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THE HISTORY OF A MOUNTAIN ILLUSTRATED BY L. BENNETT RANSLATED FROM THE FRENCH NEW YORK HARPER & BROTHERS, FRANKLIN SQUARE 1881 Entered according to Act of Congress, in the year 1881, by HARPER & BROTHERS, In the Office of the Librarian of Congress, at Washington. CONTENTS. I. THE RETREAT II. PEAKS AND VALLEYS III. ROCKS AND CRYSTALS IV. THE ORIGIN OF THE MOUNTAIN V. FOSSILS VI. THE DESTRUCTION OF THE PEAKS VII. LANDSLIPS VIII. CLOUDS IX. FOGS AND STORMS X. SNOW "XL AVALANCHES XII. GLACIERS XIII. MORAINES AND TORRENTS XIV. FORESTS AND PASTURES XV. THE ANIMALS OF THE MOUNTAIN XVI. GRADATIONS OF CLIMATE XVII. THE FREE MOUNTAINEER XVIII. CRETINS XIX. MOUNTAIN-WORSHIP XX. OLYMPUS AND THE GODS... (From : Archive.org.)
Lewis Herber [Murray Bookchin] Note: This is the final part of a two-part article on the technological bases of freedom. The first part (Anarchos n. 2) examined the technological limitations of the previous century and their influence on revolutionary theory. An economy anchored technologically in scarcity, it was shown, circumscribed the range of social ideas and tended to subvert revolutionary concepts of freedom. These limitations were compared with the potentialities of technology today -- the substitution of invention by design, the open end in technological development, the emergence of cybernetic devices, the prospect of reducing toil to a near vanishing point. The article examined the possibility of making qualitative changes in the... (From : Anarchy Archives.)
Translated from the French by Robert Helms "Le Mur" first appeared in L'Echo de Paris on February 20, 1894 Old man Rivoli had a wall. This wall ran along a road, and it was crumbling badly. The rains and the road mender's pickax had undermined the base. The stones, having come loose, hardly held together any longer, and cracks were opening up. It was beautiful, however, having the look of an ancient ruin. Some irises crowned the top, while figworts, maidenhair, and houseleeks pushed their way through the fissures. Some poppies, too, paraded their frail bodies between cracks in the rubble-stones. But Pop Rivoli was not sensitive to the poetry of his wall, and, after examining it at length, and jiggling some of its loose stones like teeth in ... (From : Mid-Atlantic Infoshop.)