The Resurrection CHAPTER XIV. Nekhludoff called at his aunts because their manor lay on the road through which his regiment had preceded him, and also because they requested him to do so, but principally in order that he might see Katiousha. It may be that in the depth of his soul there was already a mischievous intention toward Katiousha, prompted by his now unbridled animal ego, but he was not aware of it, he merely desired to visit those places in which he lived so happily, and see his somewhat queer, but amiable and good-natured, aunts, who always surrounded the atmosphere around him with love and admiration, and also to see the lovely Katiousha, of whom he had such pleasant recollections. He arrived toward the end of March, on Good Friday, in the season of bad roads, when the rain was falling in torrents, and was wet all through, and chilled to the marrow of his bones, but courageous and excited, as he always felt at that time of the year. ...
Childhood, by Leo Tolstoy
CHILDHOOD
By Leo Tolstoy
Translated by C.J. Hogarth
CONTENTS
I THE TUTOR, KARL
IVANITCH II MAMMA
III PAPA IV LESSONS V THE IDIOT VI PREPARATIONS FOR THE CHASE
VII THE HUNT
VIII WE PLAY
GAMES IX A FIRST
ESSAY IN LOVE X
THE SORT OF MAN MY FATHER WAS XI
IN THE DRAWING-ROOM AND THE STUDY XII (From : Gutenberg.org.)
A Tale of 1852
Produced by Steve Harris, Charles Franks and the Online
Distributed Proofreading Team.
THE COSSACKS
A Tale of 1852
By
Leo Tolstoy (1863)
Translated by Louise and Aylmer Maude
Chapter I
All is quiet in Moscow. The squeak of wheels is seldom heard in the
snow-covered street. There are no lights left in the windows and the
street lamps have been extinguished. Only the sound of bells, borne
over the city from the church towers, suggests the approach of morning.
The streets are deserted. At rare intervals a night-cabman's sledge
kneads up the snow and sand in the street as the driver makes his way
to another corner where he falls asleep while waiting for a fare. An
old woman passes by on her way to church, where a f... (From : Gutenberg.org.)
DAMON
AND
DELIA:
A TALE.
--NEQUE SEMPER ARCUM
TENDIT APOLLO. HOR.
LONDON:
PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING
LIBRARY, NEW BOND-STEET, CORNER
OF BRUTON-STREET.
M,DCC,LXXXIV.
CONTENTS
PART the FIRST.
CHAPTER I.
Containing introductory Matter.
CHAPTER II.
A Ball
CHAPTER III.
A Ghost.
CHAPTER IV.
A love Scene.
CHAPTER V.
A Man of Humour.
CHAPTER VI.
Containing some Specimens of Heroism.
CHAPTER VII.
Containing that with which the Reader will be acquainted when he has
read it.
CHAPTER VIII.
Two Persons of Fashion.
CHAPTER IX.
A tragical Resolution.
CONTENTS.
PART (From : Gutenberg.org.)
VII IVAN MIRONOV had to spend the night in the police-station, in the company of drunkards and thieves. It was noon of the next day when he was summoned to the police officer; put through a close examination, and sent in the care of a policeman to Eugene Mihailovich’s shop. Ivan Mironov remembered the street and the house. The policeman asked for the shopkeeper, showed him the coupon and confronted him with Ivan Mironov, who declared that he had received the coupon in that very place. Eugene Mihailovich at once assumed a very severe and astonished air. “You are mad, my good fellow,” he said. “I have never seen this man before in my life,” he added, addressing the policeman. “It is a sin, sir,” said Ivan Mironov. “Think of the hour when you will die.” “Why, you mus...
The text is from my copy of Emma Goldman's Anarchism and Other Essays. Second Revised Edition. New York & London: Mother Earth Publishing Association, 1911. pp. 233-245.
MARRIAGE AND LOVE
THE popular notion about marriage and love is that they are synonymous, that they spring from the same motives, and cover the same human needs. Like most popular notions this also rests not on actual facts, but on superstition.
Marriage and love have nothing in common; they are as far apart as the poles; are, in fact, antagonistic to each other. No doubt some marriages have been the result of love. Not, however, because love could assert itself only in marriage; much rather is it because few peo... (From : Anarchy Archives.)
Maxím Górky
BY PRINCE PETER KROPOTKIN
AUTHOR OF "FIELDS, FACTORIES AND WORKSHOPS," "MUTUAL AID," ETC.
Maxim Gorky
Courtesy of Charles Scribner's Sons
FEW writers have established their reputation so rapidly as Maxím Górky. His first sketches (1892-95), were published in an obscure provincial paper of the Caucasus, and were totally unknown to the literary world, but when a short tale of his appeared in a widely-read [illustration omitted] review, edited by Korolénko, it at once attracted general attention. The beauty of its form, its artistic finish, and the new note of strength and courage which rang through it, brought the young writer immediately into prominen... (From : University of Virginia Library.)
Source: The Geographical Journal, Vol. 2, No. 4 (Oct., 1893), pp. 350-359
ON THE TEACHING OF PHYSIOGRAPHY*
By P. KRAPOTKIN.
WHEN Professor Huxley introduced, twenty-three years ago, the name and the subject of Physiography, his intentions were certainly excellent. Natural sciences were almost entirely excluded at that time from the schools. The teaching of geography stood very low: political geography, so-called, was a mere collection of names, and an entirely subordinate subject; and physical geography was a collection of information, too abstract, too incoherent, too wide, and too superficial at the same time, to be of any use in education. Under the name of Physiography natural sciences were, so to say, smuggled into ... (From : Anarchy Archives.)
XIII. "That's the way I'll do," said Nekhliudof to himself with a pleasant self-consciousness; and then, recollecting that he had still to go to the rich peasant Dutlof, he directed his steps toward a lofty and ample establishment, with two chimneys, standing in the midst of the village. As he passed a neighboring hut on his way thither, he stopped to speak with a tall, disorderly-looking peasant-woman of forty summers, who came to meet him. "A pleasant holiday, father,"[42] she said, with some show of assurance, stopping at a little distance from him with a pleased smile and a low obeisance. "Good-morning, my nurse. How are you? I was just going to see your neighbor." "Pretty well, your excellency, my father. It's a good idea. But won't you come in? I beg you to. My old man would be very pleased." "Well, I'll come; and we'll have a little talk with you, nurse. Is this your ho...
Emma Goldman, The Social Significance of the Modern Drama (Boston: Richard G. Badger, 1914; The Gorham Press, Boston, U.S.A.) THE GERMAN DRAMA HERMANN SUDERMANN IT has been said that military conquest generally goes hand in hand with the decline of creative genius, with the retrogression of culture. I believe this is not a mere assertion. The history of the human race repeatedly demonstrates that whenever a nation achieved great military success, it invariably involved the decline of art, of literature, of the drama; in short, of culture in the deepest and finest sense. This has been particularly borne out by Germany after its military triumph in the Franco-Prussian War. For almost twenty years after that war, the country of poets and thinkers remained, intellectually, a veritable desert, barren of ideas. Young Germany had to go for its intellectual food to France, -Daudet, Ma...