Browsing By Tag "servant"
Browsing By Tag "servant"
At the end of the evening Kitty told her mother of her conversation with Levin, and in spite of all the pity she felt for Levin, she was glad at the thought that she had received an offer. She had no doubt that she had acted rightly. But after she had gone to bed, for a long while she could not sleep. One impression pursued her relentlessly. It was Levin’s face, with his scowling brows, and his kind eyes looking out in dark dejection below them, as he stood listening to her father, and glancing at her and at Vronsky. And she felt so sorry for him that tears came into her eyes. But immediately she thought of the man for whom she had given him up. She vividly recalled his manly, resolute face, his noble self-possession, and the good nature conspicuous in everything towards everyone. She remembered the love for her of the man she loved, and once more all was gladness in her soul, and she lay on the pillow, smiling with happiness. "I’m sorry, I’m sorry; but...
The ResurrectionFinally Matvei Nikitich arrived, and the usher, a long-necked and lean man, with a sideling gait and protruding lower lip, entered the jury-room. The usher was an honest man, with a university education, but he could not hold any employment on account of his tippling habit. A countess, his wife's patroness, had obtained him his present position three months ago; he still retained it, and was exceedingly glad. "Are you all here, gentlemen?" he asked, putting on his pince-nez and looking through it. "I think so," said the cheerful merchant. "Let us see," said the usher, and drawing a sheet of paper from his pocket, began to call the names of the jury, looking at those that responded to their names now through his pince-nez, now over it. "Counsilor of State E. M. Nikiforoff." "Here," said the portly gentleman, who was familiar with all the litigations. "Retired Colonel Ivan Semionovich Ivanoff." "Present," answered...
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV. DREAMS XVI. "KEEP ON GRINDING, AND YOU’LL HAVE FLOUR&rdq... (From : Gutenberg.org.)
I. Why does a spider sometimes make a close cobweb, and sit in the very middle of its nest, and at other times leave its nest and start a new spider-web? The spider makes its cobweb according to the weather, both the present and the future weather. Looking at a spider, you can tell what kind of weather it is going to be: if it sits tightly in the middle of the cobweb and does not come out, it means that it is going to rain. If it leaves the nest and makes new cobwebs, it is going to clear off. How can the spider know in advance what weather it is going to be? The spider's senses are so fine that as soon as the moisture begins to gather in the air,—though we do not yet feel it, and for us the weather is clear,—for the spider it is already raining. Just as a naked man will feel the moisture, when a man in his clothes does not, so it is already raining for a spider, while for us it is only getting ready to rain. II.
The soldiers were bearing the wounded on stretchers, and supporting them by their arms. It was completely dark in the streets; now and then, a rare light flashed in the hospital or from the spot where the officers were seated. The same thunder of cannon and exchange of rifle-shots was borne from the bastions, and the same fires flashed against the dark heavens. Now and then, you could hear the trampling hoofs of an orderly's horse, the groan of a wounded man, the footsteps and voices of the stretcher-bearers, or the conversation of some of the frightened female inhabitants, who had come out on their porches to view the cannonade. Among the latter were our acquaintances Nikita, the old sailor's widow, with whom he had already made his peace, and her ten-year-old daughter. “Lord, Most Holy Mother of God!” whispered the old woman to herself with a sigh, as she watched the bombs, which, like balls of fire, sailed incessantly from one side to the other. “What...
FRANK WEDEKIND THE AWAKENING OF SPRING Frank Wedekind is perhaps the most daring dramatic spirit in Germany. Coming to the fore much later than Sudermann and Hauptmann, he did not follow in their path, but set out in quest of new truths. More boldly than any other dramatist Frank Wedekind has laid bare the shams of morality in reference to sex, especially attacking the ignorance surrounding the sex life of the child and its resultant tragedies. Wedekind became widely known through his great drama "The Awakening of Spring," which he called a tragedy of childhood, dedicating the work to parents and teachers. Verily an appropriate dedication, because parents and teachers are, in relation to the child's needs, the most ignorant and mentally indolent class. Needless to say, this element entirely failed to grasp the social significance of Wedekind's work. On the contrary, they saw in it an invasion of their tradi. tional authority and an outrage on the sa...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...
Then Simon said to Michael: “Well, we have taken the work, but we must see we don’t get into trouble over it. The leather is dear, and the gentleman hot-tempered. We must make no mistakes. Come, your eye is truer and your hands have become nimbler than mine, so you take this measure and cut out the boots. I will finish off the sewing of the vamps.” Michael did as he was told. He took the leather, spread it out on the table, folded it in two, took a knife and began to cut out. Matryona came and watched him cutting, and was surprised to see how he was doing it. Matryona was accustomed to seeing boots made, and she looked and saw that Michael was not cutting the leather for boots, but was cutting it round. She wished to say something, but she thought to herself: “Perhaps I do not understand how gentleman’s boots should be made. I suppose Michael knows more about it—and I won’t interfere.” When Michael had...