Browsing Untitled By Tag : excellency

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Vanzetti's 1927 Letter to Governor Fuller The letter below was written shortly after Vanzetti was interviewed for two hours by Governor Fuller. Vanzetti asked the Governor if he might write him about topics not discussed in the interview. This is the letter he sent. Six days after this letter was mailed, Governor Fuller issued his decision allowing the executions to go forward. July 28, 1927. Charlestown Prison Hon. Alvan T. Fuller, Governor of Massachusetts, State House, Boston. YOUR EXCELLENCY: You told me Tuesday night that I might dictate to a stenographer the part, of my statement which I wanted to make to you, but was prevented by lack of time from making. So I will say as follows: 1. I don't tell the truth to the police about my revo... (From : umkc.edu.)

The following tales are, with one exception, taken from the second volume of Count L. N. Tolstoï's collected works, and are representative of his literary activity between 1852 and 1859. The first story, though only a fragment of a projected novel to be called "A Russian Proprietor," is perfect and complete in itself. One cannot help feeling that it is autobiographical; Count Tolstoï himself, it will be remembered, having suddenly quitted the University of Kazan, in spite of the entreaties of his friends, and retired to his paternal estate of Yasnaya Polyana, near Tula. The aunt whose letter is quoted in the first chapter must have been Count Tolstoï's aunt, mentioned in the second chapter of "My Confession." The "Recollections of a Scorer" and "Two Hussars" are both evidently reminiscent of Count Tolstoï's gambling-days. Both must have been suggested by some such terrible experience as that told of the count's gambling-debt in the Caucasus.

“Is this the second battalion of the M—— regiment?” asked Praskukhin, hastening up to the spot, and running against the soldiers who were carrying earth in sacks. “Exactly so.” “Where is the commander?” Mikhaïloff, supposing that the inquiry was for the commander of the corps, crawled out of his pit, and, taking Praskukhin for the colonel, he stepped up to him with his hand at his visor. “The general has given orders ... that you ... are to be so good as to go ... as quickly as possible ... and, in particular, as quietly as possible, to the rear ... not to the rear exactly, but to the reserve,” said Praskukhin, glancing askance at the enemy's fires. On recognizing Praskukhin and discovering the state of things, Mikhaïloff dropped his hand, gave his orders, and the battalion started into motion, gathered up their guns, put on their cloaks, and set out. No one who ha...


These sketches are written in the style of Tolstoy's "Popular Stories and Legends," and give the reader various glimpses into modern village life in Russia THE FREE AGE PRESS Publisher: C. W. DANIEL 3 Amen Corner, London, E. C. THREE DAYS IN THE VILLAGE And Other Sketches No Rights Reserved THREE DAYS IN THE VILLAGE And Other Sketches Written from September 1909 to July 1910 BY LEO TOLSTOY Translated by L. and A. Maude LONDON THE FREE AGE PRESS (C. W. DANIEL) 3 AMEN CORNER, E. C. 1910 CONTENTS PAGE THREE DAYS IN THE VILLAGE— FIRST DAY—TRAMPS 7... (From : Gutenberg.org.)

It was getting dusk when Prince Andrew and Pierre drove up to the front entrance of the house at Bald Hills. As they approached the house, Prince Andrew with a smile drew Pierre’s attention to a commotion going on at the back porch. A woman, bent with age, with a wallet on her back, and a short, long-haired, young man in a black garment had rushed back to the gate on seeing the carriage driving up. Two women ran out after them, and all four, looking round at the carriage, ran in dismay up the steps of the back porch. “Those are Mary’s ‘God’s folk,’” said Prince Andrew. “They have mistaken us for my father. This is the one matter in which she disobeys him. He orders these pilgrims to be driven away, but she receives them.” “But what are ‘God’s folk’?” asked Pierre. Prince Andrew had no time to answer. The servants came out to meet them, and he asked where...

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