The autobiographies which we owe to great minds have in former times generally been of one of three types: 'So far I went astray, thus I found the true Path' (St Augustine); or, 'So bad was I, but who dares to consider himself better!" (Rousseau); or, 'This is the way a genius has slowly been evolved from within and by favorable surroundings'(Goethe). In these forms of self-representation the author is thus mainly pre-occupied with himself. In the nineteenth century the a autobiographies of men of mark are more often shaped on lines such as these: 'So full of talent and attractive was I; such appreciation and admiration I won!' (Johanne Louise Heiberg, 'A Life lived once more in Reminiscence'); or, 'I was full of talent and worthy of being loved, but yet I was unappreciated, and these were the hard struggles I went through before I won the crown of fame' (Hans Christian Andersen, 'The Tale of a Life'). The main Pre-occupation of the writer, in these two classes of...
Written: August 1907; Source: Bakunin on Anarchy, translated and edited by Sam Dolgoff, 1971. James Guillaume, Bakunin’s friend and comrade-in-arms, edited the last five volumes of the six-volume French edition of his collected works. Guillaume’s biographical sketch of Bakunin, originally appeared in his introduction to Volume II of that edition. This sketch is a primary source not only on the life of Bakunin, but also on the most significant events in the socialist movement of that period. It incidentally contributes valuable background information for many of the other selections in the present volume. Guillaume, who did not limit himself to recording events but also took part in shaping them, had been inclined toward anarchis... (From : Marxists.org.)