Levin emptied his glass, and they were silent for a while. "There’s one other thing I ought to tell you. Do you know Vronsky?" Stepan Arkadyevitch asked Levin. "No, I don’t. Why do you ask?" "Give us another bottle," Stepan Arkadyevitch directed the Tatar, who was filling up their glasses and fidgeting round them just when he was not wanted. "Why you ought to know Vronsky is that he’s one of your rivals." "Who’s Vronsky?" said Levin, and his face was suddenly transformed from the look of childlike ecstasy which Oblonsky had just been admiring to an angry and unpleasant expression. "Vronsky is one of the sons of Count Kirill Ivanovitch Vronsky, and one of the finest specimens of the gilded youth of Petersburg. I made his acquaintance in Tver when I was there on official business, and he came there for the levy of recruits. Fearfully rich, handsome, great connections, an aide-de-camp, and with all that...
Translated from the French by Robert Helms "Avant L'Enterrement" first appeared in the Paris newspaper Gil Blas on April 19, 1887 Mr. Poivret got down from his wagon in front of the shop owned by his son-in-law Pierre Gasselin, tied the horse to a thick iron ring and, after three times checking the tightness of the tether's knot, he entered the butcher shop cracking his horse-whip. "Anyone there?" he yelled. A dog, sleeping with its body stretched across a sunny patch of floor, got up with a low groan and then laid itself out a little farther out of the way. The store was deserted, and since it was Thursday, the meat rack was pretty close to empty. A quarter of nearly black beef lay on the block, covered with flies, and a lamb's heart, spli... (From : Mid-Atlantic Infoshop.)
A Tale of 1852Suddenly it was as though the sun had shone into his soul. He heard Russian being spoken, and also heard the rapid smooth flow of the Terek, and a few steps farther in front of him saw the brown moving surface of the river, with the dim-colored wet sand of its banks and shallows, the distant steppe, the cordon watch-tower outlined above the water, a saddled and hobbled horse among the brambles, and then the mountains opening out before him. The red sun appeared for an instant from under a cloud and its last rays glittered brightly along the river over the reeds, on the watch-tower, and on a group of Cossacks, among whom Lukashka's vigorous figure attracted Olenin's involuntary attention. Olenin felt that he was again, without any apparent cause, perfectly happy. He had come upon the Nizhni-Prototsk post on the Terek, opposite a pro-Russian Tartar village on the other side of the river. He accosted the Cossacks, but not finding as yet any excuse for doing anyone a kindness,...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
THE SNAKE'S HEAD AND TAIL The Snake's Tail had a quarrel with the Snake's Head about who was to walk in front. The Head said: "You cannot walk in front, because you have no eyes and no ears." The Tail said: "Yes, but I have strength, I move you; if I want to, I can wind myself around a tree, and you cannot get off the spot." The Head said: "Let us separate!" And the Tail tore himself loose from the Head, and crept on; but the moment he got away from the Head, he fell into a hole and was lost. FINE THREAD A Man ordered some fine thread from a Spinner. The Spinner spun it for him, but the Man said that the thread was not good, and that he wanted the finest thread he could get. The Spinner said: "If this is not fine enough, take this!" and she pointed to an empty space. He said that he did not see any. The Spinner said: "You do not see it, because it is so fine. I do not see it mys...
In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...
In an age of materialism like our own the phenomenon of spiritual power is as significant and inspiring as it is rare. No longer associated with the “divine right” of kings, it has survived the downfall of feudal and theocratic systems as a mystic personal emanation in place of a coercive weapon of statecraft. Freed from its ancient shackles of dogma and despotism it eludes analysis. We know not how to gauge its effect on others, nor even upon ourselves. Like the wind, it permeates the atmosphere we breathe, and baffles while it stimulates the mind with its intangible but compelling force. This psychic power, which the dead weight of materialism is impotent to suppress, is revealed in the lives and writings of men of the most diverse creeds and nationalities. Apart from those who, like Buddha and Mahomet, have been raised to the height of demi-gods by worshiping millions, there are names which leap inevitably to the mind—such names as Savonarola,...
A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
Selected Letters of Nicola Sacco from the Charlestown State Prison July 19, 1927 MY DEAR INES: I would like that you should understand what I am going to say to you, and I wish I could write you so plain, for I long so much to have you hear all the heart-beat, eagemess of your father, for I love you so much as you are the dearest little beloved one. It is quite hard indeed to make you understand in your young age, but I am going to try from the bottom of my heart to make you understand how dear you are to your father's soul. If I cannot succeed in doing that, I know that you will save this letter and read it over in future years to come and you will see and feel the same heart-beat affection as your father feels in writing it to you. I will... (From : umkc.edu.)
A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)
THE SCANDINAVIAN DRAMA In a letter to George Brandes, shortly after the Paris Commune, Henrik Ibsen wrote concerning the State and political liberty: "The State is the curse of the individual. How has the national strength of Prussia been purchased? By the sinking of the individual in a political and geographical formula. . . . The State must go! That will be a revolution which will find me on its side. Undermine the idea of the State, set up in its place spontaneous action, and the idea that spiritual relationship is the only thing that makes for unity, and you will start the elements of a liberty which will be something worth possessing." The State was not the only bête noire of Henrik Ibsen. Every other institution which, like the State, rests upon a lie, was an iniquity to him. Uncompromising demolisher of all false idols and dynamiter of all social shams and hypocrisy, Ibsen consistently strove to uproot every stone of our so...
WILLIAM GODWIN GODWIN'S OWN ACCOUNT OF CALEB WILLIAMS As written for insertion in the edition of FLEETWOOD when that novel was reprinted in Bentley's "Standard Novels' as No. XXII London, November 20, 1832 CALEB WILLIAMS has always been regarded by the public with an unusual degree of favor. The proprietor of "THE STANDARD NOVELS" has therefore imagined, that even an account of the concoction and mode of writing the work would be viewed with some interest. I had always felt in myself some vocation towards the composition of a narrative of fictitious adventure; and among the things of obscure note, which I have above referred to, were two or three pieces of this nature. It is not therefore extraordinary that some project of the sort should have suggested itself on the present occasion [after the publication of Political Justice] I formed a conception of a book of fictitious adv...
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...
Published Essays and Pamphlets An Unexpected Dash Through Spain by Emma Goldman [Published in The Road to Freedom (New York)] [Part I, Vol. 5, no. 8, April, 1929] SITTING tucked away in quiet St. Tropez, at work on my autobiography, I was as far from the thought of a trip to Spain as if I had been living in Tokio, Shanghai or Kamchatka. I did plan a rest away from my book during the Christmas holidays. One needs a break, even in the most ideal love life, and the process of reliving and writing one's past is anything but ideal. Au contraire, as we say in France! It is very painful, with much of the bitter and nothing of the sweet that love represents. Writing strenuously for five months entitled me to a rest; even my enemies couldn't grudge ... (From : University of Berkeley.)