Published Essays and Pamphlets Alexander Berkman's Last Days by Emma Goldman [Published in The Vanguard (New York), Aug.-Sept. 1936.] St. Tropez July 12th, 1936 It is only two weeks since our beloved comrade Alexander Berkman passed away. Yet it seems an eternity to me. The blow his untimely death has struck me has left me completely shattered. I find it difficult to collect my thoughts. But I feel sure you will want to know all about Sasha's end. For have you not loved him all through the years? Sasha left a note which we found after we returned from his last resting place. It reads: "I don't want to live a sick man. Dependent. Forgive me Emmie darling. And you too Emma. Love to All. Help Emmie." signed, Sasha. I have two letters from comr... (From : Anarchy Archives.)
Chapter 10 From that time a new life began for Alexey Alexandrovitch and for his wife. Nothing special happened. Anna went out into society, as she had always done, was particularly often at Princess Betsys, and met Vronsky everywhere. Alexey Alexandrovitch saw this, but could do nothing. All his efforts to draw her into open discussion she confronted with a barrier which he could not penetrate, made up of a sort of amused perplexity. Outwardly everything was the same, but their inner relations were completely changed. Alexey Alexandrovitch, a man of great power in the world of politics, felt himself helpless in this. Like an ox with head bent, submissively he awaited the blow which he felt was lifted over him. Every time he began to think about it, he felt that he must try once more, that by kindness, tenderness, and persuasion there was still hope of saving her, of bringing her back to herself, and every day he made ready to ta...
Edited with introductions by Edwin D. Mead. Published for the International Union by Ginn & Company, Boston. BETHINK YOURSELVES! BY LEO TOLSTOI PUBLISHED FOR THE INTERNATIONAL UNION GINN & COMPANY, BOSTON 1904 Reprinted from the London Times Translated by V. Tchertkoff, Editor of the Free Age Press, and I. F. M. “BETHINK YOURSELVES!” “This is your hour, and the power of darkness.”—Luke xxii. 53. I Again war. Again sufferings, necessary to nobody, utterly uncalled for; again fraud; again the universal stupefaction and brutalization of men. Men who are separated from each other by thousands of miles, hundreds of thousands of such men (on the one hand—Buddhists, whose law forbids the killing, not onl... (From : Gutenberg.org.)
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV. (From : Gutenberg.org.)
A Tale of 1852
Produced by Steve Harris, Charles Franks and the Online Distributed Proofreading Team. THE COSSACKS A Tale of 1852 By Leo Tolstoy Translated by Louise and Aylmer Maude Chapter I All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light ... (From : Gutenberg.org.)
I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful antiwar films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
Mother Earth Publishing Association. 210 East 18th Street. New York. 1910. THE DOMINANT IDEA By VOLTAIRINE DE CLEYRE ON EVERYTHING that lives, if one looks searchingly, is limned the shadow line of an idea --- an idea, dead or living, sometimes stronger when dead, with rigid, unswerving lines that mark the living embodiment with the stern immobile cast of the non-living. Daily we move among these unyielding shadows, less pierceable, more enduring than granite, with the blackness of ages in them, dominating living, changing bodies, with dead, unchanging souls. And we meet, also, living souls dominating dying bodies-living ideas regnant over decay and death. Do not imagine that I speak of human life alone. The stamp of persistent or of shifti... (From : Anarchy Archives.)
TRANSLATORS' PREFACE Kropotkin's "Ethics: Origin and Development," is, in a sense, a continuation of his well-known work, "Mutual Aid as a Factor of Evolution." The basic ideas of the two books are closely connected, almost inseparable, in fact: -- the origin and progress of human relations in society. Only, in the "Ethics" Kropotkin approaches his theme through a study of the ideology of these relations. The Russian writer removes ethics from the sphere of the speculative and metaphysical, and brings human conduct and ethical teaching back to its natural environment: the ethical practices of men in their everyday concerns -- from the time of primitive societies to our modern highly organized States. Thus conceived, ethics becomes a subject of universal interest; under the kindly eyes and able pen of the great Russian scholar, a subject of special and academic study becomes closely linked to whatever is significant in the life and...
I In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother... (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER VI The first woman who in this career fixed my regard, was a finished coquette, by which epithet I understand a woman whose ruling passion is her vanity, and whole invention is hourly on the rack for means of gratifying it. She was a lady of high rank, and married to a person of great figure at court. I first obtained her attention under favor of the epithet, by which the Parisian belles thought proper to distinguish me, of the handsome Englishman. Sir Charles, my introducer, was certainly of more established vogue than myself, and in this respect might have seemed a conquest still more flattering to a person of her character. But the marchioness easily discerned that he would have afforded her less occupation and amusement. Sir Charles would perhaps...