All the rooms of the summer villa were full of porters, gardeners, and footmen going to and fro carrying out things. Cupboards and chests were open; twice they had sent to the shop for cord; pieces of newspaper were tossing about on the floor. Two trunks, some bags and strapped-up rugs, had been carried down into the hall. The carriage and two hired cabs were waiting at the steps. Anna, forgetting her inward agitation in the work of packing, was standing at a table in her boudoir, packing her traveling bag, when Annushka called her attention to the rattle of some carriage driving up. Anna looked out of the window and saw Alexey Alexandrovitch’s courier on the steps, ringing at the front door bell. "Run and find out what it is," she said, and with a calm sense of being prepared for anything, she sat down in a low chair, folding her hands on her knees. A footman brought in a thick packet directed in Alexey Alexandrovitch’s hand. "The courier...
Translated from the French by Robert Helms "Avant L'Enterrement" first appeared in the Paris newspaper Gil Blas on April 19, 1887 Mr. Poivret got down from his wagon in front of the shop owned by his son-in-law Pierre Gasselin, tied the horse to a thick iron ring and, after three times checking the tightness of the tether's knot, he entered the butcher shop cracking his horse-whip. "Anyone there?" he yelled. A dog, sleeping with its body stretched across a sunny patch of floor, got up with a low groan and then laid itself out a little farther out of the way. The store was deserted, and since it was Thursday, the meat rack was pretty close to empty. A quarter of nearly black beef lay on the block, covered with flies, and a lamb's heart, spli... (From : Mid-Atlantic Infoshop.)
A Tale of 1852It was growing light. The Chechen's body which was gently rocking in the shallow water was now clearly visible. Suddenly the reeds rustled not far from Luke and he heard steps and saw the feathery tops of the reeds moving. He set his gun at full cock and muttered: 'In the name of the Father and of the Son,' but when the cock clicked the sound of steps ceased. 'Halloo, Cossacks! Don't kill your Daddy!' said a deep bass voice calmly; and moving the reeds apart Daddy Eroshka came up close to Luke. 'I very nearly killed you, by God I did!' said Lukashka. 'What have you shot?' asked the old man. His sonorous voice resounded through the wood and downward along the river, suddenly dispelling the mysterious quiet of night around the Cossack. It was as if everything had suddenly become lighter and more distinct. 'There now. Uncle, you have not seen anything, but I've killed a beast,' said Lukashka, uncocking his gun and getting up with unnatural calm...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
Go out in the winter on a calm, frosty day into the field, or into the woods, and look about you and listen: all around you is snow, the rivers are frozen, dry grass blades stick out of the grass, the trees are bare,—nothing is moving. Look in the summer: the rivers are running and rippling, in every puddle the frogs croak and plunge in; the birds fly from place to place, and whistle, and sing; the flies and the gnats whirl around and buzz; the trees and the grass grow and wave to and fro. Freeze a pot with water, and it will become as hard as a rock. Put the frozen pot on the fire: the ice will begin to break, and melt, and move; the water will begin to stir, and bubbles will rise; then, when it begins to boil, it whirls about and makes a noise. The same happens in the world from the heat. Without heat everything is dead; with the heat everything moves and lives. If there is little heat, there is little motion; with more heat, there is more motion; with much...
In Petersburg in the eighteen-forties a surprising event occurred. An officer of the Cuirassier Life Guards, a handsome prince who everyone predicted would become aide-de-camp to the Emperor Nicholas I. and have a brilliant career, left the service, broke off his engagement to a beautiful maid of honor, a favorite of the Empress’s, gave his small estate to his sister, and retired to a monastery to become a monk. This event appeared extraordinary and inexplicable to those who did not know his inner motives, but for Prince Stepan Kasatsky himself it all occurred so naturally that he could not imagine how he could have acted otherwise. His father, a retired colonel of the Guards, had died when Stepan was twelve, and sorry as his mother was to part from her son, she entered him at the Military College as her deceased husband had intended. The widow herself, with her daughter, Varvara, moved to Petersburg to be near her son and have him with her for the ho...
In an age of materialism like our own the phenomenon of spiritual power is as significant and inspiring as it is rare. No longer associated with the “divine right” of kings, it has survived the downfall of feudal and theocratic systems as a mystic personal emanation in place of a coercive weapon of statecraft. Freed from its ancient shackles of dogma and despotism it eludes analysis. We know not how to gauge its effect on others, nor even upon ourselves. Like the wind, it permeates the atmosphere we breathe, and baffles while it stimulates the mind with its intangible but compelling force. This psychic power, which the dead weight of materialism is impotent to suppress, is revealed in the lives and writings of men of the most diverse creeds and nationalities. Apart from those who, like Buddha and Mahomet, have been raised to the height of demi-gods by worshiping millions, there are names which leap inevitably to the mind—such names as Savonarola,...
A Comedy in Four ActsLEONÍD FYÓDORITCH ZVEZDÍNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish people with his wonderful stories. ANNA PÁVLOVNA ZVEZDÍNTSEVA. Wife of Leoníd. Stout; pretends to be young; quite taken up with the conventionalities of life; despises her husband, and blindly believes in her doctor. Very irritable. BETSY. Their daughter. A young woman of 20, fast, tries to be mannish, wears a pince-nez, flirts and giggles. Speaks very quickly and distinctly. VASÍLY LEONÍDITCH ZVEZDÍNTSEF. Their son, aged 25; has studied law, but has no definite occupation. Member of the Cycling Club, Jockey Club, and of the Society for Promoting the Breeding of Hounds. Enjoys perfect health, and has imperturbable self-assurance. Speaks loud...
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...
Selected Letters of Nicola Sacco from the Charlestown State Prison July 19, 1927 MY DEAR INES: I would like that you should understand what I am going to say to you, and I wish I could write you so plain, for I long so much to have you hear all the heart-beat, eagemess of your father, for I love you so much as you are the dearest little beloved one. It is quite hard indeed to make you understand in your young age, but I am going to try from the bottom of my heart to make you understand how dear you are to your father's soul. If I cannot succeed in doing that, I know that you will save this letter and read it over in future years to come and you will see and feel the same heart-beat affection as your father feels in writing it to you. I will... (From : umkc.edu.)
A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
WILLIAM GODWIN GODWIN'S OWN ACCOUNT OF CALEB WILLIAMS As written for insertion in the edition of FLEETWOOD when that novel was reprinted in Bentley's "Standard Novels' as No. XXII London, November 20, 1832 CALEB WILLIAMS has always been regarded by the public with an unusual degree of favor. The proprietor of "THE STANDARD NOVELS" has therefore imagined, that even an account of the concoction and mode of writing the work would be viewed with some interest. I had always felt in myself some vocation towards the composition of a narrative of fictitious adventure; and among the things of obscure note, which I have above referred to, were two or three pieces of this nature. It is not therefore extraordinary that some project of the sort should have suggested itself on the present occasion [after the publication of Political Justice] I formed a conception of a book of fictitious adv...
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...
Published Essays and Pamphlets An Unexpected Dash Through Spain by Emma Goldman [Published in The Road to Freedom (New York)] [Part I, Vol. 5, no. 8, April, 1929] SITTING tucked away in quiet St. Tropez, at work on my autobiography, I was as far from the thought of a trip to Spain as if I had been living in Tokio, Shanghai or Kamchatka. I did plan a rest away from my book during the Christmas holidays. One needs a break, even in the most ideal love life, and the process of reliving and writing one's past is anything but ideal. Au contraire, as we say in France! It is very painful, with much of the bitter and nothing of the sweet that love represents. Writing strenuously for five months entitled me to a rest; even my enemies couldn't grudge ... (From : University of Berkeley.)