As he neared Petersburg, Alexey Alexandrovitch not only adhered entirely to his decision, but was even composing in his head the letter he would write to his wife. Going into the porter’s room, Alexey Alexandrovitch glanced at the letters and papers brought from his office, and directed that they should be brought to him in his study. "The horses can be taken out and I will see no one," he said in answer to the porter, with a certain pleasure, indicative of his agreeable frame of mind, emphasizing the words, "see no one." In his study Alexey Alexandrovitch walked up and down twice, and stopped at an immense writing-table, on which six candles had already been lighted by the valet who had preceded him. He cracked his knuckles and sat down, sorting out his writing appurtenances. Putting his elbows on the table, he bent his head on one side, thought a minute, and began to write, without pausing for a second. He wrote without using any form of address...
Ideas are true liberators. Ideas as distinguished from so-called reason. For in our work-a-day world there is much reason and too little thought. It is given only to the seer and poet to conceive liberating ideas - impractical, wild thoughts that ultimately light the way of practical, blind man to better and higher endeavor. To "practical" minds the regeneration of the world is an empty dream. To transform the cold winter of our age into the warmth of a beautiful summer day, to change our valley of tears and misery into a luxurious garden of joy is a vain fantasy lacking reason and sanity. But a William Morris sees in his mind's eye a world of comradeship and brotherhood rejoicing in the plenitude of earth's bounty, and he challenges "pract... (From : Anarchy Archives.)
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV. (From : Gutenberg.org.)
WHAT IS most significant, it seems to me, is the earnest attention paid to the Children and Family as a subject, the desire of parents to be Informed and thereby do their best, rather than following their wit and impulse; or to say this another way, what is significant is the importance assigned in our society to Psychology itself? for Psychology is still by and large the family-psychology that Freud made it discussing the problems of jealousy, infantile dependency authority, submissiveness and rebelliousness, and sibling competition: and problems of spite, moral prejudice and other reaction-formations springing from instinctual deprivation. This interest in the Children is of course hopeful, for the increase of wisdom cannot fail to remedy... (From : http://www.tao.ca/~freedom/goodman.html.)
Some day I will narrate the touching and instructive history of my life during those ten years of my youth. I think very many people have had a like experience. With all my soul I wished to be good, but I was young, passionate and alone, completely alone when I sought goodness. Every time I tried to express my most sincere desire, which was to be morally good, I met with contempt and ridicule, but as soon as I yielded to low passions I was praised and encouraged. Ambition, love of power, covetousness, lasciviousness, pride, anger, and revenge - were all respected. Yielding to those passions I became like the grown-up folk and felt that they approved of me. The kind aunt with whom I lived, herself the purest of beings, always told me that there was nothing she so desired for me as that I should have relations with a married woman: 'Rien ne forme un juene homme, comme une liaison avec une femme comme il faut'. [Footnote: Nothing so forms a young ma...
DAMON AND DELIA: A TALE. --NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humour. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER VII I was in Paris, and I did as people of fashion in Paris were accustomed to do. I consoled myself for the infidelity of one mistress, by devoting my attentions to another. The qualities of the countess de B. were exceedingly unlike those of the marchioness; perhaps, led by a sentiment to which I was unconscious, I selected her for that very reason. The marchioness I have compared to the sleek and glossy-coated eel: forever restless, never contented with the thing, or the circumstances under which she was, you could never hold her to one certain mode of proceeding. the only way in which for her lover to become satisfied with her, was to persuade himself that her external demeanor was merely a guise put on, which belied her heart, and that, when she seemed most impati...
A Free Man's Worship by Bertrand Russell A brief introduction: "A Free Man's Worship" (first published as "The Free Man's Worship" in Dec. 1903) is perhaps Bertrand Russell's best known and most reprinted essay. Its mood and language have often been explained, even by Russell himself, as reflecting a particular time in his life; "it depend(s)," he wrote in 1929, "upon a metaphysic which is more platonic than that which I now believe in." Yet the essay sounds many characteristic Russellian themes and preoccupations and deserves consideration--and further serious study--as an historical landmark of early-twentieth-century European thought. For a scholarly edition with some documentation, see Volume 12 of The Collected Papers of Bertrand Russe... (From : Drew.edu.)
Mr. Mencken gives the impression of an able mind so harried and irritated by the philistinism of American life that it has not been able to attain its full power. These more carefully worked-over critical essays are, on the whole, less interesting and provocative than the irresponsible comment he gives us in his magazine. How is it that so robust a hater of uplift and puritanism becomes so fanatical a crusader himself? One is forced to call Mr. Mencken a moralist, for with him appraisement has constantly to stop while he tilts against philistine critics and outrageous puritans. In order to show how good a writer is, he must first show how deplorably fatuous, malicious or ignorant are all those who dislike him. Such a proof is undoubtedly th... (From : fair-use.org.)
SPEAKING of Puritanism in relation to American art, Mr. Gutzon Borglum said: "Puritanism has made us self-centered and hypocritical for so long, that sincerity and reverence for what is natural in our impulses have been fairly bred out of us, with the result that there can be neither truth nor individualality in our art." Mr. Borglum might have added that Puritanism has made life itself impossible. More than art, more than estheticism, life represents beauty in a thousand variations; it is indeed, a gigantic panorama of eternal change. Puritanism, on the other hand, rests on a fixed and immovable conception of life; it is based on the Calvinistic idea that life is a curse, imposed upon man by the wrath of God. In order to redeem himself man... (From : Anarchy Archives.)