William Morris (24 March 1834 – 3 October 1896) was a British textile designer, poet, novelist, translator and socialist activist associated with the British Arts and Crafts Movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he helped win acceptance of socialism in fin de siècle Great Britain. (From: Wikipedia.org.)
Destruction of City Churches
The question asked by Lord Houghton in the House of Lords on Thursday elicited from the Bishop of London an acknowledgment that the scheme proposed some few years back for the wholesale removal of the City churches is continuing its destructive course unimpeded. Four more churches are to be sacrificed to the Mammon-worship and want of taste of this great city. Last year witnessed the destruction of the fine church of St Michael's, Queenhithe, and All Hallows, Bread Street, which bore upon its walls the inscription stating that Milton had been baptized there. St Dionis Backchurch, a remarkable building by Wren, is now in course of destruction, while within the last ten years the beautiful church of St Antholin, with its charming spire, and the skillfully designed little church of St Mildred, in the Poultry, All Hallows, Staining, (except its tower), St James's, Duke Place, St Benet, Gracechurch, with its picturesque steeple, the tower and vestibule of All Hallows-the-Great,Thames Street, have all disappeared. Those for the removal of which a Commission has been now issued are as follows: St Margaret Pattens, Rood Lane; St George, Botolph Lane; St Matthew, Friday Street; and St Mildred, Bread Street, all works of Wren, and two of them, St Mildred, Bread Street, and St Margaret Pattens, possessing spires of singularly original and beautiful design. It must not be supposed that these are the only churches which are in danger, but their proposed destruction serves to show the fate which sooner or later is in store for the whole of Wren's churches in this city, unless Englishmen can be awakened, and by strong and earnest protest show the ecclesiastical authorities that they will not tamely submit to this outrageous and monstrous barbarity.
From an art point of view the loss of these buildings will be irreparable, for Wren's churches form a distinct link in the history of the ecclesiastical art of this country.
Many persons suppose that by preserving St Paul's Cathedral, that architect's great masterpiece, enough will be left to illustrate his views upon ecclesiastical architecture, but this is far from being the case. For, grand as St Paul's undoubtedly is, it is only one of a class of buildings common enough on the Continent - imitations of St Peter's, Rome. In fact, St Paul's can scarcely be looked upon as an English design, but, rather, as an English rendering of the great Italian original, whereas the City churches are examples of purely English renaissance architecture as applied to ecclesiastical purposes, and illustrate a style of architecture peculiar not only to this country but even to this city, and when they are destroyed the peculiar phase of architecture which they exhibit will have ceased to exist, and nothing will be left to record it. The Continent possesses nothing in the least resembling our City churches, and the fact that they are all found in suchclose proximity to one another only serves to make them the more valuable for purposes of study. One great merit which they possess is shown by the fact that, although they are diminutive in point of size, scarcely any one of them being above 80 ft. long, they possess a dignity of proportion, a masterly treatment as to scale, which renders them far more imposing than many buildings double and treble their dimensions; the relation which they bear to each other and to the great Cathedral which they surround, enhancing by their thin taper spires the importance of the majestic dome, and relieving the dullness and monotony of the general sky line of the City, all serve as unanswerable arguments for their preservation. Surely an opulent city, the capital of the commercial world, can afford some small sacrifice to spare these beautiful buildings the little plots of ground upon which they stand. Is it absolutely necessary that every scrap of space in the City should be devoted to money-making, and are religion, sacred memories, recollections of the great dead, memorials of the past, works of England's greatest architect, to be banished from this wealthy City? If so, alas for our pretended love of art; alas for the English feeling of reverence of which we hear so much; alas for those who are to come after us, whom we shall have robbed of works of art which it was our duty to hand down to them uninjured and unimpaired; alas for ourselves, who will be looked upon by foreign nations and by our own posterity as the only people who have ever lived, who, possessing no architecture of their own, have made themselves remarkable for the destruction of the buildings of their forefathers.
Letter to the Times, 17 April 1878.
From : Marxists.org
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