I am asked for my thoughts about the content and style of anti-war films, and how to make such a film. First of all, such a film must at least not do positive harm by predisposing its audience toward war. The images of senseless violence, horror, and waste that are usually employed in the commercially successful “antiwar” films do have a titillating effect and remain in the soul as excitants and further incitements. Let me show how this works. In cinematic conditions of bright screen and dark theater, lasting for many minutes and tending to fascination and hypnosis, images of horror easily detach themselves from the kind of intellectual and ethical framework in which they are usually presented, and they attach themselves to quite ... (From : http://www.bopsecrets.org/CF/goodman.htm.)
Life be good to you. Whether we shall ever meet again, who know? I am losing hope, together with many other things I have been losing since December. But still I cling to the straws of possibilities. If I could at least hear from yourself as to how things stand, and whether he near or even the distant future may be looked forward to with any expectation. But in any event, and whatever may be hidden in the lap of the Gods for me, should even no line ever reach you from me again, you need but re-read my notes from Ellis Island, or to recollect their contents in case the notes do not exist any more, and to feel that they express my feelings now just as they did then. That is sufficient to say, and I know you will understand, even if you can re... (From : Anarchy Archives.)
Few writers have established their reputation so rapidly as Maxím Górky. His first sketches (1892-95), were published in an obscure provincial paper of the Caucasus, and were totally unknown to the literary world, but when a short tale of his appeared in a widely-read review, edited by Korolénko, it at once attracted general attention. The beauty of its form, its artistic finish, and the new note of strength and courage which rang through it, brought the young writer immediately into prominence. It became known that Maxím Górky was the pen-name of quite a young man, A. Pyeshkoff, who was born in 1868 in Nizhni Novgorod, a large town on the Volga; that his father was a merchant, or an artisan, his mother a ... (From : University of Virginia Library.)