Browsing Untitled By Tag : excellency

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Vanzetti's 1927 Letter to Governor Fuller The letter below was written shortly after Vanzetti was interviewed for two hours by Governor Fuller. Vanzetti asked the Governor if he might write him about topics not discussed in the interview. This is the letter he sent. Six days after this letter was mailed, Governor Fuller issued his decision allowing the executions to go forward. July 28, 1927. Charlestown Prison Hon. Alvan T. Fuller, Governor of Massachusetts, State House, Boston. YOUR EXCELLENCY: You told me Tuesday night that I might dictate to a stenographer the part, of my statement which I wanted to make to you, but was prevented by lack of time from making. So I will say as follows: 1. I don't tell the truth to the police about my revo... (From : umkc.edu.)

"Yukhvanka the clever wants to sell a horse," was what Nekhliudof next read in his note-book; and he proceeded along the street to Yukhvanka's place. Yukhvanka's hut was carefully thatched with straw from the threshing-floor of the estate; the frame-work was of new light-gray aspen-wood (also from stock belonging to the estate), had two handsome painted shutters for the window, and a porch with eaves and ingenious balustrades cut out of deal planks. The narrow entry and the cold hut were also in perfect order; but the general impression of sufficiency and comfort given by this establishment was somewhat injured by a barn enclosed in the gates, which had a dilapidated hedge and a sagging pent roof, appearing from behind it. Just as Nekhliudof approached the steps from one side, two peasant women came up on the other carrying a tub full of water. One was Yukhvanka's wife, the other his mother. The first was a robust, health...

On the boulevard of the besieged city of Sevastopol, not far from the pavilion, the regimental band was playing, and throngs of military men and of women moved gaily through the streets. The brilliant sun of spring had risen in the morning over the works of the English, had passed over the bastions, then over the city, over the Nikolaevsky barracks, and, illuminating all with equal cheer, had now sunk into the blue and distant sea, which was lighted with a silvery gleam as it heaved in peace. A tall, rather bent infantry officer, who was drawing upon his hand a glove which was presentable, if not entirely white, came out of one of the small naval huts, built on the left side of the Morskaya[C] street, and, staring thoughtfully at the ground, took his way up the slope to the boulevard. The expression of this officer's homely countenance did not indicate any great mental capacity, but rather simplicity, judgment, honor, and a tendency to solid worth. He...


These sketches are written in the style of Tolstoy's "Popular Stories and Legends," and give the reader various glimpses into modern village life in Russia THE FREE AGE PRESS Publisher: C. W. DANIEL 3 Amen Corner, London, E. C. THREE DAYS IN THE VILLAGE And Other Sketches No Rights Reserved THREE DAYS IN THE VILLAGE And Other Sketches Written from September 1909 to July 1910 BY LEO TOLSTOY Translated by L. and A. Maude LONDON THE FREE AGE PRESS (C. W. DANIEL) 3 AMEN CORNER, E. C. 1910 CONTENTS PAGE THREE DAYS IN THE VILLAGE— FIRST DAY—TRAMPS 7... (From : Gutenberg.org.)

The floor of the stage consisted of smooth boards, at the sides was some painted cardboard representing trees, and at the back was a cloth stretched over boards. In the center of the stage sat some girls in red bodices and white skirts. One very fat girl in a white silk dress sat apart on a low bench, to the back of which a piece of green cardboard was glued. They all sang something. When they had finished their song the girl in white went up to the prompter’s box and a man with tight silk trousers over his stout legs, and holding a plume and a dagger, went up to her and began singing, waving his arms about. First the man in the tight trousers sang alone, then she sang, then they both paused while the orchestra played and the man fingered the hand of the girl in white, obviously awaiting the beat to start singing with her. They sang together and everyone in the theater began clapping and shouting, while the man and woman on the stage—who...

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