St. Tropez, [France,] July 12th, 1936 It is only two weeks since our beloved comrade Alexander Berkman passed away. Yet it seems an eternity to me. The blow his untimely death has struck me has left me completely shattered. I find it difficult to collect my thoughts. But I feel sure you will want to know all about Sasha's end. For have you not loved him all through the years? Sasha left a note which we found after we returned from his last resting place. It reads: "I don't want to live a sick man. Dependent. Forgive me Emmie darling. And you too Emma. Love to All. Help Emmie." signed, Sasha. I have two letters from comrade Berkman dated June 24th and 26th. He wrote while he did not feel strong enough to come to St. Tropez the 27th, my sixty... (From : Anarchy Archives.)
At the end of the evening Kitty told her mother of her conversation with Levin, and in spite of all the pity she felt for Levin, she was glad at the thought that she had received an offer. She had no doubt that she had acted rightly. But after she had gone to bed, for a long while she could not sleep. One impression pursued her relentlessly. It was Levin’s face, with his scowling brows, and his kind eyes looking out in dark dejection below them, as he stood listening to her father, and glancing at her and at Vronsky. And she felt so sorry for him that tears came into her eyes. But immediately she thought of the man for whom she had given him up. She vividly recalled his manly, resolute face, his noble self-possession, and the good nature conspicuous in everything towards everyone. She remembered the love for her of the man she loved, and once more all was gladness in her soul, and she lay on the pillow, smiling with happiness. "I’m sorry, I&rsquo...
“BETHINK YOURSELVES!” “This is your hour, and the power of darkness.”—Luke xxii. 53. I Again war. Again sufferings, necessary to nobody, utterly uncalled for; again fraud; again the universal stupefaction and brutalization of men. Men who are separated from each other by thousands of miles, hundreds of thousands of such men (on the one hand—Buddhists, whose law forbids the killing, not only of men, but of animals; on the other hand—Christians, professing the law of brotherhood and love) like wild beasts on land and on sea are seeking out each other, in order to kill, torture, and mutilate each other in the most cruel way. What can this be? Is it a dream or a reality? Something is taking place which ... (From : Gutenberg.org.)
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV. (From : Gutenberg.org.)
A Tale of 1852Vanyusha, who meanwhile had finished his housekeeping arrangements and had even been shaved by the company's barber and had pulled his trousers out of his high boots as a sign that the company was stationed in comfortable quarters, was in excellent spirits. He looked attentively but not benevolently at Eroshka, as at a wild beast he had never seen before, shook his head at the floor which the old man had dirtied and, having taken two bottles from under a bench, went to the landlady. 'Good evening, kind people,' he said, having made up his mind to be very gentle. 'My master has sent me to get some chikhir. Will you draw some for me, good folk?' The old woman gave no answer. The girl, who was arranging the kerchief on her head before a little Tartar mirror, looked round at Vanyusha in silence. 'I'll pay money for it, honored people,' said Vanyusha, jingling the coppers in his pocket. 'Be kind to us and we, too will be kind to you,' he added.
I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful antiwar films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
On everything that lives, if one looks searchingly, is limned the shadow line of an idea --- an idea, dead or living, sometimes stronger when dead, with rigid, unswerving lines that mark the living embodiment with the stern immobile cast of the non-living. Daily we move among these unyielding shadows, less pierceable, more enduring than granite, with the blackness of ages in them, dominating living, changing bodies, with dead, unchanging souls. And we meet, also, living souls dominating dying bodies-living ideas regnant over decay and death. Do not imagine that I speak of human life alone. The stamp of persistent or of shifting Will is visible in the grass-blade rooted in its clod of earth, as in the gossamer web of being that floats and sw... (From : Anarchy Archives.)
TRANSLATORS' PREFACE Kropotkin's "Ethics: Origin and Development," is, in a sense, a continuation of his well-known work, "Mutual Aid as a Factor of Evolution." The basic ideas of the two books are closely connected, almost inseparable, in fact: -- the origin and progress of human relations in society. Only, in the "Ethics" Kropotkin approaches his theme through a study of the ideology of these relations. The Russian writer removes ethics from the sphere of the speculative and metaphysical, and brings human conduct and ethical teaching back to its natural environment: the ethical practices of men in their everyday concerns -- from the time of primitive societies to our modern highly organized States. Thus conceived, ethics becomes a subject of universal interest; under the kindly eyes and able pen of the great Russian scholar, a subject of special and academic study becomes closely linked to whatever is significant in the life and...
In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended.
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER VIII Tired of the country, I repaired to London. To be presented at court, and occasionally to make one in the rout, the ball, or the festino of a lady of quality, were rather necessities I submitted to, than pleasures I sought. One advantage which I knew I should find in the metropolis, was an opportunity of frequenting the society of men of genius. I heard of a club of authors, several of whose works I had read with pleasure, and I obtained the favor of being admitted an honorary member. The society had assumed to itself a Greek name, as if by way of hint to the ignorant and the illiterate to keep their distance. I did not, however, find in this society the pleasure I had anticipated. Undoubtedly, in the conversations they held I heard many profound remarks, many original conceptions, many pointed repartees, many admirable turns of...