July, 1920.---Turbulent mobs besiege our train at every station. Soldiers and workers, peasants, women, and children, loaded with heavy bags, frantically fight for admission. Yelling and cursing, they force their way toward the cars. They climb through the broken windows, board the bumpers, and crowd upon the steps, recklessly clinging to door handles and clutching at each other for support. Like maddened ants they cover every inch of space, in momentary danger of limb and life. It is a dense, surging human sea moved by the one passion of securing a foothold on the already moving train. Even the roofs are crowded, the women and children lying flat, the men kneeling or standing up. Frequently at night, the train passing under a bridge or trestle, scores of them are swept to their death. At the stations the railroad militia await us. They surround a car, drive the passengers off roof and steps, and proceed to another coach. But the next instant there is a rush and str...
MY FURTHER DISILLUSIONMENT IN RUSSIA By Emma Goldman, Garden City, NY: Doubleday, Page & Company; 1924 CHAPTER III BACK IN PETROGRAD The Expedition was to proceed to Petrograd the next day, but Louise begged me to remain for the funeral. Sunday, October 23rd, several friends rode with her to the Trade Union House where Reed's body lay in state. I accompanied Louise when the procession started for the Red Square. There were speeches-much cold stereotyped declamation about the value of Jack Reed to the Revolutionand to the Communist Party. It all sounded mechanical, far removed from the spirit of the dead man in the fresh grave. One speaker only dwelt on the real Jack Reed-Alexandra Kollontay. She had caught the artist's soul, infinitely greater in its depth and beauty than any dogma. She used the occasion to admonish her comrades."We call ourselves Communists," she said, "but are we really that? Do we not rather draw...