Browsing Revolt Library By Tag : dramatic

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DENVER is not unlike a prison. Its inhabitants, too, have been sent there "to do time." That which makes the position of the prisoner preferable, is the consolation that the State will feed him and that some day his time will expire. The majority of Denverites have no such cheerful outlook, Although arriving there with hopes of a speedy return, it's usually imprisonment for life. We all know the paralyzing effect of the daily grind for existence, even for most of us who can boast an average physique. How much more paralyzing must it be for those who go to Denver as a last resort to rescue life from its downward path? Under such conditions and in such an atmosphere people are not interested in abstract ideas. "To hell with Bebel's speech," s... (From : Anarchy Archives.)


Few writers have established their reputation so rapidly as Maxím Górky. His first sketches (1892-95), were published in an obscure provincial paper of the Caucasus, and were totally unknown to the literary world, but when a short tale of his appeared in a widely-read review, edited by Korolénko, it at once attracted general attention. The beauty of its form, its artistic finish, and the new note of strength and courage which rang through it, brought the young writer immediately into prominence. It became known that Maxím Górky was the pen-name of quite a young man, A. Pyeshkoff, who was born in 1868 in Nizhni Novgorod, a large town on the Volga; that his father was a merchant, or an artisan, his mother a ... (From : University of Virginia Library.)


THE MODERN DRAMA A POWERFUL DISSEMINATOR OF RADICAL THOUGHT SO LONG as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the ... (From : Anarchy Archives.)

Emma Goldman, The Social Significance of the Modern Drama (Boston: Richard G. Badger, 1914; The Gorham Press, Boston, U.S.A.) THE GERMAN DRAMA: GERHART HAUPTMANN LONELY LIVES GERHART HAUPTMANN is the dramatist of whom it may be justly said that he revolutionized the spirit of dramatic art in Germany: the last Mohican of a group of four-Ibsen, Strindberg, Tolstoy, and Hauptmann-who illumined the horizon of the nineteenth century. Of these Hauptmann, undoubtedly the most human, is also the most universal. It is unnecessary to make comparisons between great artists: life is sufficiently complex to give each his place in the great scheme of things. If, then, I consider Hauptmann more human, it is because of his deep kinship with every stratum of life. While Ibsen deals exclusively with one attitude, Hauptmann embraces all, understands all, and portrays all,...


Transcriber's Note Obvious typographical errors have been corrected in this text. For a complete list, please see the bottom of this document. Tolstoy on Shakespeare Tolstoy on Shakespeare A critical Essay on Shakespeare By LEO TOLSTOY Translated by V. Tchertkoff and I. F. M. Followed by Shakespeare's Attitude to the Working Classes By ERNEST CROSBY And a Letter From G. BERNARD SHAW NEW YORK & LONDON FUNK & WAGNALLS COMPANY 1906 This Volume is issued by arrangement with V. Tchertkoff, sole literary representative of Leo Tolstoy outside Russia, and Editor of "The Free Age Press," Christchurch, Hants. no rights reserved Published, November, 1906 CONTENTS PART I... (From : Gutenberg.org.)

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