Prison Memoirs of an Anarchist : Part 2, Chapter 15 : The Urge of Sex
(1870 - 1936) ~ Globe-Trotting Anarchist, Journalist, and Exposer of Bolshevik Tyranny : He was a well-known anarchist leader in the United States and life-long friend of Emma Goldman, a young Russian immigrant whom he met on her first day in New York City. The two became lovers and moved in together, remaining close friends for the rest of Berkman's life. (From : Anarchy Archives.)
• "Or will the workers at last learn the great lesson Of the Russian Revolution that every government, whatever its fine name and nice promises is by its inherent nature, as a government, destructive of the very purposes of the social revolution? It is the mission of government to govern, to subject, to strenghten and perpetuate itself. It is high time the workers learn that only their own organized, creative efforts, free from Political and State interference, can make their age-long struggle for emancipation a lasting success." (From : "The Russian Tragedy," by Alexander Berkman, The R....)
• "But the 'triumph' of the Bolsheviki over Kronstadt held within itself the defeat of Bolshevism. It exposes the true character of the Communist dictatorship. The Communists proved themselves willing to sacrifice Communism, to make almost any compromise with international capitalism, yet refused the just demands of their own people -- demands that voiced the October slogans of the Bolsheviki themselves: Soviets elected by direct and secret ballot, according to the Constitution of the R.S.F.S.R.; and freedom of speech and press for the revolutionary parties." (From : "The Kronstadt Rebellion," by Alexander Berkman, 1....)
• "But when the industries will again begin to function more or less systematically, [Soviet] Russia will face a very difficult and complex labor situation. Labor organizations, trade unions, do not exist in Russia, so far as the legitimate activities of such bodies are concerned. The Bolsheviki abolished them long ago. With developing production and capitalism, governmental as well as private, Russia will see the rise of a new proletariat whose interests must naturally come into conflict with those of the employing class. A bitter struggle is imminent. A struggle of a twofold nature: against the private capitalist, and against the State as an employer of labor." (From : "The Russian Tragedy," by Alexander Berkman, The R....)
Part 2, Chapter 15
SUNDAY NIGHT: MY new cell on the upper gallery is hot and stuffy; I cannot sleep. Through the bars, I gaze upon the Ohio. The full moon hangs above the river, bathing the waters in mellow light. The strains of a sweet lullaby wander through the woods, and the banks are merry with laughter. A girlish cadence rings like a silvery bell, and voices call in the distance. Life is joyous and near, terribly, tantalizingly near,but all is silent and dead around me.
For days the feminine voice keeps ringing in my ears. It sounded so youthful and buoyant, so fondly alluring. A beautiful girl, no doubt. What joy to feast my eyes on her! I have not beheld a woman for many months: I long to hear the soft accents, feel the tender touch. My mind persistently reverts to the voice on the river, the sweet strains in the woods; and fancy wreathes sad-toned fugues upon the merry carol, paints vision and image, as I pace the floor in agitation. They live, they breathe! I see the slender figure with the swelling bosom, the delicate white throat, the babyish face with large, wistful eyes. Why, it is Luba! My blood tingles violently, passionately, as I live over again the rapturous wonder at the first touch of her maiden breast. How temptingly innocent sounded the immodest invitation on the velvety lips, how exquisite the suddenness of it all! We were in New Haven then. One by one we had gathered, till the little New York commune was complete. The Girl joined me first, for I felt lonely in the strange city, drudging as compositor on a country weekly, the evenings cold and cheerless in the midst of a conservative household. But the Girl brought light and sunshine, and then came the Twin and Manya. Luba remained in New York; but Manya, devoted little soul, yearned for her sister, and presently the three girls worked side by side in the corset factory. All seemed happy in the free atmosphere, and Luba was blooming into beautiful womanhood. There was a vague something about her that now and then roused in me a fond longing, a rapturous desire. Once-it was in New York, a year beforeI had experienced a sudden impulse toward her. It seized me unheralded, unaccountably. I had called to try a game of chess with her father, when he informed me that Luba had been ill. She was recovering now, and would be pleased to see me. I sat at the bedside, conversing in low tones, when I noticed the pillows slipping from under the girl's head. Bending over, I involuntarily touched her hair, loosely hanging down the side. The soft, dark chestnut thrilled me, and the next instant I stooped and stealthily pressed the silken waves to my lips. The momentary sense of shame was lost in the feeling of reverence for the girl with the beautiful hair, that bewildered and fascinated me, and a deep yearning suddenly possessed me, as she lay in exquisite disarray, full of grace and beauty. And all the while we talked, my eyes feasted on her ravishing form, and I felt envious of her future lover, and hated the desecration. But when I left her bedside, all trace of desire disappeared, and the inspiration of the moment faded like a vision affrighted by the dawn. Only a transient, vague inquietude remained, as of something unattainable.
Then came that unforgettable moment of undreamed bliss. We had just returned from the performance of Tosca, with Sarah Bernhardt in her inimitable role. I had to pass through Luba's room on my way to the attic, in the little house occupied by the commune. She had already retired, but was still awake. I sat down on the edge of the bed, and we talked of the play. She glowed with the inspiration of the great tragedienne; then, somehow, she alluded to the decollete of the actresses.
"I don't mind a fine bust exposed on the stage," I remarked. "But I had a powerful opera glass: their breasts looked fleshy and flabby. It was disgusting."
"Do you think-mine nice?" she asked, suddenly.
For a second I was bewildered. But the question sounded so enchantingly unpremeditated, so innocently eager.
"I never- Let me see them," I said, impulsively.
"No, no!" she cried, in aroused modesty; "I can't, I can't!"
"I won't look, Luba. See, I close my eyes. just a touch."
"Oh I can't, I'm ashamed! Only over the blanket, please, Sasha," she pleaded, as my hand softly stole under the covers. She gripped the sheet tightly, and my arm rested on her side. The touch of the firm, round breast thrilled me with passionate ecstasy. In fear of arousing her maidenly resistance, I strove to hide my exultation, while cautiously and tenderly I released the coverlet.
"They are very beautiful, Luba," I said, controlling the tremor of my voice.
"You-like them, really, Sasha?" The large eyes looked lustrous and happy.
"They are Greek, dear," and snatching the last covering aside, I kissed her between the breasts.
"I'm so glad I came here," she spoke dreamily.
"Were you very lonesome in New York?"
"It was terrible, Sasha."
"You like the change?"
"Oh, you silly boy! Don't you know?"
"I wanted you, dear." Her arms twined softly about me.
I felt appalled. The Girl, my revolutionary plans, flitted through my mind, chilling me with self-reproach. The pale hue of the attained cast its shadow across the spell, and I lay cold and quiet on Luba's breast. The coverlet was slipping down, and, reaching for it, my hand inadvertently touched her knee.
"Sasha, how can you!" she cried in alarm, sitting up with terrified eyes.
"I didn't mean to, Luba. How could you think that of me?" I was deeply mortified.
My hand relaxed on her breast. We lay in silent embarrassment.
"It is getting late, Sasha." She tenderly drew my head to her bosom.
"A little while yet, dear," and again the enchantment of the virgin breasts was upon me, and I showered wild kisses on them, and pressed them passionately, madly, till she cried out in pain.
"You must go now, dear."
"Good night, dearest. You haven't kissed me, Sashenka."
I felt her detaining lips, as I left.
In the wakeful hours of the night, the urge of sex grows more and more insistent. Scenes from the past live in my thoughts; the cell is peopled with familiar faces. Episodes long dead to memory rise animated before me; they emerge from the darkest chambers of my soul, and move with intense reality, like the portraits Of MY sires come to life in the dark, fearful nights of my childhood. Pert Masha smiles at me from her window across the street, and a bevy of girls pass me demurely, with modestly averted gaze, and then call back saucily, in thinly disguised voices. Again I am with my playmates, trailing the schoolgirls on their way to the river, and we chuckle gleefully at their affright and confusion, as they discover the eyes glued to the peep-holes we had cut in the booth. Inwardly I resent Nadya's bathing in her shirt, and in revenge dove beneath the boards, rising to the surface in the midst of the girls, who run to cover in shame and terror. But I grow indignant at Vainka who badgers the girls with "Tsiba, tsiba, ba-aa! " and I soundly thrash Kolya for shouting nasty epithets across the school yard at little Nunya, whom I secretly adore.
But the note of later days returns again and again, and the scenes of youth recede into their dim frames. Clearer and more frequently appear Sonya and Luba, and the little sweetheart of my first months in America. What a goose she was! She would not embrace me, because it's a great sin, unless one is married. But how slyly she managed to arrange kissing games at the Sunday gatherings at her home, and always lose to me! She must be quite a woman now, with a husband, children ... Quickly she flits by, the recollection even of her name lost in the glow of Anarchist emotionalism and the fervent enthusiasm of my Orchard Street days. There flames the light that irradiates the vague longings of my Russian youth, and gives rapt interpretation to obscurely pulsating idealism. It sheds the halo of illuminating justification upon my blindly rebellious spirit, and visualizes my dreams on the sunlit mountains. The sordid misery of my "greenhorn" days assumes a new aspect. Ah, the wretchedness of those first years in America! ... And still Time's woof and warp unroll the tapestry of life in the New World, its joys and heart-throbs. I stand a lone stranger, bewildered by the flurry of Castle Garden, yet strong with hope and courage to carve my fate in freedom. The Czar is far away, and the fear of his hated Cossacks is past. How inspiring is liberty! The very air breathes enthusiasm and strength, and with confident ardor I embrace the new life. I join the ranks of the world's producers, and glory in the full manhood conferred by the dignity of labor. I resent the derision of my adopted country on the part of my family abroad,-resent it hotly. I feel wronged by the charge of having disgraced my parents' respected name by turning "a low, dirty workingman." I combat their snobbishness vehemently, and rev enge the indignity to labor by challenging comparison between the Old and the New World. Behold the glory of liberty and prosperity, the handiwork of a nation that honors labor! ... The loom of Time keeps weaving. Lone and friendless, I struggle in the new land. Life in the tenements is sordid, the fate of the worker dreary. There is no "dignity of labor." Sweatshop bread is bitter. Oppression guards the golden promise, and servile brutality is the only earnest of success. Then like a clarion note in the desert sounds the call of the Ideal. Strong and rousing rolls the battle-cry of Revolution. Like a flash in the night, it illumines my groping. My life becomes full of new meaning and interest, translated into the struggle of a world's emancipation. Fedya joins me, and together we are absorbed in the music of the new humanity.
It is all far, far-yet every detail is sharply etched upon my memory. Swiftly pass before me the years of complete consecration to the movement, the self-imposed poverty and sacrifices, the feverish tide of agitation in the wake of the Chicago martyrdom, the evenings of spirited debate, the nights of diligent study. And over all loom the Fridays in the little dingy hall in the Ghetto, where the handful of Russian refugees gather; where bold imprecations are thundered against the tyranny and injustice of the existing, and winged words prophesy the near approach of a glorious Dawn. Beshawled women, and men, long-coated and piously bearded, steal into the hall after synagogue prayers, and listen with wondering eyes, vainly striving to grasp the strange Jewish, so perplexedly interspersed with the alien words of the new evangel. How our hearts rejoice, as, with exaggerated deference, we eagerly encourage the diffident questioner, "Do you really mean-may the good Lord forgive me-there is no one in heaven above?". . . Late in the evening the meeting resolves into small groups, heatedly contending over the speaker's utterances, the select circle finally adjourning to "the corner." The obscure little tea room resounds with the joust of learning and wit. Fascinating is the feast of reason, impassioned the flow of soul, as the passage-atarms grows more heated with the advance of the night. The alert-eyed host diplomatically pacifies the belligerent factions, "Gentlemen, gentlemen, s-sh! The police station is just across the street." There is a lull in the combat. The angry opponents frown at each other, and in the interim the Austrian Student in his mellow voice begins an interminable story of personal reminiscence, apropos of nothing and starting nowhere, but intensely absorbing. With sparkling eyes he holds us spellbound, relating the wonderful journey, taking us through the Nevsky in St. Petersburg, thence to the Caucasus, to engage in the blood-feuds of the Tcherkessi; or, enmeshed in a perilous flirtation with an Albanian beauty in a Muslim harem, he descants on the philosophy of Mohammed, imperceptibly shifting the scene to the Nile to hunt the hippopotamus, and suddenly interrupting the amazing adventures by introducing an acquaintance of the evening, "My excellent friend, the coming great Italian virtuoso, from Odessa, gentlemen. He will entertain us with an aria from Trovatore." But the circle is not in a musical mood: some one challenges the Student's familiarity with the Muslim philosophy, and the Twin hints at the gossiped intimacy of the Austrian with Christian missionaries. There are protestations, and loud clamor for an explanation. The Student smilingly assents, and presently he is launched upon the Chinese sea, in the midst of a strange caravan, trading tea at Yachta, and aiding a political to escape to Vladivostok.... The night pales before the waking sun, the Twin yawns, and I am drowsy with-
" Cof-fee! Want coffee? Hey, git up there! Didn't you hear th' bell? "
From : Anarchy Archives
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