Prison Memoirs of an Anarchist : Part 1, Chapter 04 : The Attentat
(1870 - 1936) ~ Globe-Trotting Anarchist, Journalist, and Exposer of Bolshevik Tyranny : He was a well-known anarchist leader in the United States and life-long friend of Emma Goldman, a young Russian immigrant whom he met on her first day in New York City. The two became lovers and moved in together, remaining close friends for the rest of Berkman's life. (From : Anarchy Archives.)
• "The present situation in Russia [in 1921] is most anomalous. Economically it is a combination of State and private capitalism. Politically it remains the 'dictatorship of the proletariat' or, more correctly, the dictatorship of the inner circle of the Communist Party." (From : "The Russian Tragedy," by Alexander Berkman, The R....)
• "The state has no soul, no principles. It has but one aim -- to secure power and hold it, at any cost." (From : "The Kronstadt Rebellion," by Alexander Berkman, 1....)
• "Or will the workers at last learn the great lesson Of the Russian Revolution that every government, whatever its fine name and nice promises is by its inherent nature, as a government, destructive of the very purposes of the social revolution? It is the mission of government to govern, to subject, to strenghten and perpetuate itself. It is high time the workers learn that only their own organized, creative efforts, free from Political and State interference, can make their age-long struggle for emancipation a lasting success." (From : "The Russian Tragedy," by Alexander Berkman, The R....)
Part 1, Chapter 04
THE DOORS OF Frick's private office, to the left of the reception-room, swings open as the colored attendant emerges, and I catch a flitting glimpse of a black-bearded, well-knit figure at a table in the back of the room.
"Mistah Frick is engaged. He can't see you now, sah," the negro says, handing back my card.
I take the pasteboard, return it to my case, and walk slowly out of the reception-room. But quickly retracing my steps, I pass through the gate separating the clerks from the visitors, and brushing the astounded attendant aside, I step into the office on the left, and find myself facing Frick.
For an instant the sunlight, streaming through the windows, dazzles me. I discern two men at the further end of the long table.
"Fr-," I begin. The look of terror on his face strikes me speechless. It is the dread of the conscious presence of death. "He understands," it flashes through my mind. With a quick motion I draw the revolver. As I raise the weapon, I see Frick clutch with both hands the arm of the chair, and attempt to rise. I aim at his head. "Perhaps he wears armor," I reflect. With a look of horror he quickly averts his face, as I pull the trigger. There is a flash, and the high-ceilinged room reverberates as with the booming of cannon. I hear a sharp, piercing cry, and see Frick on his knees, his head against the arm of the chair. I feel calm and possessed, intent upon every movement of the man. He is lying head and shoulders under the large armchair, without sound or motion. "Dead?" I wonder. I must make sure. About twenty-five feet separate us. I take a few steps toward him, when suddenly the other man, whose presence I had quite forgotten, leaps upon me. I struggle to loosen his hold. He looks slender and small. I would not hurt him: I have no business with him. Suddenly I hear the cry, "Murder! Help!" My heart stands still as I realize that it is Frick shouting. "Alive?" I wonder. I hurl the stranger aside and fire at the crawling figure of Frick. The man struck my hand,-I have missed! He grapples with me, and we wrestle across the room. I try to throw him, but spying an opening between his arm and body, I thrust the revolver against his side and aim at Frick, cowering behind the chair. I pull the trigger. There is a click-but no explosion! By the throat I catch the stranger, still clinging to me, when suddenly something heavy strikes me on the back of the head. Sharp pains shoot through my eyes. I sink to the floor, vaguely conscious of the weapon slipping from my hands.
"Where is the hammer? Hit him, carpenter!" Confused voices ring in my cars. Painfully I strive to rise. The weight of many bodies is pressing on me. Now-it's Frick's voice! Not dead? ... I crawl in the direction of the sound, dragging the struggling men with me. I must get the dagger from my pocket-I have it! Repeatedly I strike with it at the legs of the man near the window. I hear Frick cry out in pain-there is much shouting and stamping-my arms are pulled and twisted, and I am lifted bodily from the floor.
From : Anarchy Archives
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