Italian Letters, Vols. I and II — Volume 2, Letter 22 : The Answer, Cosenza

By William Godwin

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Untitled Anarchism Italian Letters, Vols. I and II Volume 2, Letter 22

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(1756 - 1836)

Respected Anarchist Philosopher and Sociologist of the Enlightenment Era

: His most famous work, An Inquiry concerning Political Justice, appeared in 1793, inspired to some extent by the political turbulence and fundamental restructuring of governmental institutions underway in France. Godwin's belief is that governments are fundamentally inimical to the integrity of the human beings living under their strictures... (From: University of Pennsylvania Bio.)
• "Courts are so encumbered and hedged in with ceremony, that the members of them are always prone to imagine that the form is more essential and indispensable, than the substance." (From: "Instructions to a Statesman," by William Godwin.)
• "Fickleness and instability, your lordship will please to observe, are of the very essence of a real statesman." (From: "Instructions to a Statesman," by William Godwin.)
• "Anarchy and darkness will be the original appearance. But light shall spring out of the noon of night; harmony and order shall succeed the chaos." (From: "Instructions to a Statesman," by William Godwin.)


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Volume 2, Letter 22

Letter XXII. The Answer, Cosenza

My lord, It is now three weeks since I received that letter, in which you renew the generous offer of your hand. Believe me, I am truly sensible of the obligation, and it shall for ever live in my grateful heart. I am not now the same Matilda you originally addressed. I have acted towards you in an inexcusable manner. I have forfeited that spotless character which was once my own. All this you knew, and all this did not deter you. My lord, for this generosity and oblivion, once again, and from the bottom of my heart, I thank you.

But it is not only in these respects, that the marchioness of Pescara differs from the daughter of the duke of Benevento. Those poor charms, my lord, which were once ascribed to me, have long been no more. The hand of grief is much more speedy and operative in its progress than the icy hand of age. Its wrinkles are already visible in my brow. The floods of tears I have shed have already furrowed my cheeks. But oh, my lord, it is not grief; that is not the appellation it claims. They are the pangs of remorse, they are the cries of never dying reproach with which I am agitated. Think how this tarnishes the heart and blunts the imagination. Think how this subdues all the aspirations of innocence, and unnerves all the exertions of virtue. Perhaps I was, flattery and friendship had at least taught me to think myself, something above the common level. But indeed, my lord, I am now a gross and a vulgar soul. All the nicer touches are fretted and worn away. All those little distinctions, those minuter delicacies I might once possess are obliterated. My heart is coarse and callous. Others, of the same standard that I am now, may have the same confidence in themselves, the same unconsciousness of a superior, as nature’s most favored children. But I am continually humbled by the sense of what I was.

These things, my lord, I mention as considerations that have some weight with me, and ought perfectly to reconcile you to my unalterable determination. But these, I will ingenuously confess, are not the considerations that absolutely decide me. You cannot but sufficiently recollect the title I bear, and the situation in which I am placed. The duties of the marchioness of Pescara are very different from those by which I was formerly bound. Does it become a woman of rank and condition to fling dishonor upon the memory of him to whom she gave her hand, or, as you have expressed it, to cast back the scandal to which she may be exposed upon the author with whom it originated? No, my lord: I must remember the family into which I have entered, and I will never give them cause to curse the day upon which Matilda della Colonna was numbered among them. What, a wife, a widow, to proclaim with her own mouth her husband for a villain? You cannot think it. It were almost enough to call forth the moldering ashes from the cincture of the tomb.

My lord, it would not become me to cast upon a name so virtuous and venerable as yours, the whisper of a blame. I will not pretend to argue with you the impropriety and offense of a Gothic revenge. But it is necessary upon a subject so important as that which now employs my pen, to be honest and explicit. It is not a time for compliment, it is not a moment for disguise and fluctuation. Whatever were the merits of the contest, I cannot forget that your hand is deformed with the blood of my husband. My lord, you have my sincerest good wishes. I bear you none of that ill will and covert revenge, that are equally the disgrace of reason and Christianity. But you have placed an unsuperable barrier between us. You have sunk a gulph, fathomless and immeasurable. For us to meet, would not be more contrary to the factitious dignity of rank, than shocking to the simple and unadulterated feelings of our nature. The world, the general voice would cry shame upon it. Propriety, decency, unchanged and eternal truth forbid it.

Yet once more. I have a son. He is all the consolation and comfort that is left me. To watch over his infancy is my most delightful, and most virtuous task. I have filled the character, neither of a mistress, nor a wife, in the manner my ambition aimed at. I have yet one part left, and that perhaps the most venerable of all, the part of a mother. Excellent, and exalted name! thee I will never disgrace! Not for one moment will I forget thee, not in one iota shalt thou be betrayed!

My lord, I write this letter in my favorite haunt, where indeed I pass hour after hour in the only pleasure that is left me, the nursery of my child. At this moment I cast my eyes upon him, and he answers me with the most artless and unapprehensive smile in the world. No, beloved infant! I will never injure thee! I will never be the author of thy future anguish! He seems, St. Julian, to solicit, that I would love him always, and behold him with an unaltered tenderness. Yes, my child, I will be always thy mother. From that character I will never derogate. That name shall never be lost in another, however splendid, or however attractive. Were I to hear you, my lord, they would tear him from my arms, and I should commend their justice. I should see him no more. These eyes would no longer be refreshed with that artless and adorable visage. I should no longer please myself with pouring the accents of my sorrow into his unconscious ear. Obdurate, unfeeling, relentless, unnatural mother! These would be the epithets by which I should best be known. These would be the sentiments of every heart. This would be the unbought voice, even of those vulgar souls, in which penury had most narrowed the conceptions, and repressed the enthusiasm of virtue. It is true, my lord, Matilda is sunk very low. The finger of scorn has pointed at her, and the whisper of unfeeling curiosity respecting her, has run from man to man. But yet it shall have its limits. My resolution is unalterable. To this I will never come.

My lord, among those arguments which you so well know how to urge, you have told me, that the cause you plead, is the cause of benevolence and charity. You say, that felicity would open our hearts, and teach our bosoms to overflow. But surely this is not the general progress of the human character. I had been taught to believe, and I hope I have found it true, that misfortune softens the disposition, and bids compassion take a deeper root. It shall be ever my aim, to make this improvement of those wasting sorrows, with which heaven has seen fit to visit me. For you, I am not to learn what is your generous and god like disposition. My lord, I will confess a circumstance, for which I know not whether I ought to blush. Animated by that sympathetic concern, which I once innocently took in all that related to you, I have made the most minute inquiries respecting your retreat at Leontini. I shall never be afraid, that the man, whose name dwells in the sweetest accents upon the lips of the distressed, and is the consolation and the solace of the helpless and the orphan, will degenerate into hardness. Go on, my lord! You are in the path of virtue. You are in the line that heaven chalked out for you. You will be the ornament of humanity, and your country’s boast to the latest posterity.

From : TheAnarchistLibrary.org

(1756 - 1836)

Respected Anarchist Philosopher and Sociologist of the Enlightenment Era

: His most famous work, An Inquiry concerning Political Justice, appeared in 1793, inspired to some extent by the political turbulence and fundamental restructuring of governmental institutions underway in France. Godwin's belief is that governments are fundamentally inimical to the integrity of the human beings living under their strictures... (From: University of Pennsylvania Bio.)
• "Courts are so encumbered and hedged in with ceremony, that the members of them are always prone to imagine that the form is more essential and indispensable, than the substance." (From: "Instructions to a Statesman," by William Godwin.)
• "Fickleness and instability, your lordship will please to observe, are of the very essence of a real statesman." (From: "Instructions to a Statesman," by William Godwin.)
• "Anarchy and darkness will be the original appearance. But light shall spring out of the noon of night; harmony and order shall succeed the chaos." (From: "Instructions to a Statesman," by William Godwin.)

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