From: G.P. Maximoff, Syndicalists in the Russian Revolution The Author GREGORI PETROVICH MAXIMOFF was born on November 10, 1893, in the Russian village of Mitushino, province of Smolensk. After studying for the priesthood, he realized this was not his vocation and went to St. Petersburg, where he graduated as an agronomist at the Agricultural Academy in 1915. He joined the revolutionary movement, while a student, was an active propagandist and, after the 1917 revolution, joined the Red Army. When the Bolsheviks used the Army for police work and for disarming the workers, he refused to obey orders and was sentenced to death. The solidarity of the steelworkers' union saved his life. He edited the Anarcho-Syndicalist papers Golos Trouda (Voice... (From : Anarchy Archives.)
From Meet Kropotkin. The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d. KROPOTKIN - THE MASTER by HERBERT READ. PRINCE PETER ALEXEIVICH KROPOTKIN was born at Moscow on the 9th December, 1842 (o. s.). His father, Prince Alexei Petrovich Kropotkin, is described by Kropotkin as "a typical officer of the time of Nicholas I", but he seems to have been an easy-going parent, content to leave his son's education to his French tutor until it was time to send him off to a military academy. Kropotkin's mother was the youngest daughter of the commander of a Cossack army corps, General Sulima, and a woman of great refinement and sensibility, qualities which her son must have inherited, for she died before she had time to influence him ... (From : Anarchy Archives.)
Pelagéya Danílovna Melyukóva, a broadly built, energetic woman wearing spectacles, sat in the drawing room in a loose dress, surrounded by her daughters whom she was trying to keep from feeling dull. They were quietly dropping melted wax into snow and looking at the shadows the wax figures would throw on the wall, when they heard the steps and voices of new arrivals in the vestibule. Hussars, ladies, witches, clowns, and bears, after clearing their throats and wiping the hoarfrost from their faces in the vestibule, came into the ballroom where candles were hurriedly lighted. The clown—Dimmler—and the lady—Nicholas—started a dance. Surrounded by the screaming children the mummers, covering their faces and disguising their voices, bowed to their hostess and arranged themselves about the room. “Dear me! there’s no recognizing them! And Natásha! See whom she looks like! She really rem...