FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER VII I was in Paris, and I did as people of fashion in Paris were accustomed to do. I consoled myself for the infidelity of one mistress, by devoting my attentions to another. The qualities of the countess de B. were exceedingly unlike those of the marchioness; perhaps, led by a sentiment to which I was unconscious, I selected her for that very reason. The marchioness I have compared to the sleek and glossy-coated eel: forever restless, never contented with the thing, or the circumstances under which she was, you could never hold her to one certain mode of proceeding. the only way in which for her lover to become satisfied with her, was to persuade himself that her external demeanor was merely a guise put on, which belied her heart, and that, when she seemed mos...
Translator's Preface Stirner's critics by Max Stirner Szeliga Feuerbach Hess Footnotes Translator's Preface Working on this translation has been a pleasurable challenge for me. Stirner uses straightforward, even fairly simple language, filled with passion and sarcasm, to express ideas that are difficult, though more in the fact that very few people would want to accept their implications than in their complexity. In wrestling with this work, I have had to make decisions about how best to get Stirner's thinking across in English. The purpose of this preface is to explain some of those decisions. One of the central terms in Stirner's thinking is "der Einzige." I have chosen to translate this as "the unique." Some have argued in favor of leavi... (From : Anarchy Archives.)