From: G.P. Maximoff, Syndicalists in the Russian Revolution The Author GREGORI PETROVICH MAXIMOFF was born on November 10, 1893, in the Russian village of Mitushino, province of Smolensk. After studying for the priesthood, he realized this was not his vocation and went to St. Petersburg, where he graduated as an agronomist at the Agricultural Academy in 1915. He joined the revolutionary movement, while a student, was an active propagandist and, after the 1917 revolution, joined the Red Army. When the Bolsheviks used the Army for police work and for disarming the workers, he refused to obey orders and was sentenced to death. The solidarity of the steelworkers' union saved his life. He edited the Anarcho-Syndicalist papers Golos Trouda (Voice... (From : Anarchy Archives.)
From Meet Kropotkin. The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d. KROPOTKIN - THE MASTER by HERBERT READ. PRINCE PETER ALEXEIVICH KROPOTKIN was born at Moscow on the 9th December, 1842 (o. s.). His father, Prince Alexei Petrovich Kropotkin, is described by Kropotkin as "a typical officer of the time of Nicholas I", but he seems to have been an easy-going parent, content to leave his son's education to his French tutor until it was time to send him off to a military academy. Kropotkin's mother was the youngest daughter of the commander of a Cossack army corps, General Sulima, and a woman of great refinement and sensibility, qualities which her son must have inherited, for she died before she had time to influence him ... (From : Anarchy Archives.)
The card tables were drawn out, sets made up for boston, and the count’s visitors settled themselves, some in the two drawing rooms, some in the sitting room, some in the library. The count, holding his cards fanwise, kept himself with difficulty from dropping into his usual after-dinner nap, and laughed at everything. The young people, at the countess’ instigation, gathered round the clavichord and harp. Julie by general request played first. After she had played a little air with variations on the harp, she joined the other young ladies in begging Natásha and Nicholas, who were noted for their musical talent, to sing something. Natásha, who was treated as though she were grown up, was evidently very proud of this but at the same time felt shy. “What shall we sing?” she said. “‘The Brook,’” suggested Nicholas. “Well, then, let’s be quick. Borís, come...