Levin emptied his glass, and they were silent for a while. "There’s one other thing I ought to tell you. Do you know Vronsky?" Stepan Arkadyevitch asked Levin. "No, I don’t. Why do you ask?" "Give us another bottle," Stepan Arkadyevitch directed the Tatar, who was filling up their glasses and fidgeting round them just when he was not wanted. "Why you ought to know Vronsky is that he’s one of your rivals." "Who’s Vronsky?" said Levin, and his face was suddenly transformed from the look of childlike ecstasy which Oblonsky had just been admiring to an angry and unpleasant expression. "Vronsky is one of the sons of Count Kirill Ivanovitch Vronsky, and one of the finest specimens of the gilded youth of Petersburg. I made his acquaintance in Tver when I was there on official business, and he came there for the levy of recruits. Fearfully rich, handsome, great connections, an aide-de-camp, and with all that...
The ResurrectionYes, it was Katiousha. The relations of Nekhludoff to Katiousha were the following: Nekhludoff first met Katiousha when he went to stay one summer out at the estate of his aunts in order that he might quietly prepare his thesis on the private ownership of land. Ordinarily he lived on the estate of his mother, near Moskow, with his mother and sister. But that year his sister married, and his mother went abroad. Nekhludoff had to write a composition in the course of his university studies, and decided to pass the summer at his aunts'. There in the woods it was quiet, and there was nothing to distract him from his studies. Besides, the aunts loved their nephew and heir, and he loved them, loved their old-fashioned way of living. During that summer Nekhludoff experienced that exaltation which youth comes to know not by the teaching of others, but when it naturally begins to recognize the beauty and importance of life, and man's serious place in i...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
A Tale of 1852The farther Olenin traveled from Central Russia the farther he left his memories behind, and the nearer he drew to the Caucasus the lighter his heart became. "I'll stay away for good and never return to show myself in society," was a thought that sometimes occurred to him. "These people whom I see here are NOT people. None of them know me and none of them can ever enter the Moscow society I was in or find out about my past. And no one in that society will ever know what I am doing, living among these people." And quite a new feeling of freedom from his whole past came over him among the rough beings he met on the road whom he did not consider to be PEOPLE in the sense that his Moscow acquaintances were. The rougher the people and the fewer the signs of civilization the freer he felt. Stavropol, through which he had to pass, irked him. The signboards, some of them even in French, ladies in carriages, cabs in the marketplace, and a gentleman wearing a fur cloak and tall hat who was...
A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)
FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. IN TWO VOLUMES. Vol. I New York: PRINTED FOR I. RILEY & Co. BOOK-SELLERS, NO. I, CITY HOTEL. 1805. PREFACE. YET another novel from the same pen, which has twice before claimed the patience in this form. The unequivocal indulgence which has been extended to my two former attempts, renders me doubly solicitous not to forfeit the kindness I have experienced. One caution I have particularly sought to exercise: "not to repeat, myself." Caleb Williams was a story of very surprising and uncomnmon events, but which were supposed to be entirely within the laws and established course of nature, as she operates in the planet we inhabit. The story of St. Leon is of the miraculous class; and its design...
A Comedy in Four ActsLEONÍD FYÓDORITCH ZVEZDÍNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish people with his wonderful stories. ANNA PÁVLOVNA ZVEZDÍNTSEVA. Wife of Leoníd. Stout; pretends to be young; quite taken up with the conventionalities of life; despises her husband, and blindly believes in her doctor. Very irritable. BETSY. Their daughter. A young woman of 20, fast, tries to be mannish, wears a pince-nez, flirts and giggles. Speaks very quickly and distinctly. VASÍLY LEONÍDITCH ZVEZDÍNTSEF. Their son, aged 25; has studied law, but has no definite occupation. Member of the Cycling Club, Jockey Club, and of the Society for Promoting the Breeding of Hounds. Enjoys perfect health, and has imperturbable self-assurance. Speaks loud...
“So we lived in the city. In the city the wretched feel less sad. One can live there a hundred years without being noticed, and be dead a long time before anybody will notice it. People have no time to inquire into your life. All are absorbed. Business, social relations, art, the health of children, their education. And there are visits that must be received and made; it is necessary to see this one, it is necessary to hear that one or the other one. In the city there are always one, two, or three celebrities that it is indispensable that one should visit. “Now one must care for himself, or care for such or such a little one, now it is the professor, the private tutor, the governesses, . . . and life is absolutely empty. In this activity we were less conscious of the sufferings of our cohabitation. Moreover, in the first of it, we had a superb occupation,—the arrangement of the new dwelling, and then, too, the moving from the city to the country, and from...
A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)
Godwin, William. Of Population. London: Longman, Hurst, Rees, Orme and Brown, Paternoster Row, 1820. CHAPTER IX. Paraguay To the examples which have now been detailed I cannot resist the inclination of adding the case of Paraguay, one of the most memorable establishments in the history of the world. The institutions of this portion of the New World emanated from a cultivated and learned fraternity, and whatever relates to them admits of an evidence the most complete and irresistible. The author of the Essay on Population passes over the affair of Paraguay in a smooth and quiet manner, with an incidental mention of half a page; a proceeding, I own, that appears to me a little suspicious, when I consider that the example of Paraguay would to many persons be alone sufficient to decide the question of Mr. Malthus's theory. Paraguay was a settlement formed by the Jesuits in the interior of South America on the banks of t...
In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
(A lecture presenting the negative side of the question, whose positive was argued under the heading "They who marry do well," by Dr. Henrietta P. Westbrook; both lectures delivered before the Radical Liberal League, Philadelphia, April 28, 1907.) LET ME make myself understood on two points, now, so that when discussion arises later, words may not be wasted in considering things not in question: First -How shall we measure doing well or doing ill; Second -What I mean by marriage. So much as I have been able to put together the pieces of the universe in my small head, there is no absolute right or wrong; there is only a relativity, depending on the consciously though very slowly altering condition of a social race in respect to the rest of t... (From : Anarchy Archives.)
I begin with an admission: Regardless of all political and economic theories, treating of the fundamental differences between various groups within the human race, regardless of class and race distinctions, regardless of all artificial boundary lines between woman's rights and man's rights, I hold that there is a point where these differentiations may meet and grow into one perfect whole. With this I do not mean to propose a peace treaty. The general social antagonism which has taken hold of our entire public life today, brought about through the force of opposing and contradictory interests, will crumble to pieces when the reorganization of our social life, based upon the principles of economic justice, shall have become a reality. Peace o... (From : Anarchy Archives.)