Albert Camus

Fall, The

VI I’M EMBARASSED to be in bed when you arrive. It’s nothing, just a little fever that I’m treating with gin. I’m accustomed to these attacks. Malaria, I think, that I caught at the time I was pope. No, I’m only half joking. I know what you’re thinking: it’s very hard to disentangle the true from the false in what I’m saying. I admit you are right. I myself ... You see, a person I knew used to divide human beings into three categories: those who prefer having nothing to hide rather than being obliged to lie, those who prefer lying to having nothing to hide, and finally those who like both lying and the hidden. I’ll let you choose the pigeonhole that suits me. But what... (From: TheAnarchistLibrary.org.)

Happy Death, A

PART ONE: Natural Death Chapter One IT was ten in the morning, and Patrice Mersault was walking steadily towards Zagreus’ villa. By now the housekeeper had left for the market and the villa was deserted. It was a beautiful April morning, chilly and bright; the sky was radiant, but there was no warmth in the glistening sunshine. The empty road sloped up towards the villa, and a pure light streamed between the pines covering the hillside. Patrice Mersault was carrying a suitcase, and as he walked on through the primal morning, the only sounds he heard were the click of his own footsteps on the cold road and the regular creak of the suitcase handle. Not far from the villa, the road crossed a little square decorated with ... (From: TheAnarchistLibrary.org.)

Myth of Sisyphus, The : and Other Essays

Preface For me “The Myth of Sisyphus” marks the beginning of an idea which I was to pursue in The Rebel. It attempts to resolve the problem of suicide, as The Rebel attempts to resolve that of murder, in both cases without the aid of eternal values which, temporarily perhaps, are absent or distorted in contemporary Europe. The fundamental subject of “The Myth of Sisyphus” is this: it is legitimate and necessary to wonder whether life has a meaning; therefore it is legitimate to meet the problem of suicide face to face. The answer, underlying and appearing through the paradoxes which cover it, is this: even if one does not believe in God, suicide is not legitimate. Written fifteen years ago, in 1940, ... (From: TheAnarchistLibrary.org.)

Neither Victims Nor Executioners

November 30, 1946 Toward Dialogue Yes, we must raise our voices. Up to this point, I have refrained from appealing to emotion. We are being torn apart by a logic of history which we have elaborated in every detail — a net which threatens to strangle us. It is not emotion which can cut through the web of a logic which has gone to irrational lengths, but only reason which can meet logic on its own ground. But I should not want to leave the impression... that any program for the future can get along without our powers of love and indignation. I am well aware that it takes a powerful prime mover to get men into motion and that it is hard to throw one’s self into a struggle whose objectives are so modest and where hope has o... (From: TheAnarchistLibrary.org.)

Plague, The

PART II From now on, it can be said that plague was the concern of all of us. Hitherto, surprised as he may have been by the strange things happening around him, each individual citizen had gone about his business as usual, so far as this was possible. And no doubt he would have continued doing so. But once the town gates were shut, every one of us realized that all, the narrator included, were, so to speak, in the same boat, and each would have to adapt himself to the new conditions of life. Thus, for example, a feeling normally as individual as the ache of separation from those one loves suddenly became a feeling in which all shared alike and, together with fear, the greatest affliction of the long period of exile that lay ... (From: TheAnarchistLibrary.org.)

Rebel, The

Part Four: Rebellion and Art Art is the activity that exalts and denies simultaneously. "No artist tolerates reality," says Nietzsche. That is true, but no artist can get along without reality. Artistic creation is a demand for unity and a rejection of the world. But it rejects the world on account of what it lacks and in the name of what it sometimes is. Rebellion can be observed here in its pure state and in its original complexities. Thus art should give us a final perspective on the content of rebellion. The hostility to art shown by all revolutionary reformers must, however, be pointed out. Plato is moderately reasonable. He only calls in question the deceptive function of language and exiles only poets from his rep... (From: TheAnarchistLibrary.org.)

Reflections on the Guillotine

Part 1 Shortly before the war of 1914, an assassin whose crime was particularly repulsive (he had slaughtered a family of farmers, including the children) was condemned to death in Algiers. He was a farm worker who had killed in a sort of bloodthirsty frenzy but had aggravated his case by robbing his victims. The affair created a great stir. It was generally thought that decapitation was too mild a punishment for such a monster. This was the opinion, I have been told, of my father, who was especially aroused by the murder of the children. One of the few things I know about him, in any case, is that he wanted to witness the execution, for the first time in his life. He got up in the dark to go to the place of execution at the other en... (From: TheAnarchistLibrary.org.)

Stranger, The

VI IT was an effort waking up that Sunday morning; Marie had to jog my shoulders and shout my name. As we wanted to get into the water early, we didn't trouble about breakfast. My head was aching slightly and my first cigarette had a bitter taste. Marie told me I looked like a mourner at a funeral, and I certainly did feel very limp. She was wearing a white dress and had her hair loose. I told her she looked quite ravishing like that, and she laughed happily. On our way out we banged on Raymond's door, and he shouted that he'd be with us in a jiffy. We went down to the street and, because of my being rather under the weather and our having kept the blind down in my room, the glare of the morning sun hit me in the eyes ... (From: TheAnarchistLibrary.org.)

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Albert Camus

November 7, 1913 — ?

Entry 7104

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Fall, The

Happy Death, A

Myth of Sisyphus, The : and Other Essays

Neither Victims Nor Executioners

Plague, The

Rebel, The

Reflections on the Guillotine

Stranger, The

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