Albert Camus

November 7, 1913 — ?

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About Albert Camus

Albert Camus (/kæˈmuː/ kam-OO, US also /kəˈmuː/ kə-MOO, French: [albɛʁ kamy] (About this soundlisten); 7 November 1913 – 4 January 1960) was a French philosopher, author, and journalist. He won the Nobel Prize in Literature at the age of 44 in 1957, the second-youngest recipient in history. His works include The Stranger, The Plague, The Myth of Sisyphus, The Fall, and The Rebel.

Camus was born in Algeria (a French colony at the time) to French Pieds Noirs parents. His citizenship was French. He spent his childhood in a poor neighborhood and later studied philosophy at the University of Algiers. He was in Paris when the Germans invaded France during World War II in 1940. Camus tried to flee but finally joined the French Resistance where he served as editor-in-chief at Combat, an outlawed newspaper. After the war, he was a celebrity figure and gave many lectures around the world. He married twice but had many extramarital affairs. Camus was politically active; he was part of the left that opposed the Soviet Union because of its totalitarianism. Camus was a moralist and leaned towards anarcho-syndicalism. He was part of many organizations seeking European integration. During the Algerian War (1954–1962), he kept a neutral stance, advocating for a multicultural and pluralistic Algeria, a position that caused controversy and was rejected by most parties.

Philosophically, Camus's views contributed to the rise of the philosophy known as absurdism. He is also considered to be an existentialist, even though he firmly rejected the term throughout his lifetime.

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Some were dreadfully insulted, and quite seriously, to have held up as a model such an immoral character as A Hero of Our Time ; others shrewdly noticed that the author had portrayed himself and his acquaintances. … A Hero of Our Time , gentlemen, is in fact a portrait, but not of an individual; it is the aggregate of the vices of our whole generation in their fullest expression. —LERMONTOV I MAY I, monsieur, offer my services without running the risk of intruding? I fear you may not be able to make yourself understood by the worthy ape who presides over the fate of this establishment. In fact, he speaks nothing but Dutch. Unless you authorize me to plead your case, he will not guess that you want gin. T... (From: TheAnarchistLibrary.org.)
PART ONE: Natural Death Chapter One IT was ten in the morning, and Patrice Mersault was walking steadily towards Zagreus’ villa. By now the housekeeper had left for the market and the villa was deserted. It was a beautiful April morning, chilly and bright; the sky was radiant, but there was no warmth in the glistening sunshine. The empty road sloped up towards the villa, and a pure light streamed between the pines covering the hillside. Patrice Mersault was carrying a suitcase, and as he walked on through the primal morning, the only sounds he heard were the click of his own footsteps on the cold road and the regular creak of the suitcase handle. Not far from the villa, the road crossed a little square decorated with ... (From: TheAnarchistLibrary.org.)
Helen’s Exile The mediterranean sun has something tragic about it, quite different from the tragedy of fogs. Certain evenings at the base of the seaside mountains, night falls over the flawless curve of a little bay, and there rises from the silent waters a sense of anguished fulfillment. In such spots one can understand that if the Greeks knew despair, they always did so through beauty and its stifling quality. In that gilded calamity, tragedy reaches its highest point. Our time, on the other hand, has fed its despair on ugliness and convulsions. This is why Europe would be vile, if suffering could ever be so. We have exiled beauty; the Greeks took up arms for her. First difference, but one that has a history. ... (From: TheAnarchistLibrary.org.)
November 30, 1946 Toward Dialogue Yes, we must raise our voices. Up to this point, I have refrained from appealing to emotion. We are being torn apart by a logic of history which we have elaborated in every detail — a net which threatens to strangle us. It is not emotion which can cut through the web of a logic which has gone to irrational lengths, but only reason which can meet logic on its own ground. But I should not want to leave the impression... that any program for the future can get along without our powers of love and indignation. I am well aware that it takes a powerful prime mover to get men into motion and that it is hard to throw one’s self into a struggle whose objectives are so modest and where hope has o... (From: TheAnarchistLibrary.org.)
It is as reasonable to represent one kind of imprisonment by another, as it is to represent anything that really exists by that which exists not. DANIEL DEFOE PART I The unusual events described in this chronicle occurred in 194- at Oran. Everyone agreed that, considering their somewhat extraordinary character, they were out of place there. For its ordinariness is what strikes one first about the town of Oran, which is merely a large French port on the Algerian coast, headquarters of the Prefect of a French Department. The town itself, let us admit, is ugly. It has a smug, placid air and you need time to discover what it is that makes it different from so many business centers in other parts of the w... (From: TheAnarchistLibrary.org.)
Part Four: Rebellion and Art Art is the activity that exalts and denies simultaneously. "No artist tolerates reality," says Nietzsche. That is true, but no artist can get along without reality. Artistic creation is a demand for unity and a rejection of the world. But it rejects the world on account of what it lacks and in the name of what it sometimes is. Rebellion can be observed here in its pure state and in its original complexities. Thus art should give us a final perspective on the content of rebellion. The hostility to art shown by all revolutionary reformers must, however, be pointed out. Plato is moderately reasonable. He only calls in question the deceptive function of language and exiles only poets from his rep... (From: TheAnarchistLibrary.org.)
Part 1 Shortly before the war of 1914, an assassin whose crime was particularly repulsive (he had slaughtered a family of farmers, including the children) was condemned to death in Algiers. He was a farm worker who had killed in a sort of bloodthirsty frenzy but had aggravated his case by robbing his victims. The affair created a great stir. It was generally thought that decapitation was too mild a punishment for such a monster. This was the opinion, I have been told, of my father, who was especially aroused by the murder of the children. One of the few things I know about him, in any case, is that he wanted to witness the execution, for the first time in his life. He got up in the dark to go to the place of execution at the other en... (From: TheAnarchistLibrary.org.)
V RAYMOND rang me up at the office. He said that a friend of his — to whom he'd spoken about me — invited me to spend next Sunday at his little seaside bungalow just outside Algiers. I told him I'd have been delighted; only I had promised to spend Sunday with a girl. Raymond promptly replied that she could come, too. In fact, his friend's wife would be very pleased not to be the only woman in a party of men. I'd have liked to hang up at once, as my employer doesn't approve of my using the office phone for private calls. But Raymond asked me to hold on; he had something else to tell me, and that was why he'd rung me up, though he could have waited till the evening to pass on the invitation. "It's like ... (From: TheAnarchistLibrary.org.)

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November 7, 1913
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January 24, 2021; 5:34:02 PM (UTC)
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