Italian Letters, Vols. I and II — Volume 2, Letter 17 : The Answer, Cosenza

By William Godwin

Entry 5495

Public

From: holdoffhunger [id: 1]
(holdoffhunger@gmail.com)

../ggcms/src/templates/revoltlib/view/display_grandchildof_anarchism.php

Untitled Anarchism Italian Letters, Vols. I and II Volume 2, Letter 17

Not Logged In: Login?

0
0
Comments (0)
Permalink
(1756 - 1836)

Respected Anarchist Philosopher and Sociologist of the Enlightenment Era

: His most famous work, An Inquiry concerning Political Justice, appeared in 1793, inspired to some extent by the political turbulence and fundamental restructuring of governmental institutions underway in France. Godwin's belief is that governments are fundamentally inimical to the integrity of the human beings living under their strictures... (From: University of Pennsylvania Bio.)
• "Fickleness and instability, your lordship will please to observe, are of the very essence of a real statesman." (From: "Instructions to a Statesman," by William Godwin.)
• "Anarchy and darkness will be the original appearance. But light shall spring out of the noon of night; harmony and order shall succeed the chaos." (From: "Instructions to a Statesman," by William Godwin.)
• "Courts are so encumbered and hedged in with ceremony, that the members of them are always prone to imagine that the form is more essential and indispensable, than the substance." (From: "Instructions to a Statesman," by William Godwin.)


On : of 0 Words

Volume 2, Letter 17

Letter XVII. The Answer, Cosenza

My lord,

You were not mistaken when you supposed that the subject of your letter would both afflict and surprize me in the extremest degree. The unfortunate event to which it principally relates, is such as cannot but affect me nearly. And separate from this, there is a veil of mystery that hangs over the horrid tale, behind which I dare not pry, but with the most trembling anxiety, but which will probably in a very short time be totally removed.

Your lordship, I am afraid, is but too well acquainted with the history of the correspondence between myself and my deceased lord. I was given to understand that the count de St. Julian was married to the daughter of the duke of Aranda. I thought I had but too decisive evidence of the veracity of the story. And you, my lord, I remember, were one of the witnesses by which it was confirmed. Yet how is this to be reconciled with the present catastrophe? Can I suppose that the count, after being settled in Spain, should have deserted these connections, in order to come over again to that country in which he had forfeited all pretensions to character and reputation, and to commence a quarrel so unjust and absurd, with the man to whom he was bound by so numerous obligations?

My lord, I have revolved all the circumstances that are communicated to me in your alarming letter. The oftener I peruse it, and the more maturely I consider them, the more does it appear that the count de St. Julian has all the manners of conscious innocence and injured truth. It is impossible for an impostor to have acted throughout with an air so intrepid and superior. Your lordship’s account, so far as it relates to the marquis, is probably the account of a friend, but it is impossible not to perceive, that his behavior derives no advantage from being contrasted with that of his antagonist.

You will readily believe, that it has cost me many efforts to assemble all these thoughts, and to deliver these reasonings in so connected a manner. At first my prejudices against the poor and unprotected stranger were so deeply rooted, that I had no suspicion of their injustice. I regarded the whole as a dream; I considered every circumstance as beyond the cognizance of reason, and founded entirely in madness and frenzy. I painted to myself the count de St. Julian, whom I had known for a character so tender and sincere, as urged along with all the stings of guilt, and agitated with all the furies of remorse. I at once pitied his sufferings, and lamented their mortal and destructive consequences. I regarded yourself and every person concerned in the melancholy affair, as actuated by the same irrational spirit, and united to overwhelm one poor, trembling, and defenseless woman.

But the delusion was of no long continuance. I soon perceived that it was impossible for a maniac to be suffered to proceed to so horrid extremities. I perceived in every thing that related to the count, a spirit very different from that of frenzy. It is thus that I have plunged from uncertainty to uncertainty. From adopting a solution wild and absurd, I am thrown back upon a darkness still more fearful, and am lost in conjectures of the most tremendous nature.

And where is it that I am obliged to refer my timid inquiries? Alas, I have no friend upon whose bosom to support myself, I have no relation to interest in my cause. I am forlorn, forsaken and desolate. By nature not formed for defense, not braced to encounter the storms of calamity, where shall I hide my unprotected head? Forgive me, my lord, if I am mistaken; pardon the ravings of a distracted mind. It is possible I am obliged to recur to him from whom all my misfortunes took their source, who has guided unseen all those movements to which this poor and broken heart is the sacrifice. Perhaps the words that now flow from my pen, are directed to the disturber of my peace, the interceptor of all that happiness most congenial to my heart, the murderer of my husband!

Where, in the mean time, where is this countess, this dreaded rival? You, my lord, have perhaps ere this time seen her. Tell me, what are those ineffable charms that seduced a heart which was once so constant? St. Julian was never mercenary, and I have a fortune that might have filled out his most unbounded wishes. What is that strange fascination, what that indescribable enchantment, that sunk a character so glorious, that libertines venerated, and the friends of virtue adored, to a depth so low and irretrievable? I have thought much of it, I have turned it every way in my mind, but I can never understand it. The more I reflect the further I am bewildered.

But whither am I wandering? What strange passion is it, that I so carefully suppressed, over which I so loudly triumphed, that now bursts its limits? How fatal and deplorable is that train of circumstances, that brings a name, that was once inscribed on my heart, to my remembrance, accompanied with attendants, that awaken all my tenderness, and breathe new life into each forgotten endearment! Is it for me, a wife, a mother, to entertain these guilty thoughts? And can they respect him by whose fatal hand my husband fell? How low is the once spotless Matilda della Colonna sunk!

But I will not give way to this dereliction and despair. I think my heart is not made of impenetrable stuff. I think I cannot long survive afflictions thus complicated, and trials thus severe. But so long as I remain in this world of calamity, I will endeavor to act in a manner not unworthy of myself. I will not disgrace the race from which I sprung. Whatever others may do, I will not dishonor the family to which I am united. I may be miserable, but I will not be guilty. I may be a monument of anguish, but I will not be an example of degeneracy.

Gracious heaven! if I have been deceived, what a train of artifice and fraud rushes upon my terrified recollection? How carefully have all my passions, in the unguarded hour of anguish and misery, been wrought and played upon? All the feelings of a simple and undissembling mind have been roused by turns, to excite me to a deed, from which rectitude starts back with horror, which integrity blushes to look on! And have I been this poor and abject tool in the hand of villains? And are there hearts cool and obdurate enough, to watch all the trembling starts of wretchedness, to seduce the heart that has given itself up to despair? Can they look on with frigid insensibility, can they behold distress with no other eye but that of interest, with no other watch but that which discovers how it may be disgraced for ever? Oh, wretched Matilda! whither, whither hast thou been plunged!

My memory is up in arms. I cannot now imagine how I was induced to so decisive and adventurous a step. But I was full of the anguish of disappointment, and the resentment of despair. How assiduously was I comforted? What sympathy, what angelic tenderness seemed to flow from the lips of him, in whose heart perhaps there dwelt every dishonorable and unsated passion? It was all a chaos. My heart was tumultuous hurry, without leisure for retrospect, without a moment for deliberation. And do I dare to excuse myself? Was I not guilty, unpardonably guilty? Oh, a mind that knew St. Julian should have waited for ages, should have revolved every circumstance a thousand times, should have disbelieved even the evidence of sense, and the demonstration of eternal truth! Accursed precipitation! Most wicked speed! No, I have not suffered half what I have deserved. Heap horrors on me, thou dreadful dispenser of avenging providence! I will not complain. I will expire in the midst of agonies without a groan!

But these thoughts must be banished from my heart for ever. Wretched as I am, I am not permitted the consolation of penitence, I am not free to accuse and torment myself. No, that step has been taken which can never be repealed. The marquis of Pescara was my husband, and whatever were his true character, I will not crush his memory and his fame. I have, I fear, unadvisedly entered into connections, and entailed upon myself duties. But these connections shall now be sacred; these duties shall be discharged to the minutest tittle. Oh, poor and unprotected orphan, thou art cast upon the world without a friend! But thou shalt never want the assiduity of a mother. Thou, at least, are guileless and innocent. Thou shalt be my only companion. To watch over thee shall be the sole amusement that Matilda will henceforth indulge herself. That thou wilt remind me of my errors, that I shall trace in thee gradually as thy years advance, the features of him to whom my unfortunate life owed all its color, will but make thee a more proper companion, an object more congenial to the sorrows of my soul.

From : TheAnarchistLibrary.org

(1756 - 1836)

Respected Anarchist Philosopher and Sociologist of the Enlightenment Era

: His most famous work, An Inquiry concerning Political Justice, appeared in 1793, inspired to some extent by the political turbulence and fundamental restructuring of governmental institutions underway in France. Godwin's belief is that governments are fundamentally inimical to the integrity of the human beings living under their strictures... (From: University of Pennsylvania Bio.)
• "Anarchy and darkness will be the original appearance. But light shall spring out of the noon of night; harmony and order shall succeed the chaos." (From: "Instructions to a Statesman," by William Godwin.)
• "Fickleness and instability, your lordship will please to observe, are of the very essence of a real statesman." (From: "Instructions to a Statesman," by William Godwin.)
• "Courts are so encumbered and hedged in with ceremony, that the members of them are always prone to imagine that the form is more essential and indispensable, than the substance." (From: "Instructions to a Statesman," by William Godwin.)

Chronology

Back to Top
An icon of a news paper.
January 5, 2021; 5:48:05 PM (UTC)
Added to http://revoltlib.com.

An icon of a red pin for a bulletin board.
January 17, 2022; 9:20:44 AM (UTC)
Updated on http://revoltlib.com.

Comments

Back to Top

Login to Comment

0 Likes
0 Dislikes

No comments so far. You can be the first!

Navigation

Back to Top
<< Last Entry in Italian Letters, Vols. I and II
Current Entry in Italian Letters, Vols. I and II
Volume 2, Letter 17
Next Entry in Italian Letters, Vols. I and II >>
All Nearby Items in Italian Letters, Vols. I and II
Home|About|Contact|Privacy Policy