Browsing Charlotte Wilson By Tag : pity

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There is a sad lack of Anarchist pamphlets in England, and we gladly welcome our comrade Joseph Lane's contribution of 'An Anti-Statist Communist Manifesto' (price 1d., Joseph Lane, 38, Ainsley Street, Bethnal Green Junction, E.), which is an energetic and earnest exposition of Anarchist Socialism from a worker's standpoint. The second portion, which deals with practical politics, is specially interesting. We hope the tract will have a wide circulation. But is it not a pity to use the somewhat clumsy title 'Anti-Statist' rather than the more definite and expressive 'Anarchist'? Why evade the fine old name which for years has rung out in the van of the Socialist movement throughout the world? It is flung at every energetic Socialist, of what... (From : AnarchyArchives.)

The ResurrectionCHAPTER XXII. After the last words of the prisoners had been heard, and the lengthy arguments over the form in which the questions were to be put to the jury were over, the questions were finally agreed upon, and the justiciary began to deliver his instructions to the jury. Although he was anxious to finish the case, he was so carried away that when he started to speak he could not stop himself. He told the jury at great length that if they found the prisoners guilty, they had the right to return a verdict of guilty, and if they found them not guilty, they had the right to return a verdict of not guilty. If, however they found them guilty of one charge, and not guilty of the other, they might bring in a verdict of guilty of the one and not guilty of the other. He further explained to them that they must exercise this power intelligently. He also intended to explain to them that if they gave an affirmative answer to a question, they woul...


DAMON AND DELIA: A TALE. --NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humour. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. (From : Gutenberg.org.)


I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)


I In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother... (From : Gutenberg.org.)

V THE guests at the party had tea and cakes offered to them, and sat down after that to play whist at a number of card-tables. The partners of Eugene Mihailovichs wife were the host himself, an officer, and an old and very stupid lady in a wig, a widow who owned a music-shop; she loved playing cards and played remarkably well. But it was Eugene Mihailovichs wife who was the winner all the time. The best cards were continually in her hands. At her side she had a plate with grapes and a pear and was in the best of spirits. And Eugene Mihailovich? Why is he so late? asked the hostess, who played at another table. Probably busy settling accounts, said Eugene Mihailovichs wife. He has to pay off the tradesmen, to get in firewood. The quarrel she had with her husband revived in her memory;...


Selected Letters of Bartolomeo Vanzetti from the Charlestown State Prison, 1921-24 July 22, 1921. Charlestown Prison MY DEAR MRS. GLENDOWER EVANS: I was just thinking what I would to do for past the long days jail: I was saying to myself: Do some work. But what? Write. A gentle motherly figure came to my mind and I rehear the voice: Why don't you write something now? It will be useful to you when you will be free. Just at that time I received your letter. Thanks to you from the bottom of my heart for your confidence in my innocence; I am so. I did not spittel a drop of blood, or steal a cent in all my life. A little knowledge of the past; a sorrowful experience of the life itself had gave to me some ideas very different from those of many o... (From : umkc.edu.)

Their Present Limits and Their Possible Extension
(The substance of a paper read on December 5, 1899, before the Freedom Discussion Group, London by M. Nettlau.) The following remarks, based on an article published by me in Freedom, November 1897, must not be understood as wishing to replace direct Anarchist propaganda by a "remedy or a "hobby," they simply raise a general subject which has been, as far as I know and am told, neglected up till now : the possibility of some new form and combination in the labor struggle; and I am anxious for Anarchist criticism, which, apart from the general possibility has to examine whether the means suggested are on the road to freedom or the contrary ; consequently, whether they merit the support of Anarchists or not. Progress in the labor movement seem... (From : Anarchy Archives.)

FOREWORD IN order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but...


Transcriber's Notes: Blank pages have been eliminated. Variations in spelling and hyphenation have been left as in the original. A few typographical errors have been corrected. SIXPENCE NET Cloth Bound, 1s. net THREE DAYS IN THE VILLAGE AND OTHER SKETCHES BY LEO TOLSTOY These sketches are written in the style of Tolstoy's "Popular Stories and Legends," and give the reader various glimpses into modern village life in Russia THE FREE AGE PRESS Publisher: C. W. DANIEL 3 Amen Corner, London, E. C. THREE DAYS IN THE VILLAGE And Other Sketches No Rights Reserved THREE DAYS IN THE VILLAGE And Other Sketches Written from September 1909 to July 1910 BY LEO TOLSTOY Translated by L. and A. Maude L... (From : Gutenberg.org.)

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