Browsing Revolt Library By Tag : solitary

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Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV. (From : Gutenberg.org.)

FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER IX THE second day after my arrival, M. Ruffigny conducted me on a little tour to the lake of Uri. "My country," said he, "makes but a petty figure in the map of the globe; and, perhaps, it maybe a frivolous sort of pride in me, that makes me feel complacency in recollecting that I am a burgher of Uri. I do not merely exult that I am a Swiss, but I sometimes indulge myself in a fastidious comparison between my native canton and the more spacious and opulent republics of Zurich and Berne. The little state which I inhabit, is nearly one cluster of rugged and inhospitable mountains; yet this is the district in which the Swiss liberty was engendered; and from hence, as a center, it spread on every side to the furthest boundaries of the union. I am myself descended from the patriot...


In these days, under the influence of democracy, the virtue of cooperation has taken the place formerly held by obedience. The old-fashioned schoolmaster would say of a boy that he was disobedient; the modern schoolmistress says of an infant that he is non-cooperative. It means the same thing: the child, in either case, fails to do what the teacher wishes, but in the first case the teacher acts as the government and in the second as the representative of the People, i.e. of the other children. The result of the new language, as of the old, is to encourage docility, suggestibility, herd-instinct and conventionality, thereby necessarily discouraging originality, initiative and unusual intelligence. Adults who achieve anything of value have se... (From : SantaFe.edu.)

4 THE ATTENTAT THE DOORS OF Frick's private office, to the left of the reception-room, swings open as the colored attendant emerges, and I catch a flitting glimpse of a black-bearded, well-knit figure at a table in the back of the room. "Mistah Frick is engaged. He can't see you now, sah," the negro says, handing back my card. I take the pasteboard, return it to my case, and walk slowly out of the reception-room. But quickly retracing my steps, I pass through the gate separating the clerks from the visitors, and brushing the astounded attendant aside, I step into the office on the left, and find myself facing Frick. For an instant the sunlight, streaming through the windows, dazzles me. I discern two men at the further end of the long table. "Fr-," I begin. The look of terror on his face strikes me speechless. It is the dread of the conscious presence of death. "He understands,"...

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