Browsing Revolt Library By Tag : style

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We propose banning private cars from Manhattan Island. Permitted motor vehicles would be buses, small taxis, vehicles for essential services (doctor, police, sanitation, vans, etc.), and the trucking used in light industry. Present congestion and parking are unworkable, and other proposed solutions are uneconomic, disruptive, unhealthy, nonurban, or impractical. It is hardly necessary to prove that the actual situation is intolerable. “Motor trucks average less than six miles per hour in traffic, as against eleven miles per hour for horse drawn vehicles in 1911.” “During the ban on nonessential vehicles during the heavy snowstorm of February 1961, air pollution dropped 66 percent.” (New York Times, March 13, 1961.) The s... (From : bopsecrets.org.)


I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)

FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER VII I was in Paris, and I did as people of fashion in Paris were accustomed to do. I consoled myself for the infidelity of one mistress, by devoting my attentions to another. The qualities of the countess de B. were exceedingly unlike those of the marchioness; perhaps, led by a sentiment to which I was unconscious, I selected her for that very reason. The marchioness I have compared to the sleek and glossy-coated eel: forever restless, never contented with the thing, or the circumstances under which she was, you could never hold her to one certain mode of proceeding. the only way in which for her lover to become satisfied with her, was to persuade himself that her external demeanor was merely a guise put on, which belied her heart, and that, when she seemed most impati...


THE HERALD OF LITERATURE. [PRICE TWO SHILLINGS.] THE HERALD OF LITERATURE; OR, A REVIEW OF THE MOST CONSIDERABLE PUBLICATIONS THAT WILL BE MADE IN THE COURSE OF THE ENSUING WINTER: WITH EXTRACTS. LONDON: PRINTED FOR J. MURRAY, NO. 32, FLEET-STREET. M DCC LXXXIV. TO THE... (From : Gutenberg.org.)

The Russian Language--Early folk literature: Folk-lore-- Songs-Sagas-Lay of Igor's Raid-Annals-The Mongol Invasion; its consequences-Correspondence between John IV. and Kúrbiskíy-Split in the Church-Avvakúm's Memoirs- The eighteenth century: Peter I. and his contemporaries-Tretiakóvsky-Lomonósoff-Sumarókoff-The times of Catherine II.-Derzhávin-Von Wízin-The Freemasons: Novikóff; Radíscheff-Early nineteenth century: Karamzín and Zhukóvskiy-The Decembrists-Ryléeff. One of the last messages which Turguéneff addressed to Russian writers from his death-bed was to implore them to keep in its purity "that precious inheritance of ours.-the Russian Language." He who knew in perfection...

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