Vronsky had not even tried to sleep all that night. He sat in his armchair, looking straight before him or scanning the people who got in and out. If he had indeed on previous occasions struck and impressed people who did not know him by his air of unhesitating composure, he seemed now more haughty and self-possessed than ever. He looked at people as if they were things. A nervous young man, a clerk in a law court, sitting opposite him, hated him for that look. The young man asked him for a light, and entered into conversation with him, and even pushed against him, to make him feel that he was not a thing, but a person. But Vronsky gazed at him exactly as he did at the lamp, and the young man made a wry face, feeling that he was losing his self-possession under the oppression of this refusal to recognize him as a person. Vronsky saw nothing and no one. He felt himself a king, not because he believed that he had made an impression on Anna—he did not yet...
The ResurrectionWhen with a rattling of chains the cell door was unlocked and Maslova admitted, all eyes were turned toward her. Even the chanter's daughter stopped for a moment and looked at her with raised eyebrows, but immediately resumed walking with long, resolute strides. Korableva stuck her needle into the sack she was sewing and gazed inquiringly through her glasses at Maslova. "Ah me! So she has returned," she said in a hoarse basso voice. "And I was sure she would be set right. She must have got it." She removed her glasses and placed them with her sewing beside her. "I have been talking with auntie, dear, and we thought that they might discharge you at once. They say it happens. And they sometimes give you money, if you strike the right time," the watch-woman started in a singing voice. "What ill-luck! It seems we were wrong. God has His own way, dear," she went on in her caressing and melodious voice. "It is possible that they convicted y...
Boyhood, by Leo Tolstoy
Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)
Wild fowls are called pheasants in the Caucasus. There are so many of them that they are cheaper there than tame chickens. Pheasants are hunted with the "hobby," by scaring up, and from under dogs. This is the way they are hunted with the "hobby." They take a piece of canvas and stretch it over a frame, and in the middle of the frame they make a cross piece. They cut a hole in the canvas. This frame with the canvas is called a hobby. With this hobby and with the gun they start out at dawn to the forest. The hobby is carried in front, and through the hole they look out for the pheasants. The pheasants feed at daybreak in the clearings. At times it is a whole brood,—a hen with all her chicks, and at others a cock with his hen, or several cocks together. The pheasants do not see the man, and they are not afraid of the canvas and let the hunter come close to them. Then the hunter puts down the hobby, sticks his gun through the rent, and shoots at whichever bird he please...
The soldiers were bearing the wounded on stretchers, and supporting them by their arms. It was completely dark in the streets; now and then, a rare light flashed in the hospital or from the spot where the officers were seated. The same thunder of cannon and exchange of rifle-shots was borne from the bastions, and the same fires flashed against the dark heavens. Now and then, you could hear the trampling hoofs of an orderly's horse, the groan of a wounded man, the footsteps and voices of the stretcher-bearers, or the conversation of some of the frightened female inhabitants, who had come out on their porches to view the cannonade. Among the latter were our acquaintances Nikita, the old sailor's widow, with whom he had already made his peace, and her ten-year-old daughter. “Lord, Most Holy Mother of God!” whispered the old woman to herself with a sigh, as she watched the bombs, which, like balls of fire, sailed incessantly from one side to the other. “What...
THE SCANDINAVIAN DRAMA In a letter to George Brandes, shortly after the Paris Commune, Henrik Ibsen wrote concerning the State and political liberty: "The State is the curse of the individual. How has the national strength of Prussia been purchased? By the sinking of the individual in a political and geographical formula. . . . The State must go! That will be a revolution which will find me on its side. Undermine the idea of the State, set up in its place spontaneous action, and the idea that spiritual relationship is the only thing that makes for unity, and you will start the elements of a liberty which will be something worth possessing." The State was not the only bête noire of Henrik Ibsen. Every other institution which, like the State, rests upon a lie, was an iniquity to him. Uncompromising demolisher of all false idols and dynamiter of all social shams and hypocrisy, Ibsen consistently strove to uproot every stone of our so...
Its Nature, Object, and Destiny
The Revolution of February raised two leading questions: one economic, the question of labor and property; the other political, the question of government or the State. On the first of these questions the socialistic democracy is substantially in accord. They admit that it is not a question of the seizure and division of property, or even of its repurchase. Neither is it a question of dishonorably levying additional taxes on the wealthy and property-holding classes, which, while violating the principle of property recognized in the constitution, would serve only to overturn the general economy and aggravate the situation of the proletariat. The economic reform consists, on the one hand, in opening usurious credit to competition and thereby ... (From : proudhonlibrary.org.)
A Critical Essay on ShakespeareSuch is this celebrated drama. However absurd it may appear in my rendering (which I have endeavored to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time—if he were not under the hypnotic suggestion that this drama is the height of perfection—it would be enough to read it to its end (were he to have sufficient patience for this) to be convinced that far from being the height of perfection, it is a very bad, carelessly composed production, which, if it could have been of interest to a certain public at a certain time, can not evoke among us anything but aversion and weariness. Every reader of our time, who is free from the influence of suggestion, will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless, dramatized tales, "Pericles," "Twelfth Night," "The Tempest," "Cymbeline," "Troilus and Cressida." But such free-minded i...
A shoemaker named Simon, who had neither house nor land of his own, lived with his wife and children in a peasant’s hut, and earned his living by his work. Work was cheap, but bread was dear, and what he earned he spent for food. The man and his wife had but one sheepskin coat between them for winter wear, and even that was torn to tatters, and this was the second year he had been wanting to buy sheep-skins for a new coat. Before winter Simon saved up a little money: a three-ruble note lay hidden in his wife’s box, and five rubles and twenty kopecks were owed him by customers in the village. So one morning he prepared to go to the village to buy the sheep-skins. He put on over his shirt his wife’s wadded nankeen jacket, and over that he put his own cloth coat. He took the three-ruble note in his pocket, cut himself a stick to serve as a staff, and started off after breakfast. “I’ll collect the five rubles that are due to me,” thought he,...