Contentedly peaceful the Monongahela stretches before me, its waters lazily rippling in the sunlight, and softly crooning to the murmur of the woods on the hazy shore. But the opposite bank presents a picture of sharp contrast. Near the edge of the river rises a high board fence, topped with barbed wire, the menacing aspect heightened by warlike watch-towers and ramparts. The sinister wall looks down on me with a thousand hollow eyes, whose evident murderous purpose fully justifies the name of "Fort Frick." Groups of ex cited people crowd the open spaces between the river and the fort, filling the air with the confusion of many voices. Men carrying Winchesters are hurrying by, their faces grimy, eyes bold yet anxious. From the mill-yard gape the black mouths of can non, dismantled breastworks bar the passages, and the ground is strewn with burning cinders, empty shells, oil barrels, bro ken furnace stacks, and piles of steel and iron. The place looks the aftermath of a sanguinary...
IN 1849 Feodor Dostoyevsky wrote on the wall of his prison cell the following story of The Priest and the Devil: "'Hello, you little fat father!' the devil said to the priest. 'What made you lie so to those poor, misled people? What tortures of hell did you depict? Don't you know they are already suffering the tortures of hell in their earthly lives? Don't you know that you and the authorities of the State are my representatives on earth? It is you that make them suffer the pains of hell with which you threaten them. Don't you know this? Well, then, come with me!' "The devil grabbed the priest by the collar, lifted him high in the air, and carried him to a factory, to an iron foundry. He saw the workmen there running and hurrying to and fro... (From : Anarchy Archives.)