 WRIT+ ITS [N SELF-CONGRATULATORY V]SION4 ,SOME ATT5TION TO ! HI/ORY ( 0SITUATIONISM0 9 ,BRITA9 & ,AM]ICA IS NECESS>Y TO SITUATE ! ,SITUATIONI/ FAD :I* ! ,I,C,A REPRES5T$ & RE9=C$4 

,AL?\< ONE ( ! H&FUL ( ,S,I F\ND]S1 ,RALPH ,RUMNEY1 IS ,5GLI%1 ,ANGLOPHONES W]E MORE ?AN USUALLY LIKELY TO FALL \T ) ! ,P>ISIAN CONTROL GR\P4 ,RUMNEY WAS SOON EXPELL$4 ,ALEX&] ,TROC*I1 A ,SCOT1 RESIGN$ 9 #a#i#f#d4 ,! 5TIRE ,5GLI% ,SECTION WAS EXPELL$ 9 #aifg = EQUIVOCAT+ OV] ! ,P>ISIANS' RESOLVE TO BREAK (F CONTACTS ) SEV]AL ,AM]ICANS :O HAD ! TEM]ITY TO EXP\ND TO ,VANEIGEM HIMSELF A 0MY/ICAL0 9T]PRETATION ( HIS BOOK ,! ,REVOLUTION ( ,EV]YDAY ,LIFE4.<#g.> ,! ,5GLI% =M$ ,K+ ,MOB1 :I* 9CLUD$ ! FUTURE MANAG] ( ! ,SEX ,PI/OLS1 ,MALCOLM ,MACL>54 ,! ,AM]ICANS1 BAS$ 9 ,NEW ,YORK ,CITY1 CONCOCT$ A HIPPIE-,SITUATIONI/ AMALGAM1 ! ,MO!RFUCK]S4 

,LAT]1 ! ,AM]ICAN ,JON ,HORELICK & ! ,DUT*MAN ,TONY ,V]LAAN =M$ AN ,AM]ICAN ,SECTION ( ! ,S,I1 AGA9 9 ,NEW ,YORK ,CITY4 ,IT WAS ! 0SCISSION0 ( ! ,AM]ICANS 9 #aiga -- LEAV+ ! ,S,I ) F\R ,EUROPEAN MEMB]S1 ONE ( !M RESID+ 9 AN ,EA/]N ,EUROPEAN 9SANE ASYLUM -- :I* CONV9C$ ,GUY ,DEBORD TO LIQUIDATE ! ,S,I4 ,BY !N1 A FEW ,S,I & ,S,I-9FLU5C$ TEXTS 7BY ! EPIGONES ! ,S,I SCORNFULLY CALL$ 0PRO-SITUS07 HAD CIRCULAT$1 ) LITTLE EFFECT1 9 ,BRITA9 & ! ,UNIT$ ,/ATES4.<#h.> ,!Y W]E TOO LITTLE & TOO LATE TO 9FLU5CE ! ,NEW ,LEFT4 ,TOO BAD4 ,! ,NEW ,LEFT NE$$ !ORY ?AT WAS RIGOR\S & ANTI-AU?ORIT>IAN1 BUT IT 7QUITE S5SIBLY7 %UNN$ AN>*ISM AS 9TELLECTUALLY FLACCID & TOY$ ) ,M>XISM 9 ITS RETROGRADE ,L59I/ V>IETIES1 SUND]+ ! RADICALS FROM !IR 7TO ?IS DAY UND]E/IMAT$7 S\RCES ( POPUL> SUPPORT4 

,AS ! ,S,I DECOMPOS$1 PRO-SITU GR\PS =M$ 9 ,NEW ,YORK ,CITY & 9 ! ,SAN ,FRANCISCO ,BAY ,>EA ) NAMES LIKE ,NEGATION1 ,PO9T ,BLANK1 ,CONTRADICTION & ,BUREAU ( ,PUBLIC ,SECRETS1 FOLL[$ 9 O!R LOCALITIES BY NOT-SO-SIT GR\PLETS 7,UP%OT1 ,AURORA1 ,TAMPA ,N>CISSUS7 :I*1 )\T 9T5D+ TO1 9S9UAT$ SITUATIONISM 9TO ! SOME:AT RESURG5T ,AM]ICAN AN>*ISM ( ! #a#i#gS4 ,9 ,DETROIT1 ,FR$Y ,P]LMAN'S ,BLACK @& ,R$ PROJECT TRANSLAT$ & PUBLI%$ ,DEBORD'S BOOK & O!R SIT TEXTS1 & AFT] #a#i#g#e1 ! V9TAGE UND]GR\ND NEWSPAP] ! ,FIF? ,E/ATE ADOPT$ AN AN>*O-SITUATIONI/ /ANCE :I* HAS REC5TLY1 ALAS1 DET]IORAT$ 9TO SOME SORT ( ECO-RE=MI/ NATURE-WOR%IP CULT4 

,EXCLUD$ ,5GLI% ,SITUATIONI/ ,*RI/OPH] ,GRAY PUBLI%$ AN ,S,I TRANSLATION AN?OLOGY1 ,LEAV+ ! #b? ,C5TURY1 9 #a#i#g#d2 NOT MANY COPIES CROSS$ ! ,ATLANTIC4 ,VANEIGEM'S BOOK APPE>$ 9 TRANSLATION 9 #a#i#g#i1 FOLL[$ 9 #aihc BY A JO9T ,ANGLO-,AM]ICAN AU?ORIZ$ V]SION4 ,9 #a#i#h#a1 PRO-SITU ,K5 ,KNABB 7SOLE MEMB] ( ! ,BUREAU ( ,PUBLIC ,SECRETS7 SELF-PUBLI%$ A ,SITUATIONI/ ,9T]NATIONAL ,AN?OLOGY CONTA9+ AB\T A ?IRD ( ! MAT]IALS 9 ! ,S,I'S MAGAZ9E & O!R TEXTS4 ,MON?S LAT] ROCK CRITIC ,GREIL ,M>CUS1 AFT] TUTOR+ BY PRO-SITU ,TOM ,W>D1 5D$ ! ,AM]ICAN M$IA BLACK\T ) A ,VILLAGE ,VOICE >TICLE ON SITUATIONISM4.<#i.> ,M>CUS FOLL[$ UP ) HIS #aihi BOOK ,LIP/ICK ,TRACES1 AN UNCRITICAL & DISORGANIZ$ BUT NOT UN9=MATIVE TREATM5T ( SITUATIONISM1 PUNK ROCK & ALL ?AT :I* WAS PUBLI%$1 REM>KABLY1 BY ,H>V>D ,UNIV]SITY ,PRESS4 

,! ?+ AB\T ?IS ACCRETION ( TEXTS IS ?AT !Y W]E JU/ ?AT1 TEXTS4 ,NOBODY KNEW AB\T ! >TI/IC ORIG9S ( ! ,S,I OR ! ES!TIC PREOCCUPATIONS ( ITS E>LIE/ YE>S4 ,! ,DEBORDI/S HAD !IR REASONS = CONCEAL+ !IR [N >TI/IC ROOTS ! BETT] TO COME (F AS SOCIAL !ORI/S1 & SO IT WAS AS POLITICS ?AT SITUATIONISM CAPTIVAT$ A SMALL BUT GR[+ NUMB] ( ,BRITONS & ,NOR? ,AM]ICANS FROM ! MID-#gS ONW>DS4 ,! ,TEUTONS ( ! ,SECOND ,S,I1 :O DISDA9$ TO CONCEAL !IR >TI/IC AIMS1 GOT NO HE>+ 9 ! ,ANGLOPHONIC WORLD1 AL?\< !IR SC&ALS COMP>E FAVORABLY TO ?OSE ( ! ,DEBORDI/S4 ,CON/ANT ) SEV]AL AN>*I/S SET (F ! ,PROVO MOVEM5T 9 ,AM/]DAM 7#a#i#f#e-#a#i#f#g71 PROV+ IT WAS POSSIBLE = ,SITUATIONI/S TO PUT SOME FIRE 9 ! BELLY ( ! C\NT]-CULTURE4 ,! ,G]MANS ( ,SPUR W]E PROSECUT$ = PORNOGRAPHY4 ,ONE ( !M1 ,DIET] ,KUNZELMANN1 F\ND$ ,KOMMUNE #a 9 ,B]L9 -- :I* 9TRODUC$ HIPPIE CULTURE TO BO? ,G]MANIES & 9CUBAT$ SEV]AL ( ! T]RORI/S ( ! ,JUNE #b ,MOVEM5T4 ,9 ! ,NE!RL&S1 ,JACQUEL9E DE ,JONG'S ,SITUATIONI/ ,TIMES1 ) LESS TEXT & MORE GRAPHICS ?AN ! ,S,I J\RNAL1 ANTICIPAT$ ! FANZ9E /YLE ( ! LATE #gS & #hS4 

,BACK 9 ,5GL&1 ,S,I EXCLUDEES =M$ ,K+ ,MOB1 :I* T>GET$ >T /UD5TS4 ,ONE ( ITS VET]ANS1 ,JAMIE ,REID1 DESIGN$ ,*RI/OPH] ,GRAY'S ,S,I AN?OLOGY1 BUT HE WAS TO HAVE F> MORE IMPACT ON ! PUNK ES!TIC ?R\< HIS ASSOCIATION ) ! ,SEX ,PI/OLS4 ,GRAY HAS BE5 FAULT$ = HIS SLOPPY TRANSLATIONS & %ALL[ COMM5T>Y1 BUT 9 ONE CRUCIAL RESPECT HIS AN?OLOGY IS SUP]IOR TO ,KNABB'S3 IT 9CORPORATES 5\< ( ! C>TOONS & GRAPHICS TO RESEMBLE ! ORIG9AL LOOK-&-FEEL ( ! ,S,I J\RNAL4 ,KNABB \T-,DEBORD$ ,DEBORD 9 M>G9ALIZ+ ! ES!TIC DIM5SION4 ,= EV5 AFT] ! ,DEBORDI/ CONSOLIDATION1 ,SITUATIONI/ PRODUCTIONS REFLECT$ ! ES!TIC ( 9TEGRAT$ =MS PRACTIC$ BY ! ,C,O,B,R,A & ,I,M,I,B >TI/S4 ,! PRES5TATION 9 ,5GLI% ( MO/ ,SITUATIONI/ & PRO-SITU TEXTS HAS %>PLY TILT$ T[>D ! SUPPRESSION1 NOT ! REALIZATION ( >T1 DIM9I%+ ! HOLISM ( ! T5D5CY & P]HAPS CONTRIBUT+ TO ,SITUATIONI/ !ORY'S EXAGG]AT$ REPUTATION = >IDITY4 

,NOT MU* LAT]1 ,REID PLAC$ HIS COLLAGE /YLE -- COMM+L+ MASS M$IA TEXTS ) CUT\TS -- AT ! DISPOSAL ( ,MALCOLM ,MACL>51 ALSO A ,K+ ,MOB VET]AN4 ,MACL>5'S MANAGEM5T -- NOT TO M5TION HIS MANUFACTURE -- ( ! ,SEX ,PI/OLS1 LOOKS SUSPICI\SLY LIKE A CYNICAL EXP]IM5T 9 ,SITUATIONI/ SOCIAL 5G9E]+4 ,SOME ( ! GRAPHICS :I* ADORN ,SEX ,PI/OLS ALBUM COV]S 7EAG]LY S\<T AFT] BY COLLECTORS TODAY7 ,REID HAD PREVI\SLY PLAC$ 9 PRO-SITU PUBLICATIONS4 

,AL?\< NOT MANY KNEW IT AT ! TIME1 ! COMPREH5SIVE NEGATIVITY ( PUNK HAD BE5 REFRACT$ ?R\< A ,SITUATIONI/ PRISM4 ,HAPPILY ! PROGRAMMATIC P>TICUL>S1 LIKE C\NCIL COMMUNISM1 HAD FALL5 BY ! WAYSIDE4 ,BY ! LATE #a#i#gS1 ! PUNK ]UPTION 9 ,BRITA9 9CLUD$ A Z9E ]UPTION4 ,PUBLI%+ A PUNKZ9E WAS EV5 EASI]1 & EV5 MORE P>TICIPATORY1 ?AN P]=M+ PUNK MUSIC1 :I* WAS ANY?+ BUT DIFFICULT4 ,NO SMALL NUMB] ( ! ?\S&S ( Z9ES :I* HAVE COME \T 9 ! LA/ FIFTE5 YE>S LOOK LIKE MESSY V]SIONS ( ,S,I PUBLICATIONS1 & SOME ( !M W]E DEAL+ ) ,SITUATIONI/ IDEAS BE=E ,GREIL ,M>CUS GOT HIP TO !M4.<#a.> ,HAV+ GLANC$ AT EV]Y PAGE ( EV]Y ISSUE ( ! ,S,I J\RNAL -- ! ,BO/ON ,I,C,A /APL$ !M UP -- ,I CAN SAY ?AT ! BE/ ,S,I COLLAGES >E M>K$LY 9F]IOR TO ! WORK ( SU* M>G9ALS MILIEU COLLAGI/S AS ,JAMES ,KOEHNL9E1 ,$ ,LAWR5CE1 ,JOE ,S*W9D1 ,FR$DIE ,BA] & ,MYKELL ,ZHAN4.<#a#a.> ,:Y W]E ABSOLUTELY NONE ( ! ,NOR? ,AM]ICAN PO/]S1 PO/C>DS1 FANZ9ES & TABLOIDS PLAC$ UND] GLASS ) ! RE/ ( ! RELICS1 AL?\< NONDESCRIPT PO/-MOD]N >T FROM ! LIKES ( ,N,A,T,O & ,>T @& ,LANGUAGE1 :I* REFLECTS LITTLE IF ANY ,SITUATIONI/ 9FLU5CE1 W5T ON DISPLAY8 

,PROBABLY BECAUSE ! M>G9ALS MAT]IALS >5'T RELICS -- YET4 ,= ?IS K9D ( >T1 ! COPY IS ! ORIG9AL4 ,?US !IR SMALL PR9T RUNS C\NT = LESS ?AN ! POT5TIAL = ! 9F9ITE MULTIPLICATION ( ORIG9ALS 9 ! CALCULATIONS ( MUSEOLOGI/S1 :OSE DISMAL SCI5CE IS1 LIKE ECONOMICS1 PR$ICAT$ UPON SC>CITY4 ,P9OT-,GALLIZIO WAS ON TO SOME?+ AFT] ALL1 BUT ! MAT]IAL CONDITIONS = ! MASS PRODUCTION & DI/RIBUTION ( >T W]5'T QUITE !RE YET4 ,! SUP]SESSION ( >T -- AS ( WORK -- IS NOT A MATT] ( UNIT>Y URBANISM OR WORK]S' C\NCILS BUT RA!R ( G5]ALIZ+ ! GIFT1 SOLV5T ( ALL SEP>ATIONS4 ,! ,S,I'S PRACTICE WAS = ONCE AHEAD ( ITS !ORY H]E4 ,ITS SLICK J\RNALS W]E 9EXP5SIVE1 & DUR+ ,MAY-,JUNE #a#i#f#h1 ! ,SITUATIONI/S 7BO? ,9T]NATIONALS1 9 FACT7 *URN$ \T HUNDR$S ( ?\S&S ( PO/]S & PUBLICATIONS1 !IR DON GRATUIT TO ! PROLET>IAT4.<#a#b.> 

,! ,SITUATIONI/S 7ESPECIALLY ! ,DEBORDI/S7 *RONICALLY 9DULG$ 9 IMPUTATIONISM1 ?AT IS1 WI%FUL ?9K+ DRESS$ UP AS CRITICAL !ORY4 ,! ,SI WAS =EV] DISCOV]+ UNCONSCI\S SITUATIONISM 9 ! ACTIONS ( ,WATTS LOOT]S1 ,SW$I% DEL9QU5TS1 ,KATANGAN SEP>ATI/S1 EV5 ,B]KELEY /UD5TS4 ,Y\ DON'T HAVE TO BE A ,SITUATIONI/ TO KN[ ?AT ?+S >E NOT ALWAYS AS !Y SEEM 7AL?\< IT HELPS74 ,! SPECTACLE ONLY SEEMS TO BE SEAMLESSLY S]5E4 ,! TEMPTATION TO ELITISM1 AS TO OPTIMISM1 IS IRRESI/IBLE3 IT IS CONDESC5D+ TO ANNEX ALL ! ORN]9ESS ( O!RS TO ONE'S [N PET FANCIES4 ,JU/ POSSIBLY SOME PEOPLE KNEW :AT !Y W]E DO+ & IT WAS NOT SITUATIONI/1 ?ANK Y\4.<#a#c.> ,! ,SITUATIONI/S MADE A SPECTACLE ( !MSELVES1 & ?AT WAS !IR UNDO+4 ,!Y F9ALLY DID TAKE !IR DESIRES = REALITY4 ,PSY*IATRI/S CALL ?AT 0IDEAS ( REF]5CE40 

,BUT !N AGA91 AS ,>T ,KLEPS ASS]T$1 MAYBE IDEAS ( REF]5CE >E :]E IT'S AT4 ,9 HIS PO/-,S,I WRIT+S1 ,DEBORD BRAGG$ ?AT HI/ORY HAS ABSOLV$ HIM4.<#a#d.> ,P]HAPS ! SPECTACLE1 ! ESS5CE ( APPE>ANCE1 IS MORE MANIFE/ ?AN EV]4 7,! MALL HAS ITS USES = ?+S47 ,!RE IS SOME?+ SITUATIONI/IC ABROAD :I* HAS MADE ! !ORY MORE ACCESSIBLE EV5 AS IT %[S UP ! P>TS ?AT >E PASSE4 ,:5 ANTI-SITUATIONI/ PUBLI%]S LIKE ,MIKE ,GUND]LOY & ,F]D ,WOODWOR? BOA/ ( !IR 9ABILITY TO UND]/& SITUATIONISM1 9CREAS+LY !IR READ]S >E LIKELY TO CONCLUDE ?AT !Y MU/ BE SM>T] ?AN !SE PR\D KN[-NO?+S4 ,TO ! /UNN$ VIEW]S ( ! REC5T M9I-S]IES1 ! ,GULF ,W>1 ! SPECTACLE MAY BE MORE MEAN+FUL ?AN ANY ( ! OLD AN>*I/ CLI*ES4.<#a#e.> ,& IT ILLUM9ATES ?AT BY :I* IT IS ILLUM9AT$4 

,NO AVANT-G>DE T5D5CY EV] TRI$ H>D]1 FULLY AW>E :AT WAS AT /AKE1 TO ESCAPE ! CURATOR'S CLUT*ES ?AN DID ! ,SITUATIONI/S1 EV5 9 !IR 9ITIAL PHASE ( 9T]V5TION 9 ! >T SC5E4 ,!Y KNEW ?AT !IR ,FUTURI/1 ,DADAI/1 ,SURREALI/ & ,LETTRI/ =EBE>S HAD BE51 9 !IR WORD1 RECUP]AT$1 ?AT IS1 RECOV]$ BY & = ! EXI/+ ORD]4 ,AN ORD] :I* %[$ ITSELF AS ! SPECTACLE1 ! 0ORGANIZATION ( APPE>ANCES40 ,>T -- ALREADY IMAGE -- IS ! EASIE/ ( ALL SPECIALTIES TO RECUP]ATE4 ,ALL Y\ HAVE TO DO IS IGNORE IT OR1 IF ?AT DOESN'T WORK1 BUY IT4 

,! ,SITUATIONI/S CONCEPTUALIZ$ RECOV]Y & DIV]SION AS POL> TYPES1 AS ( C\RSE !Y >E1 BUT =GOT ?AT !Y >E IDEAL TYPES1 AB/RACTIONS FROM ! CONCRETE ACTUALITY ( EXP]I5CE -- AIDS TO 9T]PRETATION1 LADD]S 79 ,WITTG5/E9'S METAPHOR7 TO BE CLIMB$ UP1 !N ?R[N D[N4 ,ALL =MS >E MIX$4 ,RECOV]Y & DIV]SION >E AB/RACTIONS JU/ LIKE ! PO9TS & ! L9ES ( GEOMETRY :I* HAVE NEV] BE5 F\ND 9 ! WILD1 ONLY APPROXIMAT$ !RE4 ,TO COMPLICATE MATT]S /ILL MORE1 RECOV]Y & DIV]SION 7UNLIKE PO9TS & L9ES7 =M A CONT9UUM1 NOT A DI*OTOMY4 ,NEI!R ! ,SITUATIONI/S NOR ! MANAG]S ( ! SPECTACLE EV] HAD FULL CONTROL OV] !IR MANIPULATIONS ( IDEAS & IMAGES4 ,NOBODY DOES4 ,DIV]SION CAN ALSO RECUP]ATE1 RECUP]ATION CAN ALSO DIV]T4 ,& SO ! RECUP]ATION ( ,SITUATIONISM :I* IS UNMI/AKABLY OCCURR+ AT AN 9CREAS+ PACE IS NOT NECESS>ILY 5TIRELY ANTI-,SITUATIONI/4 

,S9CE #aigb UN*AP]ON$ BY ANY ORGANIZATION1 SITUATIONISM HAS BE5 AVAILABLE = V>I\S USES1 SOME DUBI\S4 ,PUNKS PILF]$ IT = SUBLIM9ALS4 ,MUSEOLOGI/S CURAT$ IT4 ,M>XI/ ACADEMICS AT ,TELOS EXPLA9$ IT AWAY AS ,FRANKFURT ,S*OOL PHILOSOPHY AS H>MLESS AS !Y >E4 ,PRO-SITU HU/L]S LIKE ,TOM ,W>D TRAD$ ON !IR EXP]TIZE 9 IT4 ,S,I VET]ANS REM9ISC$ AB\T IT1 BUT ONLY ! ONES :O'D BE5 EXCLUD$4 ,AN>*I/S EI!R MALIGN$ IT OR MISCEG5AT$ ) IT4 ,POSEURS CONGRATULAT$ EA* O!R = HAV+ HE>D ( IT4 ,SOME:]E1 WORK]S MI<T HAVE APPROPRIAT$ IT1 AL?\< ?IS IS %E] SPECULATION4 

,IT IS ALL OV] -- & AT ! SAME TIME IT IS ALL OV] ! PLACE4 ,SITUATIONISM IS DEAD4.<#a#f.> ,LONG LIVE SITUATIONISM6 

  

.<#a.> ,ALEX&] ,TROC*I1 ,CA9'S ,BOOK 7,NEW ,YORK3 ,GROVE ,PRESS1 #a#i#f71 #e#i4 ,?IS BOOK -- AN AUTOBIOGRAPHICAL NOVEL ( H]O9 ADDICTION -- IS V]Y UNLIKE O!R ,SITUATIONI/ TEXTS 9 ITS ,BEAT AFF9ITIES 7,9T]NATIONALE ,SITUATIONNI/E ,NO4 #a .<#a#i#e#h.>1 = 9/ANCE1 COMPLA9+ ?AT 0! ROTT5 EGG SMELL EXUD$ BY ! IDEA ( ,GOD 5VELOPS ! MY/ICAL CRET9S ( ! ,AM]ICAN ',BEAT' ,G5]ATION074 ,AFT] RESIGN+ FROM ! ,SITUATIONI/ ,9T]NATIONAL 9 #a#i#f#d1 ,TROC*I W5T ON TO BECOME A GRAY EM95CE ( ,SCOTTI% LETT]S1 & DI$ 9 #aihd AFT] #bg YE>S AS A JUNKIE4 

.<#b.> ,JORG5 ,NA% -- ,JORN'S Y\NG] BRO!R -- RELAT$ ! MAJOR S*ISMS ( #aifd TO DIFF]5CES 9 NATIONAL *>ACT]3 ,! ,FRANCO-,BELGIAN SITUATIONI/S BASE !MSELVES ON ! SAME PR9CIPLES AS ,PASCAL1 ,DESC>TES1 ,CROCE & ,GIDE4 ,ACTION PREC$ES EMOTION4 ,Y\ ONLY BEG9 TO FEEL RELIGI\S AFT] Y\ HAVE MUTT]$ Y\R PRAY]S4 ,ACCORD+ TO ,SC&9AVIAN SITUATIONI/ PHILOSOPHY ACTION IS ! RESULT ( EMOTION & >ISES \T ( EMOTION444 ,WE >E NOT SAY+ ?AT ! ,FR5* ME?OD IS WRONG OR ?AT IT CANNOT BE US$ SUCCESSFULLY4 ,WE M]ELY SAY ?AT \R TWO \TLOOKS >E 9COMPATIBLE1 BUT !Y CAN BE MADE TO SUPPLEM5T ONE ANO!R4  0,:O ,>E ! ,SITUATIONI/S80 ,TIMES ,LIT]>Y ,SUPPLEM5T1 ,SEPT4 #aifd 7,SPECIAL ,ISSUE71 REPR9T$ 9 ,IWONA ,BLAZWICK1 $41 ,AN ,5DLESS ,PASSION 444 AN ,5DLESS ,BANQUET3 ,A ,SITUATIONI/ ,SCRAPBOOK 7,LONDON3 ,9/ITUTE = ,CONTEMPOR>Y ,>TS_/,V]SO1 #a#i#h#i71 #f#b1 ONE ( TWO C(FEE-TABLE BOOKS PRODUC$ 9 CONNECTION ) ! ,I,C,A EXHIBITION ( ,SITUATIONI/ & RELAT$ >T4 ,NA%1 TODAY ! MO/ CELEBRAT$ ,DANI% POET1 /ILL PRESIDES OV] ! ,SITUATIONI/ ,BAUHAUS :I* HE & ,JORN F\ND$ 9 ,SW$5 9 #a#i#h#f2 SO DOES ANO!R ,SITUATIONI/ EXCLUD$ 9 #a#i#f#d1 ,H>DY ,/RID4 

.<#c.> ,ELISABE? ,SUSSMAN1 $41 ,ON ! ,PASSAGE ( A ,FEW ,PEOPLE ,?R\< A ,RA!R ,BRIEF ,MOM5T 9 ,TIME 7,CAMBRIDGE1 ,MASSA*USETTS @& ,LONDON3 ,M,I,T ,PRESS = ! ,9/ITUTE ( ,CONTEMPOR>Y ,>T1 ,BO/ON1 ,MASSA*USETTS1 #a#i#h#e74 ,! ,LONDON %[ ELICIT$ A PROTE/ FLI] BY PRO-SITU ,MI*EL ,PRIG5T1 0,! ,MISADV5TURES ( ! ,SITUATIONI/ ,9T]NATIONAL 9 ! ,TEMPLE ( ,DOOM10 CA/IGAT+ ! BELAT$ ACADEMIC DISCOV]Y ( ! ,S,I AS 0W\LD BE ,S4,I4 SPECIALI/S FROM ! CAPSIZ+ WORLD ( DECOMPOS$ ?\<T 444 FALL+ OV] !MSELVES 9 A DESP]ATE ATTEMPT TO %ORE UP !IR BANKRUPT C>E]S40 ,! ,BO/ON /OPOV] ELICIT$ A SIMIL>1 UNSIGN$ J]EMIAD1 0,ON ! ,ATTEMPT$ ,G5TRIFICATION ( ! ,SITUATIONI/ ,9T]NATIONAL40 

.<#d.> ,SUSSMAN1 ,ON ! ,PASSAGE4 ,AS ,I DO NOT [N AN EMORY BO>D1 ,I HAVE F\ND ! COV] USEFUL 9 DO+ MY NAILS4 ,?IS EXEMPLIFIES ! ,SITUATIONI/ ASPIRATION TO RE9TEGRATE >T & EV]YDAY LIFE4 .<,LA/-M9UTE NOTE3 UPON READ+ AN E>LI] V]SION ( ?IS TEXT1 ,MOLLY ,GILL1 PUBLI%] ( ,! ,RATIONAL ,FEM9I/1 WAS SO MOV$ BY MY PLI<T ?AT %E S5T ME AN EMORY BO>D4 ,?ANKS1 ,MOLLY4 ,Y\ >E ! HIPPE/ GREAT- GR&MO!R EV] PUBLI%$ A FANZ9E4.> 

.<#e.> ,AS ORIG9ALLY SET UP BY ! >TI/1 ?IS WAS A MULTI-M$IA PROJECT1 9CLUD+ S\NDS :I* V>I$ ACCORD+ TO PEOPLE'S MOVEM5TS )9 ! ,CAV]N1 & A LIVE MODEL4 ,! ,BO/ON %[ WAS S\NDLESS2 REPLAC+ ! MODEL WAS A DUMMY4 ,BESIDES PRACTICAL CON/RA9TS -- ! ,SITUATIONI/S :O PROVID$ ,P9OT-,GALLIZIO'S S\ND SY/EM W]E EXPELL$1 AS HE WAS1 OV] ?IRTY YE>S AGO -- SQUEAMI%NESS OV] ! >GUABLY SEXI/ OBJECTIFICATION ( ! MODEL MI<T HAVE TR\BL$ ,PURITAN_/,P,C ,BO/ON4 ,ONE NE$N'T BE HYP]-FEM9I/ TO W9CE AT A LIB]ATORY T5D5CY :OSE WOR/ EPI!T IS1 AS WE HAVE SE51 CUNTI%4 ,ONLY #a.0 ( ,S,I MEMB]S W]E WOM54 ,ONLY TWO PLAY$ SIGNIFICANT ROLES3 ,MI*ELE ,B]N/E9 7SO LONG AS %E WAS ,DEBORD'S WIFE7 & ,JACQUEL9E DE ,JONG1 :OSE ,SITUATIONI/ ,TIMES REFLECT$ ! MORE FREE-:EEL+ ATMOSPH]E ( ! ,SECOND ,SITUATIONI/ ,9T]NATIONAL4 ,ACCORD+ TO F\ND+ ,S,I MEMB] ,RALPH ,RUMNEY1 ! ,S,I 0WAS EXTRAORD9>ILY ANTI-FEM9I/ 9 PRACTICE4 ,WOM5 W]E !RE TO TYPE1 COOK SUPP] & SO ON40 ,RUMNEY1 :O WAS EXPELL$ = FAIL+ TO TURN 9 A 0PSY*OGEOGRAPHICAL0 REPORT ON TIME1 CLAIMS ?AT ,DEBORD TOOK CR$IT = !ORY PRODUC$ BY ,B]N/GE94 0,! ,SITUATIONI/ ,9T]NATIONAL & ,ITS ,HI/ORIFICATION0 7AN 9T]VIEW71 ,>T ,MON?LY ,NO4 #abg 7,JUNE #a#i#h#i74 7,RUMNEY'S REPORT IS REPRODUC$1 R$UC$ TO NE>-9DISC]NIBILITY1 9 ,BLAZWICK1 ,AN ,5DLESS ,ADV5TURE1 #d#e-#d#i47 ,RUMNEY MI<T BE BIAS$3 HE M>RI$ ,B]N/E9 AFT] %E SPLIT ) ,DEBORD4 7,!Y'RE N[ DIVORC$47 ,ACCORD+ TO ,RUMNEY1 ,B]N/E9 IS 0AMONG ! MO/ IMPORTANT LIT]>Y CRITICS 9 ,FRANCE TODAY40 

.<#f.> ,A NEGLECT$ EXCEPTION IS POLITICAL SCI5TI/ ,B]N>D ,B4 ,BR[N'S ,PROTE/ 9 ,P>IS3 ,ANATOMY ( A ,REVOLT 7,NEW ,YORK3 ,G5]AL ,LE>N+ ,PRESS1 #a#i#g#d71 AN ANALYSIS ( ! ,MAY ,DAYS ( #a#i#f#h4 ,?AT UPSURGE GAVE ! LIE TO ALL ! PLURALI/ CONS5SUS HOGWA% PRODUC$ BY ,BR[N & ALL O!R ACADEMICS AB\T ,FR5* POLITICS4 ,HIS ACC\NT IS TRANSP>5TLY V9DICTIVE1 BUT L5DS 9DEP5D5T CR$5CE TO ! ,S,I'S CLAIM TO HAVE HAD AN IMPORTANT 9FLU5CE ON ! UPRIS+4 ,! FIR/ ATTEMPT TO DEBUNK ! ,S,I IS ,/EW>T ,HOME1 ,! ,ASSAULT ON ,CULTURE3 ,UTOPIAN ,CURR5TS ,FROM ,LETTRISME TO ,CLASS ,W> 7,LONDON3 ,APORIA ,PRESS_/,UNPOPUL> ,BOOKS1 #a#i#h#h74 ,) 5EMIES LIKE ,HOME1 ! ,S,I DOESN'T NE$ FRI5DS4 ,HIS BOOK -- A SORT ( PRIM] ON ! AVANT G>DE -- IS BRIEF & CONCLUSORY1 KEY$ TO ! ,T,V-TRA9$ CONTEMPOR>Y ATT5TION SPAN4 ,M>R$ BY MALICE1 MORALISM & MIS9=MATION1 ,HOME'S SCRE$ DOES REC\NT SOME ( ! LO/ HI/ORY ( ! ,S,I -- ESPECIALLY ITS E>LY1 >TY PHASE -- BUT ! ,I,C,A VOLUMES >E MORE 9=MATIVE & LESS T5D5TI\S PRECISELY ON ?IS 0BRIEF MOM5T 9 TIME40 ,HOME -- CALL+ HIMSELF ,! ,P,R,A,X,I,S ,GR\P -- FOM5T$ ! ,>T ,/RIKE1 :I*1 HAD ANYONE P>TICIPAT$ 9 IT1 W\LD HAVE LA/$ FROM #aii TO #a#i#i#c4 ,HE WAS C>EFUL TO GET HIS FIR/ NOVEL PUBLI%$ JU/ AHEAD ( ! DEADL9E4 ,PURE ,MANIA 7,$9BUR<1 ,SCOTL&3 ,POLYGON1 #a#i#h#i74 ,= MY CRITIQUE ( ! ,>T ,/RIKE1 SEE 0,! ,REFUSAL ( ,>T10 ,FRI5DLY ,FIRE 7,BROOKLYN1 ,N4,Y43 ,AUTONOM$IA1 #a#i#i#b71 #b#i-#b#a#d2 = [N MY ,>T ,/RIKE ACTIVISM1 SEE 0,! ,ALBANY ,>T ,/RIKE ,ACTION ,COMMITTEE10 IBID4 1 #b#a#e-#b#a#h4 ,AGA9 GETT+ 9 JU/ UND] ! WIRE1 ,HOME PUBLI%$ A PREVI\SLY UNTRANSLAT$ TEXT BY ,ASG] ,JORN1 A FIGURE ,I F9D1 AS A P]SONALITY1 ! MO/ ATTRACTIVE ( ! ,SITUATIONI/S1 BUT ! >TICLE REVEALS ?IS COMPULSIVELY CREATIVE MANIC TO HAVE BE5 METAPHYSICALLY CONFUS$4 0,PATAPHYSICS3 ,A ,RELIGION 9 ! ,MAK+10 ,SMILE ,NO4 #aa 7#a#i#h#i72 SEE ALSO ,ASG] ,JORN1 ,OP5 ,CREATION & ,ITS ,5EMIES ) ,ORIG9ALITY & ,MAGNITUDE 7ON ! ,SY/EM ( ,IS\7 1 TRANS4 ,FABIAN ,TOMPSETT 7,LONDON3 ,UNPOPUL> ,BOOKS1 #a#i#i#d74 

.<#g.> ,LONDON3 ,PRACTICAL ,P>ADISE ,PUBLICATIONS1 #a#i#g#b2 #bND $41 ,LONDON3 ,RIS+ ,FREE ,COLLECTIVE1 #a#i#g#i2 ,SEATTLE3 ,LEFT ,BANK ,BOOKS @& ,LONDON3 ,REBEL ,PRESS1 #aihc 7! 0AU?ORIZ$0 TRANSLATION74 

.<#h.> ,E4G41 ,! ,BEG9N+ ( AN ,EPO* 7,NEW ,YORK3 ,CREATE ,SITUATIONS1 N4D47 7FROM ,I,S ,NO4 #a#b72 ,! ,POOR & ! ,SUP]-,POOR 7,NEW ,YORK3 ,CREATE ,SITUATIONS1 N4D47 7FROM ,I,S ,NO4 #a#a72 ,GUY ,DEBORD1 ,! ,SOCIETY ( ! ,SPECTACLE 7,DETROIT3 ,BLACK @& ,R$1 #a#i#g2 REV4 $41 #a#i#g#g74 ,9 ,BRITA91 ,NICK ,BR&T1 ,L>RY ,LAW1 ,MI*EL ,PRIG5T & O!RS MADE SOME TEXTS AVAILABLE4 

.<#i.> ,MAY #a#a1 #a#i#h#b4 ,W>D DEPLOR$ ,M>CUS' ES!TICIZATION ( ! ,S,I1 BUT ,M>CUS WAS NO MORE ONE-SID$ ?AN POLITICOS LIKE ,W>D HIMSELF1 :O'D BY !N REGRESS$ TO ! ,M>XISM FROM :I* MO/ ( !M HAD NEV] REALLY ESCAP$4 ,TOM ,W>D1 0,CLASS ,/RUGGLE ,IS = ,REAL1 ,GREIL0 7UNPUBLI%$72 CF4 ,BOB ,BLACK1 ,PREFACE TO ,= ,\RSELVES1 ,! ,RI<T TO ,BE ,GRE$Y 7,PORT ,T[NS5D1 ,WA%43 ,LOOMPANICS ,UNLIMIT$1 N4D4 .<#a#i#h#c.>7 7ORIG9ALLY PUBLI%$ 9 #a#i#g#e2 AN EXPOSITION ( 0COMMUNI/ EGOISM074 ,:AT ,W>D RETA9S FROM ! ,SITUATIONI/S IS !IR FAULTS3 !IR DET]M9ISM1 !IR C\NCILISM1 & !IR 9VECTIVE4 ,9 AN >TICLE PURPORT+ TO 9TRODUCE ! ,S,I TO ! LEFT1 ,W>D S]V$ UP MO/LY EXCUSES = HIS 9EFFECTUAL VULG>IZATIONS ( ! #a#i#gS & ,/ANG-/YLE PLUGS = ! PROJECTS ( HIS CRONIES4 0,! ,SITUATIONI/S ,RECONSID]$10 9 ,CULTURES 9 ,CONT5TION1 $4 ,D\G ,KAHN @& ,DIANE ,NEUMAI] 7,SEATTLE3 ,REAL ,COMET ,PRESS1 #a#i#h#e7 7SEE *APT] F\R74 ,ONE \TFIT LAUD$ BY ,W>D WAS ! VIOL5T /ATI/ CULT ,PROCESS$ ,WORLD1 AB\T :I*1 SEE *APT] F\R & ,BOB ,BLACK1 ,! ,BABY & ! ,BA?WAT] 7#bND $42 ,NEW ,YORK3 ,FEH6 ,PRESS1 #a#i#i#d74 

.<#a.> ,!RE >E AT LEA/ #a1 Z9ES PUBLI%+ TODAY 9 ! ,UNIT$ ,/ATES ALONE4 ,MIKE ,GUND]LOY @& ,C>I ,GOLDB]G ,JANICE1 ,! ,WORLD ( ,Z9ES 7,NEW ,YORK3 ,P5GU9 ,BOOKS1 #a#i#i#b71 #a4 ,! MAXIMUM E/IMATE BECAME ! M9IMUM E/IMATE 9 JU/ F\R YE>S4 ,MIKE ,GUND]LOY1 ,H[ TO ,PUBLI% A ,FANZ9E 7,PORT ,T[NS5D1 ,WA%43 ,LOOMPANICS ,UNLIMIT$1 #a#i#h#h71 #g4 

.<#a#a.> ,AUTONOM$IA ,COLLECTIVE41 $41 ,X]OX ,PIRATES3 0,HI<0 ,TE* @& ! ,NEW ,COLLAGE ,UND]GR\ND 7,BROOKLYN1 ,N,Y3 ,AUTONOM$IA1 #a#i#i#d74 

.<#a#b.> ,= ! ,S,I'S VIEW ( ITS P>T 9 ! ,MAY ,DAYS1 SEE 0,! ,BEG9N+ ( AN ,]A0 9 ! ,KNABB AN?OLOGY4 ,ACADEMICS LIKE ,B]N>D ,B4 ,BR[N1 ,ALFR$ ,WILL5] & ,RI*>D ,GOMB9 HAVE ATTE/$1 ) HO/ILITY OR SYMPA?Y1 TO ! SALI5CY ( ,SITUATIONI/ !MES 9 ! UPRIS+4 ,9 ,! ,ASSAULT ON ,CULTURE3 ,UTOPIAN ,CURR5TS ,FROM ,LETTRISME TO ,CLASS ,W> 7,LONDON3 ,APORIA ,PRESS @& ,IMPOSSIBLE ,BOOKS1 #a#i#h#h71 ,/EW>T ,HOME ASS]TS3 0,:5 IT'S CONSID]$ ?AT MILLIONS ( WORK]S & /UD5TS P>TICIPAT$ 9 ! ,MAY EV5TS1 SU* A M9USCULE GR\P+ CANNOT BE DEEM$ ( MU* SIGNIFICANCE40 ,?IS JUDGM5T IGNORES ! 9DISPUTABLE FACT ?AT ! ,S,I'S 5RAGE ALLIES PROVOK$ ! /UD5T DEMON/RATIONS AT ,NANT]RE :I* 9 TURN PRECIPITAT$ ! G5]AL /RIKE4 ,P]HAPS ! BE/ REJO9D] TO ,HOME'S NUMB]-CRUN*+ IS ! ,S,I'S ANSW] TO A QU]Y H[ MANY MEMB]S IT HAD3 0,A FEW MORE ?AN ! ORIG9AL GU]RILLA NUCLEUS 9 ! ,SI]RA ,MADRE1 BUT ) FEW] WEAPONS4 ,A FEW LESS ?AN ! DELEGATES 9 ,LONDON 9 #ahfd :O F\ND$ ! ,9T]NATIONAL ,WORK+M5'S ,ASSOCIATION1 BUT ) A MORE COH]5T PROGRAM40 

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