“Yes, so it is; and that went farther and farther with all sorts of variations. My God! when I remember all my cowardly acts and bad deeds, I am frightened. And I remember that ‘me’ who, during that period, was still the butt of his comrades’ ridicule on account of his innocence. “And when I hear people talk of the gilded youth, of the officers, of the Parisians, and all these gentlemen, and myself, living wild lives at the age of thirty, and who have on our consciences hundreds of crimes toward women, terrible and varied, when we enter a parlor or a ball-room, washed, shaven, and perfumed, with very white linen, in dress coats or in uniform, as emblems of purity, oh, the disgust! There will surely come a time, an epoch, when all these lives and all this cowardice will be unveiled! “So, nevertheless, I lived, until the age of thirty, without abandoning for a minute my intention of marrying, and building an elevated conjugal life;...
The autobiographies which we owe to great minds have in former times generally been of one of three types: 'So far I went astray, thus I found the true Path' (St Augustine); or, 'So bad was I, but who dares to consider himself better!" (Rousseau); or, 'This is the way a genius has slowly been evolved from within and by favorable surroundings'(Goethe). In these forms of self-representation the author is thus mainly pre-occupied with himself. In the nineteenth century the a autobiographies of men of mark are more often shaped on lines such as these: 'So full of talent and attractive was I; such appreciation and admiration I won!' (Johanne Louise Heiberg, 'A Life lived once more in Reminiscence'); or, 'I was full of talent and worthy of being loved, but yet I was unappreciated, and these were the hard struggles I went through before I won the crown of fame' (Hans Christian Andersen, 'The Tale of a Life'). The main Pre-occupation of the writer, in these two classes of...