Art And Industry In The Fourteenth Century
(1834 - 1896)
William Morris (24 March 1834 – 3 October 1896) was a British textile designer, poet, novelist, translator and socialist activist associated with the British Arts and Crafts Movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he helped win acceptance of socialism in fin de siècle Great Britain. (From : Wikipedia.org.)
Art And Industry In The Fourteenth Century
In England, at least, if not on the Continent of Europe, there are some towns and cities which have indeed a name that recalls associations with the past, but have no other trace left them of the course of that history which has made them what they are. Besides these, there are many more which have but a trace or two left; sometimes, indeed, this link with the past is so beautiful and majestic in itself that it compels us when we come across it to forget for a few moments the life of to-day with which we are so familiar that we do not mark its wonders or its meannesses, its follies or its tragedies. It compels us to turn away from our life of habit which is all about us on our right hand and our left, and which therefore we cannot see, and forces on us the consideration of past times which we can picture to ourselves as a whole, rightly or wrongly, because they are so far off. Sometimes, as we have been passing through the shabby streets of ill-burnt bricks, we have come on one of these links with the past and wondered. Before the eyes of my mind is such a place now. You travel by railway, get to your dull hotel by night, get up in the morning and breakfast in company with one or two men of the usual middle-class types, who even as they drink their tea and eat their eggs and glance at the sheet of lies, inanity, and ignorance, called a newspaper, by their sides, are obviously doing their business to come, in a vision. You go out into the street and wander up it; all about the station, and stretching away to the left, is a wilderness of small, dull houses built of a sickly-colored yellow brick pretending to look like stone, and not even able to blush a faint brown blush at the imposture, and roofed with thin, cold, purple-colored slates. They cry out at you at the first glance, workmen's houses; and a kind of instinct of information whispers to you: railway workmen and engineers. Bright as the spring morning is, a kind of sick feeling of hopeless disgust comes over you, and you go on further, sure at any rate that you cannot fare worse. The street betters a little as you go on; shabbyish shops indeed, and mean houses of the bourgeoisie of a dull market town, exhibiting in their shop fronts a show of goods a trifle below the London standard, and looking "flash" at the best; and above them dull houses, grayish and reddish, recalling some associations of the stage-coach days and Mr. Pickwick and Sam Weller, which would cheer you a little if you didn't see so many gaps in their lines filled up with the sickly yellow-white brick and blue slate, and with a sigh remember that even the romance surrounding Mr. Winkle is fast vanishing from the world. You let your eyes fall to the pavement and stop and stare a little, revolving many things, at a green-grocer's shop whose country produce probably comes mostly from Covent Garden, but looks fresh and green as a relief from the jerry building. Then you take a step or two onward and raise your eyes, and stand transfixed with wonder, and a wave of pleasure and exultation sweeps away the memory of the squalidness of to-day and the shabby primness of yesterday; such a feeling as takes hold of the city-dweller when, after a night journey, he wakes and sees through his windows some range of great and noble mountains. And indeed this at the street's end is a mountain also; but wrought by the hand and the brain of man, and bearing the impress of his will and his aspirations; for there heaves itself up above the meanness of the street and its petty commercialism a mass of gray stone traceried and carved and molded into a great triple portico beset with pinnacles and spires, so orderly in its intricacy, so elegant amid its hugeness, that even without any thought of its history or meaning it fills your whole soul with satisfaction. You walk on a little and see before you at last an ancient gate that leads into the close of the great church, but as if dreading that when you come nearer you may find some piece of modern pettiness or incongruity which will mar it, you turn away down a cross street from which the huge front is no longer visible, though its image is still in your mind's eye. The street leads you in no long while to a slow-flowing river crossed by an ugly modern iron bridge, and you are presently out in the fields, and going down a long causeway with a hint of Roman work in it. It runs along the river through a dead flat of black, peaty-looking country where long rows of men and women are working with an overlooker near them, giving us uncomfortable suggestions of the land on the other side of the Atlantic as it was; and you half expect as you get near some of these groups to find them black and woolly haired; but they are white as we call it, burned and grimed to dirty brown though; fair-sized and strong-looking enough, both men and women; but the women roughened and spoiled, with no remains of gracefulness, or softness of face or figure; the men heavy and depressed-looking; all that are not young, bent and beaten, and twisted and starved and weathered out of shape; in short, English field-laborers. You turn your face away with a sigh toward the town again, and see towering over its mean houses and the sluggish river and the endless reclaimed fen the flank of that huge building, whose front you saw just now, plainer and severer than the front, but harmonious and majestic still. A long roof tops it and a low, square tower rises from its midst. The day is getting on now, and the wind setting from the north-west is driving the smoke from the railway-works round the long roof and besmirching it somewhat; but still it looks out over the huddle of houses and the black fen with its bent rows of potato-hoers, like some relic of another world. What does it mean? Over there the railway-works with their monotonous hideousness of dwelling-houses for the artisans; here the gangs of the field-laborers; twelve shillings a week for ever and ever, and the workhouse for all day of judgment, of rewards and punishments; on each side and all around the nineteenth century, and rising solemnly in the midst of it, that token of the "dark ages," their hope in the past, grown now a warning for our future.
A thousand years ago our forefathers called the place Medehamstead, the abode of the meadows. They used the Roman works and doubtless knew little who wrought them, as by the side of the river Nene they drew together some stockaded collection of wooden and wattled houses. Then came the monks and built a church, which they dedicated to St. Peter; a much smaller and ruder building than that whose beauty has outlasted so many hundred years of waste and neglect and folly, but which seemed grand to them; so grand, that what for its building, what for the richness of its shrines, Medehamstead got to be called the Golden Burg. Doubtless that long stretching water there knew more than the monks' barges and the coracles of the fenmen, and the oars of the Norsemen have often beaten it white; but records of the sacking of the Golden Burg I have not got till the time when a valiant man of the country, in desperate contest with Duke William, the man of Blood and Iron of the day, led on the host of the Danes to those rich shrines, and between them they stripped the Golden Burg down to its stone and timber. Hereward, that valiant man, was conquered and died, and what was left of the old tribal freedom of East England sank lower and lower into the Romanized feudality that crossed the Channel with the Frenchmen. But the country grew richer, and the craftsmen defter, and some three generations after that sacking of the Golden Burg, St. Peter's Church rose again, a great and noble pile, the most part of which we have seen to-day.
Time passed again; the feudal system had grown to its full height, and the cloud as big as a man's hand was rising up to overshadow it in the end. Doubtless this town played its part in this change: had a great gild changing to a commune, federating the craft-gilds under it; and was no longer called Medehamstead or the Golden Burg, but after its patron saint, Peterborough. And as a visible token of those times, the gilds built for the monks in the thirteenth century that wonderful piece of ordered beauty which you saw just now rising from out the grubby little streets of the early nineteenth century. They added to the great Church here and there in the fourteenth century, traceried windows to the aisles, two spirelets to the front, that low tower in the midst. The fifteenth century added certain fringes and trimmings, so to say, to the building; and so it was left to bear as best it could the successive waves of degradation, the blindness of middle-class puritanism, the brutality of the eighteenth-century squirearchy, and the stark idealless stupidity of the early nineteenth century; and there it stands now, with the foul sea of modern civilization washing against it; a token, as I said, of the hopes that were, and which civilization has destroyed. Might it but give a lesson to the hopes that are, and which shall some day destroy civilization!
For what was the world so utterly different from ours of this day, the world that completed the glories of the Golden Burg, which to-day is called Peterborough, and is chiefly known, I fear, as the depot of the Great Northern Railway? This glorious building is a remnant of the feudal system, which even yet is not so well understood among us as it should be; and especially, people scarcely understand how great a gulf lies between the life of that day and the life of ours. The hypocrisy of so-called constitutional development has blinded us to the greatness of the change which has taken place; we use the words King, Parliament, Commerce, and so on, as if their connotation was the same as in that past time. Let us very briefly see, for the sake of a better understanding of the art and industry embodied in such works as Peterborough Cathedral, what was the relation of the complete feudal system with its two tribes, the one the unproductive masters, the other the productive servants, to the older incomplete feudality which it superseded; or in other words, what the Middle Ages came to before the development of the seeds of decay in them became obvious.
On the surface, the change from the serf and baron society of the earlier Middle Ages to the later Gild and Parliament Middle Ages was brought about by the necessities of feudalism. The necessities of the conquering or unproductive tribe gave opportunities to the progressive part of the conquered or productive tribe to raise its head out of the mere serfdom which in earlier times had been all it could look to. At bottom, this process of the rise of the towns under feudalism was the result of economical causes. The poor remains of the old tribal liberties, the folk-motes, the meetings round the shire-oak, the trial by compurgation, all these customs which imply the equality of freemen, would have faded into mere symbols and traditions of the past if it had not been for the irrepressible life and labor of the people, of those who really did the work of society in the teeth of the arbitrary authority of the feudal hierarchy. For you must remember that its very arbitrariness made the latter helpless before the progress of the productive part of that society. The upper classes had not got hold of those material means of production which enable them now to make needs in order to satisfy them for the sake of profit; the miracle of the world-market had not yet been exhibited. Commerce, in our sense of the word, did not exist: people produced for their own consumption, and only exchanged the overplus of what they did not consume. A man would then sell the results of his labor in order to buy wherewithal to live upon or to live better; whereas at present he buys other people's labor in order to sell its results, that he may buy yet more labor, and so on to the end of the chapter; the medieval man began with production, the modern begins with money. That is, there was no capital in our sense of the word; nay, it was a main care of the crafts, as we shall see later on, that there should be none. The money lent at usury was not lent for the purposes of production, but as spending-money for the proprietors of land: and their land was not capitalizable as it now is; they had to eat its produce from day to day, and used to travel about the country doing this like bands of an invading army, which was indeed what they were; but they could not, while the system lasted, drive their now tenants, erewhile serfs, off their lands, or fleece them beyond what the custom of the manor allowed, unless by sheer violence or illegal swindling; and also every free man had at least the use of some portion of the soil on which he was born. All this means that there was no profit to be made out of anything but the land; and profit out of that was confined to the lords of the soil, the superior tribe, the invading army, as represented in earlier times by Duke William and his hirelings. But even they could not accumulate their profit: the very serfdom that enabled them to live as an unproductive class forbade them to act as land capitalists: the serfs had to perform the customary services and nothing more, and thereby got a share of the produce over and above the economic rent, which surplus would to-day certainly not go to the cultivators of the soil. Now since all the class-robbery that there was was carried on by means of the land, and that not by any means closely or carefully, in spite of distinct arbitrary laws directed against the workers, which again were never fully carried out, it follows that it was easy for the productive class to live. Poor men's money was good, says one historian; necessaries were very cheap, that is, ordinary food (not the cagmag of to-day), ordinary clothing and housing; but luxuries were dear. Spices from the East, foreign fruits, cloth of gold, gold and silver plate, silk, velvet, Arras tapestries, Iceland gerfalcons, Turkish dogs, lions, and the like, doubtless cost far more than they do to-day. For the rest, men's desires keep pace with their power over nature, and in those days their desires were comparatively few; the upper class did not live so much more comfortably then than the lower; so there were not the same grounds or room for discontent as there are nowadays. A workman then might have liked to possess a canopy of cloth of gold or a big cupboard of plate; whereas now the contrast is no longer between splendor and simplicity, but between ease and anxiety, refinement and sordidness.
The ordinary life of the workman then was easy; what he suffered from was either the accidents of nature, which the society of the day had not yet learned to conquer, or the violence of his masters, the business of whose life was then open war, as it is now veiled war. Storm, plague, famine and battle, were his foes then; scarcity and the difficulty of bringing goods from one place to another were what pinched him, not as now, superabundance and the swiftness of carriage. Yet, in some respects even here, the contrast was not so violent as it is nowadays between rich and poor; for, if the artisan was apt to find himself in a besieged city, and had to battle at all adventure for his decent life and easy work, there were vicissitudes enough in the life of the lord also, and the great prince who sat in his hall like a god one day, surrounded by his gentlemen and men-at-arms, might find himself presently as the result of some luckless battle riding barefoot and bare-headed to the gallows-tree: distinguished politicians risked more then than they do now. A change of government was apt to take heads off shoulders.
What was briefly the process that led to this condition of things, a condition certainly not intended by the iron feudalism which aimed at embracing all life in its rigid grasp, and would not, if it had not been forced to it, have suffered the serf to escape from serfdom, the artisan to have any status except that of a serf, the gild to organize labor, or the town to become free? The necessities of the feudal lord were the opportunities of the towns: the former not being able to squeeze his serf-tenants beyond a certain point, and having no means of making his money grow, had to keep paying for his main position by yielding up what he thought he could spare of it to the producing classes. Of course, that is clear enough to see in reading medieval history; but what gave the men of the towns the desire to sacrifice their hard earnings for the sake of position, for the sake of obtaining a status alongside that of the baron and the bishop? The answer to my mind is clear: the spirit of association which had never died out of the peoples of Europe, and which in Northern Europe at least had been kept alive by the gilds which in turn it developed; the strong organization that feudalism could not crush.
The tale of the origin and development of the gilds is as long as it is interesting, and it can only be touched on here; for the history of the gilds is practically the history of the people in the Middle Ages, and what follows must be familiar to most of my readers. And I must begin by saying that it was not, as some would think (speaking always of Northern Europe), the towns that made the gilds, but the gilds that made the towns. These latter, you must remember once more, important as they grew to be before the Middle Ages ended, did not start with being organized centers of life political and intellectual, with tracts of country whose business it was just to feed and nourish them; in other words, they did not start with being mere second-rate imitations of the Greek and Roman cities. They were simply places on the face of the country where the population drawn together by convenience was thicker than in the ordinary country, a collection of neighbors associating themselves together for the ordinary business of life, finding it convenient in those disturbed times to palisade the houses and closes which they inhabited and lived by. But even before this took place, and while the unit of habitation was not even a village, but a homestead (or tun), our Teutonic and Scandinavian forefathers, while yet heathens, were used to band themselves together for feasts and sacrifices and for mutual defense and relief against accident and violence into what would now be called benefit societies, but which they called gilds. The change of religion from heathenism to Christianity did not make any difference to these associations; but as society grew firmer and more peaceful, as the commerce of our forefathers became something more than the selling to one town what the traders had plundered from another, these gilds developed in one direction into associations for the defense of the carriers and sellers of goods (who you must remember in passing had little in common with our merchants and commercial people); and on the other side began to grow into associations for the regulation of the special crafts, among which the building and clothing crafts were naturally preeminent. The development of these two sides of the gilds went on together, but at first the progress of the trading gilds, being administrative or political, was more marked than that of the craft-gilds, and their status was recognized much more readily by the princes of the feudal hierarchy; though I should say once for all that the direct development of the gilds did not flourish except in those countries where the undercurrent of the customs of the free tribes was too strong to be quite merged in the main stream of Romanized feudality. Popes, bishops, emperors, and kings in their early days fulminated against them; for instance, an association in Northern France for resistance to the Norse sea-robbers was condemned under ferocious penalties. In England, at any rate, where the king was always carrying on a struggle with his baronage, he was generally glad to acknowledge the claims of the towns or communes to a free administration as a make-weight to the power of the great feudatories; and here as well as in Flanders, Denmark, and North Germany, the merchant-gild was ready to form that administrative power, and so slid insensibly into the government of the growing towns under the name of the Great Gild, the Porte, the Lineage, and so on. These Great Gilds, the corporations of the towns, were from the first aristocratic and exclusive, even to the extent of excluding manual workmen; in the true spirit of Romanized feudalism, so diametrically opposed to that of the earlier tribal communities, in the tales of which the great chiefs are shown smithying armor, building houses and ships, and sowing their fields, just as the heroes of the Iliad and the Odyssey do. They were also exclusive in another way, membership in them being in the main an hereditary privilege, and they became at last very harsh and oppressive. But these bodies, divorced from labor and being nothing but governors, or at most administrators, on the one hand, and on the other not being an integral portion of the true feudal hierarchy, could not long hold their own against the gilds of craft, who all this while were producing and organizing production. There was a continuous and fierce struggle between the aristocratic and democratic elements in the towns, and plenty of downright fighting, bitter and cruel enough after the fashion of the times; besides a gradual progress of the crafts in getting hold of the power in the communes or municipalities. This went on all through the thirteenth century, and in the early part of the fourteenth the artisans had everywhere succeeded, and the affairs of the towns were administered by the federated craft-gilds. This brings us to the culminating period of the Middle Ages, the period to which my remarks on the condition of laborers apply most completely; though you must remember that the spirit which finally won the victory for the craft-gilds had been at work from the first, contending not only against the mere tyranny and violence incidental to those rough times, but also against the hierarchical system, the essential spirit of feudality. The progress of the gilds, which from the first were social, was the form which the class-struggle took in the Middle Ages.
I will now try to go a little more in detail into the conditions of art and industry in those days, conditions which it is clear, even from the scattered hints given above, are very different from those of to-day; so different indeed, that many people cannot conceive of them. The rules of the crafts in the great towns of Flanders will give us as typical examples as can be got at; since the mechanical arts, especially of weaving, were there farther advanced than anywhere else in Northern Europe. Let us take then the cloth-weavers of Flanders, and see under what rules they worked. No master to employ more than three journeymen in his workshop: no one under any pretense to have more than one workshop: the wages fixed per day, and the number of hours also: no work to be done on holidays. If piecework (which was allowed), the price per yard fixed: but only so much and no more to be done in a day. No one allowed to buy wool privately, but at open sales duly announced. No mixing of wools allowed; the man who uses English wool (the best) not to have any others on his premises. English and other foreign cloth not allowed to be sold. Workmen not belonging to the commune not admitted unless hands fell short. Most of these rules and many others may be considered to have been made in the direct interest of the workmen. Now for safeguards for the public: the workman must prove that he knows his craft duly: he serves as an apprentice first, then as journeyman, after which he is a master if he can manage capital enough to set up three looms besides his own, which, of course, he generally could do. Width of web is settled; color of list according to quality; no work to be done in a frost, or in a bad light. All cloth must be "walked" or fulled a certain time, and to a certain width; and so on, and so on. And finally every piece of cloth must stand the test of examination, and if it fall short, goes back to the maker, who is fined; if it come up to the due standard it is marked as satisfactory.
Now you will see that the accumulation of capital is impossible under such regulations as this, and it was meant to be impossible. The theory of industry among these communes was something like this. There is a certain demand for the goods which we can make, and a certain settled population to make them: if the goods are not thoroughly satisfactory we shall lose our market for them and be ruined: we must therefore keep up their quality to the utmost. Furthermore, the work to be done must be shared among the whole of those who can do it, who must be sure of work always as long as they are well behaved and industrious, and also must have a fair livelihood and plenty of leisure; as why should they not?
We shall find plenty of people to-day to cry out on this as slavery; but to begin with, history tells us that these workmen did not fight like slaves at any rate; and certainly a condition of slavery in which the slaves were well fed, and clothed, and housed, and had abundance of holidays, has not often been realized in the world's history. Yes, some will say, but their minds were enslaved. Were they? Their thoughts moved in the narrow circle maybe; and yet I can't say that a man is of slavish mind who is free to express his thoughts, such as they are; still less if he habitually expresses them; least of all if he expresses them in a definite form which gives pleasure to other people, what we call producing works of art; and these workmen of the communes did habitually produce works of art.
I have told you that the chief contrast between the upper and lower classes of those days was that the latter lacked the showy pomp and circumstance of life, and that the contrast rather lay there than in refinement and non-refinement. It is possible that some readers might judge from our own conditions that this lack involved the lack of art; but here, indeed, there was little cause for discontent on the part of the lower classes in those days; it was splendor rather than art in which they could feel any lack. It is, I know, so difficult to conceive of this nowadays that many people don't try to do so, but simply deny this fact; which is, however, undeniable by any one who had studied closely the art of the Middle Ages and its relation to the workers. I must say what I have often said before, that in those times there was no such thing as a piece of handicraft being ugly; that everything made had a due and befitting form; that most commonly, however ordinary its use might be, it was elaborately ornamented; such ornament was always both beautiful and inventive, and the mind of the workman was allowed full play and freedom in producing it; and also that for such art there was no extra charge made; it was a matter of course that such and such things should be ornamented, and the ornament was given and not sold. And this condition of the ordinary handicrafts with reference to the arts was the foundation of all that nobility of beauty which we were considering in a building like Peterborough Cathedral, and without that its beauty would never have existed. As it was, it was no great task to rear a building that should fill men's minds with awe and admiration when people fell to doing so of set purpose, in days when every cup and plate and knife-handle was beautiful.
When I had the Golden Burg in my eye just now, it was by no means only on account of its external beauty that I was so impressed by it, and wanted my readers to share my admiration, but it was also on account of the history embodied in it. To me it and its like are tokens of the aspirations of the workers five centuries ago; aspirations of which time alone seemed to promise fulfillment, and which were definitely social in character. If the leading element of association in the life of the medieval workman could have cleared itself of certain drawbacks, and have developed logically along the road that seemed to be leading it onward, it seems to me it could scarcely have stopped short of forming a true society founded on the equality of labor: the Middle Ages, so to say, saw the promised land of Socialism from afar, like the Israelites, and like them had to turn back again into the desert. For the workers of that time, like us, suffered heavily from their masters: the upper classes who lived on their labor, finding themselves barred from progress by their lack of relation to the productive part of society, and at the same time holding all political power, turned towards aggrandizing themselves by perpetual war and shuffling of the political positions, and so opened the door to the advance of bureaucracy, and the growth of that thrice-accursed spirit of nationality which so hampers us even now in all attempts towards the realization of a true society. Furthermore, the association of the time, instinct as it was with hopes of something better, was exclusive. The commune of the Middle Ages, like the classical city, was unhappily only too often at strife with its sisters, and so became a fitting instrument for the greedy noble or bureaucratic king to play on. The gildsman's duties were bounded on the one hand by the limits of his craft, and on the other by the boundaries of the liberties of his city or town. The instinct of union was there, otherwise the course of the progress of association would not have had the unity which it did have: but the means of intercourse were lacking, and men were forced to defend the interests of small bodies against all corners, even those whom they should have received as brothers.
But, after all, these were but tokens of the real causes that checked the development of the Middle Ages towards Communism; that development can be traced from the survival of the primitive Communism which yet lived in the early days of the Middle Ages. The birth of tradition, strong in instinct, was weak in knowledge, and depended for its existence on its checking the desire of mankind for knowledge and the conquest of material nature: its own success in developing the resources of labor ruined it; it opened chances to men of growing rich and powerful if they could succeed in breaking down the artificial restrictions imposed by the gilds for the sake of the welfare of their members. The temptation was too much for the craving ignorance of the times, that were yet not so ignorant as not to have an instinct of what boundless stores of knowledge lay before the bold adventurer. As the need for the social and political organization of Europe blotted out the religious feeling of the early Middle Ages which produced the Crusades, so the need for knowledge and the power over material nature swept away the communistic aspirations of the fourteenth century, and it was not long before people had forgotten that they had ever existed.
The world had to learn another lesson; it had to gain power, and not be able to use it; to gain riches, and starve upon them like Midas on his gold; to gain knowledge, and then have newspapers for its teachers; in a word, to be so eager to gather the results of the deeds of the life of man that it must forget the life of man itself. Whether the price of the lesson was worth the lesson we can scarcely tell yet; but one comfort is that we are fast getting perfect in it; we shall, at any rate, not have to begin at the beginning of it again. The hope of the renaissance of the time when Europe first opened its mouth wide to fill its belly with the east wind of commercialism, that hope is passing away, and the ancient hope of the workmen of Europe is coming to life again. Times troublous and rough enough we shall have, doubtless, but not that dull time over again during which labor lay hopeless and voiceless under the muddle of self-satisfied competition.
It is not so hard now to picture to oneself those gray masses of stone, which our forefathers raised in their hope, standing no longer lost and melancholy over the ghastly misery of the fields and the squalor of the towns, but smiling rather on their newborn sisters the houses and halls of the free citizens of the new Communes, and the garden-like fields about them where there will be labor still, but the labor of the happy people who have shaken off the curse of labor and kept its blessing only. Between the time when the hope of the workman disappeared in the fifteenth century and our own times, there is a great gap indeed, but we know now that it will be filled up before long, and that our own lives from day to day may help to fill it. That is no little thing and is well worth living for, whatever else may fail us.
Art and Industry in the Fourteenth Century
This is the last of three lectures on the theme "England As It Was, As it Is and As it May Be", delivered:
This version scanned and proofread from the Collected Works by Ted Crawford, August 2010
From : Marxists.org
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