,*APT] #ad #ahigahig ,PEOPLE 3 ,AU?OR 3 ,LEO ,TOL/OY ,TRANSLATOR 3 ,AYLM] ,MAUDE ,TEXT 3 ,I KN[ ?AT MO/ M5--NOT ONLY ?OSE CONSID]$ CLEV]1 BUT EV5 ?OSE :O >E V]Y CLEV] & CAPABLE ( UND]/&+ MO/ DIFFICULT SCI5TIFIC1 MA!MATICAL OR PHILOSOPHIC PROBLEMS--CAN V]Y SELDOM DISC]N EV5 ! SIMPLE/ & MO/ OBVI\S TRU? IF IT BE SU* AS TO OBLIGE !M TO ADMIT ! FALSITY ( CONCLUSIONS !Y HAVE =M$1 P]HAPS ) MU* DIFFICULTY--CONCLUSIONS ( :I* !Y >E PR\D1 :I* !Y HAVE TAUT & TA/E 9 \R SOCIETY WILL BE ACCEPT$ OR EV5 S]I\SLY CONSID]$4 ,NEV]!LESS1 ,I MU/ /ATE FULLY ! 9EVITABLE CONCLUSION TO :I* MY 9VE/IGATION 9TO ! QUE/ION ( >T HAS BR\T1 GOOD >T1 & ! :OLE ( >T1 F> FROM BE+ REAL & GOOD >T1 & ! :OLE ( >T1 IS NOT EV5 >T AT ALL1 BUT ONLY A C\NT]FEIT ( IT4 ,?IS POSITION1 ,I KN[1 WILL SEEM V]Y /RANGE & P>ADOXICAL2 BUT IF WE ONCE ACKN[L$GE >T TO BE A HUMAN ACTIVITY BY MEANS ( :I* SOME PEOPLE TRANSMIT !IR FEEL+S TO O!RS 7& NOT A S]VICE ( ,BEAUTY1 NOR A MANIFE/ATION ( ! ,IDEA1 & SO =?71 WE %ALL 9EVITABLY HAVE TO ADMIT ?IS FUR!R CONCLUSION ALSO4 ,IF IT IS TRUE ?AT >T IS AN ACTIVITY BY MEANS ( :I* ONE MAN HAV+ EXP]I5C$ A FEEL+ 9T5TIONALLY TRANSMITS IT TO O!RS1 !N WE HAVE 9EVITABLY TO ADMIT FUR!R1 ?AT ( ALL ?AT AMONG US IS T]M$ ! >T ( ! UPP] CLASSES--( ALL #a#d#d?OSE NOVELS1 /ORIES1 DRAMAS1 COM$IES1 PICTURES1 SCULPTURES1 SYMPHONIES1 OP]AS1 OP]ETTAS1 BALLETS1 ETC41 :I* PR(ESS TO BE WORKS ( >T--SC>CELY ONE 9 A HUNDR$ ?\S& PROCE$S FROM AN EMOTION FELT BY ITS AU?OR1 ALL ! RE/ BE+ BUT MANUFACTUR$ C\NT]FEITS ( >T 9 :I* BORR[+1 IMITAT+1 EFFECTS1 & 9T]E/+NESS REPLACE ! CONTAGION ( FEEL+4 ,?AT ! PROPORTION ( REAL PRODUCTIONS ( >T IS TO ! C\NT]FEITS AS ONE TO SOME HUNDR$S ( ?\S&S OR EV5 MORE1 MAY BE SE5 BY ! FOLL[+ CALCULATION4 ,I HAVE READ SOME:]E ?AT ! >TI/ PA9T]S 9 ,P>IS ALONE NUMB] #c12 !RE WILL PROBABLY BE AS MANY 9 ,5GL&1 AS MANY 9 ,G]MANY1 & AS MANY 9 ,RUSSIA1 ,ITALY1 & ! SMALL] /ATES COMB9$4 ,SO ?AT 9 ALL !RE WILL BE 9 ,EUROPE1 SAY1 #a#b1 PA9T]S2 & !RE >E PROBABLY AS MANY MUSICIANS & AS MANY LIT]>Y >TI/S4 ,IF !SE #c#f1 9DIVIDUALS PRODUCE ?REE WORKS A YE> EA* 7& MANY ( !M PRODUCE T5 OR MORE71 !N EA* YE> YIELDS OV] A MILLION SO-CALL$ WORKS ( >T4 ,H[ MANY1 !N1 MU/ HAVE BE5 PRODUC$ 9 ! LA/ T5 YE>S1 & H[ MANY 9 ! :OLE TIME S9CE UPP]-CLASS >T BROKE (F FROM ! >T ( ! :OLE PEOPLE8 ,EVID5TLY MILLIONS4 ,YET :O ( ALL ! CONNOISSEURS ( >T HAS RECEIV$ IMPRESSIONS FROM ALL !SE PSEUDO WORKS ( >T8 ,NOT TO M5TION ALL ! LABOR+ CLASSES :O HAVE NO CONCEPTION ( !SE PRODUCTIONS1 EV5 PEOPLE ( ! UPP] CLASSES CANNOT KN[ ONE 9 A ?\S& ( !M ALL1 & CANNOT REMEMB] ?OSE !Y HAVE KN[N4 ,!SE WORKS ALL APPE> UND] ! GUISE ( >T1 PRODUCE NO IMPRESSION ON ANYONE 7EXCEPT :5 !Y S]VE AS PA/IMES = ! IDLE CR[D ( RI* PEOPLE71 & VANI% UTT]LY4 ,9 REPLY TO ?IS IT IS USUALLY SAID ?AT )\T ?IS 5ORM\S NUMB] ( UNSUCCESSFUL ATTEMPTS WE %\LD NOT HAVE ! REAL WORKS ( >T4 ,BUT SU* REASON+ IS AS ?\< A BAK]1 9 REPLY TO A REPROA* ?AT HIS BREAD WAS BAD1 W]E TO SAY ?AT IF IT W]E NOT = ! HUNDR$S ( SPOIL$ LOAVES #a#d#e!RE W\LD NOT BE ANY WELL-BAK$ ONES4 ,IT IS TRUE ?AT :]E !RE IS GOLD !RE IS ALSO MU* S&2 BUT ?AT CAN NOT S]VE AS A REASON = TALK+ A LOT ( NONS5SE 9 ORD] TO SAY SOME?+ WISE4 ,WE >E SURR\ND$ BY PRODUCTIONS CONSID]$ >TI/IC4 ,?\S&S ( V]SES1 ?\S&S ( POEMS1 ?\S&S ( NOVELS1 ?\S&S ( DRAMAS1 ?\S&S ( PICTURES1 ?\S&S ( MUSICAL PIECES1 FOLL[ ONE AFT] ANO!R4 ,ALL ! V]SES DESCRIBE LOVE1 OR NATURE1 OR ! AU?OR'S /ATE ( M9D1 & 9 ALL ( !M RHYME & RHY?M >E OBS]V$4 ,ALL ! DRAMAS & COM$IES >E SPL5DIDLY M\NT$ & >E P]=M$ BY ADMIRABLY TRA9$ ACTORS4 ,ALL ! NOVELS >E DIVID$ 9TO *APT]S2 ALL ( !M DESCRIBE LOVE1 CONTA9 EFFECTIVE SITUATIONS1 & CORRECTLY DESCRIBE ! DETAILS ( LIFE4 ,ALL ! SYMPHONIES CONTA9 ALLEGRO1 &ANTE1 S*]ZO1 & F9ALE2 ALL CONSI/ ( MODULATIONS & *ORDS1 & >E PLAY$ BY HII\S BRAN*ES ( >T !RE IS 9 EA* BRAN* ONE AMONG HUNDR$S ( ?\S&S1 NOT ONLY SOME:AT BETT] ?AN ! RE/1 BUT DIFF]+ FROM !M AS A DIAMOND DIFF]S FROM PA/E4 ,! ONE IS PRICELESS1 ! O!RS NOT ONLY HAVE NO VALUE BUT >E WORSE ?AN VALUELESS1 = !Y DECEIVE & P]V]T TA/E4 ,& YET1 EXT]NALLY1 !Y >E1 TO A MAN ( P]V]T$ OR ATROPHI$ >TI/IC P]CEPTION1 PRECISELY ALIKE4 ,9 \R SOCIETY ! DIFFICULTY ( RECOGNIZ+ REAL WORKS ( >T IS FUR!R 9CREAS$ BY ! FACT ?AT ! EXT]NAL QUALITY ( ! WORK 9 FALSE PRODUCTIONS IS NOT ONLY NO WORSE1 BUT (T5 BETT]1 ?AN 9 REAL ONES2 ! C\NT]FEIT IS (T5 MORE EFFECTIVE ?AN ! REAL1 & ITS SUBJECT MORE 9T]E/+4 ,H[ IS ONE TO DISCRIM9ATE8 ,H[ IS ONE TO F9D A PRODUCTION 9 NO WAY DI/+UI%$ 9 EXT]NALS FROM HUNDR$S ( ?\S&S ( O!RS 9T5TIONALLY MADE TO IMITATE IT PRECISELY8 ,= A C\NTRY PEASANT ( UNP]V]T$ TA/E ?IS IS AS #a#d#fEASY AS IT IS = AN ANIMAL ( UNSPOIL$ SC5T TO FOLL[ ! TRACE HE NE$S AMONG A ?\S& O!RS 9 WOOD OR =E/4 ,! ANIMAL UN]R+LY F9DS :AT HE NE$S4 ,SO ALSO ! MAN1 IF ONLY HIS NATURAL QUALITIES HAVE NOT BE5 P]V]T$1 WILL1 )\T FAIL1 SELECT FROM AMONG ?\S&S ( OBJECTS ! REAL WORK ( >T HE REQUIRES--?AT 9FECT+ HIM ) ! FEEL+ EXP]I5C$ BY ! >TI/4 ,BUT IT IS NOT SO ) ?OSE :OSE TA/E HAS BE5 P]V]T$ BY !IR $UCATION & LIFE4 ,! RECEPTIVE FEEL+ = >T ( !SE PEOPLE IS ATROPHI$1 & 9 VALU+ >TI/IC PRODUCTIONS !Y MU/ BE GUID$ BY DISCUSSION & /UDY1 :I* DISCUSSION & /UDY COMPLETELY CONFUSE !M4 ,SO ?AT MO/ PEOPLE 9 \R SOCIETY >E QUITE UNABLE TO DI/+UI% A WORK ( >T FROM ! GROSSE/ C\NT]FEIT4 ,PEOPLE SIT = :OLE H\RS 9 CONC]T-ROOMS & !AT]S LI/5+ TO ! NEW COMPOS]S1 CONSID] IT A DUTY TO READ ! NOVELS ( ! FAM\S MOD]N NOVELI/S & TO LOOK AT PICTURES REPRES5T+ EI!R SOME?+ 9COMPREH5SIBLE OR JU/ ! V]Y ?+S !Y SEE MU* BETT] 9 REAL LIFE2 &1 ABOVE ALL1 !Y CONSID] IT 9CUMB5T ON !M TO BE 5RAPTUR$ BY ALL ?IS1 IMAG9+ IT ALL TO BE >T1 :ILE AT ! SAME TIME !Y WILL PASS REAL WORKS ( >T BY1 NOT ONLY )\T ATT5TION1 BUT EV5 ) CONTEMPT1 M]ELY BECAUSE1 9 !IR CIRCLE1 !SE WORKS >E NOT 9CLUD$ 9 ! LI/ ( WORKS ( >T4 ,A FEW DAYS AGO ,I WAS RETURN+ HOME FROM A WALK FEEL+ DEPRESS$1 AS OCCURS SOMETIMES4 ,ON NE>+ ! H\SE ,I HE>D ! L\D S++ ( A L>GE *OIR ( PEASANT WOM54 ,!Y W]E WELCOM+ MY DAURIAGE4 ,9 ?IS S++1 ) ITS CRIES & CLANG+ ( SCY!S1 SU* A DEF9ITE FEEL+ ( JOY1 *E]FULNESS1 & 5]GY WAS EXPRESS$1 ?AT1 )\T NOTIC+ H[ IT 9FECT$ ME1 ,I CONT9U$ MY WAY T[>DS ! H\SE 9 A BETT] MOOD1 & REA*$ HOME SMIL+ & QUITE 9 GOOD SPIRITS4 ,?AT SAME EV5+1 A VISITOR1 AN #a#d#gADMIRABLE MUSICIAN1 FAM$ = HIS EXECUTION ( CLASSICAL MUSIC1 & P>TICUL>LY ( ,BEE?OV51 PLAY$ US ,BEE?OV5'S SONATA1 ,OPUS #a#a4 ,= ! B5EFIT ( ?OSE :O MIT S]I\SLY1 & TO COMP>E ! IMPRESSION ,I RECEIV$ FROM ,BEE?OV5'S LAT] WORKS ) ?OSE PLEASANT1 CLE>1 & /RONG MUSICAL IMPRESSIONS :I* >E TRANSMITT$1 = 9/ANCE1 BY ! MELODIES ( ,BA* 7HIS >IAS71 ,HAYDN1 ,MOZ>T1 ,*OP9 7:5 HIS MELODIES >E NOT OV]LOAD$ ) COMPLICATIONS & ORNAM5TION71 & ( ,BEE?OV5 HIMSELF 9 HIS E>LI] P]IOD1 & ABOVE ALL1 ) ! IMPRESSIONS PRODUC$ BY FOLK-SONGS1--,ITALIAN1 ,NORWEGIAN1 OR ,RUSSIAN1--BY ! ,HUNG>IAN TZ>DAS1 & O!R SU* SIMPLE1 CLE>1 & P[]FUL MUSIC1 & ! OBSCURE1 ALMO/ UNHEAL?Y EXCITEM5T FROM ,BEE?OV5'S LAT] PIECES ?AT ,I HAD >TIFICIALLY EVOK$ 9 MYSELF WAS IMM$IATELY DE/ROY$4 ,ON ! COMPLETION ( ! P]=MANCE 7?\< IT WAS NOTICEABLE ?AT EV]YONE HAD BECOME DULL7 ?OSE PRES5T1 9 ! ACCEPT$ MANN]1 W>MLY PRAIS$ ,BEE?OV5'S PR(\ND PRODUCTION1 & DID NOT =GET TO ADD ?AT =M]LY !Y HAD NOT BE5 ABLE TO UND]/& ?AT LA/ P]IOD ( HIS1 BUT ?AT !Y N[ SAW ?AT HE WAS REALLY !N AT HIS V]Y BE/4 ,& :5 ,I V5TUR$ TO COMP>E ! IMPRESSION MADE ON ME BY ! S++ ( ! PEASANT WOM5--AN IMPRESSION :I* HAD BE5 %>$ BY ALL :O HE>D IT--) ! EFFECT ( ?IS SONATA1 ! ADMIR]S ( ,BEE?OV5 ONLY SMIL$ CONTEMPTU\SLY1 NOT CONSID]+ IT NECESS>Y TO REPLY TO SU* /RANGE REM>KS4 #a#d#h,BUT1 = ALL ?AT1 ! SONG ( ! PEASANT WOM5 WAS REAL >T1 TRANSMITT+ A DEF9ITE & /RONG FEEL+2 :ILE ! #a#a/ SONATA ( ,BEE?OV5 WAS ONLY AN UNSUCCESSFUL ATTEMPT AT >T1 CONTA9+ NO DEF9ITE FEEL+ & !RE=E NOT 9FECTI\S4 ,= MY WORK ON >T ,I HAVE ?IS W9T] READ DILIG5TLY1 ?\< ) GREAT EF=T1 ! CELEBRAT$ NOVELS & /ORIES1 PRAIS$ BY ALL ,EUROPE1 WRITT5 BY ,ZOLA1 ,B\RGET1 ,HUYSMANS1 & ,KIPL+4 ,AT ! SAME TIME ,I *ANC$ ON A /ORY 9 A *ILD'S MAGAZ9E1 & BY A QUITE UNKN[N WRIT]1 :I* TOLD ( ! ,EA/] PREP>ATIONS 9 A POOR WID['S FAMILY4 ,! /ORY TELLS H[ ! MO!R MANAG$ ) DIFFICULTY TO OBTA9 SOME :EAT-FL\R1 :I* %E P\R$ ON ! TABLE READY TO KNEAD4 ,%E !N W5T \T TO PROCURE SOME YEA/1 TELL+ ! *ILDR5 NOT TO LEAVE ! HUT1 & TO TAKE C>E ( ! FL\R4 ,:5 ! MO!R HAD GONE1 SOME O!R *ILDR5 RAN %\T+ NE> ! W9D[1 CALL+ ?OSE 9 ! HUT TO COME TO PLAY4 ,! *ILDR5 =GOT !IR MO!R'S W>N+1 RAN 9TO ! /REET1 & W]E SOON 5GROSS$ 9 ! GAME4 ,! MO!R1 ON H] RETURN ) ! YEA/1 F9DS A H5 ON ! TABLE ?R[+ ! LA/ ( ! FL\R TO H] *ICK5S1 :O W]E BUSILY PICK+ IT \T ( ! DU/ ( ! E>!N FLOOR4 ,! MO!R1 9 DESPAIR1 SCOLDS ! *ILDR51 :O CRY BITT]LY4 ,& ! MO!R BEG9S TO FEEL PITY = !M--BUT ! :ITE FL\R HAS ALL GONE4 ,SO TO M5D MATT]S %E DECIDES TO MAKE ! ,EA/] CAKE ) SIFT$ RYE-FL\R1 BRU%+ IT OV] ) :ITE ( EGG & SURR\ND+ IT ) EGGS4 0,RYE-BREAD :I* WE BAKE IS AK9 TO ANY CAKE10 SAYS ! MO!R1 US+ A RHYM+ PROV]B TO CONSOLE ! *ILDR5 = NOT HAV+ AN ,EA/] CAKE MADE ) :ITE FL\R4 ,& ! *ILDR51 QUICKLY PASS+ FROM DESPAIR TO RAPTURE1 REPEAT ! PROV]B & AWAIT ! ,EA/] CAKE MORE M]RILY EV5 ?AN BE=E4 ,WELL6 ! READ+ ( ! NOVELS & /ORIES BY ,ZOLA1 ,B\RGET1 ,HUYSMANS1 ,KIPL+1 & O!RS1 H&L+ ! MO/ #a#d#iH>R[+ SUBJECTS1 DID NOT T\* ME = ONE MOM5T1 & ,I WAS PROVOK$ ) ! AU?ORS ALL ! :ILE1 AS ONE IS PROVOK$ ) A MAN :O CONSID]S Y\ SO NAIVE ?AT HE DOES NOT EV5 CONCEAL ! TRICK BY :I* HE 9T5DS TO TAKE Y\ 94 ,FROM ! FIR/ L9ES Y\ SEE ! 9T5TION ) :I* ! BOOK IS WRITT51 & ! DETAILS ALL BECOME SUP]FLU\S1 & ONE FEELS DULL4 ,ABOVE ALL1 ONE KN[S ?AT ! AU?OR HAD NO O!R FEEL+ ALL ! TIME ?AN A DESIRE TO WRITE A /ORY OR A NOVEL1 & SO ONE RECEIVES NO >TI/IC IMPRESSION4 ,ON ! O!R H&1 ,I C\LD NOT TE> MYSELF AWAY FROM ! UNKN[N AU?OR'S TALE ( ! *ILDR5 & ! *ICK5S1 BECAUSE ,I WAS AT ONCE 9FECT$ BY ! FEEL+ :I* ! AU?OR HAD EVID5TLY EXP]I5C$1 RE-EVOK$ 9 HIMSELF1 & TRANSMITT$4 ,VASNETS(F IS ONE ( \R ,RUSSIAN PA9T]S4 ,HE HAS PA9T$ ECCLESIA/ICAL PICTURES 9 ,KIEFF ,CA!DRAL1 & EV]YONE PRAISES HIM AS ! F\ND] ( SOME NEW1 ELEVAT$ K9D ( ,*RI/IAN >T4 ,HE WORK$ AT ?OSE PICTURES = T5 YE>S1 WAS PAID T5S ( ?\S&S ( RUBLES = !M1 & !Y >E ALL SIMPLY BAD IMITATIONS ( IMITATIONS ( IMITATIONS1 DE/ITUTE ( ANY SP>K ( FEEL+4 ,& ?IS SAME ,VASNETS(F DREW A PICTURE = ,T\RG5IEFF'S /ORY 0,! ,QUAIL0 79 :I* IT IS TOLD H[1 9 HIS SON'S PRES5CE1 A FA!R KILL$ A QUAIL & FELT PITY = IT71 %[+ ! BOY ASLEEP ) P\T+ UPP] LIP1 & ABOVE HIM1 AS A DREAM1 ! QUAIL4 ,& ?IS PICTURE IS A TRUE WORK ( >T4 ,9 ! ,5GLI% ,ACADEMY ( #ahig TWO PICTURES W]E EXHIBIT$ TOGE!R2 ONE ( :I*1 BY ,J4 ,C4 ,DOLMAN1 WAS ! TEMPTATION ( ,/4 ,AN?ONY4 ,! ,SA9T IS ON HIS KNEES PRAY+4 ,BEH9D HIM /&S A NAK$ WOMAN & ANIMALS ( SOME K9D4 ,IT IS APP>5T ?AT ! NAK$ WOMAN PLEAS$ ! >TI/ V]Y MU*1 BUT ?AT ,AN?ONY DID NOT CONC]N HIM AT ALL2 & ?AT1 SO F> FROM ! TEMPTATION BE+ T]RIBLE TO HIM 7! >TI/7 IT IS HIT 9 ?IS PICTURE1 IT IS V]Y NA/Y & FALSE4 #a#e,NEXT 9 ! SAME BOOK ( ACADEMY PICTURES COMES A PICTURE BY ,LANGLEY1 %[+ A /RAY BEGG> BOY1 :O HAS EVID5TLY BE5 CALL$ 9 BY A WOMAN :O HAS TAK5 PITY ON HIM4 ,! BOY1 PITIFULLY DRAW+ HIS B>E FEET UND] ! B5*1 IS EAT+2 ! WOMAN IS LOOK+ ON1 PROBABLY CONSID]+ :E!R HE WILL NOT WANT SOME MORE2 & A GIRL ( AB\T SEV51 LEAN+ ON H] >M1 IS C>EFULLY & S]I\SLY LOOK+ ON1 NOT TAK+ H] EYES FROM ! HUNGRY BOY1 & EVID5TLY UND]/&+ = ! FIR/ TIME :AT POV]TY IS1 & :AT 9EQUALITY AMONG PEOPLE IS1 & ASK+ H]SELF :Y %E HAS EV]Y?+ PROVID$ = H] :ILE ?IS BOY GOES B>E-FOOT & HUNGRY8 ,%E FEELS SORRY & YET PLEAS$4 ,& %E LOVES BO? ! BOY & GOODNESS4444 ,& ONE FEELS ?AT ! >TI/ LOV$ ?IS GIRL1 & ?AT %E TOO LOVES4 ,& ?IS PICTURE1 BY AN >TI/ :O1 ,I ?9K1 IS NOT V]Y WIDELY KN[N1 IS AN ADMIRABLE & TRUE WORK ( >T4 ,I REMEMB] SEE+ A P]=MANCE ( ,HAMLET BY ,ROSSI4 ,BO? ! TRAG$Y ITSELF & ! P]=M] :O TOOK ! *IEF P>T >E CONSID]$ BY \R CRITICS TO REPRES5T ! CLIMAX ( SUPREME DRAMATIC >T4 ,& YET1 BO? FROM ! SUBJECT-MATT] ( ! DRAMA & FROM ! P]=MANCE1 ,I EXP]I5C$ ALL ! TIME ?AT PECULI> SUFF]+ :I* IS CAUS$ BY FALSE IMITATIONS ( WORKS ( >T4 ,& ,I LATELY READ ( A !ATRICAL P]=MANCE AMONG ! SAVAGE TRIBE ! ,VOGULS4 ,A SPECTATOR DESCRIBES ! PLAY4 ,A BIG ,VOGUL & A LITTLE ONE1 BO? DRESS$ 9 RE9DE] SK9S1 REPRES5T A RE9DE]-DOE & ITS Y\NG4 ,A ?IRD ,VOGUL1 ) A B[1 REPRES5TS A HUNTSMAN ON SN[-%OES1 & A F\R? IMITATES ) HIS VOICE A BIRD ?AT W>NS ! RE9DE] ( !IR DANG]4 ,! PLAY IS ?AT ! HUNTSMAN FOLL[S ! TRACK ?AT ! DOE ) ITS Y\NG ONE HAS TRAVEL$4 ,! DE] RUN (F ! SC5E & AGA9 REAPPE>4 7,SU* P]=MANCES TAKE PLACE 9 A SMALL T5T-H\SE47 ,! HUNTSMAN GA9S MORE & MORE ON ! PURSU$4 ,! LITTLE DE] IS TIR$1 & PRESSES AGA9/ ITS MO!R4 ,! DOE /OPS TO DRAW BREA?4 ,! HUNT] #a#e#aCOMES UP ) !M & DRAWS HIS B[4 ,BUT JU/ !N ! BIRD S\NDS ITS NOTE1 W>N+ ! DE] ( !IR DANG]4 ,!Y ESCAPE4 ,AGA9 !RE IS A *ASE1 & AGA9 ! HUNT] GA9S ON !M1 CAT*ES !M & LETS FLY HIS >R[4 ,! >R[ /RIKES ! Y\NG DE]4 ,UNABLE TO RUN1 ! LITTLE ONE PRESSES AGA9/ ITS MO!R4 ,! MO!R LICKS ITS W\ND4 ,! HUNT] DRAWS ANO!R >R[4 ,! AUDI5CE1 AS ! EYE-WITNESS DESCRIBES !M1 >E P>ALYZ$ ) SUSP5SE2 DEEP GROANS & EV5 WEEP+ IS HE>D AMONG !M4 ,&1 FROM ! M]E DESCRIPTION1 ,I FELT ?AT ?IS WAS A TRUE WORK ( >T4 ,:AT ,I AM SAY+ WILL BE CONSID]$ IRRATIONAL P>ADOX1 AT :I* ONE CAN ONLY BE AMAZ$2 BUT = ALL ?AT ,I MU/ SAY :AT ,I ?9K1 NAMELY1 ?AT PEOPLE ( \R CIRCLE1 ( :OM SOME COMPOSE V]SES1 /ORIES1 NOVELS1 OP]AS1 SYMPHONIES1 & SONATAS1 PA9T ALL K9DS ( PICTURES & MAKE /ATUES1 :ILE O!RS HE> & LOOK AT !SE ?+S1 & AGA9 O!RS APPRAISE & CRITICIZE IT ALL1 DISCUSS1 CONDEMN1 TRIUMPH1 & RAISE MONUM5TS TO ONE ANO!R G5]ATION AFT] G5]ATION1--?AT ALL !SE PEOPLE1 ) V]Y FEW EXCEPTIONS1 >TI/S1 & PUBLIC1 & CRITICS1 HAVE NEV] 7EXCEPT 9 *ILDHOOD & E>LIE/ Y\?1 BE=E HE>+ ANY DISCUSSIONS ON >T71 EXP]I5C$ ?AT SIMPLE FEEL+ FAMILI> TO ! PLA9E/ MAN & EV5 TO A *ILD1 ?AT S5SE ( 9FECTION ) ANO!R'S FEEL+1--COMPELL+ US TO JOY 9 ANO!R'S GLADNESS1 TO SORR[ AT ANO!R'S GRIEF1 & TO M+LE S\LS ) ANO!R1--:I* IS ! V]Y ESS5CE ( >T4 ,& !RE=E !SE PEOPLE NOT ONLY CANNOT DI/+UI% TRUE WORKS ( >T FROM C\NT]FEITS1 BUT CONT9UALLY MI/AKE = REAL >T ! WOR/ & MO/ >TIFICIAL1 :ILE !Y DO NOT EV5 P]CEIVE WORKS ( REAL >T1 BECAUSE ! C\NT]FEITS >E ALWAYS MORE ORNATE1 :ILE TRUE >T IS MODE/4 ,FROM 3 ,GUT5B]G4ORG4 ,*RONOLOGY 3 ,NOVEMB] #c1 #ahif 3 ,*APT] #ad -- ,PUBLICATION4 FILE G5]AT$ FROM 3 HTTP3_/_/REVOLTLIB4COM_/