FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER II The proper topic of the narrative I am writing is the record of my errors, To write it, is the act of my pentinence and humiliation. I can expect however few persons to interest themselves respecting my errors, unless they are first informed what manner of man I am, what were my spontaneous and native dispositions, and whether I am such a one as that my errors are worthy of commiseration and pity. This must be my apology for the topic I am here to introduce, a topic on which all ingenous minds are disposed to be silent, and which shall in this place be passed over as flightly as possible, my beneficence and charities. I was fond of penetrating into the cottages of the poor. I should be greatly unjust to myself, if I suffered the reader to suppose that the wild elevati...
Translator's Preface Stirner's critics by Max Stirner Szeliga Feuerbach Hess Footnotes Translator's Preface Working on this translation has been a pleasurable challenge for me. Stirner uses straightforward, even fairly simple language, filled with passion and sarcasm, to express ideas that are difficult, though more in the fact that very few people would want to accept their implications than in their complexity. In wrestling with this work, I have had to make decisions about how best to get Stirner's thinking across in English. The purpose of this preface is to explain some of those decisions. One of the central terms in Stirner's thinking is "der Einzige." I have chosen to translate this as "the unique." Some have argued in favor of leavi... (From : Anarchy Archives.)