Browsing Leo Tolstoy By Tag : feeling

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St. Tropez, [France,] July 12th, 1936 It is only two weeks since our beloved comrade Alexander Berkman passed away. Yet it seems an eternity to me. The blow his untimely death has struck me has left me completely shattered. I find it difficult to collect my thoughts. But I feel sure you will want to know all about Sasha's end. For have you not loved him all through the years? Sasha left a note which we found after we returned from his last resting place. It reads: "I don't want to live a sick man. Dependent. Forgive me Emmie darling. And you too Emma. Love to All. Help Emmie." signed, Sasha. I have two letters from comrade Berkman dated June 24th and 26th. He wrote while he did not feel strong enough to come to St. Tropez the 27th, my sixty... (From : Anarchy Archives.)

Sviazhsky was the marshal of his district. He was five years older than Levin, and had long been married. His sister-in-law, a young girl Levin liked very much, lived in his house; and Levin knew that Sviazhsky and his wife would have greatly liked to marry the girl to him. He knew this with certainty, as so-called eligible young men always know it, though he could never have brought himself to speak of it to anyone; and he knew too that, although he wanted to get married, and although by every token this very attractive girl would make an excellent wife, he could no more have married her, even if he had not been in love with Kitty Shtcherbatskaya, than he could have flown up to the sky. And this knowledge poisoned the pleasure he had hoped to find in the visit to Sviazhsky. On getting Sviazhsky’s letter with the invitation for shooting, Levin had immediately thought of this; but in spite of it he had made up his mind that Sviazhsky’s having such v...


“BETHINK YOURSELVES!” “This is your hour, and the power of darkness.”—Luke xxii. 53. I Again war. Again sufferings, necessary to nobody, utterly uncalled for; again fraud; again the universal stupefaction and brutalization of men. Men who are separated from each other by thousands of miles, hundreds of thousands of such men (on the one hand—Buddhists, whose law forbids the killing, not only of men, but of animals; on the other hand—Christians, professing the law of brotherhood and love) like wild beasts on land and on sea are seeking out each other, in order to kill, torture, and mutilate each other in the most cruel way. What can this be? Is it a dream or a reality? Something is taking place which ... (From : Gutenberg.org.)


Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV. (From : Gutenberg.org.)

A Tale of 1852Vanyusha, who meanwhile had finished his housekeeping arrangements and had even been shaved by the company's barber and had pulled his trousers out of his high boots as a sign that the company was stationed in comfortable quarters, was in excellent spirits. He looked attentively but not benevolently at Eroshka, as at a wild beast he had never seen before, shook his head at the floor which the old man had dirtied and, having taken two bottles from under a bench, went to the landlady. 'Good evening, kind people,' he said, having made up his mind to be very gentle. 'My master has sent me to get some chikhir. Will you draw some for me, good folk?' The old woman gave no answer. The girl, who was arranging the kerchief on her head before a little Tartar mirror, looked round at Vanyusha in silence. 'I'll pay money for it, honored people,' said Vanyusha, jingling the coppers in his pocket. 'Be kind to us and we, too will be kind to you,' he added.


I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)


On everything that lives, if one looks searchingly, is limned the shadow line of an idea --- an idea, dead or living, sometimes stronger when dead, with rigid, unswerving lines that mark the living embodiment with the stern immobile cast of the non-living. Daily we move among these unyielding shadows, less pierceable, more enduring than granite, with the blackness of ages in them, dominating living, changing bodies, with dead, unchanging souls. And we meet, also, living souls dominating dying bodies-living ideas regnant over decay and death. Do not imagine that I speak of human life alone. The stamp of persistent or of shifting Will is visible in the grass-blade rooted in its clod of earth, as in the gossamer web of being that floats and sw... (From : Anarchy Archives.)

When we cast a glance upon the immense progress realized by the natural sciences in the course of the nineteenth century, and when we perceive the promises they contain for the future, we can not but feel deeply impressed by the idea that mankind is entering upon a new era of progress It has, at any rate, before it all the elements for preparing such a new era. In the course of the last one hundred years, new branches of knowledge, opening entirely new vistas upon the laws of the development of human society, have grown up under the names of anthropology prehistoric ethnology (science of the primitive social institutions), the history of religions, and so on. New conceptions about the whole life of the universe were developed by pursuing such lines of research as molecular physics, the chemical structure of matter, and the chemical composition of distant worlds. And the traditional views about the position of man in the universe, the origin of life, and the na...

Kasatsky entered the monastery on the feast of the Intercession of the Blessed Virgin. The Abbot of that monastery was a gentleman by birth, a learned writer and a starets, that is, he belonged to that succession of monks originating in Walachia who each choose a director and teacher whom they implicitly obey. This Superior had been a disciple of the starets Ambrose, who was a disciple of Makarius, who was a disciple of the starets Leonid, who was a disciple of Paussy Velichkovsky. To this Abbot Kasatsky submitted himself as to his chosen director. Here in the monastery, besides the feeling of ascendancy over others that such a life gave him, he felt much as he had done in the world: he found satisfaction in attaining the greatest possible perfection outwardly as well as inwardly. As in the regiment he had been not merely an irreproachable officer but had even exceeded his...

FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. PREFACE. YET another novel from the same pen, which has twice before claimed the patience in this form. The unequivocal indulgence which has been extended to my two former attempts, renders me doubly solicitous not to forfeit the kindness I have experienced. One caution I have particularly sought to exercise: "not to repeat, myself." Caleb Williams was a story of very surprising and uncomnmon events, but which were supposed to be entirely within the laws and established course of nature, as she operates in the planet we inhabit. The story of St. Leon is of the m...

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