Browsing Untitled By Tag : servant

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The princess sat in her armchair, silent and smiling; the prince sat down beside her. Kitty stood by her father’s chair, still holding his hand. All were silent. The princess was the first to put everything into words, and to translate all thoughts and feelings into practical questions. And all equally felt this strange and painful for the first minute. "When is it to be? We must have the benediction and announcement. And when’s the wedding to be? What do you think, Alexander?" "Here he is," said the old prince, pointing to Levin—"he’s the principal person in the matter." "When?" said Levin blushing. "Tomorrow; If you ask me, I should say, the benediction today and the wedding tomorrow." "Come, mon cher, that’s nonsense!" "Well, in a week." "He’s quite mad." "No, why so?" "Well, upon my word!" said the mother, smiling, delighted at this haste. "How about t...

The ResurrectionThe justiciary finally finished his speech and handed the list of questions to the foreman. The jury rose from their seats, glad of an opportunity to leave the court-room, and, not knowing what to do with their hands, as if ashamed of something, they filed into the consultation-room. As soon as the door closed behind them a gendarme, with drawn sword resting on his shoulder, placed himself in front of it. The judges rose and went out. The prisoners also were led away. On entering the consultation-room the jury immediately produced cigarettes and began to smoke. The sense of their unnatural and false position, of which they were to a greater or less degree cognizant, while sitting in the court-room, passed away as soon as they entered their room and lighted their cigarettes, and, with a feeling of relief, they seated themselves and immediately started an animated conversation. "The girl is not guilty, she was confused," said the kindhearted merchant.


Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)

I. A certain gentleman was serving as an officer in the Caucasus. His name was Zhilín. One day he received a letter from home. His old mother wrote to him: "I have grown old, and I should like to see my darling son before my death. Come to bid me farewell and bury me, and then, with God's aid, return to the service. I have also found a bride for you: she is bright and pretty and has property. If you take a liking to her, you can marry her, and stay here for good." Zhilín reflected: "Indeed, my old mother has grown feeble; perhaps I shall never see her again. I must go; and if the bride is a good girl, I may marry her." He went to the colonel, got a furlough, bade his companions good-bye, treated his soldiers to four buckets of vódka, and got himself ready to go. At that time there was a war in the Caucasus. Neither in the daytime, nor at night, was it safe to travel on the roads. The moment a Russian walked o...

On the boulevard of the besieged city of Sevastopol, not far from the pavilion, the regimental band was playing, and throngs of military men and of women moved gaily through the streets. The brilliant sun of spring had risen in the morning over the works of the English, had passed over the bastions, then over the city, over the Nikolaevsky barracks, and, illuminating all with equal cheer, had now sunk into the blue and distant sea, which was lighted with a silvery gleam as it heaved in peace. A tall, rather bent infantry officer, who was drawing upon his hand a glove which was presentable, if not entirely white, came out of one of the small naval huts, built on the left side of the Morskaya[C] street, and, staring thoughtfully at the ground, took his way up the slope to the boulevard. The expression of this officer's homely countenance did not indicate any great mental capacity, but rather simplicity, judgment, honor, and a tendency to solid worth. He...

THE GERMAN DRAMA HERMANN SUDERMANN It has been said that military conquest generally goes hand in hand with the decline of creative genius, with the retrogression of culture. I believe this is not a mere assertion. The history of the human race repeatedly demonstrates that whenever a nation achieved great military success, it invariably involved the decline of art, of literature, of the drama; in short, of culture in the deepest and finest sense. This has been particularly borne out by Germany after its military triumph in the Franco-Prussian War. For almost twenty years after that war, the country of poets and thinkers remained, intellectually, a veritable desert, barren of ideas. Young Germany had to go for its intellectual food to France, -Daudet, Maupassant, and Zola; or to Russia -Tolstoy, Turgenev, and Dostoyevski; finally also to Ibsen and Strindberg. Nothing thrived in Germany during that period, except a sickening patriotism and sentimental ro...

Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)

A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...

Simon approached the stranger, looked at him, and saw that he was a young man, fit, with no bruises on his body, only evidently freezing and frightened, and he sat there leaning back without looking up at Simon, as if too faint to lift his eyes. Simon went close to him, and then the man seemed to wake up. Turning his head, he opened his eyes and looked into Simon’s face. That one look was enough to make Simon fond of the man. He threw the felt boots on the ground, undid his sash, laid it on the boots, and took off his cloth coat. “It’s not a time for talking,” said he. “Come, put this coat on at once!” And Simon took the man by the elbows and helped him to rise. As he stood there, Simon saw that his body was clean and in good condition, his hands and feet shapely, and his face good and kind. He threw his coat over the man’s shoulders, but the latter could not find the sleeves. Simon guided his arms into them, and drawing the coat w...

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