THE popular notion about marriage and love is that they are synonymous, that they spring from the same motives, and cover the same human needs. Like most popular notions this also rests not on actual facts, but on superstition. Marriage and love have nothing in common; they are as far apart as the poles; are, in fact, antagonistic to each other. No doubt some marriages have been the result of love. Not, however, because love could assert itself only in marriage; much rather is it because few people can completely outgrow a convention. There are to-day large numbers of men and women to whom marriage is naught but a farce, but who submit to it for the sake of public opinion. At any rate, while it is true that some marriages are based on love,... (From : Anarchy Archives.)
A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)
THE SCANDINAVIAN DRAMA: AUGUST STRINDBERG COMRADES Although comrades was written in 1888, it is in a measure the most up-to-date play of Strindberg,-so thoroughly modern that one at all conversant with the milieu that inspired " Comrades " could easily point out the type of character portrayed in the play. It is a four-act comedy of marriage - the kind of marriage that lacks social and legal security in the form of a ceremony, but retains all the petty. conventions of the marriage institution. The results of such an anomaly are indeed ludicrous when viewed from a distance, but very tragic for those who play a part in it. Axel Alberg and his wife Bertha are Swedish artists residing in Paris. They are both painters. Of course they share the same living quarters, and although each has a separate room, the arrangement does not hinder them from trying to regulate each other's movements. Thus when Bertha does n...