Published Essays and Pamphlets Alexander Berkman's Last Days by Emma Goldman [Published in The Vanguard (New York), Aug.-Sept. 1936.] St. Tropez July 12th, 1936 It is only two weeks since our beloved comrade Alexander Berkman passed away. Yet it seems an eternity to me. The blow his untimely death has struck me has left me completely shattered. I find it difficult to collect my thoughts. But I feel sure you will want to know all about Sasha's end. For have you not loved him all through the years? Sasha left a note which we found after we returned from his last resting place. It reads: "I don't want to live a sick man. Dependent. Forgive me Emmie darling. And you too Emma. Love to All. Help Emmie." signed, Sasha. I have two letters from comr... (From : Anarchy Archives.)
Chapter 33 Alexey Alexandrovitch came back from the meeting of the ministers at four oclock, but as often happened, he had not time to come in to her. He went into his study to see the people waiting for him with petitions, and to sign some papers brought him by his chief secretary. At dinner time (there were always a few people dining with the Karenins) there arrived an old lady, a cousin of Alexey Alexandrovitch, the chief secretary of the department and his wife, and a young man who had been recommended to Alexey Alexandrovitch for the service. Anna went into the drawing room to receive these guests. Precisely at five oclock, before the bronze Peter the First clock had struck the fifth stroke, Alexey Alexandrovitch came in, wearing a white tie and evening coat with two stars, as he had to go out directly after dinner. Every minute of Alexey Alexandrovitchs life was portioned out and occupied. And to make time to get through all...
Edited with introductions by Edwin D. Mead. Published for the International Union by Ginn & Company, Boston. BETHINK YOURSELVES! BY LEO TOLSTOI PUBLISHED FOR THE INTERNATIONAL UNION GINN & COMPANY, BOSTON 1904 Reprinted from the London Times Translated by V. Tchertkoff, Editor of the Free Age Press, and I. F. M. “BETHINK YOURSELVES!” “This is your hour, and the power of darkness.”—Luke xxii. 53. I Again war. Again sufferings, necessary to nobody, utterly uncalled for; again fraud; again the universal stupefaction and brutalization of men. Men who are separated from each other by thousands of miles, hundreds of thousands of such men (on the one hand—Buddhists, whose law forbids the killing, not onl... (From : Gutenberg.org.)
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV. (From : Gutenberg.org.)
A Tale of 1852
Produced by Steve Harris, Charles Franks and the Online Distributed Proofreading Team. THE COSSACKS A Tale of 1852 By Leo Tolstoy Translated by Louise and Aylmer Maude Chapter I All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light ... (From : Gutenberg.org.)
I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful antiwar films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
Mother Earth Publishing Association. 210 East 18th Street. New York. 1910. THE DOMINANT IDEA By VOLTAIRINE DE CLEYRE ON EVERYTHING that lives, if one looks searchingly, is limned the shadow line of an idea --- an idea, dead or living, sometimes stronger when dead, with rigid, unswerving lines that mark the living embodiment with the stern immobile cast of the non-living. Daily we move among these unyielding shadows, less pierceable, more enduring than granite, with the blackness of ages in them, dominating living, changing bodies, with dead, unchanging souls. And we meet, also, living souls dominating dying bodies-living ideas regnant over decay and death. Do not imagine that I speak of human life alone. The stamp of persistent or of shifti... (From : Anarchy Archives.)
TRANSLATORS' PREFACE Kropotkin's "Ethics: Origin and Development," is, in a sense, a continuation of his well-known work, "Mutual Aid as a Factor of Evolution." The basic ideas of the two books are closely connected, almost inseparable, in fact: -- the origin and progress of human relations in society. Only, in the "Ethics" Kropotkin approaches his theme through a study of the ideology of these relations. The Russian writer removes ethics from the sphere of the speculative and metaphysical, and brings human conduct and ethical teaching back to its natural environment: the ethical practices of men in their everyday concerns -- from the time of primitive societies to our modern highly organized States. Thus conceived, ethics becomes a subject of universal interest; under the kindly eyes and able pen of the great Russian scholar, a subject of special and academic study becomes closely linked to whatever is significant in the life and...
I In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother... (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. PREFACE. YET another novel from the same pen, which has twice before claimed the patience in this form. The unequivocal indulgence which has been extended to my two former attempts, renders me doubly solicitous not to forfeit the kindness I have experienced. One caution I have particularly sought to exercise: "not to repeat, myself." Caleb Williams was a story of very surprising and uncomnmon events, but which were supposed to be entirely within the laws and established course of nature, as she operates in the planet we inhabit. The story of St. Leon is of the m...