FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER IX THE second day after my arrival, M. Ruffigny conducted me on a little tour to the lake of Uri. "My country," said he, "makes but a petty figure in the map of the globe; and, perhaps, it maybe a frivolous sort of pride in me, that makes me feel complacency in recollecting that I am a burgher of Uri. I do not merely exult that I am a Swiss, but I sometimes indulge myself in a fastidious comparison between my native canton and the more spacious and opulent republics of Zurich and Berne. The little state which I inhabit, is nearly one cluster of rugged and inhospitable mountains; yet this is the district in which the Swiss liberty was engendered; and from hence, as a center, it spread on every side to the furthest boundaries of the union. I am myself descended from the patriot...
It would not perhaps be thought, ordinarily, that the man whom physical disabilities have made so helpless that he is unable to move around among his fellows can bear his lot more happily, even though he suffer pain, and face life with a more cheerful and contented spirit, than can the man whose deformities are merely enough to mark him out from the rest of his fellows without preventing him from entering with them into most of their common affairs and experiences. But the fact is that the former's very helplessness makes him content to rest and not to strive. I know a young man so helplessly deformed that he has to be carried about, who is happy in reading a little, playing chess, taking a course or two in college, and all with the sunnies... (From : RaggedEdgemagazine.com.)
From: William Godwin . Imogen: A Pastoral Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgment of the source from whence he drew his choicest materials. But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his cust...