A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
On my first visit to Spain in September 1936, nothing surprised me so much as the amount of political freedom I found everywhere. True it did not extend to fascists; but outside of these deliberate enemies of the revolution and the emancipation of the workers in Spain, everyone of the anti-fascist front enjoyed political freedom which hardly existed in any of the so called European democracies. The one party that made the utmost use of this was the PSUC, the Stalinist party in revolutionary Spain. Their radio and loudspeakers filled the air. Their daily marches in military formation with their flags waving were flaunted in everybody’s face. They seemed to take a special pleasure in marching past the house of the Regional Committee as ... (From : TheAnarchistLibrary.org.)