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ECLOGUES This is the ninth book issued by the Beaumont Press and the fifth printed by hand 30 copies have been printed on Japanese vellum signed by the author and artist and numbered i to 30 50 copies on cartridge paper numbered 31 to 80 and 120 copies on hand-made paper numbered 81 to 200 ECLOGUES A BOOK OF POEMS HERBERT READ CONTENTS THE MEDITATION OF A LOVER I can just see the distant trees ... 9 WOODLANDS Pine needles cover the silent ground: . 10 PASTURELANDS We scurry over the pastures . . . 11 THE POND Shrill green weeds . . . . . 12 THE ORCHARD Grotesque patterns of blue-gray mold . 1 3 APRIL To the fresh wet fields . . , . 14 THE WOODMAN His russet coat and gleaming ax . . 15 HARVEST HOME The wagons loom like blue caravans . (From : Anarchy Archives.)

A Voice of Ireland
Yes-tear down our homes! leave the hearthstone cold As the hearts of you who have laid it bare; And stone from stone let the walls be rolled, And our home be one with the outer air, Heap wrong on wrong! We have had to bear More wrongs than ever our tongues can tell; One right is left us-we still forbear, O England, to use it-the right to rebel! We have borne so much that a little more, You think, may be borne by us unrepaid? And our backs must bow as they bowed before, While on quivering flesh are the lashes laid? O England, are you never afraid Of us you have tortured so long and so well? Do you never doubt which the Fates would aid- Of us or you-if we rose to rebel? Do you ne... (From : AnarchyArchives.)


Translated from the French by Robert Helms "Le Mur" first appeared in L'Echo de Paris on February 20, 1894 Old man Rivoli had a wall. This wall ran along a road, and it was crumbling badly. The rains and the road mender's pickax had undermined the base. The stones, having come loose, hardly held together any longer, and cracks were opening up. It was beautiful, however, having the look of an ancient ruin. Some irises crowned the top, while figworts, maidenhair, and houseleeks pushed their way through the fissures. Some poppies, too, paraded their frail bodies between cracks in the rubble-stones. But Pop Rivoli was not sensitive to the poetry of his wall, and, after examining it at length, and jiggling some of its loose stones like teeth in ... (From : Mid-Atlantic Infoshop.)

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