Vanzetti's 1927 Letter to Governor Fuller The letter below was written shortly after Vanzetti was interviewed for two hours by Governor Fuller. Vanzetti asked the Governor if he might write him about topics not discussed in the interview. This is the letter he sent. Six days after this letter was mailed, Governor Fuller issued his decision allowing the executions to go forward. July 28, 1927. Charlestown Prison Hon. Alvan T. Fuller, Governor of Massachusetts, State House, Boston. YOUR EXCELLENCY: You told me Tuesday night that I might dictate to a stenographer the part, of my statement which I wanted to make to you, but was prevented by lack of time from making. So I will say as follows: 1. I don't tell the truth to the police about my revo... (From : umkc.edu.)
The young proprietor had, as he wrote his aunt, devised a plan of action in the management of his estate; and his whole life and activity were measured by hours, days, and months. Sunday was reserved for the reception of petitioners, domestic servants, and peasants, for the visitation of the poor serfs belonging to the estate, and the distribution of assistance with the approval of the Commune, which met every Sunday evening, and was obliged to decide who should have help, and what amount should be given. In such employments passed more than a year, and the young man was now no longer a novice either in the practical or theoretical knowledge of estate management. It was a clear July Sunday when Nekhliudof, having finished his coffee and run through a chapter of "Maison Rustique," put his note-book and a packet of bank-notes into the pocket of his light overcoat, and started out of doors. It was a great country-house with colonnades and terraces where he liv...
He went, first of all, to the pavilion, near which were standing the musicians, for whom other soldiers of the same regiment were holding the notes, in the absence of stands, and about whom a ring of cadets, nurses, and children had formed, intent rather on seeing than on hearing. Around the pavilion stood, sat, or walked sailors, adjutants, and officers in white gloves. Along the grand avenue of the boulevard paced officers of every sort, and women of every description, rarely in bonnets, mostly with kerchiefs on their heads (some had neither bonnets nor kerchiefs), but no one was old, and it was worthy of note that all were gay young creatures. Beyond, in the shady and fragrant alleys of white acacia, isolated groups walked and sat. No one was especially delighted to encounter Captain Mikhaïloff on the boulevard, with the exception, possibly, of the captain of his regiment, Obzhogoff, and Captain Suslikoff, who pressed his hand warmly; but the former was dressed in...
These sketches are written in the style of Tolstoy's "Popular Stories and Legends," and give the reader various glimpses into modern village life in Russia THE FREE AGE PRESS Publisher: C. W. DANIEL 3 Amen Corner, London, E. C. THREE DAYS IN THE VILLAGE And Other Sketches No Rights Reserved THREE DAYS IN THE VILLAGE And Other Sketches Written from September 1909 to July 1910 BY LEO TOLSTOY Translated by L. and A. Maude LONDON THE FREE AGE PRESS (C. W. DANIEL) 3 AMEN CORNER, E. C. 1910 CONTENTS PAGE THREE DAYS IN THE VILLAGE— FIRST DAY—TRAMPS 7... (From : Gutenberg.org.)
The floor of the stage consisted of smooth boards, at the sides was some painted cardboard representing trees, and at the back was a cloth stretched over boards. In the center of the stage sat some girls in red bodices and white skirts. One very fat girl in a white silk dress sat apart on a low bench, to the back of which a piece of green cardboard was glued. They all sang something. When they had finished their song the girl in white went up to the prompter’s box and a man with tight silk trousers over his stout legs, and holding a plume and a dagger, went up to her and began singing, waving his arms about. First the man in the tight trousers sang alone, then she sang, then they both paused while the orchestra played and the man fingered the hand of the girl in white, obviously awaiting the beat to start singing with her. They sang together and everyone in the theater began clapping and shouting, while the man and woman on the stage—who...