A Tale of 1852The Captain and the head of the village rode away, and Olenin, to please Lukashka as well as to avoid going back alone through the dark forest, asked the corporal to give Lukashka leave, and the corporal did so. Olenin thought that Lukashka wanted to see Maryanka and he was also glad of the companionship of such a pleasant-looking and sociable Cossack. Lukashka and Maryanka he involuntarily united in his mind, and he found pleasure in thinking about them. 'He loves Maryanka,' thought Olenin, 'and I could love her,' and a new and powerful emotion of tenderness overcame him as they walked homeward together through the dark forest. Lukashka too felt happy; something akin to love made itself felt between these two very different young men. Every time they glanced at one another they wanted to laugh. 'By which gate do you enter?' asked Olenin. 'By the middle one. But I'll see you as far as the marsh. After that you have nothing to fear.' Olenin laughed.
Translated from the French by Robert Helms "L'Oiseau Sacri" first appeared in the literary supplement of the Paris anarchist paper La Rivolte #3 (Sept. 27, 1890), reprinted from L'Echo de Paris. A few leagues from my cottage, in one of the most fertile areas in France, there lies a certain immense property. For only the past ten years the place has belonged to a well-known banker, but it isn't used for hunting parties. The chateau was partly demolished during the first revolution. Nothing remains of it but an uncrowned brick tower and some charred walls that invade the weeds, which grow into trees, and the moss. The banker considered rebuilding it according to its original design, but then abandoned the idea because of the expense involved.... (From : Mid-Atlantic Infoshop.)