Conclusion of Bruce Glasier's Letter. Regarding the election or appointment of directors or administrators in 9, communal society, I need say little. That such will always be necessary where society and industry, exist, I believe. That it is advisable, even if it were possible, that the persons required to direct social and industrial concerns could always be appointed on the moment, I fail to see. Nor can I understand how it is possible that in every am such appointments would meet with the approval of everybody. The same reasoning that applies to laws and majorities applies to this matter also. I heartily agree with you, however, in thinking that foremen and overseers such as we have today will be almost, if not entirely, unnecessary. The...
Childhood, by Leo Tolstoy
Translated by C.J. Hogarth CONTENTS I THE TUTOR, KARL IVANITCH II MAMA III PAPA IV LESSONS V THE IDIOT VI PREPARATIONS FOR THE CHASE VII THE HUNT VIII WE PLAY GAMES IX A FIRST ESSAY IN LOVE X THE SORT OF MAN MY FATHER WAS XI IN THE DRAWING-ROOM AND THE STUDY XII GRISHA XIII NATALIA SAVISHNA XIV THE PARTING XV &n... (From : Gutenberg.org.)
We have been speaking of the spontaneous action of human energy as a great fact, which it is foolish and dangerous to overlook or ignore. But there are two ways of accepting the existence of a fact. We may rejoice in it and welcome it as a good, or find it distasteful and repel it as an evil. We may use our conscious exercise of will to give it free play, or we may set ourselves to counteract or evade its action. How do we look upon the spontaneous upleaping of energy in man whether it take shape in thought, feeling, or action, The common answer now-a days is, It is good or evil according to the circumstances like the manifestation of energy in fire, which we say is a good servant but a bad master. Au answer characteristic of our epoch of t... (From : AnarchyArchives.)
A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)
Nettlau, Max . Panarchy, A Forgotten Idea of 1860. In Kurt Zube (Ed.), On the Topic No. 9. Germany: Mackay Gesellschaft PANARCHY. A Forgotten Idea of 1860 by Max Nettlau For a long time I have been fascinated by the thought how wonderful it would be if at last, in public opinion on the succession of political and social institutions, the fateful term "one after another" would be replaced through the very simple and self-evident "simultaneously." "Down with the State!" and "Only upon the ruins of the State. . ." express emotions and wishes of many but it seems that only the cool "Opt out of the State" (No. 2 of "The Socialist") can help them towards their realization. When a new scientific insight appears, then those convinced of it do simpl... (From : Anarchy Archives.)
Some twenty-one years ago I heard the first great Anarchist speaker--the inimitable John Most. It seemed to me then, and for many years after, that the spoken word hurled forth among the masses with such wonderful eloquence, such enthusiasm and fire, could never be erased from the human mind and soul. How could any one of all the multitudes who flocked to Most's meetings escape his prophetic voice! Surely they had but to hear him to throw off their old beliefs, and see the truth and beauty of Anarchism! My one great longing then was to be able to speak with the tongue of John Most,--that I, too, might thus reach the masses. Oh, for the naivety of Youth's enthusiasm! It is the time when the hardest thing seems but child's play. It is the onl... (From : Anarchy Archives.)
THE SCANDINAVIAN DRAMA: HENRIK IBSEN A DOLL'S HOUSE In "A Doll's House" Ibsen returns to the subject so vital to him,--the Social Lie and Duty,--this time as manifesting themselves in the sacred institution of the home and in the position of woman in her gilded cage. Nora is the beloved, adored wife of Torvald Helmer. He is an admirable man, rigidly honest, of high moral ideals, and passionately devoted to his wife and children. In short, a good man and an enviable husband. Almost every mother would be proud of such a match for her daughter, and the latter would consider herself fortunate to become the wife of such a man. Nora, too, considers herself fortunate. Indeed, she worships her husband, believes in him implicitly, and is sure that if ever her safety should be menaced, Torvald, her idol, her god, would perform the miracle. When a woman loves as Nora does, nothing else matt...
A Critical Essay on ShakespeareBut it is not enough that Shakespeare's characters are placed in tragic positions which are impossible, do not flow from the course of events, are inappropriate to time and space—these personages, besides this, act in a way which is out of keeping with their definite character, and is quite arbitrary. It is generally asserted that in Shakespeare's dramas the characters are specially well expressed, that, notwithstanding their vividness, they are many-sided, like those of living people; that, while exhibiting the characteristics of a given individual, they at the same time wear the features of man in general; it is usual to say that the delineation of character in Shakespeare is the height of perfection. This is asserted with such confidence and repeated by all as indisputable truth; but however much I endeavored to find confirmation of this in Shakespeare's dramas, I always found the opposite. In reading any of Shakespeare's dramas whatever, I was, from the very firs...