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A Tale of 1852
Produced by Steve Harris, Charles Franks and the Online Distributed Proofreading Team. THE COSSACKS A Tale of 1852 By Leo Tolstoy (1863) Translated by Louise and Aylmer Maude Chapter I All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a f... (From : Gutenberg.org.)


DAMON AND DELIA: A TALE. --NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STEET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humour. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART (From : Gutenberg.org.)


FABLES FOR CHILDREN ⚘ STORIES FOR CHILDREN ⚘ NATURAL SCIENCE STORIES ⚘ POPULAR EDUCATION ⚘ DECEMBRISTS ⚘ MORAL TALES ⚘ ⚘ ⚘ By COUNT LEV N. T́OLSTÓY Translated from the Original Russian and Edited by LEO WIENER Assistant Professor of Slavic Languages at Harvard University BOSTON ⚘ DANA ESTES & COMPANY ⚘ PUBLISHERS EDITION DE LUXE Limited to One Thousand Copies, of which this is No. 411 Copyright, 1904By Dana Estes & Company Entered at Stationers' Hall Colonial Press: Electrotyped and Printed by C. H. Simonds & Co., Boston, Mass., U. S. A. CONTENTS PAGE FABLES FOR CHILDREN Æsop's Fables ... (From : Gutenberg.org.)

FLEETWOOD; or, THE NEW MAN OF FEELING. ____ by WILLIAM GODWIN. CHAPTER II      The proper topic of the narrative I am writing is the record of my errors, To write it, is the act of my pentinence and humiliation. I can expect however few persons to interest themselves respecting my errors, unless they are first informed what manner of man I am, what were my spontaneous and native dispositions, and whether I am such a one as that my errors are worthy of commiseration and pity. This must be my apology for the topic I am here to introduce, a topic on which all ingenous minds are disposed to be silent, and which shall in this place be passed over as flightly as possible, my beneficence and charities. I was fond of penetrating into the cottages of the poor. I should be greatly unjust to myself, if I suffered the reader to suppose that the wild eleva...

From: William Godwin (1784). Imogen: A Pastorial Romance From the Ancient British. PREFACE If we could allow ourselves in that license of conjecture, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous and well-bred acknowledgement of the source from whence he drew his choicest materials.  But notwithstanding the plausibility of these conjectures, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in hi...


I It happened in the ‘seventies in winter, on the day after St. Nicholas’s Day. There was a fete in the parish and the innkeeper, Vasili Andreevich Brekhunov, a Second Guild merchant, being a church elder had to go to church, and had also to entertain his relatives and friends at home. But when the last of them had gone he at once began to prepare to drive over to see a neighboring proprietor about a grove which he had been bargaining over for a long time. He was now in a hurry to start, lest buyers from the town might forestall him in making a profitable purchase. The youthful landowner was asking ten thousand rubles for ... (From : Gutenberg.org.)

Emma Goldman, The Social Significance of the Modern Drama (Boston: Richard G. Badger, 1914; The Gorham Press, Boston, U.S.A.) THE SCANDINAVIAN DRAMA: HENRIK IBSEN GHOSTS THE social and revolutionary significance of Henrik Ibsen is brought out with even greater force in "Ghosts" than in his preceding works. Not only does this pioneer of modern dramatic art undermine in "Ghosts" the Social Lie and the paralyzing effect of Duty, but the uselessness and evil of Sacrifice, the dreary Lack of Joy and of Purpose in Work are brought to light as most pernicious and destructive elements in life. Mrs. Alving, having made what her family called a most admirable match, discovers shortly after her marriage that her husband is a drunkard and a roué. In her despair she flees to her young friend...


Transcriber's Note Obvious typographical errors have been corrected in this text. For a complete list, please see the bottom of this document. Tolstoy on Shakespeare Tolstoy on Shakespeare A critical Essay on Shakespeare By LEO TOLSTOY Translated by V. Tchertkoff and I. F. M. Followed by Shakespeare's Attitude to the Working Classes By ERNEST CROSBY And a Letter From G. BERNARD SHAW NEW YORK & LONDON FUNK & WAGNALLS COMPANY 1906 This Volume is issued by arrangement with V. Tchertkoff, sole literary representative of Leo Tolstoy outside Russia, and Editor of "The Free Age Press," Christchurch, Hants. no rights reserved Published, November, 1906 CONTENTS (From : Gutenberg.org.)

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