St. Tropez, [France,] July 12th, 1936 It is only two weeks since our beloved comrade Alexander Berkman passed away. Yet it seems an eternity to me. The blow his untimely death has struck me has left me completely shattered. I find it difficult to collect my thoughts. But I feel sure you will want to know all about Sasha's end. For have you not loved him all through the years? Sasha left a note which we found after we returned from his last resting place. It reads: "I don't want to live a sick man. Dependent. Forgive me Emmie darling. And you too Emma. Love to All. Help Emmie." signed, Sasha. I have two letters from comrade Berkman dated June 24th and 26th. He wrote while he did not feel strong enough to come to St. Tropez the 27th, my sixty... (From : Anarchy Archives.)
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV. (From : Gutenberg.org.)
Goldman, Emma to Dreiser, Theodore, Jun 29, 1927 Return address: 683 Spadina Ave., Toronto, Ont. Delivery address: 200 West 57th St., New York, N.Y. Dear Theodore Dreiser:- They say that confession is good for the heart so I am going to confess to you that I was very disappointed and sad not having heard from you since we parted in Paris. I knew of course that you must be very busy, still I had hoped that you would drop me a line as to you success in approaching the publishers but you did not write so I concluded that you must have forgotten me. Imagine then the joy when I received a letter which you wrote to my friend Van Valkenburgh expressing such rine sentiment about my proposed autobiography and also enclosing your contribution to the ... (From : Anarchy Archives.)
The month of October 1917 is a great historical watershed in the Russian revolution. That watershed consists of the awakening of the toilers of town and country to their right to seize control of their own lives and their social and economic inheritance; the cultivation of the soil, the housing, the factories, the mines, transportation, and lastly the education which had hitherto been used to strip our ancestors of all these assets. However, as we see it, it would be wide of the mark if we were to see all of the content of the Russian revolution encapsulated in October: in fact, the Russian revolution was hatched over the preceding months, a period during which the peasants in the countryside and the workers in the towns grasped the essenti... (From : NestorMakhno.info.)
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. BOOK THE FOURTH SONG IN HONOUR OF THE FAIR SEX. HYPOCRISY OF THE MAGICIAN. THE TRIUMPH OF IMOGEN. DESPAIR AND CONSOLATION OF RODERIC. So much was Roderic discouraged by the apparent spirit and firmness of these declarations, that at the conclusion of them he abruptly quitted his captive, and released her for a moment from his unjust persecutions. His pride however was too strongly piqued, and his passions too much alarmed to permit her a real respite Where ever, cried he, as he trod with hasty and irregular steps the level green, "where ever were found such simplicity, and so much strength of judgment, and gaiety of wit in union? Is it possible for the extreme of simplicity and the perfection of intellect to meet together? These surely are paradoxes, that not all the goblins of the abyss can solve, and which, had they been related instead of seen, must have...
A exhibition of pictures is now taking place in Paris which is of interest to all those whose feeling is one with the masses of the people. Some Socialists are inclined to look for little sympathy from painters. Some even have tried to set fire to picture galleries, saying like the earlier Nihilists of Russia, that a cobbler, who makes what is useful, is greater than Raphael, who only made what is beautiful. and that when men and women are dying of slow starvation before our eyes, it is idle to think of mixing a pot of color. Is this not a mistake? Are not painters as much with us as poets, writers, and even shoemakers? To take Jean François-Millet as an example. Born a labourer, he learned to draw in Paris, and then took a cottage s... (From : AnarchyArchives.)
I. We seek understanding of facts for guidance in action, for avoidance of mistake and suffering, and even for resignation to the inevitable. This statement may cover the chief aims of mankind in intellectual discussion, ignoring now that which is merely a scholastic exercise. I am not in favor of argument in the style of the debating tarnished by a practice of which easily generates an evil habit, and there are, at least as yet, too many occasion in real life on which every person who loves to tell the truth and expose falsehood must consider time and circumstance lest he impale himself upon implacable prejudices. Consequently if duplicity have its uses there need be no fear that it will not be cultivated without concerted efforts thereto ... (From : Anarchy Archives.)
Murray Bookchin's "Recovering Evolution: A Reply to Eckersley and Fox", Environmental Ethics, vol. 12, Fall, 1990 appears in Anarchy Archives with the permission of the author. Recovering Evolution: A Reply to Eckersley and Fox by Murray Bookchin Robyn Eckersley claims erroneously that I believe humanity is currently equipped to take over the "helm" of natural evolution. In addition, she provides a misleading treatment of my discussion of the relationship of first nature (biological evolution) and second nature (social evolution). I argue that her positivistic methodology is inappropriate in dealing with my processual approach and that her Manichean contrast between biocentrism and anthropocentrism virtually excludes any human intervention ... (From : Anarchy Archives.)
THE GERMAN DRAMA: HERMANN SUDERMANN THE FIRES OF ST. JOHN In "The Fires of St. John," Sudermann does not go as far as in " Magda." Nevertheless the play deals with important truths. Life does not always draw the same conclusions; life is not always logical, not always consistent. The function of the artist is to portray life-only thus can he be true both to art and to life. In this drama we witness the bondage of gratitude,-one of the most enslaving and paralyzing factors. Mr. Brauer, a landed proprietor, has a child, Gertrude, a beautiful girl, who has always lived the sheltered life of a hothouse plant. The Brauers also have an adopted daughter, Marie, whom they had picked up on the road, while traveling on a stormy night. They called her "the calamity child," because a great misfortune had befallen them shortly before. Mr. Brauerís younger brother, confronted with heavy losses, had shot himself, leaving behind his son George and a he...
Translated front the French of JEHAN LE VAGRE. VIII.--HARMONY, SOLIDARITY. In the preceding chapter we have seen that individuals will be able to group themselves and understand each other in the organization which will result from their daily relations without the necessity for any authority existing among them, by the mere fact that those who group themselves will have the same affinities, the same tendencies, the same end in view. It remains for us to see if the groups can continue their existence side by side without hindering, troubling, or lighting each other. We firmly believe it, and we will explain the reasons which, in our opinion, make this belief a certainty. If we study the causes of division which in the present society makes ... (From : AnarchyArchives.)