Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. PREFACE. YET another novel from the same pen, which has twice before claimed the patience in this form. The unequivocal indulgence which has been extended to my two former attempts, renders me doubly solicitous not to forfeit the kindness I have experienced. One caution I have particularly sought to exercise: "not to repeat, myself." Caleb Williams was a story of very surprising and uncomnmon events, but which were supposed to be entirely within the laws and established course of nature, as she operates in the planet we inhabit. The story of St. Leon is of the miraculous class; and its design...
In these days, under the influence of democracy, the virtue of cooperation has taken the place formerly held by obedience. The old-fashioned schoolmaster would say of a boy that he was disobedient; the modern schoolmistress says of an infant that he is non-cooperative. It means the same thing: the child, in either case, fails to do what the teacher wishes, but in the first case the teacher acts as the government and in the second as the representative of the People, i.e. of the other children. The result of the new language, as of the old, is to encourage docility, suggestibility, herd-instinct and conventionality, thereby necessarily discouraging originality, initiative and unusual intelligence. Adults who achieve anything of value have se... (From : SantaFe.edu.)
I "Make yourself at home, now. You'll stay here a while, huh, huh! As in a dream I hear the harsh tones. Is the man speaking to me, I wonder. Why is he laughing? I feel so weary, I long to be alone. Now the voice has ceased; the steps are receding. All is silent, and I am alone. A nameless weight oppresses me. I feel exhausted, my mind a void. Heavily I fall on the bed. Head buried in the straw pillow, my heart breaking, I sink into deep sleep. My eyes burn as with hot irons. The heat sears my sight, and consumes my eyelids. Now it pierces my head; my brain is aflame, it is swept by a raging fire. Oh! I wake in horror. A stream of dazzling light is pouring into my face. Terrified, I press my hands to my eyes, but the mysterious flow pierces my lids, and blinds me with maddening torture. "Get up and undress. What's the matter with you, anyhow?" The voice frightens me. The cell is filled with a continuous glare.