The ResurrectionHaving breakfasted, Nekhludoff went to the cabinet to see for what hour he was summoned to appear at court, and to answer the Princess' note. In the work-room stood an easel with a half-finished painting turned face downward, and on the wall hung studies in drawing. On seeing that painting, on which he had worked two years, and those drawings, he called to mind the feeling of impotence, which he experienced of late with greatest force, to make further advance in the art. He explained this feeling by the development of a fine esthetic taste, and yet this consciousness caused him unpleasant sensations. Seven years before he had retired from active service he decided that his true vocation in life was painting, and from the height of his artistic activity he looked down upon all other occupations. And now it appeared that he had no right to do so, and every recollection of it was disagreeable to him. He looked on all the luxurious appointments of the work-room...
Childhood, by Leo Tolstoy
Translated by C.J. Hogarth CONTENTS I THE TUTOR, KARL IVANITCH II MAMA III PAPA IV LESSONS V THE IDIOT VI PREPARATIONS FOR THE CHASE VII THE HUNT VIII WE PLAY GAMES IX A FIRST ESSAY IN LOVE X THE SORT OF MAN MY FATHER WAS XI IN THE DRAWING-ROOM AND THE STUDY XII GRISHA XIII NATALIA SAVISHNA XIV THE PARTING XV &n... (From : Gutenberg.org.)
A Tale of 1852The male population of the village spend their time on military expeditions and in the cordon—or 'at their posts', as the Cossacks say. Towards evening, that same Lukashka the Snatcher, about whom the old women had been talking, was standing on a watch-tower of the Nizhni-Prototsk post situated on the very banks of the Terek. Leaning on the railing of the tower and screwing up his eyes, he looked now far into the distance beyond the Terek, now down at his fellow Cossacks, and occasionally he addressed the latter. The sun was already approaching the snowy range that gleamed white above the fleecy clouds. The clouds undulating at the base of the mountains grew darker and darker. The clearness of evening was noticeable in the air. A sense of freshness came from the woods, though round the post it was still hot. The voices of the talking Cossacks vibrated more sonorously than before. The moving mass of the Terek's rapid brown waters contrasted more vividly with its motionless ba...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
Fedor Mihailovich Smokovnikov, the president of the local Income Tax Department, a man of unswerving honesty—and proud of it, too—a gloomy Liberal, a free-thinker, and an enemy to every manifestation of religious feeling, which he thought a relic of superstition, came home from his office feeling very much annoyed. The Governor of the province had sent him an extraordinarily stupid minute, almost assuming that his dealings had been dishonest. Fedor Mihailovich felt embittered, and wrote at once a sharp answer. On his return home everything seemed to go contrary to his wishes. It was five minutes to five, and he expected the dinner to be served at once, but he was told it was not ready. He banged the door and went to his study. Somebody knocked at the door. “Who the devil is that?” he thought; and shouted,—“Who is there?” The door opened and a boy of fifteen came in, the son of Fedor Mihailovich, a pupil of the fifth...
THE popular notion about marriage and love is that they are synonymous, that they spring from the same motives, and cover the same human needs. Like most popular notions this also rests not on actual facts, but on superstition. Marriage and love have nothing in common; they are as far apart as the poles; are, in fact, antagonistic to each other. No doubt some marriages have been the result of love. Not, however, because love could assert itself only in marriage; much rather is it because few people can completely outgrow a convention. There are to-day large numbers of men and women to whom marriage is naught but a farce, but who submit to it for the sake of public opinion. At any rate, while it is true that some marriages are based on love,... (From : Anarchy Archives.)
A few weeks ago Society was shocked and astonished at the revelations which were made concerning the wages paid to the girls of Bryant and May's factory at Bow. The shock was intensified by the fact that three Members of Parliament and fifty-five clergymen of the Church of England were shareholders of the company and received last year a dividend of 23 percent, whilst the wages of the adult women employed in the factory averaged (according to the statement of the secretary) 11s. 2d., and those of the girls from 3s. to 9s. a week. The average wage was little enough, but human beings cannot live on averages, and many young women with families to support were carrying home 6s. and 7b. 6d. at the end of a week during which they had tolled from ... (From : AnarchyArchives.)
Few writers have established their reputation so rapidly as Maxím Górky. His first sketches (1892-95), were published in an obscure provincial paper of the Caucasus, and were totally unknown to the literary world, but when a short tale of his appeared in a widely-read review, edited by Korolénko, it at once attracted general attention. The beauty of its form, its artistic finish, and the new note of strength and courage which rang through it, brought the young writer immediately into prominence. It became known that Maxím Górky was the pen-name of quite a young man, A. Pyeshkoff, who was born in 1868 in Nizhni Novgorod, a large town on the Volga; that his father was a merchant, or an artisan, his mother a ... (From : University of Virginia Library.)
When Professor Huxley introduced, twenty-three years ago, the name and the subject of Physiography, his intentions were certainly excellent. Natural sciences were almost entirely excluded at that time from the schools. The teaching of geography stood very low: political geography, so-called, was a mere collection of names, and an entirely subordinate subject; and physical geography was a collection of information, too abstract, too incoherent, too wide, and too superficial at the same time, to be of any use in education. Under the name of Physiography natural sciences were, so to say, smuggled into the schools. And by showing how the study of Nature may be approached, and methods of scientific observation may be rendered familiar by examini... (From : Anarchy Archives.)
"Come, show me your horses. Are they in the yard?" "Indeed they are, 'slency. I have done as I was told, 'slency. Could we fail to heed you, 'slency? Yakof Ilyitch told me not to send the horses out to pasture. 'The prince,' says he, 'is coming to look at them,' and so we didn't send them. For, of course, we shouldn't dare to disobey you, 'slency." While Nekhliudof was on his way to the door, Yukhvanka snatched down his pipe from the loft, and flung it into the stove. His lips were still drawn in with the same expression of constraint as when the prince was looking at him. A wretched little gray mare, with thin tail, all stuck up with burrs, was sniffing at the filthy straw under the pent roof. A long-legged colt two months old, of some nondescript color, with bluish hoofs and nose, followed close behind her. In the middle of the yard stood a pot-bellied brown gelding with closed eyes and thoughtfully pendent head. It was apparentl...
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
Our reformers have suddenly made a great discovery--the white slave traffic. The papers are full of these "unheard-of conditions," and lawmakers are already planning a new set of laws to check the horror. It is significant that whenever the public mind is to be diverted from a great social wrong, a crusade is inaugurated against indecency, gambling, saloons, etc. And what is the result of such crusades? Gambling is increasing, saloons are doing a lively business through back entrances, prostitution is at its height, and the system of pimps and cadets is but aggravated. How is it that an institution, known almost to every child, should have been discovered so suddenly? How is it that this evil, known to all sociologists, should now be made s... (From : Anarchy Archives.)
I begin with an admission: Regardless of all political and economic theories, treating of the fundamental differences between various groups within the human race, regardless of class and race distinctions, regardless of all artificial boundary lines between woman's rights and man's rights, I hold that there is a point where these differentiations may meet and grow into one perfect whole. With this I do not mean to propose a peace treaty. The general social antagonism which has taken hold of our entire public life today, brought about through the force of opposing and contradictory interests, will crumble to pieces when the reorganization of our social life, based upon the principles of economic justice, shall have become a reality. Peace o... (From : Anarchy Archives.)
With an Introduction by James J. Martin Introduction In reissuing this famous but long-neglected work for the first time in over a century, it is not intended that it furnish a pretext to leap into the complex controversy concerning "women's rights" which has become increasingly intensified in the last fifteen years. The object is rather to bring attention to an undeservedly obscured figure in American intellectual and ideological history, first of all, and to put on the contemporary record one of the overlooked phases of the struggle to achieve equality before the law, especially, for women in the USA. It has been observed that it has become progressively more difficult to write about any phase of this subject recently, as the language of ... (From : crispinsartwell.com.)